Room (2015)

Room poster
Theatrical Performance
Domestic Box Office $14,677,674Details
International Box Office $21,639,053Details
Worldwide Box Office $36,316,727
Home Market Performance
Est. Domestic DVD Sales $1,516,312 Details
Est. Domestic Blu-ray Sales $1,133,259 Details
Total Est. Domestic Video Sales $2,649,571
Further financial details...

Synopsis

Jack is a spirited 5 year-old who is looked after by his loving and devoted Ma. Like any good mother, Ma dedicates herself to keeping Jack happy and safe, nurturing him with warmth and love and doing typical things like playing games and telling stories. Their life, however, is anything but typical—they are trapped—confined to a windowless, 10-by-10-foot space, which Ma has euphemistically named “Room.” Ma has created a whole universe for Jack within Room, and she will stop at nothing to ensure that, even in this treacherous environment, Jack is able to live a complete and fulfilling life. But as Jack’s curiosity about their situation grows, and Ma’s resilience reaches its breaking point, they enact a risky plan to escape, ultimately bringing them face-to-face with what may turn out to be the scariest thing yet: the real world.

Metrics

Opening Weekend:$118,298 (0.8% of total gross)
Legs:10.99 (domestic box office/biggest weekend)
Domestic Share:40.4% (domestic box office/worldwide)
Production Budget:$13,000,000 (worldwide box office is 2.8 times production budget)
Theater counts:4 opening theaters/862 max. theaters, 7.1 weeks average run per theater
Infl. Adj. Dom. BO $18,453,808

Latest Ranking on Cumulative Box Office Lists


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Amazon VOD:Amazon
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu

Movie Details

Domestic Releases: October 16th, 2015 (Limited) by A24
International Releases: December 24th, 2015 (Wide) (United Arab Emirates)
January 14th, 2016 (Wide) (Singapore)
January 15th, 2016 (Wide) (United Kingdom)
January 21st, 2016 (Wide) (Argentina)
January 21st, 2016 (Wide) (Peru)
... Show all releases
Video Release: March 1st, 2016 by Lionsgate Home Entertainment
MPAA Rating: R
Running Time: 113 minutes
Comparisons: Best Picture Oscar Nominees, 2016
vs. Youth
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Keywords: 2016 Oscars Best Picture Nominee, Kidnap, Escape, Single Parent, Voiceover/Narration, Sex Crimes, Suicide Attempt, Faked Death, Dysfunctional Family, Trapped, Family Drama
Source:Based on Fiction Book/Short Story
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Element Pictures, No Trace Camping, Duperele Films, Telefilm Canada, Film4, Bord Scannan na hEireann, Irish Film Board, Ontario Media Development Corporation
Production Countries: Canada, Ireland, United Kingdom, United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Biggest 23rd Weekend Limited Release 73 $53,726 Mar 18, 2016 157
Biggest 22nd Weekend Limited Release 42 $157,001 Mar 11, 2016 150
Biggest 21st Weekend Limited Release 23 $461,605 Mar 4, 2016 143
Biggest 20th Weekend Limited Release 22 $579,820 Feb 26, 2016 136
Biggest 19th Weekend Limited Release 34 $407,968 Feb 19, 2016 129
Biggest 18th Weekend Limited Release 40 $449,940 Feb 12, 2016 122
Biggest 17th Weekend Limited Release 35 $731,117 Feb 5, 2016 115
Biggest 16th Weekend Limited Release 24 $1,236,878 Jan 29, 2016 108
Biggest 15th Weekend Limited Release 24 $1,335,563 Jan 22, 2016 101
Biggest 14th Weekend Limited Release 53 $759,761 Jan 15, 2016 94
Top 2015 Theater Average 28 $29,575 Oct 16, 2015 3

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 16, 2015 30 $118,298   4 $29,575   $118,298 1
Oct 23, 2015 22 $249,695 +111% 23 $10,856   $404,589 2
Oct 30, 2015 26 $292,620 +17% 49 $5,972   $789,822 3
Nov 6, 2015 21 $473,957 +62% 87 $5,448   $1,406,104 4
Nov 13, 2015 19 $563,673 +19% 133 $4,238   $2,272,968 5
Nov 20, 2015 17 $384,828 -32% 160 $2,405   $2,901,838 6
Nov 27, 2015 19 $319,888 -17% 175 $1,828   $3,406,551 7
Dec 4, 2015 21 $228,639 -29% 175 $1,307   $3,792,963 8
Dec 11, 2015 21 $264,569 +16% 198 $1,336   $4,202,950 9
Dec 18, 2015 27 $180,192 -32% 171 $1,054   $4,542,056 10
Dec 25, 2015 35 $88,481 -51% 100 $885   $4,758,422 11
Jan 1, 2016 36 $116,219 +31% 91 $1,277   $4,976,972 12
Jan 8, 2016 32 $115,820 n/c 88 $1,316   $5,166,724 13
Jan 15, 2016 20 $759,761 +556% 293 $2,593   $6,031,271 14
Jan 22, 2016 15 $1,335,563 +76% 862 $1,549   $7,864,357 15
Jan 29, 2016 14 $1,236,878 -7% 795 $1,556   $9,901,663 16
Feb 5, 2016 18 $731,117 -41% 631 $1,159   $11,201,500 17
Feb 12, 2016 24 $449,940 -38% 316 $1,424   $12,001,918 18
Feb 19, 2016 27 $407,968 -9% 352 $1,159   $12,657,987 19
Feb 26, 2016 23 $579,820 +42% 530 $1,094   $13,474,429 20
Mar 4, 2016 21 $461,605 -20% 565 $817   $14,161,502 21
Mar 11, 2016 34 $157,001 -66% 202 $777   $14,318,503 22
Mar 18, 2016 50 $53,726 -66% 92 $584   $14,609,005 23
Mar 25, 2016 60 $14,149 -74% 34 $416   $14,649,618 24
Apr 1, 2016 79 $4,382 -69% 14 $313   $14,662,988 25
Apr 15, 2016 73 $3,596   6 $599   $14,674,753 27
Apr 22, 2016 89 $1,090 -70% 2 $545   $14,677,674 28

