Punch-Drunk Love (2002)
| Theatrical Performance | ||
| Domestic Box Office | $17,791,031 | Details |
| International Box Office | $6,800,000 | Details |
| Worldwide Box Office | $24,591,031 | |
| OpusData ID: 27220100 More info... | ||
| Further financial details... | ||
Synopsis
Although susceptible to violent outbursts, bathroom supply business owner Barry Egan is a timid and shy man by disposition, leading a lonely, uneventful life — partly due to the constant berating he suffers from his seven sisters. However, several events transpire that shake up Egan’s mundane existence, one of which is falling in love with one sister’s co-worker, Lena Leonard. But the romance is threatened when Egan falls victim to an extortionist.
Metrics
| Opening Weekend: | $367,203 (2.1% of total gross) |
| Legs: | 4.44 (domestic box office/biggest weekend) |
| Domestic Share: | 72.3% (domestic box office/worldwide) |
| Production Budget: | $25,000,000 (worldwide box office is 1.0 times production budget) |
| Theater counts: | 5 opening theaters/1,293 max. theaters, 3.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $36,623,194 |
Movie Details
| Domestic Releases: | October 11th, 2002 (Limited) by Sony Pictures |
| International Releases: | March 13th, 2003 (Limited) (New Zealand)
March 14th, 2003 (Wide), released as Embriagado de Amor (Portugal) April 3rd, 2003 (Wide) (Australia) May 8th, 2003 (Wide) (South Korea) January 13th, 2022 (Wide), released as Embriagado de Amor (Portugal) ... Show all releases |
| Video Release: | November 15th, 2016 by Criterion |
| MPA Rating: | R for strong language including a scene of sexual dialogue |
| Running Time: | 97 minutes |
| Plot point: | Anger Management Issues, Blackmail, Car Accident, Dysfunctional Family, Romance |
| Subgenre: | Comedy Drama |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Revolution Studios, New Line Cinema |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 11, 2002 | 23 | $367,203 | 5 | $73,441 | $367,203 | 1 | |
| Oct 18, 2002 | 15 | $1,480,932 | +303% | 78 | $18,986 | $2,045,863 | 2 |
| Oct 25, 2002 | 7 | $3,308,223 | +123% | 481 | $6,878 | $5,861,261 | 3 |
| Nov 1, 2002 | 8 | $4,003,535 | +21% | 1,252 | $3,198 | $10,861,175 | 4 |
| Nov 8, 2002 | 11 | $2,501,670 | -38% | 1,293 | $1,935 | $14,513,079 | 5 |
| Nov 15, 2002 | 13 | $1,210,367 | -52% | 867 | $1,396 | $16,500,392 | 6 |
| Nov 22, 2002 | 18 | $422,209 | -65% | 411 | $1,027 | $17,277,359 | 7 |
| Nov 29, 2002 | 29 | $171,813 | -59% | 131 | $1,312 | $17,592,824 | 8 |
| Dec 6, 2002 | 34 | $78,478 | -54% | 103 | $762 | $17,719,378 | 9 |
| Dec 13, 2002 | 45 | $37,009 | -53% | 47 | $787 | $17,791,031 | 10 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Oct 11, 2002 | 18 | $118,539 | 5 | $23,708 | $118,539 | 1 | ||
| Oct 12, 2002 | 17 | $138,500 | +17% | 5 | $27,700 | $257,039 | 2 | |
| Oct 13, 2002 | 17 | $110,164 | -20% | 5 | $22,033 | $367,203 | 3 | |
| Oct 25, 2002 | 7 | $1,142,331 | 481 | $2,375 | $3,695,369 | 15 | ||
| Oct 26, 2002 | 7 | $1,422,710 | +25% | 481 | $2,958 | $5,118,079 | 16 | |
| Oct 27, 2002 | 8 | $743,182 | -48% | 481 | $1,545 | $5,861,261 | 17 | |
