The Ones Below (2016)
| Theatrical Performance | ||
| Domestic Box Office | $12,488 | Details |
| International Box Office | $95,903 | Details |
| Worldwide Box Office | $108,391 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $59,897 | |
| Blu-ray Sales (estimated) | $30,165 | |
| Total | $90,062 | |
| OpusData ID: 255150100 More info... | ||
| Further financial details... | ||
Synopsis
Kate and Justin live in the upstairs flat of a London house. Thirty-something, successful and affluent, they are expecting their first baby. All appears well on the surface though Kate harbors deep-rooted fears about her fitness to be a mother and her ability to love her child. One day, another couple, Jon and Theresa, move in to the empty apartment below. They are also expecting a baby and, in stark contrast to Kate, Theresa is full of joy at the prospect of imminent motherhood. Pregnancy brings the women together in a blossoming friendship as Kate becomes entranced by Theresa’s unquestioning celebration of her family-to-be. Everything changes one night at a dinner party in Kate and Justin’s flat. Kate begins to sense that all is not as it seems with the couple below. Then a tragic accident throws the couples into a nightmare and a reign of psychological terror begins.
Metrics
| Opening Weekend: | $5,191 (41.6% of total gross) |
| Legs: | 2.41 (domestic box office/biggest weekend) |
| Domestic Share: | 11.5% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/4 max. theaters, 1.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $17,270 |
Movie Details
| Domestic Releases: | May 27th, 2016 (Limited) by Magnolia Pictures |
| International Releases: | March 11th, 2016 (Wide), released as Ones Below, The (United Kingdom)
March 24th, 2017 (Wide) (France) |
| Video Release: | September 6th, 2016 by Magnolia Home Entertainment |
| MPA Rating: | R for language, some sexuality and nudity. (Rating bulletin 2421 (Cert #50425), 4/20/2016) |
| Running Time: | 86 minutes |
| Geographical setting: | England, Germany, London |
| Plot point: | Faked Suicide, Infertility, Kidnap, Neighbors from Hell, Non-Chronological, Revenge, Suicide, Troubled Pregnancy or Miscarriage |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Magnolia Pictures, BBC Films, BFI, Protagonist Pictures, Cuba Pictures, Tigerlily Films |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 27, 2016 | 57 | $5,191 | 4 | $1,298 | $5,191 | 1 | |
| Jun 3, 2016 | 76 | $1,438 | -72% | 2 | $719 | $9,885 | 2 |
| Jun 10, 2016 | 88 | $1,002 | -30% | 1 | $1,002 | $12,089 | 3 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 27, 2016 | 64 | $8,447 | 4 | $2,112 | $8,447 | 1 | |
| Jun 3, 2016 | 81 | $2,640 | -69% | 2 | $1,320 | $11,087 | 2 |
| Jun 10, 2016 | 95 | $1,401 | -47% | 1 | $1,401 | $12,488 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| France | 3/24/2017 | $66,090 | 0 | 0 | 0 | $66,090 | 6/27/2018 | |||
| United Kingdom | 3/11/2016 | $10,056 | 11 | 16 | 36 | $29,813 | 6/9/2016 | |||
| International Total | $95,903 | 6/27/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Clémence Poésy | Kate | |
| David Morrissey | Jon |
Supporting
| Stephen Campbell Moore | Justin | |
| Laura Birn | Theresa | |
| Deborah Findlay | Tessa | |
| Jonathan Harden | Mark |
Production and Technical Credits
| David Farr | Director | |
| David Farr | Screenwriter | |
| Nikki Parrott | Producer | |
| Dixie Linder | Executive Producer | |
| Nick Marston | Executive Producer | |
| Ben Hall | Executive Producer | |
| Christine Langan | Executive Producer | |
| Joe Oppenheimer | Executive Producer | |
| Lizzie Francke | Executive Producer | |
| Nigel Williams | Executive Producer | |
| Yvonne Isimeme Ibazebo | Line Producer | |
| Leo Davis | Casting Director | |
| Lissy Holm | Casting Director | |
| Ed Rutherford | Director of Photography | |
| Chris Wyatt | Editor | |
| Adem Ilhan | Composer | |
| Francesca Di Mottola | Production Designer | |
| Sarah Blenkinsop | Costume Designer | |
| Sue Wyburgh | Make-up and Hair Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Kate and Justin live in the upstairs flat of a London house. Thirty-something, successful and affluent, they are expecting their first baby. All appears well on the surface though Kate harbors deep-rooted fears about her fitness to be a mother and her ability to love her child. One day, another couple, Jon and Theresa, move in to the empty apartment below. They are also expecting a baby and, in stark contrast to Kate, Theresa is full of joy at the prospect of imminent motherhood. Pregnancy brings the women together in a blossoming friendship as Kate becomes entranced by Theresa’s unquestioning celebration of her family-to-be. Everything changes one night at a dinner party in Kate and Justin’s flat. Kate begins to sense that all is not as it seems with the couple below. Then a tragic accident throws the couples into a nightmare and a reign of psychological terror begins.