Daily Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
Oct 16, 2015 - $35,000   4 $8,750   $35,000 1

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 16, 2015 32 $154,894   4 $38,724   $154,894 1
Oct 23, 2015 22 $342,308 +121% 23 $14,883   $497,202 2
Oct 30, 2015 24 $434,945 +27% 49 $8,876   $932,147 3
Nov 6, 2015 21 $777,148 +79% 87 $8,933   $1,709,295 4
Nov 13, 2015 18 $807,715 +4% 133 $6,073   $2,517,010 5
Nov 20, 2015 21 $569,653 -29% 160 $3,560   $3,086,663 6
Nov 27, 2015 18 $477,661 -16% 175 $2,729   $3,564,324 7
Dec 4, 2015 20 $374,057 -22% 175 $2,137   $3,938,381 8
Dec 11, 2015 21 $423,483 +13% 198 $2,139   $4,361,864 9
Dec 18, 2015 27 $308,077 -27% 171 $1,802   $4,669,941 10
Dec 25, 2015 35 $190,812 -38% 100 $1,908   $4,860,753 11
Jan 1, 2016 32 $190,151 n/c 91 $2,090   $5,050,904 12
Jan 8, 2016 28 $220,606 +16% 88 $2,507   $5,271,510 13
Jan 15, 2016 20 $1,257,284 +470% 293 $4,291   $6,528,794 14
Jan 22, 2016 14 $2,135,991 +70% 862 $2,478   $8,664,785 15
Jan 29, 2016 14 $1,805,598 -15% 795 $2,271   $10,470,383 16
Feb 5, 2016 18 $1,081,595 -40% 631 $1,714   $11,551,978 17
Feb 12, 2016 25 $698,041 -35% 316 $2,209   $12,250,019 18
Feb 19, 2016 27 $644,590 -8% 352 $1,831   $12,894,609 19
Feb 26, 2016 23 $805,288 +25% 530 $1,519   $13,699,897 20
Mar 4, 2016 26 $461,605 -43% 565 $817   $14,331,387 21
Mar 11, 2016 27 $393,777 -15% 202 $1,949   $14,555,279 22
Mar 18, 2016 50 $80,190 -80% 92 $872   $14,635,469 23
Mar 25, 2016 62 $23,137 -71% 34 $681   $14,658,606 24
Apr 1, 2016 78 $7,482 -68% 14 $534   $14,666,088 25
Apr 8, 2016 83 $5,069 -32% 4 $1,267   $14,671,157 26
Apr 15, 2016 84 $5,427 +7% 6 $905   $14,676,584 27