| Oct 28, 2002 | 7 | $257,000 | -65% | 481 | $534 | $6,119,000 | 18 | |
| Oct 29, 2002 | 7 | $282,000 | +10% | 481 | $586 | $6,401,000 | 19 | |
| Oct 30, 2002 | 7 | $242,000 | -14% | 481 | $503 | $6,643,000 | 20 | |
| Oct 31, 2002 | 7 | $215,000 | -11% | 481 | $447 | $6,858,000 | 21 | |
| Nov 1, 2002 | 8 | $1,329,000 | +518% | +16% | 1,252 | $1,062 | $8,187,000 | 22 |
| Nov 2, 2002 | 8 | $1,796,000 | +35% | +26% | 1,252 | $1,435 | $9,983,000 | 23 |
| Nov 3, 2002 | 8 | $878,000 | -51% | +18% | 1,252 | $701 | $10,861,175 | 24 |
| Nov 4, 2002 | 8 | $285,000 | -68% | +11% | 1,252 | $228 | $11,146,000 | 25 |
| Nov 5, 2002 | 8 | $328,000 | +15% | +16% | 1,252 | $262 | $11,474,000 | 26 |
| Nov 6, 2002 | 9 | $273,000 | -17% | +13% | 1,252 | $218 | $11,748,000 | 27 |
| Nov 7, 2002 | 9 | $264,000 | -3% | +23% | 1,252 | $211 | $12,011,000 | 28 |
| Nov 8, 2002 | 10 | $792,000 | +200% | -40% | 1,293 | $613 | $12,803,000 | 29 |
| Nov 9, 2002 | 11 | $1,080,000 | +36% | -40% | 1,293 | $835 | $13,883,000 | 30 |
| Nov 10, 2002 | 11 | $630,000 | -42% | -28% | 1,293 | $487 | $14,513,079 | 31 |
| Nov 15, 2002 | 12 | $373,422 | -53% | 867 | $431 | $15,663,447 | 36 | |
| Nov 16, 2002 | 11 | $564,272 | +51% | -48% | 867 | $651 | $16,227,719 | 37 |
| Nov 17, 2002 | 14 | $272,673 | -52% | -57% | 867 | $315 | $16,500,392 | 38 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 11, 2002 | 24 | $564,931 | 5 | $112,986 | $564,931 | 1 | |
| Oct 18, 2002 | 15 | $1,988,107 | +252% | 78 | $25,489 | $2,553,038 | 2 |
| Oct 25, 2002 | 7 | $4,304,602 | +117% | 481 | $8,949 | $6,857,640 | 3 |
| Nov 1, 2002 | 8 | $5,153,769 | +20% | 1,252 | $4,116 | $12,011,409 | 4 |
| Nov 8, 2002 | 11 | $3,278,616 | -36% | 1,293 | $2,536 | $15,290,025 | 5 |
| Nov 15, 2002 | 13 | $1,565,125 | -52% | 867 | $1,805 | $16,855,150 | 6 |
| Nov 22, 2002 | 18 | $565,861 | -64% | 411 | $1,377 | $17,421,011 | 7 |
| Nov 29, 2002 | 28 | $219,889 | -61% | 131 | $1,679 | $17,640,900 | 8 |
| Dec 6, 2002 | 33 | $113,122 | -49% | 103 | $1,098 | $17,754,022 | 9 |
| Dec 13, 2002 | 48 | $37,009 | -67% | 47 | $787 | $17,791,031 | 10 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| New Zealand | 3/13/2003 | $0 | 0 | 1 | 1 | $207 | 4/4/2026 | |||
| Portugal | 3/14/2003 | $0 | 0 | 1 | 1 | $2,026 | 5/19/2026 | |||
| South Korea | 5/8/2003 | $0 | 0 | 2 | 86 | $36,964 | 6/3/2026 | |||
| Rest of World | $6,760,803 | |||||||||
| International Total | $6,800,000 | 6/3/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Adam Sandler | Barry Egan | |
| Emily Watson | Lena Leonard |
Supporting
| Philip Seymour Hoffman | Dean Trumbell | |
| Luis Guzmán | Lance | |
| Mary Lynn Rajskub | Elizabeth | |
| Lisa Spector | Susan | |
| Julie Hermelin | Kathleen | |
| Karen Hermelin | Anna | |
| Hazel Mailloux | Rhonda | |
| Nicole Gelbard | Nicole | |
| Mia Weinberg | Gilda | |
| David H. Stevens | David | |
| Jimmy Stevens | Jim | |
| Nathan Stevens | Nate | |
| Mike D. Stevens | Mike D. | |
| Ashley Clark | Phone Sex Sister | |
| Robert Smigel | Walter the Dentist | |
| Jason Andrews | Operator Carter-Voiceover | |
| Don McManus | Plastic's Voice-Voiceover | |
