Song to Song (2017)
| Theatrical Performance | ||
| Domestic Box Office | $443,684 | Details |
| International Box Office | $1,302,180 | Details |
| Worldwide Box Office | $1,745,864 | |
| OpusData ID: 214410100 More info... | ||
| Further financial details... | ||
Synopsis
In this modern love story set against the Austin, Texas music scene, two entangled couples—struggling songwriters Faye and BV, and music mogul Cook and the waitress whom he ensnares—chase success through a rock ‘n’ roll landscape of seduction and betrayal.
Metrics
| Opening Weekend: | $50,559 (11.4% of total gross) |
| Legs: | 3.24 (domestic box office/biggest weekend) |
| Domestic Share: | 25.4% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/95 max. theaters, 2.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $591,577 |
Movie Details
| Domestic Releases: | March 17th, 2017 (Limited) by Broad Green Pictures |
| International Releases: | May 4th, 2017 (Wide) (Netherlands)
May 5th, 2017 (Special Engagement), released as Música a Música (Portugal) May 10th, 2017 (Wide) (Italy) May 11th, 2017 (Wide), released as Música a Música (Portugal) May 19th, 2017 (Wide) (Poland) ... Show all releases |
| Video Release: | June 27th, 2017 by Broad Green |
| MPA Rating: | R for some sexuality, nudity, drug use and language. (Rating bulletin 2463 (Cert #49585), 2/15/2017) |
| Running Time: | 129 minutes |
| Cast, crew, or production detail: | Gratuitous Cameos |
| Geographical setting: | Austin, TX, Texas |
| Plot point: | Love Triangle, Musicians, Relationships Gone Wrong, Singers, Songwriter |
| Social setting: | Music Industry |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Broad Green Pictures, Waypoint Entertainment, FilmNation Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 17, 2017 | 37 | $50,559 | 4 | $12,640 | $50,559 | 1 | |
| Mar 24, 2017 | 32 | $136,747 | +170% | 80 | $1,709 | $208,322 | 2 |
| Mar 31, 2017 | 39 | $58,418 | -57% | 95 | $615 | $325,580 | 3 |
| Apr 7, 2017 | 46 | $31,747 | -46% | 44 | $722 | $392,812 | 4 |
| Apr 14, 2017 | 59 | $9,289 | -71% | 15 | $619 | $421,856 | 5 |
| Apr 21, 2017 | 87 | $1,042 | -89% | 5 | $208 | $430,052 | 6 |
| Apr 28, 2017 | 87 | $1,005 | -4% | 2 | $503 | $432,773 | 7 |
| May 12, 2017 | 82 | $2,234 | 3 | $745 | $437,764 | 9 | |
| May 19, 2017 | - | $863 | -61% | 3 | $288 | $441,381 | 10 |
| May 26, 2017 | 79 | $672 | -22% | 3 | $224 | $442,554 | 11 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 17, 2017 | 40 | $71,575 | 4 | $17,894 | $71,575 | 1 | |
| Mar 24, 2017 | 30 | $195,587 | +173% | 80 | $2,445 | $267,162 | 2 |
| Mar 31, 2017 | 37 | $93,903 | -52% | 95 | $988 | $361,065 | 3 |
| Apr 7, 2017 | 44 | $51,502 | -45% | 44 | $1,171 | $412,567 | 4 |
| Apr 14, 2017 | 57 | $16,443 | -68% | 15 | $1,096 | $429,010 | 5 |
| Apr 21, 2017 | 80 | $2,758 | -83% | 5 | $552 | $431,768 | 6 |
| Apr 28, 2017 | 75 | $3,454 | +25% | 2 | $1,727 | $435,222 | 7 |
| May 5, 2017 | 92 | $308 | -91% | 1 | $308 | $435,530 | 8 |
| May 12, 2017 | 78 | $4,988 | +1,519% | 3 | $1,663 | $440,518 | 9 |
| May 19, 2017 | 84 | $1,364 | -73% | 3 | $455 | $441,882 | 10 |
| May 26, 2017 | 75 | $1,802 | +32% | 3 | $601 | $443,684 | 11 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 10/6/2017 | $7,686 | 10 | 10 | 20 | $11,237 | 4/4/2026 | |||