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 1/21/2016 $133,133 57 57 151 $321,150 4/19/2016
Australia 1/22/2016 $63,923 60 64 529 $907,982 6/9/2016
Austria 3/17/2016 $21,739 14 15 51 $80,509 6/9/2016
Belgium 3/2/2016 $61,679 25 25 73 $164,150 6/9/2016
Bolivia 1/28/2016 $9,361 7 7 12 $17,052 12/31/2018
Brazil 2/18/2016 $223,790 67 87 393 $1,185,909 6/9/2016
Chile 1/28/2016 $0 0 8 23 $47,468 12/31/2018
Croatia 1/28/2016 $8,235 13 20 64 $28,359 12/31/2018
Denmark 3/17/2016 $0 0 27 27 $221,393 6/9/2016
Ecuador 1/22/2016 $0 0 29 36 $73,188 12/31/2018
Finland 2/26/2016 $27,534 33 33 113 $114,739 6/9/2016
France 3/9/2016 $202,390 0 168 168 $738,683 8/17/2018
Germany 3/17/2016 $172,946 84 90 384 $848,534 1/23/2017
Greece 2/4/2016 $109,417 27 30 98 $303,871 6/9/2016
Hong Kong 3/3/2016 $167,346 20 35 100 $649,972 6/9/2016
Iceland 2/26/2016 $0 0 3 3 $41,357 12/31/2018
Italy 3/3/2016 $561,813 222 225 583 $1,299,222 6/9/2016
Japan 4/8/2016 $485,542 76 76 152 $1,620,378 6/9/2016
Lebanon 2/25/2016 $6,357 3 3 6 $22,972 12/31/2018
Mexico 2/19/2016 $273,159 0 164 164 $1,760,929 9/8/2018
Netherlands 3/3/2016 $103,946 27 44 257 $775,549 1/23/2017
New Zealand 1/29/2016 $4,989 9 27 168 $148,805 10/20/2022
Norway 2/19/2016 $0 0 1 1 $145,653 6/9/2016
Peru 1/21/2016 $26,707 20 112 147 $71,806 12/31/2018
Poland 2/26/2016 $0 0 67 67 $464,911 12/31/2018
Portugal 2/11/2016 $35,737 10 20 99 $235,233 6/9/2016
Russia (CIS) 8/27/2020 $9,520 78 78 110 $14,962 10/19/2022
Serbia and Montenegro 3/17/2016 $0 0 4 7 $12,697 12/31/2018
Singapore 1/14/2016 $47,101 13 13 40 $142,669 6/9/2016
Slovenia 1/28/2016 $3,243 16 16 25 $11,462 6/9/2016
South Africa 2/26/2016 $0 0 19 19 $45,385 6/9/2016
South Korea 3/3/2016 $16,421 0 333 498 $632,889 4/28/2021
Spain 2/26/2016 $403,069 111 158 747 $2,113,210 1/23/2017
Sweden 3/18/2016 $43,872 63 63 63 $43,872 6/9/2016
Taiwan 2/26/2016 $79,097 17 22 112 $460,186 6/9/2016
Thailand 2/4/2016 $7,825 9 9 27 $26,875 3/15/2016
Turkey 2/19/2016 $29,774 20 20 82 $136,307 12/31/2018
United Arab Emirates 12/24/2015 $0 0 2 4 $55,107 12/31/2018
United Kingdom 1/15/2016 $963,179 197 335 1,754 $5,570,414 6/9/2016
Uruguay 2/25/2016 $15,343 7 11 35 $60,279 12/31/2018
Venezuela 2/5/2016 $3,877 9 15 31 $22,965 3/8/2016
 
International Total$21,639,053 10/20/2022

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Mar 6, 2016640,414 40,414$518,107$518,1071
Mar 13, 20161620,786-49% 61,200$216,590$734,6972

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Mar 6, 2016629,979 29,979$509,342$509,3421
Mar 13, 2016198,766-71% 38,745$133,951$643,2932

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Brie Larson    Ma
Jacob Tremblay    Jack

Supporting Cast

Joan Allen    Grandma
Sean Bridgers    Old Nick
William H. Macy    Grandpa
Tom McCamus    Leo
Megan Park    Laura
Amanda Brugel    Officer Parker
Cas Anvar    Dr. Mittal
Joe Pingue    Officer Grabowski

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Lenny Abrahamson    Director
Emma Donoghue    Screenwriter
Ed Guiney    Producer
David Gross    Producer
Andrew Lowe    Executive Producer
Emma Donoghue    Executive Producer
Jesse Shapira    Executive Producer
Jeff Arkuss    Executive Producer
David Kosse    Executive Producer
Rose Garnet    Executive Producer
Tessa Ross    Executive Producer
Emma Donoghue    Story Creator
Danny Cohen    Director of Photography
Ethan Tobman    Production Designer
Nathan Nugent    Editor
Stephen Rennicks    Composer
Lea Carlson    Costume Designer
Fiona Weir    Casting Director
Robin D. Cook    Casting Director

Home Market Releases for March 1st, 2016

March 2nd, 2016

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February 28th, 2016

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2015 Awards Season: Oscar Highlight: Best Picture

February 27th, 2016

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2015 Awards Season: Oscar Highlight: Best Lead Actress

February 26th, 2016

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2015 Awards Season: Oscar Highlight: Best Adapted Screenplay

February 20th, 2016

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2015 - Awards Season: BAFTA - Winners - Revenant and Mad Max Lead the Way

February 15th, 2016

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2015 Awards Season: SAG Winners—Oscar Picture Clarifies, Mostly

January 31st, 2016

Spotlight

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2015 Awards Season: Oscars - Nominations

January 15th, 2016

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January 13th, 2016

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January 11th, 2016

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2015 - Awards Season: BAFTA - Nominations

January 9th, 2016

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December 15th, 2015

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December 10th, 2015

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2015 Awards Season: SAG Nominations

December 9th, 2015

Trumbo

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Per Theater Chart: Carol's Second Verse is the Same as the First

December 1st, 2015

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2015 - Awards Season: Independent Spirit Awards - Nominations

November 25th, 2015

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Per Theater Chart: James Can't Take the Spotlight

November 17th, 2015

James White

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Per Theater Chart: Spotlight Shines Bright

November 10th, 2015

Spotlight

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Per Theater Chart: Suffragette Voted Top Film on Per Theater Chart

October 27th, 2015

Suffragette

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Weekend Estimates: Martian Avoids the Wreckage

October 25th, 2015

The Martian

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Per Theater Chart: Very Little Room at the Top

October 21st, 2015

Room

Room was in a close race for top spot on the per theater with last week's winner, but it came out on top with an average of $29,575 in four theaters. Steve Jobs was right behind with an average of $25,212 in 60. This film is going to expand wide this weekend and could lead the weekend. The Assassin earned an average of $11,973 in four theaters, which is strong for a foreign-language film. Meanwhile, Truth was right behind with an average of $11,039 in six. More...