| David Schrempf | Customer #1 | |
| Seann Conway | Customer #2 | |
| Rico Bueno | Rico | |
| Karen Kilgariff | Anna's Voice on the Phone | |
| Salvador Curiel | Sal | |
| Jorge Barahona | Jorge | |
| Ernesto Quintero | Ernesto | |
| Julius Steuer | Mechanic | |
| Larry Ring | Steve, Brother-in-Law | |
| Kerry Gelbard | Richard, Brother-in-Law | |
| Alan Parry | After Eden Band | |
| John E. Beck | After Eden Band | |
| Eddie Wayne Howell | After Eden Band | |
| Taylor J. Thomas | After Eden Band | |
| Bobby Bluehouse | After Eden Sound Man | |
| Carol Mirelez | Phone Sex Girl #1, Utah |
| June Sepulveda | Phone Sex Girl #2, Utah |
Supporting
| Andrew Higgs | Restaurant Manager | |
| Rogerlyn Kanealii Wakinekona | Lena's Apartment Receptionist | |
| Catherine L. Cooley | Flight Attendant | |
| Michael Immel | Man on Plane | |
| Ross Lasi Tanoai | Cab Driver | |
| Jonathan Loughran | Wrong Number | |
| Kaila | Ladies K Band | |
| Ku\'Ulei | Ladies K Band | |
| Sissy Lake | Hula Dancer | |
| Marie Irwin | Lena's Nurse | |
| Esther Imade Balogun | Receptionist Nurse | |
| Tom Bornt | Dean's Employee | |
| Mary Kilmartin | D&D Mattress Customer |
Production and Technical Credits
| Paul Thomas Anderson | Director | |
| Paul Thomas Anderson | Screenwriter | |
| Joanne Sellar | Producer | |
| Daniel Lupi | Producer | |
| Paul Thomas Anderson | Producer | |
| Robert Elswit | Director of Photography | |
| William Arnold | Production Designer | |
| Leslie Jones | Editor | |
| Mark Bridges | Costume Designer | |
| Jeremy Blake | Artistic Coordinator | |
| Jon Brion | Composer | |
| Dan Collins | Associate Producer | |
| Adam Druxman | Assistant Director | |
| Eileen Malyszko Lee | Production Supervisor | |
| Sue Chan | Art Director | |
| Jay Hart | Set Decorator | |
| Lori A. Noyes | Set Decorator | |
| Eden Coblenz | Costume Supervisor | |
| Fred Raskin | Additional Editor | |
| Ronald Judkins | Sound Mixer | |
| Gary Rydstrom | Re-recording Mixer | |
| Michael Semanick | Re-recording Mixer | |
| Phil Benson | Supervising Sound Editor | |
| J.R. Grubbs | Sound Effects Editor | |
| Aura Gilge | Sound Effects Editor | |
| Stephen Kearney | Sound Effects Editor | |
| Christopher Scarabosio | Sound Designer | |
| Jonathan Null | Dialogue Editor | |
| Ewa Sztompke-Oatfield* | Dialogue Editor | |
| Jonathan Karp | Music Editor | |
| Tina Roesler Kerwin | Make up | |
| Peggy Nichols | Make up | |
| Kelvin R. Trahan | Hairstylist | |
| Trish Almeida | Hairstylist | |
| Ann Pala | Make up and Hair | |
| Cassandra Kulukundis | Casting Director | |
| Allan Fraf | Stunt Coordinator | |
| Steve Kelso | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Although susceptible to violent outbursts, bathroom supply business owner Barry Egan is a timid and shy man by disposition, leading a lonely, uneventful life — partly due to the constant berating he suffers from his seven sisters. However, several events transpire that shake up Egan’s mundane existence, one of which is falling in love with one sister’s co-worker, Lena Leonard. But the romance is threatened when Egan falls victim to an extortionist.
