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Room (2015)

Room poster
Theatrical Performance
Domestic Box Office $14,677,674Details
International Box Office $21,548,501Details
Worldwide Box Office $36,226,175
Home Market Performance
Domestic DVD Sales $1,395,203 Details
Domestic Blu-ray Sales $1,034,667 Details
Total Domestic Video Sales $2,429,870
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Jack is a spirited 5 year-old who is looked after by his loving and devoted Ma. Like any good mother, Ma dedicates herself to keeping Jack happy and safe, nurturing him with warmth and love and doing typical things like playing games and telling stories. Their life, however, is anything but typical—they are trapped—confined to a windowless, 10-by-10-foot space, which Ma has euphemistically named “Room.” Ma has created a whole universe for Jack within Room, and she will stop at nothing to ensure that, even in this treacherous environment, Jack is able to live a complete and fulfilling life. But as Jack’s curiosity about their situation grows, and Ma’s resilience reaches its breaking point, they enact a risky plan to escape, ultimately bringing them face-to-face with what may turn out to be the scariest thing yet: the real world.

Metrics

Latest Ranking on Cumulative Box Office Lists


Movie Details

Production Budget:$13,000,000
Domestic Releases: October 16th, 2015 (Limited) by A24
International Releases: December 24th, 2015 (Wide) (United Arab Emirates)
January 14th, 2016 (Wide) (Singapore)
January 15th, 2016 (Wide) (United Kingdom)
January 21st, 2016 (Wide) (Argentina)
January 21st, 2016 (Wide) (Peru)
... Show all releases
Video Release: March 1st, 2016 by Lionsgate Home Entertainment
MPAA Rating: R
Running Time: 113 minutes
Comparisons: Best Picture Oscar Nominees, 2016
vs. Brooklyn
Create your own comparison chart…
Keywords: 2016 Oscars Best Picture Nominee
Source:Based on Fiction Book/Short Story
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production Companies: Element Pictures, No Trace Camping, Duperele Films
Production Countries: United States

Ranking on other Records and Milestones

RecordRankRevenueChart
Date
Days In
Release
Biggest 28th Weekend at the Domestic Box Office 414 $1,090 Apr 22, 2016 192
Biggest 27th Weekend at the Domestic Box Office 363 $3,596 Apr 15, 2016 185
Biggest 25th Weekend at the Domestic Box Office 471 $4,382 Apr 1, 2016 171
Biggest 24th Weekend at the Domestic Box Office 392 $14,149 Mar 25, 2016 164
Biggest 23rd Weekend at the Domestic Box Office 288 $53,726 Mar 18, 2016 157
Biggest 22nd Weekend at the Domestic Box Office 189 $157,001 Mar 11, 2016 150
Biggest 21st Weekend at the Domestic Box Office 97 $461,605 Mar 4, 2016 143
Biggest 20th Weekend at the Domestic Box Office 100 $579,820 Feb 26, 2016 136
Biggest 19th Weekend at the Domestic Box Office 158 $407,968 Feb 19, 2016 129
Biggest 18th Weekend at the Domestic Box Office 177 $449,940 Feb 12, 2016 122
Biggest 17th Weekend at the Domestic Box Office 135 $731,117 Feb 5, 2016 115
Biggest 16th Weekend at the Domestic Box Office 97 $1,236,878 Jan 29, 2016 108
Biggest 15th Weekend at the Domestic Box Office 99 $1,335,563 Jan 22, 2016 101
Biggest 14th Weekend at the Domestic Box Office 212 $759,761 Jan 15, 2016 94
Biggest 13th Weekend at the Domestic Box Office 1,179 $115,820 Jan 8, 2016 87
Biggest 12th Weekend at the Domestic Box Office 1,399 $116,219 Jan 1, 2016 80
Biggest 11th Weekend at the Domestic Box Office 1,849 $88,481 Dec 25, 2015 73
Biggest 10th Weekend at the Domestic Box Office 1,511 $180,192 Dec 18, 2015 66
Biggest 9th Weekend at the Domestic Box Office 1,451 $264,569 Dec 11, 2015 59
Biggest 8th Weekend at the Domestic Box Office 1,922 $228,639 Dec 4, 2015 52
Biggest 7th Weekend at the Domestic Box Office 2,059 $319,888 Nov 27, 2015 45
Biggest 6th Weekend at the Domestic Box Office 2,459 $384,828 Nov 20, 2015 38
Biggest 5th Weekend at the Domestic Box Office 2,765 $563,673 Nov 13, 2015 31
Biggest 4th Weekend at the Domestic Box Office 3,610 $473,957 Nov 6, 2015 24
Biggest 3rd Weekend at the Domestic Box Office 4,527 $292,620 Oct 30, 2015 17
Biggest 2nd Weekend at the Domestic Box Office 4,986 $249,695 Oct 23, 2015 10
Biggest Opening Weekend at the Domestic Box Office 5,933 $118,298 Oct 16, 2015 3