Weekend Estimates: Goosebumps Set to Win Tight Race

October 18th, 2015

Goosebumps

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Limited and VOD Releases: Make Room for Limited Releases

October 16th, 2015

Room

It is a fantastic week for limited releases with a number of movies in various genres that are earning impressive reviews / loud buzz. There's documentaries (All Things Must Pass and A Ballerina's Tale); horror (Tales of Halloween); action (The Assassin); and even a potential Oscar winner (Room). More...


  1. Summary
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  6. Full Financials
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  8. Trailer

Synopsis

Jack is a spirited 5 year-old who is looked after by his loving and devoted Ma. Like any good mother, Ma dedicates herself to keeping Jack happy and safe, nurturing him with warmth and love and doing typical things like playing games and telling stories. Their life, however, is anything but typical—they are trapped—confined to a windowless, 10-by-10-foot space, which Ma has euphemistically named “Room.” Ma has created a whole universe for Jack within Room, and she will stop at nothing to ensure that, even in this treacherous environment, Jack is able to live a complete and fulfilling life. But as Jack’s curiosity about their situation grows, and Ma’s resilience reaches its breaking point, they enact a risky plan to escape, ultimately bringing them face-to-face with what may turn out to be the scariest thing yet: the real world.

Metrics

Opening Weekend:$118,298 (0.8% of total gross)
Legs:10.99 (domestic box office/biggest weekend)
Domestic Share:40.4% (domestic box office/worldwide)
Production Budget:$13,000,000 (worldwide box office is 2.8 times production budget)
Theater counts:4 opening theaters/862 max. theaters, 7.1 weeks average run per theater
Infl. Adj. Dom. BO $18,453,808

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu

Movie Details

Domestic Releases: October 16th, 2015 (Limited) by A24
International Releases: December 24th, 2015 (Wide) (United Arab Emirates)
January 14th, 2016 (Wide) (Singapore)
January 15th, 2016 (Wide) (United Kingdom)
January 21st, 2016 (Wide) (Argentina)
January 21st, 2016 (Wide) (Peru)
... Show all releases
Video Release: March 1st, 2016 by Lionsgate Home Entertainment
MPAA Rating: R
Running Time: 113 minutes
Comparisons: Best Picture Oscar Nominees, 2016
vs. Youth
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Keywords: 2016 Oscars Best Picture Nominee, Kidnap, Escape, Single Parent, Voiceover/Narration, Sex Crimes, Suicide Attempt, Faked Death, Dysfunctional Family, Trapped, Family Drama
Source:Based on Fiction Book/Short Story
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Element Pictures, No Trace Camping, Duperele Films, Telefilm Canada, Film4, Bord Scannan na hEireann, Irish Film Board, Ontario Media Development Corporation
Production Countries: Canada, Ireland, United Kingdom, United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Biggest 23rd Weekend Limited Release 73 $53,726 Mar 18, 2016 157
Biggest 22nd Weekend Limited Release 42 $157,001 Mar 11, 2016 150
Biggest 21st Weekend Limited Release 23 $461,605 Mar 4, 2016 143
Biggest 20th Weekend Limited Release 22 $579,820 Feb 26, 2016 136
Biggest 19th Weekend Limited Release 34 $407,968 Feb 19, 2016 129
Biggest 18th Weekend Limited Release 40 $449,940 Feb 12, 2016 122
Biggest 17th Weekend Limited Release 35 $731,117 Feb 5, 2016 115
Biggest 16th Weekend Limited Release 24 $1,236,878 Jan 29, 2016 108
Biggest 15th Weekend Limited Release 24 $1,335,563 Jan 22, 2016 101
Biggest 14th Weekend Limited Release 53 $759,761 Jan 15, 2016 94
Top 2015 Theater Average 28 $29,575 Oct 16, 2015 3

Leading Cast

Brie Larson    Ma
Jacob Tremblay    Jack

Supporting Cast

Joan Allen    Grandma
Sean Bridgers    Old Nick
William H. Macy    Grandpa
Tom McCamus    Leo
Megan Park    Laura
Amanda Brugel    Officer Parker
Cas Anvar    Dr. Mittal
Joe Pingue    Officer Grabowski

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Lenny Abrahamson    Director
Emma Donoghue    Screenwriter
Ed Guiney    Producer
David Gross    Producer
Andrew Lowe    Executive Producer
Emma Donoghue    Executive Producer
Jesse Shapira    Executive Producer
Jeff Arkuss    Executive Producer
David Kosse    Executive Producer
Rose Garnet    Executive Producer
Tessa Ross    Executive Producer
Emma Donoghue    Story Creator
Danny Cohen    Director of Photography
Ethan Tobman    Production Designer
Nathan Nugent    Editor
Stephen Rennicks    Composer
Lea Carlson    Costume Designer
Fiona Weir    Casting Director
Robin D. Cook    Casting Director

Home Market Releases for March 1st, 2016

March 2nd, 2016

Strange Brew

There are some really good releases on this week's Home Market Release Report, including many that either won or were competing for Oscars, like Creed, Room, etc. However, once you get past the cream of the crop, there isn't much in the way of depth. Most of the Oscar contenders are Pick of the Week Contenders, but the best release by far is The Adventures of Bob & Doug McKenzie: Strange Brew on Blu-ray. This is the greatest movie ever made. More...