Metrics
| Opening Weekend: | $367,203 (2.1% of total gross) |
| Legs: | 4.44 (domestic box office/biggest weekend) |
| Domestic Share: | 72.3% (domestic box office/worldwide) |
| Production Budget: | $25,000,000 (worldwide box office is 1.0 times production budget) |
| Theater counts: | 5 opening theaters/1,293 max. theaters, 3.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $36,623,194 |
Movie Details
| Domestic Releases: | October 11th, 2002 (Limited) by Sony Pictures |
| International Releases: | March 13th, 2003 (Limited) (New Zealand)
March 14th, 2003 (Wide), released as Embriagado de Amor (Portugal) April 3rd, 2003 (Wide) (Australia) May 8th, 2003 (Wide) (South Korea) January 13th, 2022 (Wide), released as Embriagado de Amor (Portugal) ... Show all releases |
| Video Release: | November 15th, 2016 by Criterion |
| MPA Rating: | R for strong language including a scene of sexual dialogue |
| Running Time: | 97 minutes |
| Plot point: | Anger Management Issues, Blackmail, Car Accident, Dysfunctional Family, Romance |
| Subgenre: | Comedy Drama |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Revolution Studios, New Line Cinema |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 11, 2002 | 23 | $367,203 | 5 | $73,441 | $367,203 | 1 | |
| Oct 18, 2002 | 15 | $1,480,932 | +303% | 78 | $18,986 | $2,045,863 | 2 |
| Oct 25, 2002 | 7 | $3,308,223 | +123% | 481 | $6,878 | $5,861,261 | 3 |
| Nov 1, 2002 | 8 | $4,003,535 | +21% | 1,252 | $3,198 | $10,861,175 | 4 |
| Nov 8, 2002 | 11 | $2,501,670 | -38% | 1,293 | $1,935 | $14,513,079 | 5 |
| Nov 15, 2002 | 13 | $1,210,367 | -52% | 867 | $1,396 | $16,500,392 | 6 |
| Nov 22, 2002 | 18 | $422,209 | -65% | 411 | $1,027 | $17,277,359 | 7 |
| Nov 29, 2002 | 29 | $171,813 | -59% | 131 | $1,312 | $17,592,824 | 8 |
| Dec 6, 2002 | 34 | $78,478 | -54% | 103 | $762 | $17,719,378 | 9 |
| Dec 13, 2002 | 45 | $37,009 | -53% | 47 | $787 | $17,791,031 | 10 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Oct 11, 2002 | 18 | $118,539 | 5 | $23,708 | $118,539 | 1 | ||
| Oct 12, 2002 | 17 | $138,500 | +17% | 5 | $27,700 | $257,039 | 2 | |
| Oct 13, 2002 | 17 | $110,164 | -20% | 5 | $22,033 | $367,203 | 3 | |
| Oct 25, 2002 | 7 | $1,142,331 | 481 | $2,375 | $3,695,369 | 15 | ||
| Oct 26, 2002 | 7 | $1,422,710 | +25% | 481 | $2,958 | $5,118,079 | 16 | |
| Oct 27, 2002 | 8 | $743,182 | -48% | 481 | $1,545 | $5,861,261 | 17 | |
| Oct 28, 2002 | 7 | $257,000 | -65% | 481 | $534 | $6,119,000 | 18 | |
| Oct 29, 2002 | 7 | $282,000 | +10% | 481 | $586 | $6,401,000 | 19 | |
| Oct 30, 2002 | 7 | $242,000 | -14% | 481 | $503 | $6,643,000 | 20 | |
| Oct 31, 2002 | 7 | $215,000 | -11% | 481 | $447 | $6,858,000 | 21 | |
| Nov 1, 2002 | 8 | $1,329,000 | +518% | +16% | 1,252 | $1,062 | $8,187,000 | 22 |