| Brazil | 7/21/2017 | $49,309 | 0 | 0 | 0 | $50,994 | 6/26/2018 | |||
| France | 7/14/2017 | $197,938 | 0 | 0 | 0 | $571,225 | 6/27/2018 | |||
| Italy | 5/10/2017 | $158,993 | 0 | 0 | 0 | $287,858 | 5/26/2017 | |||
| Netherlands | 5/4/2017 | $27,050 | 26 | 26 | 93 | $86,319 | 11/2/2018 | |||
| New Zealand | 9/4/2025 | $0 | 0 | 1 | 0 | $45 | 4/6/2026 | |||
| Poland | 5/19/2017 | $29,194 | 0 | 0 | 0 | $46,736 | 1/1/2019 | |||
| Portugal | 5/5/2017 | $683 | 1 | 17 | 41 | $43,293 | 4/4/2026 | |||
| Russia (CIS) | 9/19/2019 | $19,231 | 130 | 130 | 167 | $35,291 | 10/19/2022 | |||
| South Korea | 7/5/2017 | $0 | 0 | 97 | 130 | $151,936 | 4/4/2026 | |||
| United Kingdom | 7/7/2017 | $14,679 | 6 | 6 | 6 | $14,679 | 7/12/2017 | |||
| Rest of World | $2,567 | |||||||||
| International Total | $1,302,180 | 4/6/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Michael Fassbender | Cook | |
| Ryan Gosling | BV | |
| Rooney Mara | Faye | |
| Natalie Portman | Rhonda |
Supporting
| Cate Blanchett | Amanda | |
| Holly Hunter | Miranda | |
| Berenice Marlohe | Zoey | |
| Val Kilmer | Duane | |
| Lykke Li | Lykke | |
| Olivia Grace Applegate | Emma |
Production and Technical Credits
| Terrence Malick | Director | |
| Terrence Malick | Screenwriter | |
| Sarah Green | Producer | |
| Nicolas Gonda | Producer | |
| Ken Kao | Producer | |
| Glen Basner | Executive Producer | |
| Christos V. Konstantakopoulos | Executive Producer | |
| Tanner Beard | Executive Producer | |
| Emmanuel Lubezki | Director of Photography | |
| Jack Fisk | Production Designer | |
| Rehman Nizar Ali* | Editor | |
| Hank Corwin | Editor | |
| Jacqueline West | Costume Designer | |
| Francine Maisler | Casting Director | |
| Lauren Grey | Additional Casting |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
In this modern love story set against the Austin, Texas music scene, two entangled couples—struggling songwriters Faye and BV, and music mogul Cook and the waitress whom he ensnares—chase success through a rock ‘n’ roll landscape of seduction and betrayal.
Metrics
| Opening Weekend: | $50,559 (11.4% of total gross) |
| Legs: | 3.24 (domestic box office/biggest weekend) |
| Domestic Share: | 25.4% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/95 max. theaters, 2.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $591,577 |
Movie Details
| Domestic Releases: | March 17th, 2017 (Limited) by Broad Green Pictures |
| International Releases: | May 4th, 2017 (Wide) (Netherlands)
May 5th, 2017 (Special Engagement), released as Música a Música (Portugal) May 10th, 2017 (Wide) (Italy) May 11th, 2017 (Wide), released as Música a Música (Portugal) May 19th, 2017 (Wide) (Poland) ... Show all releases |
| Video Release: | June 27th, 2017 by Broad Green |
| MPA Rating: | R for some sexuality, nudity, drug use and language. (Rating bulletin 2463 (Cert #49585), 2/15/2017) |
| Running Time: | 129 minutes |
| Cast, crew, or production detail: | Gratuitous Cameos |
| Geographical setting: | Austin, TX, Texas |
| Plot point: | Love Triangle, Musicians, Relationships Gone Wrong, Singers, Songwriter |
| Social setting: | Music Industry |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Broad Green Pictures, Waypoint Entertainment, FilmNation Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 17, 2017 | 37 | $50,559 | 4 | $12,640 | $50,559 | 1 | |