Metrics
| Opening Weekend: | $5,191 (41.6% of total gross) |
| Legs: | 2.41 (domestic box office/biggest weekend) |
| Domestic Share: | 11.5% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/4 max. theaters, 1.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $17,270 |
Movie Details
| Domestic Releases: | May 27th, 2016 (Limited) by Magnolia Pictures |
| International Releases: | March 11th, 2016 (Wide), released as Ones Below, The (United Kingdom)
March 24th, 2017 (Wide) (France) |
| Video Release: | September 6th, 2016 by Magnolia Home Entertainment |
| MPA Rating: | R for language, some sexuality and nudity. (Rating bulletin 2421 (Cert #50425), 4/20/2016) |
| Running Time: | 86 minutes |
| Geographical setting: | England, Germany, London |
| Plot point: | Faked Suicide, Infertility, Kidnap, Neighbors from Hell, Non-Chronological, Revenge, Suicide, Troubled Pregnancy or Miscarriage |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Magnolia Pictures, BBC Films, BFI, Protagonist Pictures, Cuba Pictures, Tigerlily Films |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 27, 2016 | 57 | $5,191 | 4 | $1,298 | $5,191 | 1 | |
| Jun 3, 2016 | 76 | $1,438 | -72% | 2 | $719 | $9,885 | 2 |
| Jun 10, 2016 | 88 | $1,002 | -30% | 1 | $1,002 | $12,089 | 3 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 27, 2016 | 64 | $8,447 | 4 | $2,112 | $8,447 | 1 | |
| Jun 3, 2016 | 81 | $2,640 | -69% | 2 | $1,320 | $11,087 | 2 |
| Jun 10, 2016 | 95 | $1,401 | -47% | 1 | $1,401 | $12,488 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| France | 3/24/2017 | $66,090 | 0 | 0 | 0 | $66,090 | 6/27/2018 | |||
| United Kingdom | 3/11/2016 | $10,056 | 11 | 16 | 36 | $29,813 | 6/9/2016 | |||
| International Total | $95,903 | 6/27/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Clémence Poésy | Kate | |
| David Morrissey | Jon |
Supporting
| Stephen Campbell Moore | Justin | |
| Laura Birn | Theresa | |
| Deborah Findlay | Tessa | |
| Jonathan Harden | Mark |
Production and Technical Credits
| David Farr | Director | |
| David Farr | Screenwriter | |
| Nikki Parrott | Producer | |
| Dixie Linder | Executive Producer | |
| Nick Marston | Executive Producer | |
| Ben Hall | Executive Producer | |
| Christine Langan | Executive Producer | |
| Joe Oppenheimer | Executive Producer | |
| Lizzie Francke | Executive Producer | |
| Nigel Williams | Executive Producer | |
| Yvonne Isimeme Ibazebo | Line Producer | |
| Leo Davis | Casting Director | |
| Lissy Holm | Casting Director | |
| Ed Rutherford | Director of Photography | |
| Chris Wyatt | Editor | |
| Adem Ilhan | Composer | |
| Francesca Di Mottola | Production Designer | |
| Sarah Blenkinsop | Costume Designer | |
| Sue Wyburgh | Make-up and Hair Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.