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Warcraft (2016)

Warcraft poster
Theatrical Performance
Domestic Box Office $47,225,655Details
International Box Office $385,900,000Details
Worldwide Box Office $433,125,655
Home Market Performance
Domestic Blu-ray Sales $5,582,073 Details
Total Domestic Video Sales $5,582,073
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

The peaceful realm of Azeroth stands on the brink of war as its civilization faces a fearsome race of invaders: Orc warriors fleeing their dying home to colonize another. As a portal opens to connect the two worlds, one army faces destruction and the other faces extinction. From opposing sides, two heroes are set on a collision course that will decide the fate of their family, their people and their home. So begins a spectacular saga of power and sacrifice in which war has many faces, and everyone fights for something.

Metrics

Rotten Tomatoes
Critics RottenAudience Upright
Critics
28% - Rotten
Audience
74% - Upright

Latest Ranking on Cumulative Box Office Lists


Movie Details

Production Budget:$160,000,000
Domestic Releases: June 10th, 2016 (Wide) by Universal
June 10th, 2016 (IMAX) by Universal
International Releases: May 25th, 2016 (Wide) (France)
May 25th, 2016 (Wide) (Philippines)
May 25th, 2016 (Wide) (Switzerland)
May 26th, 2016 (Wide) (Denmark)
May 26th, 2016 (Wide) (Germany)
... Show all releases
Video Release: September 13th, 2016 by Universal Home Entertainment
MPAA Rating: PG-13 for extended sequences of intense fantasy violence.
(Rating bulletin 2400, 11/18/2015)
Running Time: 123 minutes
Comparisons: vs. X-Men: Apocalypse
Create your own comparison chart…
Keywords: Sword & Sorcerer, Invented Language, Visual Effects
Source:Based on Game
Genre:Action
Production Method:Live Action
Creative Type:Fantasy
Production Companies: Universal Pictures, Legendary Pictures, Blizzard Entertainment, Atlas Entertainment
Production Countries: United States

Ranking on other Records and Milestones

RecordRankRevenueChart
Date
Days In
Release
Biggest 7th Weekend at the Domestic Box Office 3,446 $78,725 Jul 22, 2016 45
Biggest 6th Weekend at the Domestic Box Office 3,079 $207,390 Jul 15, 2016 38
Biggest 5th Weekend at the Domestic Box Office 2,978 $443,340 Jul 8, 2016 31
Biggest 4th Weekend at the Domestic Box Office 3,548 $509,730 Jul 1, 2016 24
Biggest 3rd Weekend at the Domestic Box Office 2,712 $2,247,420 Jun 24, 2016 17
Biggest 2nd Weekend at the Domestic Box Office 1,537 $7,241,430 Jun 17, 2016 10
Biggest Sunday at the Domestic Box Office 1,182 $5,630,210 Jun 12, 2016 3
Biggest June Weekend at the Domestic Box Office 151 $24,166,110 Jun 10, 2016 3
Biggest Opening Weekend at the Domestic Box Office 642 $24,166,110 Jun 10, 2016 3
Biggest Weekends at the Domestic Box Office 991 $24,166,110 Jun 10, 2016 3
Widest Opening Weekend 398 3,400 Jun 10, 2016 3
Biggest Saturday at the Domestic Box Office 1,324 $7,834,150 Jun 11, 2016 2
Biggest Friday at the Domestic Box Office 563 $10,701,750 Jun 10, 2016 1
Biggest June Day at the Domestic Box Office 291 $10,701,750 Jun 10, 2016 1

Cast

   Anduin Lothar
   Garona
   Medivh
   Llane Wrynn
   Durotan/Antonidas
Ben Schnetzer    Khadgar
Rob Kazinsky    Orgrim
Clancy Brown    Blackhand
Daniel Wu    Gul'dan
Ruth Negga    Lady Taria
Anna Galvin    Draka
Callum Keith Rennie    Moroes
Burkely Duffield    Callan
Ryan Robbins    Karos
Dean Redman    Varis/Caged Frostwolf
Glenn Ennis    Compound Guard
Terry Notary    Peon
Elena Wurlitzer    Draenei Mother
Michael Adamthwaite    King Magni
Anna Van Hooft    Aloman
Callan Mulvey    Warrior
Adrian McMorran    Officer
Kyle Rideout    Officer
Michael Antonakos    Officer
Elisabeth Rosen    Westfall Woman
Patrick Sabongui    Footman
Kent O'Connor    Footman
Wesley MacInnes    Gate Guard
Mackenzie Gray    Lordaerian Delegate
Christian Sloan    Elf Delegate
Valerie Wiseman    Kul Tiran Delegate
Dan Payne    Clansman
Eugene Lipinski    Finden
Christina Jastrzembska    Archmage
Travis MacDonald    Prison Mage
Frank C. Turner    Prison Mage
Tommy Rieder    Young Medivh
Dylan Schombing    Varian Wrynn
Donavon Stinson    Prison Soldier
Meelah Robbins    Scared Girl

