The Remains of the Day (1993)
| Theatrical Performance | ||
| Domestic Box Office | $22,954,968 | Details |
| International Box Office | $41,000,000 | |
| Worldwide Box Office | $63,954,968 | |
| OpusData ID: 22870100 More info... | ||
| Further financial details... | ||
Metrics
| Legs: | 8.40 (domestic box office/biggest weekend) |
| Domestic Share: | 35.9% (domestic box office/worldwide) |
| Production Budget: | $15,000,000 (worldwide box office is 4.3 times production budget) |
| Infl. Adj. Dom. BO | $63,146,942 |
Movie Details
| Domestic Releases: | November 5th, 1993 (Limited) by Sony Pictures |
| Video Release: | August 22nd, 1997 by Columbia Pictures Home Entertainment |
| MPA Rating: | PG for themes. |
| Running Time: | 134 minutes |
| Award nomination: | 1994 Oscars Best Picture Nominee |
| Subgenre: | Historical Drama |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Columbia Pictures, Merchant Ivory Productions, John Calley Productions, Mike Nichols Productions |
| Production Countries: | United States, United Kingdom |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 19, 1993 | 7 | $2,731,222 | 517 | $5,283 | $7,408,431 | 3 | |
| Jan 7, 1994 | 19 | $526,573 | 362 | $1,455 | $17,547,434 | 10 | |
| Jan 14, 1994 | 21 | $486,720 | -8% | 344 | $1,415 | $18,276,957 | 11 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 7, 1994 | 18 | $769,376 | 362 | $2,125 | $17,790,237 | 10 |
| Anthony Hopkins | James Stevens, Butler | |
| Emma Thompson | Miss Sally Kenton, Housekeeper | |
| Hugh Grant | Reginal's Cardinal, Lord Darlington's Godson | |
| Christopher Reeve | Lewis | |
| Lena Headey | Lizzie | |
| Ben Chaplin | Charlie, Head Footman | |
| James Fox | Lord Darlington |
Production and Technical Credits
| James Ivory | Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Legs: | 8.40 (domestic box office/biggest weekend) |
| Domestic Share: | 35.9% (domestic box office/worldwide) |
| Production Budget: | $15,000,000 (worldwide box office is 4.3 times production budget) |
| Infl. Adj. Dom. BO | $63,146,942 |
Movie Details
| Domestic Releases: | November 5th, 1993 (Limited) by Sony Pictures |
| Video Release: | August 22nd, 1997 by Columbia Pictures Home Entertainment |
| MPA Rating: | PG for themes. |
| Running Time: | 134 minutes |
| Award nomination: | 1994 Oscars Best Picture Nominee |
| Subgenre: | Historical Drama |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Columbia Pictures, Merchant Ivory Productions, John Calley Productions, Mike Nichols Productions |
| Production Countries: | United States, United Kingdom |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 19, 1993 | 7 | $2,731,222 | 517 | $5,283 | $7,408,431 | 3 | |
| Jan 7, 1994 | 19 | $526,573 | 362 | $1,455 | $17,547,434 | 10 | |
| Jan 14, 1994 | 21 | $486,720 | -8% | 344 | $1,415 | $18,276,957 | 11 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 7, 1994 | 18 | $769,376 | 362 | $2,125 | $17,790,237 | 10 |
| Anthony Hopkins | James Stevens, Butler | |
| Emma Thompson | Miss Sally Kenton, Housekeeper | |
| Hugh Grant | Reginal's Cardinal, Lord Darlington's Godson | |
| Christopher Reeve | Lewis | |
| Lena Headey | Lizzie | |
| Ben Chaplin | Charlie, Head Footman | |
| James Fox | Lord Darlington |
Production and Technical Credits
| James Ivory | Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.