Oscar Predictions: Mad Max Heads Technical Categories, Revenant Favorite for Best Picture

February 28th, 2016

Voting in our annual Predict the Academy Awards contest is now closed, and we can reveal the final vote totals in each category, along with the rough probability for which film will win each award. This is a year where readers are very confident about the outcomes in many of the categories. In fact, there isn’t a single major category where less than 50% of readers picked the same winner, and there are five Oscars where 90% or more of readers agreed on the outcome, including a massive 97% of the vote for Inside Out for Best Animated Feature. That makes The Revenant a rather more uncertain bet, with 70% of readers favoring it for Best Picture. That’s actually theoretically the closest call among all the major prizes… More...

2015 Awards Season: Oscar Preview

February 28th, 2016

The Revenant

It’s Oscar day and, if all goes to plan, I will be live-blogging the ceremony tonight. Here is the list of nominees marked according to predictions from our readers, and my personal wishes. Nominees in Bold are the ones predicted to win by our readers (we’ll have a full rundown of the predictions at noon, after the contest ends). If I am predicting a different film, those are in Italics. Meanwhile, the nominees I want to win, but don’t think will win, are Underlined. There are a few categories where the film I really think deserves the award was not even nominated, plus a few I don’t have a real opinion on.

If you haven’t done so already, it’s not too late to enter our Oscar competition, and win all Best Picture nominees on Blu-ray or DVD. More...

2015 Awards Season: Oscar Highlight: Best Picture

February 27th, 2016

The Revenant

With our annual Oscar Prediction contest closing at noon tomorrow, now is the best time to look at the nominees and try to figure out who the favorites are and which films should just feel honored to be nominated. This morning, we get to the final category, Best Picture. The film I think should win, Inside Out, wasn't even nominated. Of the movies on this list, I think The Martian is the best. If you look at the odds makers, it isn’t even in the top three. I’m going to be doubly disappointed tomorrow. More...

2015 Awards Season: Oscar Highlight: Best Lead Actress

February 26th, 2016

Room

With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. The Best Lead Actress is not generating a lot of buzz, but one actress has been constantly winning and is the overwhelming favorite. More...

2015 Awards Season: Oscar Highlight: Best Adapted Screenplay

February 20th, 2016

The Big Short

With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. The Best Adapted Screenplay category is about as competitive as the Best Original Screenplay, which is to say it isn't competitive at all. More...

2015 - Awards Season: BAFTA - Winners - Revenant and Mad Max Lead the Way

February 15th, 2016

The Revenant

The BAFTA awards were handed out over the weekend. There were two main winners, The Revenant, which won most of its five awards in the high-prestige categories, and Mad Max: Fury Road, which earn all four of its awards in technical categories. It appears the Oscars will be very similar in that breakdown. More...

2015 Awards Season: SAG Winners—Oscar Picture Clarifies, Mostly

January 31st, 2016

Spotlight

The Screen Actors Guild winners were handed out last night and for the most part the winners here will likely walk away with an Oscar. There is one major exception. More...

2015 Awards Season: Oscars - Nominations

January 15th, 2016

The Revenant

The Oscar nominations were announced at 5:30 am Pacific time. Nothing is good that early in the morning. Worse still, this was a terrible year for snubs, especially when it comes to diversity of the nominees. The voters for the Oscars are 94% white and 77% male... but that's still more diverse than the list of nominees. The Revenant led the way with 12 nominations and it is expected to win a few of those, while it is a serious contender in most of the categories it was nominated in. More...

Theater Averages: Anomalisa Leads Uneventful Chart with $12,738

January 13th, 2016

Anomalisa

There were only three films in the $10,000 club this weekend and all of them were holdovers. Leading the way was Anomalisa with an average of $12,738 in 17 theaters. At this pace, the film will earn some measure of mainstream success. However, unless it wins an Oscar, it likely won't match its $8 million production budget in theaters. The Revenant slipped into second place with $11,801, while the overall number one film, Star Wars: The Force Awakens, was next with $10,245. More...

2015 - Awards Season: Golden Globes - Winners

January 11th, 2016

The Revenant

The Golden Globes were handed out on Sunday evening. There were a few minor surprises and some infuriating results. On the other hand, no one film truly dominated, with The Revenant leading the way with just three wins. Only two other movies earned more than one win, The Martian and Steve Jobs. More...

2015 - Awards Season: BAFTA - Nominations

January 9th, 2016

Bridge of Spies

The BAFTA nominations were announced and you can read them on their site... in alphabetical order. Alphabetical order is very useful in most circumstances, but not here. On the other hand, the nominees within each category are not presented in alphabetical order. ... Are the BAFTAs trolling us? As for the actual nominees, the big winners here are Bridge of Spies and Carol, both of which earned nine nominations. For Carol, this is just another impressive score, but this was a pleasant surprise for Bridge of Spies. More...