Cast

   Ma
   Jack
Joan Allen    Grandma
Sean Bridgers    Old Nick
William H. Macy    Grandpa
Tom McCamus    Leo
Megan Park    Laura
Amanda Brugel    Officer Parker
Cas Anvar    Dr. Mittal
Joe Pingue    Officer Grabowski

Production and Technical Credits

Director   
Screenwriter    Emma Donoghue
Producer    Ed Guiney
Producer    David Gross
Executive Producer    Andrew Lowe
Executive Producer    Emma Donoghue
Executive Producer    Jesse Shapira
Executive Producer    Jeff Arkuss
Executive Producer    David Kosse
Executive Producer    Rose Garnet
Executive Producer    Tessa Ross
Story Creator    Emma Donoghue
Director of Photography    Danny Cohen
Production Designer    Ethan Tobman
Editor    Nathan Nugent
Composer    Stephen Rennicks
Costume Designer    Lea Carlson
Casting Director    Fiona Weir
Casting Director    Robin D. Cook

Home Market Releases for March 1st, 2016

March 2nd, 2016

Strange Brew

There are some really good releases on this week's Home Market Release Report, including many that either won or were competing for Oscars, like Creed, Room, etc. However, once you get past the cream of the crop, there isn't much in the way of depth. Most of the Oscar contenders are Pick of the Week Contenders, but the best release by far is The Adventures of Bob & Doug McKenzie: Strange Brew on Blu-ray. This is the greatest movie ever made. More...

Oscar Predictions: Mad Max Heads Technical Categories, Revenant Favorite for Best Picture

February 28th, 2016

Predicted Oscar Winners

Voting in our annual Predict the Academy Awards contest is now closed, and we can reveal the final vote totals in each category, along with the rough probability for which film will win each award. This is a year where readers are very confident about the outcomes in many of the categories. In fact, there isn’t a single major category where less than 50% of readers picked the same winner, and there are five Oscars where 90% or more of readers agreed on the outcome, including a massive 97% of the vote for Inside Out for Best Animated Feature. That makes The Revenant a rather more uncertain bet, with 70% of readers favoring it for Best Picture. That’s actually theoretically the closest call among all the major prizes… More...

2015 Awards Season: Oscar Preview

February 28th, 2016

The Revenant

It’s Oscar day and, if all goes to plan, I will be live-blogging the ceremony tonight. Here is the list of nominees marked according to predictions from our readers, and my personal wishes. Nominees in Bold are the ones predicted to win by our readers (we’ll have a full rundown of the predictions at noon, after the contest ends). If I am predicting a different film, those are in Italics. Meanwhile, the nominees I want to win, but don’t think will win, are Underlined. There are a few categories where the film I really think deserves the award was not even nominated, plus a few I don’t have a real opinion on.

If you haven’t done so already, it’s not too late to enter our Oscar competition, and win all Best Picture nominees on Blu-ray or DVD. More...

2015 Awards Season: Oscar Highlight: Best Picture

February 27th, 2016

The Revenant

With our annual Oscar Prediction contest closing at noon tomorrow, now is the best time to look at the nominees and try to figure out who the favorites are and which films should just feel honored to be nominated. This morning, we get to the final category, Best Picture. The film I think should win, Inside Out, wasn't even nominated. Of the movies on this list, I think The Martian is the best. If you look at the odds makers, it isn’t even in the top three. I’m going to be doubly disappointed tomorrow. More...

2015 Awards Season: Oscar Highlight: Best Lead Actress

February 26th, 2016

Room

With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. The Best Lead Actress is not generating a lot of buzz, but one actress has been constantly winning and is the overwhelming favorite. More...

2015 Awards Season: Oscar Highlight: Best Adapted Screenplay

February 20th, 2016

The Big Short

With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. The Best Adapted Screenplay category is about as competitive as the Best Original Screenplay, which is to say it isn't competitive at all. More...

