Predestination (2014)
| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| International Box Office | $5,386,852 | Details |
| Worldwide Box Office | $5,386,852 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $879,007 | |
| Blu-ray Sales (estimated) | $1,085,078 | |
| Total | $1,964,085 | |
| OpusData ID: 202390100 More info... | ||
| Further financial details... | ||
Synopsis
A Temporal Agent is sent on an intricate series of time-travel journeys designed to prevent future killers from committing their crimes. Now, on his final assignment, the Agent must stop the one criminal that has eluded him throughout time and prevent a devastating attack in which thousands of lives will be lost.
Metrics
Movie Details
| Domestic Releases: | January 9th, 2015 (Limited) by Sony Pictures |
| International Releases: | August 29th, 2014 (Wide) (Australia)
January 9th, 2015 (Wide) (South Korea) January 9th, 2015 (Wide) (China) March 6th, 2015 (Wide) (Taiwan) March 27th, 2015 (Wide) (Hong Kong) ... Show all releases |
| Video Release: | February 10th, 2015 by Sony Pictures Home Entertainment |
| MPA Rating: | R for violence, some sexuality, nudity and language. (Rating bulletin 2305, 1/15/2014) |
| Running Time: | 97 minutes |
| Cast, crew, or production detail: | Family Affair, Unnamed Character |
| Plot point: | Abandoned Child, Intersex, Kidnap, New York Yankees, Non-Chronological, One Last Job, Romancing Yourself, Sex Change, Surprise Twist, Time Travel |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Social setting: | Orphanage |
| Time period setting: | 1940s, 1950s, 1960s, 1970s, 1980s, 1990s |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Blacklab, Wolfhouse Productions |
| Production Countries: | Australia |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 8/29/2014 | $188,339 | 49 | 50 | 217 | $682,280 | 10/11/2017 | |||
| China | 1/9/2015 | $1,040,000 | 11,415 | 11,415 | 11,415 | $1,730,000 | 8/28/2018 | |||
| Hong Kong | 3/27/2015 | $82,352 | 25 | 25 | 41 | $150,001 | 11/26/2018 | |||
| Italy | 7/1/2015 | $242,394 | 0 | 193 | 319 | $743,193 | 11/7/2018 | |||
| South Korea | 1/9/2015 | $320,656 | 0 | 33 | 99 | $117,950 | 4/4/2026 | |||
| Taiwan | 3/6/2015 | $64,177 | 35 | 35 | 80 | $224,831 | 11/2/2018 | |||
| Rest of World | $1,738,597 | |||||||||
| International Total | $5,386,852 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Ethan Hawke | The Bartender |
Supporting
| Sarah Snook | The Unmarried Mother | |
| Noah Taylor | Mr. Robertson | |
| Christopher Kirby | Agent Miles | |
| Madeleine West | Mrs. Stapleton | |
| Freya Stafford | Alice | |
| Cate Wolfe | Beth Fetherage | |
| Chris Somers | Mr. Miller | |
| Kuni Hashimoto | Dr. Fujimoto | |
| Tyler Coppin | Dr. Heinlein | |
| Arielle O'Neill* | Nauseous Girl |
Production and Technical Credits
| Michael Spierig | Director | |
| Peter Spierig | Director | |
| Michael Spierig | Screenwriter | |
| Peter Spierig | Screenwriter | |
| Robert A. Heinlein | Story Creator | |
| Paddy McDonald | Producer | |
| Tim McGahan | Producer | |
| Peter Spierig | Producer | |
| Michael Spierig | Producer | |
| Michael Burton | Executive Producer | |
| Gary Hamilton | Executive Producer | |
| Matt Kennedy | Executive Producer | |
| James M. Vernon | Executive Producer | |
| Ben Nott | Director of Photography | |
| Matthew Putland | Production Designer | |
| Matt Villa | Editor | |
| Wendy Cork | Costume Designer | |
| Steve Boyle | Special Makeup Effects Designer | |
| Peter Spierig | Composer | |
| Maura Fay | Casting Director | |
| Leigh Pickford | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A Temporal Agent is sent on an intricate series of time-travel journeys designed to prevent future killers from committing their crimes. Now, on his final assignment, the Agent must stop the one criminal that has eluded him throughout time and prevent a devastating attack in which thousands of lives will be lost.
