Star Trek VI: The Undiscovered Country (1991)
| Theatrical Performance | ||
| Domestic Box Office | $74,888,996 | Details |
| International Box Office | $22,011,004 | |
| Worldwide Box Office | $96,900,000 | |
| Domestic Physical Disc Sales | ||
| Blu-ray Sales (estimated) | $482,909 | |
| Total | $482,909 | |
| OpusData ID: 6460100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $18,162,837 (24.3% of total gross) |
| Legs: | 4.12 (domestic box office/biggest weekend) |
| Domestic Share: | 77.3% (domestic box office/worldwide) |
| Production Budget: | $27,000,000 (worldwide box office is 3.6 times production budget) |
| Theater counts: | 1,804 opening theaters/2,147 max. theaters, 5.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $201,347,474 |
Movie Details
| Domestic Releases: | December 6th, 1991 (Wide) by Paramount Pictures |
| Video Release: | May 31st, 1992 by Paramount Home Video |
| MPA Rating: | PG |
| Running Time: | 110 minutes |
| Franchise: | Star Trek |
| Cast, crew, or production detail: | Visual Effects |
| Plot point: | Conspiracy Theory, Wrongfully Convicted |
| Subgenre: | Political Thriller |
| Source: | Based on TV |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production Countries: | United States |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 6, 1991 | 1 | $18,162,837 | 1,804 | $10,068 | $18,162,837 | 1 | |
| Dec 13, 1991 | 3 | $7,791,912 | -57% | 1,804 | $4,319 | $30,432,868 | 2 |
| Dec 20, 1991 | 4 | $5,452,793 | -30% | 2,147 | $2,540 | $38,312,961 | 3 |
| Dec 27, 1991 | 7 | $6,824,899 | +25% | 2,147 | $3,179 | $50,445,760 | 4 |
| Jan 3, 1992 | 8 | $4,679,441 | -31% | 2,147 | $2,180 | $60,541,445 | 5 |
| Jan 10, 1992 | 11 | $2,812,455 | -40% | 1,612 | $1,745 | $64,690,283 | 6 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 6, 1991 | 1 | $22,640,956 | 1,804 | $12,550 | $22,640,956 | 1 | |
| Dec 13, 1991 | 3 | $10,219,212 | -55% | 1,804 | $5,665 | $32,860,168 | 2 |
| Dec 20, 1991 | 5 | $10,760,693 | +5% | 2,147 | $5,012 | $43,620,861 | 3 |
| Dec 27, 1991 | 7 | $12,241,143 | +14% | 2,147 | $5,702 | $55,862,004 | 4 |
| Jan 3, 1992 | 8 | $6,015,824 | -51% | 2,147 | $2,802 | $61,877,828 | 5 |
| William Shatner | Captain James T. Kirk | |
| Christopher Plummer | General Chang | |
| Christian Slater | Excelsior Communications Officer | |
| George Takei | Cmdr. Hikaru Sulu | |
| DeForest Kelley | Dr. Leonard "Bones" McCoy | |
| Leonard Nimoy | Captain Spock | |
| David Warner | Chancellor Gorkon | |
| Kim Cattrall | Valeris | |
| Kurtwood Smith | Federation President | |
| Michael Dorn | Klingon Defense Attorney Colonel Worf | |
| Grace Lee Whitney | Commander Janice Rand | |
| James Doohan | Captain Montgomery 'Scotty' Scott | |
| Nichelle Nichols | Commander Nyota Uhura | |
| Walter Koenig | Commander Pavel Chekov | |
| Matthias Hues | Klingon General #2 |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $18,162,837 (24.3% of total gross) |
| Legs: | 4.12 (domestic box office/biggest weekend) |
| Domestic Share: | 77.3% (domestic box office/worldwide) |
| Production Budget: | $27,000,000 (worldwide box office is 3.6 times production budget) |
| Theater counts: | 1,804 opening theaters/2,147 max. theaters, 5.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $201,347,474 |
Movie Details
| Domestic Releases: | December 6th, 1991 (Wide) by Paramount Pictures |
| Video Release: | May 31st, 1992 by Paramount Home Video |
| MPA Rating: | PG |
| Running Time: | 110 minutes |
| Franchise: | Star Trek |
| Cast, crew, or production detail: | Visual Effects |
| Plot point: | Conspiracy Theory, Wrongfully Convicted |
| Subgenre: | Political Thriller |
| Source: | Based on TV |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production Countries: | United States |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 6, 1991 | 1 | $18,162,837 | 1,804 | $10,068 | $18,162,837 | 1 | |
| Dec 13, 1991 | 3 | $7,791,912 | -57% | 1,804 | $4,319 | $30,432,868 | 2 |
| Dec 20, 1991 | 4 | $5,452,793 | -30% | 2,147 | $2,540 | $38,312,961 | 3 |
| Dec 27, 1991 | 7 | $6,824,899 | +25% | 2,147 | $3,179 | $50,445,760 | 4 |
| Jan 3, 1992 | 8 | $4,679,441 | -31% | 2,147 | $2,180 | $60,541,445 | 5 |
| Jan 10, 1992 | 11 | $2,812,455 | -40% | 1,612 | $1,745 | $64,690,283 | 6 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 6, 1991 | 1 | $22,640,956 | 1,804 | $12,550 | $22,640,956 | 1 | |
| Dec 13, 1991 | 3 | $10,219,212 | -55% | 1,804 | $5,665 | $32,860,168 | 2 |
| Dec 20, 1991 | 5 | $10,760,693 | +5% | 2,147 | $5,012 | $43,620,861 | 3 |
| Dec 27, 1991 | 7 | $12,241,143 | +14% | 2,147 | $5,702 | $55,862,004 | 4 |
| Jan 3, 1992 | 8 | $6,015,824 | -51% | 2,147 | $2,802 | $61,877,828 | 5 |
| William Shatner | Captain James T. Kirk | |
| Christopher Plummer | General Chang | |
| Christian Slater | Excelsior Communications Officer | |
| George Takei | Cmdr. Hikaru Sulu | |
| DeForest Kelley | Dr. Leonard "Bones" McCoy | |
| Leonard Nimoy | Captain Spock | |
| David Warner | Chancellor Gorkon | |
| Kim Cattrall | Valeris | |
| Kurtwood Smith | Federation President | |
| Michael Dorn | Klingon Defense Attorney Colonel Worf | |
| Grace Lee Whitney | Commander Janice Rand | |
| James Doohan | Captain Montgomery 'Scotty' Scott | |
| Nichelle Nichols | Commander Nyota Uhura | |
| Walter Koenig | Commander Pavel Chekov | |
| Matthias Hues | Klingon General #2 |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.