2015 - Awards Season: BAFTA - Winners - Revenant and Mad Max Lead the Way

February 15th, 2016

The Revenant

The BAFTA awards were handed out over the weekend. There were two main winners, The Revenant, which won most of its five awards in the high-prestige categories, and Mad Max: Fury Road, which earn all four of its awards in technical categories. It appears the Oscars will be very similar in that breakdown. More...

2015 Awards Season: SAG Winners—Oscar Picture Clarifies, Mostly

January 31st, 2016

Spotlight

The Screen Actors Guild winners were handed out last night and for the most part the winners here will likely walk away with an Oscar. There is one major exception. More...

2015 Awards Season: Oscars - Nominations

January 15th, 2016

The Revenant

The Oscar nominations were announced at 5:30 am Pacific time. Nothing is good that early in the morning. Worse still, this was a terrible year for snubs, especially when it comes to diversity of the nominees. The voters for the Oscars are 94% white and 77% male... but that's still more diverse than the list of nominees. The Revenant led the way with 12 nominations and it is expected to win a few of those, while it is a serious contender in most of the categories it was nominated in. More...

Theater Averages: Anomalisa Leads Uneventful Chart with $12,738

January 13th, 2016

Anomalisa

There were only three films in the $10,000 club this weekend and all of them were holdovers. Leading the way was Anomalisa with an average of $12,738 in 17 theaters. At this pace, the film will earn some measure of mainstream success. However, unless it wins an Oscar, it likely won't match its $8 million production budget in theaters. The Revenant slipped into second place with $11,801, while the overall number one film, Star Wars: The Force Awakens, was next with $10,245. More...

2015 - Awards Season: Golden Globes - Winners

January 11th, 2016

The Revenant

The Golden Globes were handed out on Sunday evening. There were a few minor surprises and some infuriating results. On the other hand, no one film truly dominated, with The Revenant leading the way with just three wins. Only two other movies earned more than one win, The Martian and Steve Jobs. More...

2015 - Awards Season: BAFTA - Nominations

January 9th, 2016

Bridge of Spies

The BAFTA nominations were announced and you can read them on their site... in alphabetical order. Alphabetical order is very useful in most circumstances, but not here. On the other hand, the nominees within each category are not presented in alphabetical order. ... Are the BAFTAs trolling us? As for the actual nominees, the big winners here are Bridge of Spies and Carol, both of which earned nine nominations. For Carol, this is just another impressive score, but this was a pleasant surprise for Bridge of Spies. More...

Per Theater Chart: The Big Short was Nearly the Biggest

December 15th, 2015

The Big Short

We have a new champion on top of the per theater chart this week, as The Big Short earned one of the best limited release openings of the year. Its average of $88,191 was behind only Steve Jobs for the year and Steve Jobs opened in half as many theaters as The Big Short, 8 to 4. Carol remained strong in second place with an average of $21,105 in 16 theaters. Thankfully it is expanding, but I'm worried the studio waited too long and it won't reach its potential. Yellow Day opened with an average of $13,130 in two theaters. The Danish Girl rounded out the $10,000 club with an average of $10,964 in 24 theaters. By this time next week, it could be over $1 million in total. More...

2015 - Awards Season: Golden Globes - Nominations

December 10th, 2015

Carol

The Golden Globes nominations were announced this morning and we are already beginning to see a trend for this year's Awards Season. For the most part, the same films are coming up over and over again. Carol led the way with five awards, while there was a three-way tie for second place with The Big Short, The Revenant and Steve Jobs each picking up four. More...

2015 Awards Season: SAG Nominations

December 9th, 2015

Trumbo

The Screen Actors Guild nominations were announced today and there are at least a few surprises to talk about. Trumbo led the way with three nominations, but there were six films with two nods apiece. Six!

More...

Per Theater Chart: Carol's Second Verse is the Same as the First

December 1st, 2015

Carol

Carol remained in first place on the per theater chart with an average of $49,443 in four theaters. This is 22% lower than the film's opening weekend average, which isn't bad for a limited release. The Danish Girl opened in a close second place with $46,830, also in four theaters. The Hunger Games: Mockingjay - Part 2 earned first place on the overall chart and third place on the per theater chart with an average of $12,456. Janis: Little Girl Blue earned an average of $10,931 in two theaters, which is great for a documentary. The second wide release in the $10,000 club was The Good Dinosaur with an average of $10,444. More...

