Timecop (1994)
| Theatrical Performance | ||
| Domestic Box Office | $44,853,581 | Details |
| International Box Office | $57,200,000 | |
| Worldwide Box Office | $102,053,581 | |
| OpusData ID: 12370100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $12,064,625 (26.9% of total gross) |
| Legs: | 3.72 (domestic box office/biggest weekend) |
| Domestic Share: | 44.0% (domestic box office/worldwide) |
| Production Budget: | $28,000,000 (worldwide box office is 3.6 times production budget) |
| Theater counts: | 2,228 opening theaters/2,274 max. theaters, 5.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $124,336,756 |
Movie Details
| Domestic Releases: | September 16th, 1994 (Wide) by Universal |
| Video Release: | November 7th, 1997 by Universal Home Entertainment |
| MPA Rating: | R for violence, sexuality and language |
| Running Time: | 98 minutes |
| Franchise: | Timecop |
| Cast, crew, or production detail: | Prologue |
| Plot point: | Police Detective, Political, Time Travel |
| Social setting: | The Civil War |
| Source material: | Dark Horse Comics |
| Subgenre: | Action Thriller |
| Time period setting: | 1860s, 1920s, 1990s, 2000s |
| Source: | Based on Comic/Graphic Novel |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Largo Entertainment, JVC Entertainment, Renaissance Films, Dark Horse Entertainment, Signature Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 16, 1994 | 1 | $12,064,625 | 2,228 | $5,415 | $12,064,625 | 1 | |
| Sep 23, 1994 | 1 | $8,176,615 | -32% | 2,231 | $3,665 | $23,850,365 | 2 |
| Sep 30, 1994 | 2 | $5,446,230 | -33% | 2,274 | $2,395 | $31,511,320 | 3 |
| Oct 7, 1994 | 6 | $3,229,150 | -41% | 2,227 | $1,450 | $36,205,670 | 4 |
| Oct 28, 1994 | 17 | $593,140 | 760 | $780 | $41,589,285 | 7 | |
| Nov 4, 1994 | 21 | $556,925 | -6% | 612 | $910 | $42,372,675 | 8 |
| Nov 11, 1994 | 21 | $439,020 | -21% | 542 | $810 | $43,010,410 | 9 |
| Nov 18, 1994 | 20 | $322,050 | -27% | 460 | $700 | $43,453,415 | 10 |
| Dec 9, 1994 | 24 | $159,885 | 187 | $855 | $44,327,925 | 13 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 16, 1994 | 1 | $15,673,750 | 2,228 | $7,035 | $15,673,750 | 1 | |
| Sep 23, 1994 | 1 | $10,391,340 | -34% | 2,231 | $4,658 | $26,065,090 | 2 |
| Sep 30, 1994 | 2 | $6,911,430 | -33% | 2,274 | $3,039 | $32,976,520 | 3 |
| Oct 28, 1994 | 17 | $819,605 | 760 | $1,078 | $41,815,750 | 7 | |
| Nov 4, 1994 | 18 | $755,640 | -8% | 612 | $1,235 | $42,571,390 | 8 |
| Nov 11, 1994 | 17 | $559,975 | -26% | 542 | $1,033 | $43,131,365 | 9 |
Leading
| Jean-Claude Van Damme | Max Walker |
Supporting
| Ron Silver | McComb | |
| Mia Sara | Melissa | |
| Bruce McGill | Matuzak | |
| Duncan Fraser | Irish Cop |
Production and Technical Credits
| Peter Hyams | Director | |
| Mark Verheiden | Screenwriter | |
| Sam Raimi | Producer | |
| Mark Isham | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $12,064,625 (26.9% of total gross) |
| Legs: | 3.72 (domestic box office/biggest weekend) |
| Domestic Share: | 44.0% (domestic box office/worldwide) |
| Production Budget: | $28,000,000 (worldwide box office is 3.6 times production budget) |
| Theater counts: | 2,228 opening theaters/2,274 max. theaters, 5.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $124,336,756 |
Movie Details
| Domestic Releases: | September 16th, 1994 (Wide) by Universal |
| Video Release: | November 7th, 1997 by Universal Home Entertainment |
| MPA Rating: | R for violence, sexuality and language |
| Running Time: | 98 minutes |
| Franchise: | Timecop |
| Cast, crew, or production detail: | Prologue |
| Plot point: | Police Detective, Political, Time Travel |
| Social setting: | The Civil War |
| Source material: | Dark Horse Comics |
| Subgenre: | Action Thriller |
| Time period setting: | 1860s, 1920s, 1990s, 2000s |
| Source: | Based on Comic/Graphic Novel |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Largo Entertainment, JVC Entertainment, Renaissance Films, Dark Horse Entertainment, Signature Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 16, 1994 | 1 | $12,064,625 | 2,228 | $5,415 | $12,064,625 | 1 | |
| Sep 23, 1994 | 1 | $8,176,615 | -32% | 2,231 | $3,665 | $23,850,365 | 2 |
| Sep 30, 1994 | 2 | $5,446,230 | -33% | 2,274 | $2,395 | $31,511,320 | 3 |
| Oct 7, 1994 | 6 | $3,229,150 | -41% | 2,227 | $1,450 | $36,205,670 | 4 |
| Oct 28, 1994 | 17 | $593,140 | 760 | $780 | $41,589,285 | 7 | |
| Nov 4, 1994 | 21 | $556,925 | -6% | 612 | $910 | $42,372,675 | 8 |
| Nov 11, 1994 | 21 | $439,020 | -21% | 542 | $810 | $43,010,410 | 9 |
| Nov 18, 1994 | 20 | $322,050 | -27% | 460 | $700 | $43,453,415 | 10 |
| Dec 9, 1994 | 24 | $159,885 | 187 | $855 | $44,327,925 | 13 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 16, 1994 | 1 | $15,673,750 | 2,228 | $7,035 | $15,673,750 | 1 | |
| Sep 23, 1994 | 1 | $10,391,340 | -34% | 2,231 | $4,658 | $26,065,090 | 2 |
| Sep 30, 1994 | 2 | $6,911,430 | -33% | 2,274 | $3,039 | $32,976,520 | 3 |
| Oct 28, 1994 | 17 | $819,605 | 760 | $1,078 | $41,815,750 | 7 | |
| Nov 4, 1994 | 18 | $755,640 | -8% | 612 | $1,235 | $42,571,390 | 8 |
| Nov 11, 1994 | 17 | $559,975 | -26% | 542 | $1,033 | $43,131,365 | 9 |
Leading
| Jean-Claude Van Damme | Max Walker |
Supporting
| Ron Silver | McComb | |
| Mia Sara | Melissa | |
| Bruce McGill | Matuzak | |
| Duncan Fraser | Irish Cop |
Production and Technical Credits
| Peter Hyams | Director | |
| Mark Verheiden | Screenwriter | |
| Sam Raimi | Producer | |
| Mark Isham | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.