That Touch of Mink (1962)
| Theatrical Performance | ||
| Domestic Box Office | $17,648,927 | Details |
| OpusData ID: 30740100 More info... | ||
| Further financial details... | ||
Metrics
| Domestic Share: | 100.0% (domestic box office/worldwide) |
Movie Details
| Domestic Releases: | June 14th, 1962 (Wide) by Universal |
| Video Release: | January 23rd, 2001 |
| MPA Rating: | Not Rated Approved |
| Running Time: | 99 minutes |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
Leading
| Cary Grant | Philip Shayne | |
| Doris Day | Cathy Timberlake |
Supporting
| Ralph Manza | Cab Driver | |
| Dick Sargent | Young Man (Harry Clark) | |
| Gig Young | Roger | |
| Audrey Meadows | Connie | |
| John Astin | Beasley | |
| Alan Hewitt | Gruber | |
| John R. McKee | Collins |
Production and Technical Credits
| Delbert Mann | Director | |
| Stanley Shapiro | Screenwriter | |
| Nate Monaster | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Domestic Share: | 100.0% (domestic box office/worldwide) |
Movie Details
| Domestic Releases: | June 14th, 1962 (Wide) by Universal |
| Video Release: | January 23rd, 2001 |
| MPA Rating: | Not Rated Approved |
| Running Time: | 99 minutes |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
Leading
| Cary Grant | Philip Shayne | |
| Doris Day | Cathy Timberlake |
Supporting
| Ralph Manza | Cab Driver | |
| Dick Sargent | Young Man (Harry Clark) | |
| Gig Young | Roger | |
| Audrey Meadows | Connie | |
| John Astin | Beasley | |
| Alan Hewitt | Gruber | |
| John R. McKee | Collins |
Production and Technical Credits
| Delbert Mann | Director | |
| Stanley Shapiro | Screenwriter | |
| Nate Monaster | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.