| Nov 2, 2002 | 8 | $1,796,000 | +35% | +26% | 1,252 | $1,435 | $9,983,000 | 23 |
| Nov 3, 2002 | 8 | $878,000 | -51% | +18% | 1,252 | $701 | $10,861,175 | 24 |
| Nov 4, 2002 | 8 | $285,000 | -68% | +11% | 1,252 | $228 | $11,146,000 | 25 |
| Nov 5, 2002 | 8 | $328,000 | +15% | +16% | 1,252 | $262 | $11,474,000 | 26 |
| Nov 6, 2002 | 9 | $273,000 | -17% | +13% | 1,252 | $218 | $11,748,000 | 27 |
| Nov 7, 2002 | 9 | $264,000 | -3% | +23% | 1,252 | $211 | $12,011,000 | 28 |
| Nov 8, 2002 | 10 | $792,000 | +200% | -40% | 1,293 | $613 | $12,803,000 | 29 |
| Nov 9, 2002 | 11 | $1,080,000 | +36% | -40% | 1,293 | $835 | $13,883,000 | 30 |
| Nov 10, 2002 | 11 | $630,000 | -42% | -28% | 1,293 | $487 | $14,513,079 | 31 |
| Nov 15, 2002 | 12 | $373,422 | -53% | 867 | $431 | $15,663,447 | 36 | |
| Nov 16, 2002 | 11 | $564,272 | +51% | -48% | 867 | $651 | $16,227,719 | 37 |
| Nov 17, 2002 | 14 | $272,673 | -52% | -57% | 867 | $315 | $16,500,392 | 38 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 11, 2002 | 24 | $564,931 | 5 | $112,986 | $564,931 | 1 | |
| Oct 18, 2002 | 15 | $1,988,107 | +252% | 78 | $25,489 | $2,553,038 | 2 |
| Oct 25, 2002 | 7 | $4,304,602 | +117% | 481 | $8,949 | $6,857,640 | 3 |
| Nov 1, 2002 | 8 | $5,153,769 | +20% | 1,252 | $4,116 | $12,011,409 | 4 |
| Nov 8, 2002 | 11 | $3,278,616 | -36% | 1,293 | $2,536 | $15,290,025 | 5 |
| Nov 15, 2002 | 13 | $1,565,125 | -52% | 867 | $1,805 | $16,855,150 | 6 |
| Nov 22, 2002 | 18 | $565,861 | -64% | 411 | $1,377 | $17,421,011 | 7 |
| Nov 29, 2002 | 28 | $219,889 | -61% | 131 | $1,679 | $17,640,900 | 8 |
| Dec 6, 2002 | 33 | $113,122 | -49% | 103 | $1,098 | $17,754,022 | 9 |
| Dec 13, 2002 | 48 | $37,009 | -67% | 47 | $787 | $17,791,031 | 10 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| New Zealand | 3/13/2003 | $0 | 0 | 1 | 1 | $207 | 4/4/2026 | |||
| Portugal | 3/14/2003 | $0 | 0 | 1 | 1 | $2,026 | 5/19/2026 | |||
| South Korea | 5/8/2003 | $0 | 0 | 2 | 86 | $36,964 | 6/3/2026 | |||
| Rest of World | $6,760,803 | |||||||||
| International Total | $6,800,000 | 6/3/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Adam Sandler | Barry Egan | |
| Emily Watson | Lena Leonard |
Supporting
| Philip Seymour Hoffman | Dean Trumbell | |
| Luis Guzmán | Lance | |
| Mary Lynn Rajskub | Elizabeth | |
| Lisa Spector | Susan | |
| Julie Hermelin | Kathleen | |
| Karen Hermelin | Anna | |
| Hazel Mailloux | Rhonda | |
| Nicole Gelbard | Nicole | |
| Mia Weinberg | Gilda | |
| David H. Stevens | David | |
| Jimmy Stevens | Jim | |
| Nathan Stevens | Nate | |
| Mike D. Stevens | Mike D. | |
| Ashley Clark | Phone Sex Sister | |
| Robert Smigel | Walter the Dentist | |
| Jason Andrews | Operator Carter-Voiceover | |