2015 - Awards Season: Independent Spirit Awards - Nominations

November 25th, 2015

Carol

Awards Season begins with the Independent Spirit Awards nominations. There were definitely some surprise nominees this year, but that also meant there were some unfortunate snubs as well. The overall leader was Carol, which just opened this past weekend. This is great timing and should help its box office numbers, as well as its chances throughout Awards Season. Its six nominations were one ahead of Beasts of No Nation and Spotlight. (One of Spotlight's was the Robert Altman Award, which has no nominations, just one winner.)

More...

Per Theater Chart: James Can't Take the Spotlight

November 17th, 2015

James White

There was only one new release in the $10,000 club and it had to settle for third place on the per theater chart. This left Spotlight in first place with an average of $22,561 in 60 theaters. This is a great result for a film expanding from five to 60 theaters. Brooklyn also expanded, going from five theaters to 23 theaters, while its per theater average remained strong with an average of $20,868. James White was the only new release in the $10,000 club debuting with $12,007 in its lone theater. More...

Per Theater Chart: Spotlight Shines Bright

November 10th, 2015

Spotlight

It was a busy week on the per theater chart with seven films in the $10,000 club. Spotlight led the way with an average of $59,002 in five theaters. This is the fourth best opening weekend average of 2015, just ahead of While We're Young and just behind Ex Machina. Brooklyn was next with an average of $37,456, also in five theaters. It opened on Wednesday, so its weekend average was a little lower than it otherwise would have been. The overall number one film, Spectre, was third with an average of $17,919. In Jackson Heights was on the opposite end of the scale playing in just one theater. It did well with an opening of $15,150. Trumbo was very close behind with an average of $14,835 in five theaters. Its reviews suggest it won't expand significantly, but this is a great start. The second wide release of the week was The Peanuts Movie, which opened with an average of $11,345. The final film in the $10,000 club was Peggy Guggenheim - Art Addict, which earned an average of $11,129 in two theaters. More...

Per Theater Chart: Suffragette Voted Top Film on Per Theater Chart

October 27th, 2015

Suffragette

Suffragette started its potential Oscar-run earning first place on the per theater chart with an average of $19,056 in four theaters. That suggests room to grow, but perhaps not enough to expand truly wide. It will need to last in theaters long enough for Awards Season nominations to be announced and if it can do well then, it will boost its box office chances. Heart of a Dog was next with an opening of $13,893 in one theater. Room was the only holdover in the $10,000 club earning an average of $10,856 in 23 theaters. It will earn some measure of mainstream success, but unless Brie Larson earns some major Awards Season nominations, it won't expand truly wide. More...

Weekend Estimates: Martian Avoids the Wreckage

October 25th, 2015

The Martian

Dismal is about the politest word that can be applied to the box office performance of new releases this weekend. None of the five films new in wide release managed to make the top three on the chart, and two of them didn’t even crack the top ten. That leaves The Martian and Goosebumps to battle it out for first place, and a fourth-week decline of just 25% for The Martian looks virtually certain to give it the win. Fox projects it will make $15.9 million for a total by the end of the weekend of $166 million or so. Its performance to date falls neatly between that of Interstellar and Gravity, which puts the sci-fi adventure on course for a final domestic box office of $230 million (see full comps here). More...

Per Theater Chart: Very Little Room at the Top

October 21st, 2015

Room

Room was in a close race for top spot on the per theater with last week's winner, but it came out on top with an average of $29,575 in four theaters. Steve Jobs was right behind with an average of $25,212 in 60. This film is going to expand wide this weekend and could lead the weekend. The Assassin earned an average of $11,973 in four theaters, which is strong for a foreign-language film. Meanwhile, Truth was right behind with an average of $11,039 in six. More...

Weekend Estimates: Goosebumps Set to Win Tight Race

October 18th, 2015

Goosebumps

A slightly-softer-than-expected (but still good) opening for Goosebumps will be enough to take the film to the top of the box office chart this weekend, according to studio projections released on Sunday morning. Sony expects the family horror adventure to come in with $23.5 million on opening weekend, which is a solid enough start, and sets the film up for a good run, helped by strong reviews and Halloween coming up in a couple of weeks. The Martian will land in second with a projected $21.5 million as of this morning, a slightly steeper-than-expected 42% decline from last weekend, and a total to date around $144 million. In general, we’re looking at quite a few steep drops from last weekend thanks to an unfavorable comparison with the Columbus Day long weekend and a batch of new releases. More...

Limited and VOD Releases: Make Room for Limited Releases

October 16th, 2015

Room

It is a fantastic week for limited releases with a number of movies in various genres that are earning impressive reviews / loud buzz. There's documentaries (All Things Must Pass and A Ballerina's Tale); horror (Tales of Halloween); action (The Assassin); and even a potential Oscar winner (Room). More...