Production and Technical Credits

Director   
Screenwriter    Duncan Jones
Screenwriter    Charles Leavitt
Producer    Charles Rosen
Producer    Thomas Tull
Producer    Jon Jashni
Producer    Alex Gartner
Producer    Stuart Fenegan
Executive Producer    Jillian Share
Executive Producer    Brent O'Connor
Executive Producer    Mike Morhaime
Executive Producer    Paul Sams
Executive Producer    La Peikang
Executive Producer    Edward Cheng
Executive Producer    Qian Shimu
Executive Producer    Wang Zhonglei
Production Designer    Gavin Bocquet
Editor    Paul Hirsch
Composer    Ramin Djawadi
Director of Photography    Simon Duggan
Co-Producer    Chris Metzen
Co-Producer    Nick Carpenter
Co-Producer    Rob Pardo
Costume Designer    Mayes C. Rubeo
Visual Effects Supervisor    Bill Westenhofer
Visual Effects Supervisor    Jeff White
Visual Effects Supervisor    Jason Smith
Animation Supervisor    Hal Hickel
Visual Effects Producer    Mark Soper
Casting Director    Mary Vernieu
Casting Director    Lindsay Graham
Unit Production Manager    Brent O'Connor
Unit Production Manager    LeeAnn Stonebreaker
Production Manager    Cecil O'Connor
First Assistant Director    Pete Whyte
Second Assistant Director    Cindy Smith
Co-Producer    Rebecca Steel Roven
Second Unit Director    Tom Struthers
Stunt Coordinator    Tom Struthers
Supervising Sound Editor    Wylie Stateman
Supervising Sound Editor    Tom Bellfort
Additional Editor    Michael Tronick
Additional Editor    Gina Hirsch
Post-Production Supervisor    David E. Hall
Re-recording Mixer    Mike Prestwood Smith
Re-recording Mixer    Michael Keller
Supervising Art Director    Helen Jarvis
Art Director    Rod McLean
Art Director    Dan Hermansen
Art Director    Grant Van Der Slagt
Art Director    Margot Ready
Assistant Art Director    Douglas Higgins
Assistant Art Director    Harrison Yurkiw
Set Decorator    Elizabeth Wilcox
Script Supervisor    Jessica Clothier
Sound Mixer    Eric Batut
Costume Supervisor    Jana Rayne MacDonald
Sets Supervisor    Carolyn Bentley
Make up    Connie Parker
Special Make-up Effects    Toby Lindala
Make up    Sanna Seppanen
Special Effects Supervisor    Cameron Waldbauer
First Assistant Editor    Mark Tuminello
First Assistant Editor    Steve Bobertz
Assistant Editor    Thom M. Kyle
Assistant Editor    Shae Salmon
Assistant Editor    Aaron Brock
Music Editor    Michael Bauer
Music Editor    Peter Myles
Location Manager    Jina Johnson
Additional Casting-Casting Associate    Jaceson Mann
Additional Casting-Casting Assistant    Marisol Roncali
Additional Casting-Casting Assistant    Natalye Vivian
Set Designer    Michael Barton
Set Designer    Sheila Millar
Set Designer    Jay Mitchell
Set Designer    Nancy Anna Brown
Set Designer    Peter Stratford
Set Designer    Siri Hermanski
Set Designer    Douglas A. Girling
Set Designer    Laurel Bergman
Set Designer    Ron Turner
Sound Effects Editor    Hector Gika
Sound Effects Editor    Sylvain Lasseur
Sound Effects Editor    Lauren Hadaway
Sound Effects Editor    Jackie Zhou
Dialogue Editor    Michael Hertlein
Additional Sound Re-recording Mixer    Gary A. Rizzo
Additional Sound Re-recording Mixer    Michael Babcock
Additional Sound Re-recording Mixer    Eric Hoehn
Additional Sound Re-recording Mixer    Tim LeBlanc
Foley Mixer    Nerses Gezalyan
Music Supervisor    Peter Afterman
Music Supervisor    Margaret Yen
Additional Music    Brandon Campbell
Score Mixer    Gustavo Borner
Score Recordist    Nick Wollage
Score Recordist    Fiona Cruickshank