| Don McManus | Plastic's Voice-Voiceover | |
| David Schrempf | Customer #1 | |
| Seann Conway | Customer #2 | |
| Rico Bueno | Rico | |
| Karen Kilgariff | Anna's Voice on the Phone | |
| Salvador Curiel | Sal | |
| Jorge Barahona | Jorge | |
| Ernesto Quintero | Ernesto | |
| Julius Steuer | Mechanic | |
| Larry Ring | Steve, Brother-in-Law | |
| Kerry Gelbard | Richard, Brother-in-Law | |
| Alan Parry | After Eden Band | |
| John E. Beck | After Eden Band | |
| Eddie Wayne Howell | After Eden Band | |
| Taylor J. Thomas | After Eden Band | |
| Bobby Bluehouse | After Eden Sound Man | |
| Carol Mirelez | Phone Sex Girl #1, Utah |
| June Sepulveda | Phone Sex Girl #2, Utah |
Supporting
| Andrew Higgs | Restaurant Manager | |
| Rogerlyn Kanealii Wakinekona | Lena's Apartment Receptionist | |
| Catherine L. Cooley | Flight Attendant | |
| Michael Immel | Man on Plane | |
| Ross Lasi Tanoai | Cab Driver | |
| Jonathan Loughran | Wrong Number | |
| Kaila | Ladies K Band | |
| Ku\'Ulei | Ladies K Band | |
| Sissy Lake | Hula Dancer | |
| Marie Irwin | Lena's Nurse | |
| Esther Imade Balogun | Receptionist Nurse | |
| Tom Bornt | Dean's Employee | |
| Mary Kilmartin | D&D Mattress Customer |
Production and Technical Credits
| Paul Thomas Anderson | Director | |
| Paul Thomas Anderson | Screenwriter | |
| Joanne Sellar | Producer | |
| Daniel Lupi | Producer | |
| Paul Thomas Anderson | Producer | |
| Robert Elswit | Director of Photography | |
| William Arnold | Production Designer | |
| Leslie Jones | Editor | |
| Mark Bridges | Costume Designer | |
| Jeremy Blake | Artistic Coordinator | |
| Jon Brion | Composer | |
| Dan Collins | Associate Producer | |
| Adam Druxman | Assistant Director | |
| Eileen Malyszko Lee | Production Supervisor | |
| Sue Chan | Art Director | |
| Jay Hart | Set Decorator | |
| Lori A. Noyes | Set Decorator | |
| Eden Coblenz | Costume Supervisor | |
| Fred Raskin | Additional Editor | |
| Ronald Judkins | Sound Mixer | |
| Gary Rydstrom | Re-recording Mixer | |
| Michael Semanick | Re-recording Mixer | |
| Phil Benson | Supervising Sound Editor | |
| J.R. Grubbs | Sound Effects Editor | |
| Aura Gilge | Sound Effects Editor | |
| Stephen Kearney | Sound Effects Editor | |
| Christopher Scarabosio | Sound Designer | |
| Jonathan Null | Dialogue Editor | |
| Ewa Sztompke-Oatfield* | Dialogue Editor | |
| Jonathan Karp | Music Editor | |
| Tina Roesler Kerwin | Make up | |
| Peggy Nichols | Make up | |
| Kelvin R. Trahan | Hairstylist | |
| Trish Almeida | Hairstylist | |
| Ann Pala | Make up and Hair | |
| Cassandra Kulukundis | Casting Director | |
| Allan Fraf | Stunt Coordinator | |
| Steve Kelso | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.