Compare this performance with other movies…

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2015/10/16 30 $118,298   4 $29,575   $118,298 3
2015/10/23 22 $249,695 +111% 23 $10,856   $404,589 10
2015/10/30 26 $292,620 +17% 49 $5,972   $789,822 17
2015/11/06 21 $473,957 +62% 87 $5,448   $1,406,104 24
2015/11/13 19 $563,673 +19% 133 $4,238   $2,272,968 31
2015/11/20 17 $384,828 -32% 160 $2,405   $2,901,838 38
2015/11/27 19 $319,888 -17% 175 $1,828   $3,406,551 45
2015/12/04 21 $228,639 -29% 175 $1,307   $3,792,963 52
2015/12/11 21 $264,569 +16% 198 $1,336   $4,202,950 59
2015/12/18 27 $180,192 -32% 171 $1,054   $4,542,056 66
2015/12/25 35 $88,481 -51% 100 $885   $4,758,422 73
2016/01/01 36 $116,219 +31% 91 $1,277   $4,976,972 80
2016/01/08 32 $115,820 n/c 88 $1,316   $5,166,724 87
2016/01/15 20 $759,761 +556% 293 $2,593   $6,031,271 94
2016/01/22 15 $1,335,563 +76% 862 $1,549   $7,864,357 101
2016/01/29 14 $1,236,878 -7% 795 $1,556   $9,901,663 108
2016/02/05 18 $731,117 -41% 631 $1,159   $11,201,500 115
2016/02/12 24 $449,940 -38% 316 $1,424   $12,001,918 122
2016/02/19 27 $407,968 -9% 352 $1,159   $12,657,987 129
2016/02/26 23 $579,820 +42% 530 $1,094   $13,474,429 136
2016/03/04 21 $461,605 -20% 565 $817   $14,161,502 143
2016/03/11 34 $157,001 -66% 202 $777   $14,318,503 150
2016/03/18 50 $53,726 -66% 92 $584   $14,609,005 157
2016/03/25 60 $14,149 -74% 34 $416   $14,649,618 164
2016/04/01 79 $4,382 -69% 14 $313   $14,662,988 171
2016/04/15 73 $3,596   6 $599   $14,674,753 185
2016/04/22 89 $1,090 -70% 2 $545   $14,677,674 192

Daily Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2015/10/16 - $35,000   4 $8,750   $35,000 1

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2015/10/16 32 $154,894   4 $38,724   $154,894 7
2015/10/23 22 $342,308 +121% 23 $14,883   $497,202 14
2015/10/30 24 $434,945 +27% 49 $8,876   $932,147 21
2015/11/06 21 $777,148 +79% 87 $8,933   $1,709,295 28
2015/11/13 18 $807,715 +4% 133 $6,073   $2,517,010 35
2015/11/20 21 $569,653 -29% 160 $3,560   $3,086,663 42
2015/11/27 18 $477,661 -16% 175 $2,729   $3,564,324 49
2015/12/04 20 $374,057 -22% 175 $2,137   $3,938,381 56
2015/12/11 21 $423,483 +13% 198 $2,139   $4,361,864 63
2015/12/18 27 $308,077 -27% 171 $1,802   $4,669,941 70
2015/12/25 35 $190,812 -38% 100 $1,908   $4,860,753 77
2016/01/01 32 $190,151 n/c 91 $2,090   $5,050,904 84
2016/01/08 28 $220,606 +16% 88 $2,507   $5,271,510 91
2016/01/15 20 $1,257,284 +470% 293 $4,291   $6,528,794 98
2016/01/22 14 $2,135,991 +70% 862 $2,478   $8,664,785 105
2016/01/29 14 $1,805,598 -15% 795 $2,271   $10,470,383 112
2016/02/05 18 $1,081,595 -40% 631 $1,714   $11,551,978 119
2016/02/12 25 $698,041 -35% 316 $2,209   $12,250,019 126
2016/02/19 27 $644,590 -8% 352 $1,831   $12,894,609 133
2016/02/26 23 $805,288 +25% 530 $1,519   $13,699,897 140
2016/03/04 26 $461,605 -43% 565 $817   $14,331,387 147
2016/03/11 27 $393,777 -15% 202 $1,949   $14,555,279 154
2016/03/18 50 $80,190 -80% 92 $872   $14,635,469 161
2016/03/25 62 $23,137 -71% 34 $681   $14,658,606 168
2016/04/01 78 $7,482 -68% 14 $534   $14,666,088 175
2016/04/08 84 $5,069 -32% 4 $1,267   $14,671,157 182
2016/04/15 84 $5,427 +7% 6 $905   $14,676,584 189