Per Theater Chart: The Big Short was Nearly the Biggest

December 15th, 2015

The Big Short

We have a new champion on top of the per theater chart this week, as The Big Short earned one of the best limited release openings of the year. Its average of $88,191 was behind only Steve Jobs for the year and Steve Jobs opened in half as many theaters as The Big Short, 8 to 4. Carol remained strong in second place with an average of $21,105 in 16 theaters. Thankfully it is expanding, but I'm worried the studio waited too long and it won't reach its potential. Yellow Day opened with an average of $13,130 in two theaters. The Danish Girl rounded out the $10,000 club with an average of $10,964 in 24 theaters. By this time next week, it could be over $1 million in total. More...

2015 - Awards Season: Golden Globes - Nominations

December 10th, 2015

Carol

The Golden Globes nominations were announced this morning and we are already beginning to see a trend for this year's Awards Season. For the most part, the same films are coming up over and over again. Carol led the way with five awards, while there was a three-way tie for second place with The Big Short, The Revenant and Steve Jobs each picking up four. More...

2015 Awards Season: SAG Nominations

December 9th, 2015

Trumbo

The Screen Actors Guild nominations were announced today and there are at least a few surprises to talk about. Trumbo led the way with three nominations, but there were six films with two nods apiece. Six!

More...

Per Theater Chart: Carol's Second Verse is the Same as the First

December 1st, 2015

Carol

Carol remained in first place on the per theater chart with an average of $49,443 in four theaters. This is 22% lower than the film's opening weekend average, which isn't bad for a limited release. The Danish Girl opened in a close second place with $46,830, also in four theaters. The Hunger Games: Mockingjay - Part 2 earned first place on the overall chart and third place on the per theater chart with an average of $12,456. Janis: Little Girl Blue earned an average of $10,931 in two theaters, which is great for a documentary. The second wide release in the $10,000 club was The Good Dinosaur with an average of $10,444. More...

2015 - Awards Season: Independent Spirit Awards - Nominations

November 25th, 2015

Carol

Awards Season begins with the Independent Spirit Awards nominations. There were definitely some surprise nominees this year, but that also meant there were some unfortunate snubs as well. The overall leader was Carol, which just opened this past weekend. This is great timing and should help its box office numbers, as well as its chances throughout Awards Season. Its six nominations were one ahead of Beasts of No Nation and Spotlight. (One of Spotlight's was the Robert Altman Award, which has no nominations, just one winner.)

More...

Per Theater Chart: James Can't Take the Spotlight

November 17th, 2015

James White

There was only one new release in the $10,000 club and it had to settle for third place on the per theater chart. This left Spotlight in first place with an average of $22,561 in 60 theaters. This is a great result for a film expanding from five to 60 theaters. Brooklyn also expanded, going from five theaters to 23 theaters, while its per theater average remained strong with an average of $20,868. James White was the only new release in the $10,000 club debuting with $12,007 in its lone theater. More...

Per Theater Chart: Spotlight Shines Bright

November 10th, 2015

Spotlight

It was a busy week on the per theater chart with seven films in the $10,000 club. Spotlight led the way with an average of $59,002 in five theaters. This is the fourth best opening weekend average of 2015, just ahead of While We're Young and just behind Ex Machina. Brooklyn was next with an average of $37,456, also in five theaters. It opened on Wednesday, so its weekend average was a little lower than it otherwise would have been. The overall number one film, Spectre, was third with an average of $17,919. In Jackson Heights was on the opposite end of the scale playing in just one theater. It did well with an opening of $15,150. Trumbo was very close behind with an average of $14,835 in five theaters. Its reviews suggest it won't expand significantly, but this is a great start. The second wide release of the week was The Peanuts Movie, which opened with an average of $11,345. The final film in the $10,000 club was Peggy Guggenheim - Art Addict, which earned an average of $11,129 in two theaters. More...

Per Theater Chart: Suffragette Voted Top Film on Per Theater Chart

October 27th, 2015

Suffragette

Suffragette started its potential Oscar-run earning first place on the per theater chart with an average of $19,056 in four theaters. That suggests room to grow, but perhaps not enough to expand truly wide. It will need to last in theaters long enough for Awards Season nominations to be announced and if it can do well then, it will boost its box office chances. Heart of a Dog was next with an opening of $13,893 in one theater. Room was the only holdover in the $10,000 club earning an average of $10,856 in 23 theaters. It will earn some measure of mainstream success, but unless Brie Larson earns some major Awards Season nominations, it won't expand truly wide. More...

Weekend Estimates: Martian Avoids the Wreckage

October 25th, 2015

The Martian

Dismal is about the politest word that can be applied to the box office performance of new releases this weekend. None of the five films new in wide release managed to make the top three on the chart, and two of them didn’t even crack the top ten. That leaves The Martian and Goosebumps to battle it out for first place, and a fourth-week decline of just 25% for The Martian looks virtually certain to give it the win. Fox projects it will make $15.9 million for a total by the end of the weekend of $166 million or so. Its performance to date falls neatly between that of Interstellar and Gravity, which puts the sci-fi adventure on course for a final domestic box office of $230 million (see full comps here). More...