| Mar 24, 2017 | 32 | $136,747 | +170% | 80 | $1,709 | $208,322 | 2 |
| Mar 31, 2017 | 39 | $58,418 | -57% | 95 | $615 | $325,580 | 3 |
| Apr 7, 2017 | 46 | $31,747 | -46% | 44 | $722 | $392,812 | 4 |
| Apr 14, 2017 | 59 | $9,289 | -71% | 15 | $619 | $421,856 | 5 |
| Apr 21, 2017 | 87 | $1,042 | -89% | 5 | $208 | $430,052 | 6 |
| Apr 28, 2017 | 87 | $1,005 | -4% | 2 | $503 | $432,773 | 7 |
| May 12, 2017 | 82 | $2,234 | 3 | $745 | $437,764 | 9 | |
| May 19, 2017 | - | $863 | -61% | 3 | $288 | $441,381 | 10 |
| May 26, 2017 | 79 | $672 | -22% | 3 | $224 | $442,554 | 11 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 17, 2017 | 40 | $71,575 | 4 | $17,894 | $71,575 | 1 | |
| Mar 24, 2017 | 30 | $195,587 | +173% | 80 | $2,445 | $267,162 | 2 |
| Mar 31, 2017 | 37 | $93,903 | -52% | 95 | $988 | $361,065 | 3 |
| Apr 7, 2017 | 44 | $51,502 | -45% | 44 | $1,171 | $412,567 | 4 |
| Apr 14, 2017 | 57 | $16,443 | -68% | 15 | $1,096 | $429,010 | 5 |
| Apr 21, 2017 | 80 | $2,758 | -83% | 5 | $552 | $431,768 | 6 |
| Apr 28, 2017 | 75 | $3,454 | +25% | 2 | $1,727 | $435,222 | 7 |
| May 5, 2017 | 92 | $308 | -91% | 1 | $308 | $435,530 | 8 |
| May 12, 2017 | 78 | $4,988 | +1,519% | 3 | $1,663 | $440,518 | 9 |
| May 19, 2017 | 84 | $1,364 | -73% | 3 | $455 | $441,882 | 10 |
| May 26, 2017 | 75 | $1,802 | +32% | 3 | $601 | $443,684 | 11 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 10/6/2017 | $7,686 | 10 | 10 | 20 | $11,237 | 4/4/2026 | |||
| Brazil | 7/21/2017 | $49,309 | 0 | 0 | 0 | $50,994 | 6/26/2018 | |||
| France | 7/14/2017 | $197,938 | 0 | 0 | 0 | $571,225 | 6/27/2018 | |||
| Italy | 5/10/2017 | $158,993 | 0 | 0 | 0 | $287,858 | 5/26/2017 | |||
| Netherlands | 5/4/2017 | $27,050 | 26 | 26 | 93 | $86,319 | 11/2/2018 | |||
| New Zealand | 9/4/2025 | $0 | 0 | 1 | 0 | $45 | 4/6/2026 | |||
| Poland | 5/19/2017 | $29,194 | 0 | 0 | 0 | $46,736 | 1/1/2019 | |||
| Portugal | 5/5/2017 | $683 | 1 | 17 | 41 | $43,293 | 4/4/2026 | |||
| Russia (CIS) | 9/19/2019 | $19,231 | 130 | 130 | 167 | $35,291 | 10/19/2022 | |||
| South Korea | 7/5/2017 | $0 | 0 | 97 | 130 | $151,936 | 4/4/2026 | |||
| United Kingdom | 7/7/2017 | $14,679 | 6 | 6 | 6 | $14,679 | 7/12/2017 | |||
| Rest of World | $2,567 | |||||||||
| International Total | $1,302,180 | 4/6/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Michael Fassbender | Cook | |
| Ryan Gosling | BV | |
| Rooney Mara | Faye | |
| Natalie Portman | Rhonda |
Supporting
| Cate Blanchett | Amanda | |
| Holly Hunter | Miranda | |
| Berenice Marlohe | Zoey | |
| Val Kilmer | Duane | |
| Lykke Li | Lykke | |
| Olivia Grace Applegate | Emma |
Production and Technical Credits
| Terrence Malick | Director | |
| Terrence Malick | Screenwriter | |
| Sarah Green | Producer | |
| Nicolas Gonda | Producer | |
| Ken Kao | Producer | |
| Glen Basner | Executive Producer | |
| Christos V. Konstantakopoulos | Executive Producer | |
| Tanner Beard | Executive Producer | |
| Emmanuel Lubezki | Director of Photography | |
| Jack Fisk | Production Designer | |
| Rehman Nizar Ali* | Editor | |
| Hank Corwin | Editor | |
| Jacqueline West | Costume Designer | |
| Francine Maisler | Casting Director | |
| Lauren Grey | Additional Casting |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.