Metrics
Movie Details
| Domestic Releases: | January 9th, 2015 (Limited) by Sony Pictures |
| International Releases: | August 29th, 2014 (Wide) (Australia)
January 9th, 2015 (Wide) (South Korea) January 9th, 2015 (Wide) (China) March 6th, 2015 (Wide) (Taiwan) March 27th, 2015 (Wide) (Hong Kong) ... Show all releases |
| Video Release: | February 10th, 2015 by Sony Pictures Home Entertainment |
| MPA Rating: | R for violence, some sexuality, nudity and language. (Rating bulletin 2305, 1/15/2014) |
| Running Time: | 97 minutes |
| Cast, crew, or production detail: | Family Affair, Unnamed Character |
| Plot point: | Abandoned Child, Intersex, Kidnap, New York Yankees, Non-Chronological, One Last Job, Romancing Yourself, Sex Change, Surprise Twist, Time Travel |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Social setting: | Orphanage |
| Time period setting: | 1940s, 1950s, 1960s, 1970s, 1980s, 1990s |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Blacklab, Wolfhouse Productions |
| Production Countries: | Australia |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 8/29/2014 | $188,339 | 49 | 50 | 217 | $682,280 | 10/11/2017 | |||
| China | 1/9/2015 | $1,040,000 | 11,415 | 11,415 | 11,415 | $1,730,000 | 8/28/2018 | |||
| Hong Kong | 3/27/2015 | $82,352 | 25 | 25 | 41 | $150,001 | 11/26/2018 | |||
| Italy | 7/1/2015 | $242,394 | 0 | 193 | 319 | $743,193 | 11/7/2018 | |||
| South Korea | 1/9/2015 | $320,656 | 0 | 33 | 99 | $117,950 | 4/4/2026 | |||
| Taiwan | 3/6/2015 | $64,177 | 35 | 35 | 80 | $224,831 | 11/2/2018 | |||
| Rest of World | $1,738,597 | |||||||||
| International Total | $5,386,852 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Ethan Hawke | The Bartender |
Supporting
| Sarah Snook | The Unmarried Mother | |
| Noah Taylor | Mr. Robertson | |
| Christopher Kirby | Agent Miles | |
| Madeleine West | Mrs. Stapleton | |
| Freya Stafford | Alice | |
| Cate Wolfe | Beth Fetherage | |
| Chris Somers | Mr. Miller | |
| Kuni Hashimoto | Dr. Fujimoto | |
| Tyler Coppin | Dr. Heinlein | |
| Arielle O'Neill* | Nauseous Girl |
Production and Technical Credits
| Michael Spierig | Director | |
| Peter Spierig | Director | |
| Michael Spierig | Screenwriter | |
| Peter Spierig | Screenwriter | |
| Robert A. Heinlein | Story Creator | |
| Paddy McDonald | Producer | |
| Tim McGahan | Producer | |
| Peter Spierig | Producer | |
| Michael Spierig | Producer | |
| Michael Burton | Executive Producer | |
| Gary Hamilton | Executive Producer | |
| Matt Kennedy | Executive Producer | |
| James M. Vernon | Executive Producer | |
| Ben Nott | Director of Photography | |
| Matthew Putland | Production Designer | |
| Matt Villa | Editor | |
| Wendy Cork | Costume Designer | |
| Steve Boyle | Special Makeup Effects Designer | |
| Peter Spierig | Composer | |
| Maura Fay | Casting Director | |
| Leigh Pickford | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.