Per Theater Chart: Very Little Room at the Top

October 21st, 2015

Room

Room was in a close race for top spot on the per theater with last week's winner, but it came out on top with an average of $29,575 in four theaters. Steve Jobs was right behind with an average of $25,212 in 60. This film is going to expand wide this weekend and could lead the weekend. The Assassin earned an average of $11,973 in four theaters, which is strong for a foreign-language film. Meanwhile, Truth was right behind with an average of $11,039 in six. More...

Weekend Estimates: Goosebumps Set to Win Tight Race

October 18th, 2015

Goosebumps

A slightly-softer-than-expected (but still good) opening for Goosebumps will be enough to take the film to the top of the box office chart this weekend, according to studio projections released on Sunday morning. Sony expects the family horror adventure to come in with $23.5 million on opening weekend, which is a solid enough start, and sets the film up for a good run, helped by strong reviews and Halloween coming up in a couple of weeks. The Martian will land in second with a projected $21.5 million as of this morning, a slightly steeper-than-expected 42% decline from last weekend, and a total to date around $144 million. In general, we’re looking at quite a few steep drops from last weekend thanks to an unfavorable comparison with the Columbus Day long weekend and a batch of new releases. More...

Limited and VOD Releases: Make Room for Limited Releases

October 16th, 2015

Room

It is a fantastic week for limited releases with a number of movies in various genres that are earning impressive reviews / loud buzz. There's documentaries (All Things Must Pass and A Ballerina's Tale); horror (Tales of Halloween); action (The Assassin); and even a potential Oscar winner (Room). More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 16, 2015 30 $118,298   4 $29,575   $118,298 1
Oct 23, 2015 22 $249,695 +111% 23 $10,856   $404,589 2
Oct 30, 2015 26 $292,620 +17% 49 $5,972   $789,822 3
Nov 6, 2015 21 $473,957 +62% 87 $5,448   $1,406,104 4
Nov 13, 2015 19 $563,673 +19% 133 $4,238   $2,272,968 5
Nov 20, 2015 17 $384,828 -32% 160 $2,405   $2,901,838 6
Nov 27, 2015 19 $319,888 -17% 175 $1,828   $3,406,551 7
Dec 4, 2015 21 $228,639 -29% 175 $1,307   $3,792,963 8
Dec 11, 2015 21 $264,569 +16% 198 $1,336   $4,202,950 9
Dec 18, 2015 27 $180,192 -32% 171 $1,054   $4,542,056 10
Dec 25, 2015 35 $88,481 -51% 100 $885   $4,758,422 11
Jan 1, 2016 36 $116,219 +31% 91 $1,277   $4,976,972 12
Jan 8, 2016 32 $115,820 n/c 88 $1,316   $5,166,724 13
Jan 15, 2016 20 $759,761 +556% 293 $2,593   $6,031,271 14
Jan 22, 2016 15 $1,335,563 +76% 862 $1,549   $7,864,357 15
Jan 29, 2016 14 $1,236,878 -7% 795 $1,556   $9,901,663 16
Feb 5, 2016 18 $731,117 -41% 631 $1,159   $11,201,500 17
Feb 12, 2016 24 $449,940 -38% 316 $1,424   $12,001,918 18
Feb 19, 2016 27 $407,968 -9% 352 $1,159   $12,657,987 19
Feb 26, 2016 23 $579,820 +42% 530 $1,094   $13,474,429 20
Mar 4, 2016 21 $461,605 -20% 565 $817   $14,161,502 21
Mar 11, 2016 34 $157,001 -66% 202 $777   $14,318,503 22
Mar 18, 2016 50 $53,726 -66% 92 $584   $14,609,005 23
Mar 25, 2016 60 $14,149 -74% 34 $416   $14,649,618 24
Apr 1, 2016 79 $4,382 -69% 14 $313   $14,662,988 25
Apr 15, 2016 73 $3,596   6 $599   $14,674,753 27
Apr 22, 2016 89 $1,090 -70% 2 $545   $14,677,674 28

Daily Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
Oct 16, 2015 - $35,000   4 $8,750   $35,000 1