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Theaters
Maximum
Theaters
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 1/21/2016 $133,133 57 57 151 $321,150 4/19/2016
Australia 1/22/2016 $63,923 60 64 529 $907,982 6/9/2016
Austria 3/17/2016 $21,739 14 15 51 $80,509 6/9/2016
Belgium 3/2/2016 $61,679 25 25 73 $164,150 6/9/2016
Bolivia 1/28/2016 $9,361 7 7 12 $17,052 2/9/2016
Brazil 2/18/2016 $223,790 67 87 393 $1,185,909 6/9/2016
Chile 1/28/2016 $0 0 8 23 $47,468 3/22/2016
Croatia 1/28/2016 $8,235 13 20 64 $28,359 3/15/2016
Denmark 3/17/2016 $0 0 27 27 $221,393 6/9/2016
Ecuador 1/22/2016 $0 0 29 36 $73,188 2/17/2016
Finland 2/26/2016 $27,534 33 33 113 $114,739 6/9/2016
France 3/9/2016 $0 0 168 168 $738,683 6/9/2016
Germany 3/17/2016 $172,946 84 90 382 $684,543 6/9/2016
Greece 2/4/2016 $109,417 27 30 98 $303,871 6/9/2016
Hong Kong 3/3/2016 $167,346 20 35 100 $649,972 6/9/2016
Iceland 2/26/2016 $0 0 3 3 $41,357 3/15/2016
Italy 3/3/2016 $561,813 222 225 583 $1,299,222 6/9/2016
Japan 4/8/2016 $485,542 76 76 152 $1,620,378 6/9/2016
Lebanon 2/25/2016 $6,357 3 3 6 $22,972 3/15/2016
Mexico 2/19/2016 $0 0 164 164 $1,760,929 6/9/2016
Netherlands 3/3/2016 $103,946 27 44 228 $675,927 6/9/2016
New Zealand 1/29/2016 $4,989 9 27 167 $143,428 6/9/2016
Norway 2/19/2016 $0 0 1 1 $145,653 6/9/2016
Peru 1/21/2016 $26,707 20 112 147 $71,806 3/22/2016
Poland 2/26/2016 $0 0 67 67 $464,911 3/22/2016
Portugal 2/11/2016 $35,737 10 20 99 $235,233 6/9/2016
Serbia and Montenegro 3/17/2016 $0 0 4 7 $12,697 4/12/2016
Singapore 1/14/2016 $47,101 13 13 40 $142,669 6/9/2016
Slovenia 1/28/2016 $3,243 16 16 25 $11,462 6/9/2016
South Africa 2/26/2016 $0 0 19 19 $45,385 6/9/2016
South Korea 3/3/2016 $247,372 333 333 473 $602,637 12/8/2016
Spain 2/26/2016 $403,069 111 158 725 $2,168,213 6/9/2016
Sweden 3/18/2016 $43,872 63 63 63 $43,872 6/9/2016
Taiwan 2/26/2016 $79,097 17 22 112 $460,186 6/9/2016
Thailand 2/4/2016 $7,825 9 9 27 $26,875 3/15/2016
Turkey 2/19/2016 $29,774 20 20 82 $136,307 4/12/2016
United Arab Emirates 12/24/2015 $0 0 2 4 $55,107 2/2/2016
United Kingdom 1/15/2016 $963,179 197 335 1754 $5,570,414 6/9/2016
Uruguay 2/25/2016 $15,343 7 11 35 $60,279 3/29/2016
Venezuela 2/5/2016 $3,877 9 15 31 $22,965 3/8/2016
 
Rest of World $168,649
 
International Total$21,548,501 12/8/2016

Weekly US DVD Sales

DateRankUnits this Week% ChangeTotal UnitsSpending this WeekTotal SpendingWeeks in Release
3/6/2016640,414 40,414$518,107$518,1071
3/13/20161620,786-49% 61,200$216,590$734,6982

Weekly US Blu-ray Sales

DateRankUnits this Week% ChangeTotal UnitsSpending this WeekTotal SpendingWeeks in Release
3/6/2016625,656 25,656$435,896$435,8961
3/13/2016198,937-65% 34,593$136,561$572,4572

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.