In a private, wealthy community, priority is placed on security and no exception is made for the Miller family's estate. Behind their pristine walls and manicured gardens, Kyle, a fast-talking businessman, has entrusted the mansion?s renovation to his stunning wife, Sarah.
But between making those big decisions and keeping tabs on their defiant teenage daughter, Sarah often finds herself distracted by a young, handsome worker at their home. Nothing is what it seems, and it will take a group of cold-blooded criminals led by Elias, who have been planning a vicious home invasion for months, to bring the Miller family together. When they storm the manor, everyone is tangled up in betrayal, deception, temptation and scheming. Kyle, Sarah and Avery will take the ultimate risk to make it out with their lives - and their family - intact.
Latest Ranking on Cumulative Box Office Lists
|All Time Domestic Box Office (Rank 13,201-13,300)
|All Time International Box Office (Rank 6,201-6,300)
|All Time Worldwide Box Office (Rank 10,701-10,800)
|All Time Domestic Highest Grossing Limited Release Movies (Rank 5,701-5,800)
|All Time Domestic Box Office for R Movies (Rank 4,101-4,200)
|All Time International Box Office for R Movies (Rank 1,801-1,900)
|All Time Worldwide Box Office for R Movies (Rank 3,101-3,200)
See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.
||October 14th, 2011 (Limited) by Alchemy|
||November 1st, 2011 by Alchemy, released as Trespass (2011)|
||R for violence and terror, pervasive language and some brief drug use.|
(Rating bulletin 2184, 8/10/2011)
||Create your own comparison chart…|
||Home Invasion, Dysfunctional Family, Non-Chronological, Infidelity, Heist, Organized Crime, Surprise Twist, Mental Illness, Bankruptcy, Strippers / Stripping, Blackmail, Cabin in the Woods|
|Production Method:||Live Action|
|Creative Type:||Contemporary Fiction|
||Millennium Films, Nu Image, Winkler Films, Saturn Films|
November 16th, 2011
Not only did Cars 2 lead the way on the DVD sales chart, it led the way on the Blu-ray sales chart as well. It dominated new releases and holdovers alike, selling 1.76 million units and generating $44.57 million in opening week sales. Its opening Blu-ray ratio was 47%, which is very good for a kids movie and an unexpected boon for the format.
November 16th, 2011
While there were only four new releases to reach the top 30 on this week's DVD Sales Chart, three of them took the top three spots. Cars 2 earned first place with ease, selling 1.98 million units and generating $31.24 million in opening week sales.
November 1st, 2011
The selection of home market releases is rather soft this week. Sure, Cars 2 was a major hit at the box office, but it is the only major hit on this week's list. The best selling TV on DVD release is Californication, which is a cable show, while the top ten selling titles according to Amazon.com include limited releases, catalogue titles and direct-to-DVD releases. There are more second-tier Christmas releases than any other type of release. There are far fewer titles that are worth picking up than last week, and the the Pick of the Week contenders are even more limited. Transformers: Beast Wars comes out on a Complete Series Collection and that could be Pick of the Week material, but I'm still waiting for the screener.
October 18th, 2011
There was only one film to top $10,000 on the per theater chart this weekend. The Skin I Live In had a big name director, big name star, excellent reviews, and a lot of buzz thanks to a controversial plot. This added up to an opening of $233,000 in six theaters for an average of $37,187. This suggests it will perform very well on the art house circuit, but this is a film that will never play to wide audiences.
October 14th, 2011
There are quite a few limited releases coming out this week that have earned advance buzz, or have casts with strong name recognition, or are earning strong reviews. There are a few that have two, but only one film has all three. The Skin I Live In is the lone film to earn the trifecta, but this film has a difficult premise to overcome if it wants to earn any real measure of mainstream success. Perhaps some of the other films will mange to translate buzz into ticket sales, but that rarely lasts long.
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