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 16, 2015 32 $154,894   4 $38,724   $154,894 1
Oct 23, 2015 22 $342,308 +121% 23 $14,883   $497,202 2
Oct 30, 2015 24 $434,945 +27% 49 $8,876   $932,147 3
Nov 6, 2015 21 $777,148 +79% 87 $8,933   $1,709,295 4
Nov 13, 2015 18 $807,715 +4% 133 $6,073   $2,517,010 5
Nov 20, 2015 21 $569,653 -29% 160 $3,560   $3,086,663 6
Nov 27, 2015 18 $477,661 -16% 175 $2,729   $3,564,324 7
Dec 4, 2015 20 $374,057 -22% 175 $2,137   $3,938,381 8
Dec 11, 2015 21 $423,483 +13% 198 $2,139   $4,361,864 9
Dec 18, 2015 27 $308,077 -27% 171 $1,802   $4,669,941 10
Dec 25, 2015 35 $190,812 -38% 100 $1,908   $4,860,753 11
Jan 1, 2016 32 $190,151 n/c 91 $2,090   $5,050,904 12
Jan 8, 2016 28 $220,606 +16% 88 $2,507   $5,271,510 13
Jan 15, 2016 20 $1,257,284 +470% 293 $4,291   $6,528,794 14
Jan 22, 2016 14 $2,135,991 +70% 862 $2,478   $8,664,785 15
Jan 29, 2016 14 $1,805,598 -15% 795 $2,271   $10,470,383 16
Feb 5, 2016 18 $1,081,595 -40% 631 $1,714   $11,551,978 17
Feb 12, 2016 25 $698,041 -35% 316 $2,209   $12,250,019 18
Feb 19, 2016 27 $644,590 -8% 352 $1,831   $12,894,609 19
Feb 26, 2016 23 $805,288 +25% 530 $1,519   $13,699,897 20
Mar 4, 2016 26 $461,605 -43% 565 $817   $14,331,387 21
Mar 11, 2016 27 $393,777 -15% 202 $1,949   $14,555,279 22
Mar 18, 2016 50 $80,190 -80% 92 $872   $14,635,469 23
Mar 25, 2016 62 $23,137 -71% 34 $681   $14,658,606 24
Apr 1, 2016 78 $7,482 -68% 14 $534   $14,666,088 25
Apr 8, 2016 83 $5,069 -32% 4 $1,267   $14,671,157 26
Apr 15, 2016 84 $5,427 +7% 6 $905   $14,676,584 27

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 1/21/2016 $133,133 57 57 151 $321,150 4/19/2016
Australia 1/22/2016 $63,923 60 64 529 $907,982 6/9/2016
Austria 3/17/2016 $21,739 14 15 51 $80,509 6/9/2016
Belgium 3/2/2016 $61,679 25 25 73 $164,150 6/9/2016
Bolivia 1/28/2016 $9,361 7 7 12 $17,052 12/31/2018
Brazil 2/18/2016 $223,790 67 87 393 $1,185,909 6/9/2016
Chile 1/28/2016 $0 0 8 23 $47,468 12/31/2018
Croatia 1/28/2016 $8,235 13 20 64 $28,359 12/31/2018
Denmark 3/17/2016 $0 0 27 27 $221,393 6/9/2016
Ecuador 1/22/2016 $0 0 29 36 $73,188 12/31/2018
Finland 2/26/2016 $27,534 33 33 113 $114,739 6/9/2016
France 3/9/2016 $202,390 0 168 168 $738,683 8/17/2018
Germany 3/17/2016 $172,946 84 90 384 $848,534 1/23/2017
Greece 2/4/2016 $109,417 27 30 98 $303,871 6/9/2016
Hong Kong 3/3/2016 $167,346 20 35 100 $649,972 6/9/2016
Iceland 2/26/2016 $0 0 3 3 $41,357 12/31/2018
Italy 3/3/2016 $561,813 222 225 583 $1,299,222 6/9/2016
Japan 4/8/2016 $485,542 76 76 152 $1,620,378 6/9/2016
Lebanon 2/25/2016 $6,357 3 3 6 $22,972 12/31/2018
Mexico 2/19/2016 $273,159 0 164 164 $1,760,929 9/8/2018
Netherlands 3/3/2016 $103,946 27 44 257 $775,549 1/23/2017
New Zealand 1/29/2016 $4,989 9 27 168 $148,805 10/20/2022
Norway 2/19/2016 $0 0 1 1 $145,653 6/9/2016
Peru 1/21/2016 $26,707 20 112 147 $71,806 12/31/2018
Poland 2/26/2016 $0 0 67 67 $464,911 12/31/2018
Portugal 2/11/2016 $35,737 10 20 99 $235,233 6/9/2016
Russia (CIS) 8/27/2020 $9,520 78 78 110 $14,962 10/19/2022
Serbia and Montenegro 3/17/2016 $0 0 4 7 $12,697 12/31/2018
Singapore 1/14/2016 $47,101 13 13 40 $142,669 6/9/2016
Slovenia 1/28/2016 $3,243 16 16 25 $11,462 6/9/2016
South Africa 2/26/2016 $0 0 19 19 $45,385 6/9/2016
South Korea 3/3/2016 $16,421 0 333 498 $632,889 4/28/2021
Spain 2/26/2016 $403,069 111 158 747 $2,113,210 1/23/2017
Sweden 3/18/2016 $43,872 63 63 63 $43,872 6/9/2016
Taiwan 2/26/2016 $79,097 17 22 112 $460,186 6/9/2016
Thailand 2/4/2016 $7,825 9 9 27 $26,875 3/15/2016
Turkey 2/19/2016 $29,774 20 20 82 $136,307 12/31/2018
United Arab Emirates 12/24/2015 $0 0 2 4 $55,107 12/31/2018
United Kingdom 1/15/2016 $963,179 197 335 1,754 $5,570,414 6/9/2016
Uruguay 2/25/2016 $15,343 7 11 35 $60,279 12/31/2018
Venezuela 2/5/2016 $3,877 9 15 31 $22,965 3/8/2016
 
International Total$21,639,053 10/20/2022

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Mar 6, 2016640,414 40,414$518,107$518,1071
Mar 13, 20161620,786-49% 61,200$216,590$734,6972

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Mar 6, 2016629,979 29,979$509,342$509,3421
Mar 13, 2016198,766-71% 38,745$133,951$643,2932

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.