Home Market Releases for September 27th, 2016

September 27th, 2016

Captain America: Civil War

It is a pretty good week on the home market with a few releases worth picking up. The biggest of these is Central Intelligence, but while it is worth picking up, it isn’t a contender for Pick of the Week. There are some smaller releases that were up for that title, including The Shallows, An American Werewolf in London and The Innocents. However, in the end, I went with Captain America: Civil War. The Blu-ray screener arrived late, and I held off on naming it Pick of the Week when it came out for that very reason. More...

Weekend Estimates: Newcomers Can’t Dislodge Suicide Squad

August 21st, 2016

Suicide Squad

Three even-matched debutants proved to be no match for the incumbents at the box office this weekend, with Suicide Squad taking a third straight victory at the box office with $20.71 million, according to Warner Bros.’ Sunday morning projection. Sausage Party stays in second with $15.3 million, and that leaves the new entrants in 3rd, 4th and 5th. This was a weekend where diversity isn’t the problem, but novelty is. More...

Weekend Predictions: Will Star Trek go Above and Beyond the Competition?

July 21st, 2016

Star Trek Beyond

Star Trek Beyond leads a pack of three wide releases this weekend and there are some who think it will have the best live-action release since Captain America: Civil War. That would be great news for the overall box office. Ice Age: Collision Course has to deal with direct competition and terrible reviews, but it should still do relatively well thanks to goodwill its franchise has built up. The final new release of the week is Lights Out. This low-budget horror film won’t need to earn $20 million over the weekend to break even, but there’s a slim chance it will. In fact, The Secret Life of Pets should easily add another $20 million to its running tally, and Ghostbusters has a good shot at doing the same. So we could have five films earning $20 million over the weekend for the first time in a year. We should have three films earning more than $25 million. Meanwhile this weekend last year, there were no films that earned more than $25 million. Hopefully 2016 will win the year-over-year competition with ease. More...

International Box Office: Dory Earns $50 Million to Dump Warcraft

June 22nd, 2016

Finding Dory

Finding Dory started its international run in first place with $50.0 million in 29 markets. Its biggest market was China, where it earned second place with 18.15 million over the weekend and $18.18 million including previews. This is not a lot of money compared to last week's winner; however, China is not a market that is kind to animated films. Before this year, no animated movie had earned more than $100 million in China and the current record is held by Zootopia at $235.77 million. Zootopia only made $23.99 million during its opening weekend in China, so this isn't a bad start for Finding Dory. Additionally, Finding Dory doubled Zootopia's opening in Australia with $7.63 million on 524 screens. It also performed very well in Argentina ($3.5 million) and in Russia ($3.25 million on 1,220 screens). It is still too early to tell if Finding Dory will top $1 billion worldwide, but this start gives box office watchers a reason to be optimistic. More...

Weekend Wrap-Up: Dory Dominates with $135.06 Million, Central is Solid with $35.54 Million

June 21st, 2016

Finding-Dory

In our prediction column, I said I wanted the top two films to earn a combined total of $150 million to $170 million. Finding Dory's and Central Intelligence's combined opening weekend was $170.60 million. The overall box office was 53% higher than last weekend at $233 million. However, this was still 6.3% lower than the same weekend last year. Finding Dory did do better than either Jurassic World or Inside Out individually, but couldn't compete with their combined totals. 2016 is still ahead of 2015, but its lead was cut by a third at $150 million or 3.1%. That said, 2016 hit $5 billion a week faster than 2015 did and its lead of $5.06 billion to $4.91 billion is still substantial. More...

Weekend Estimates: Finding Dory Surges to Biggest Animated Opening with $136.2 Million

June 19th, 2016

Finding-Dory

Finding Dory is rewriting the record books this weekend, posting the biggest weekend ever for an animated film. Disney is projecting a total of $136.18 million in its first three days, which will easily break the record of $121.6 million set by Shrek the Third back in 2007. The previous top mark for a Pixar movie was Toy Story 3’s $110.3 million. With an A CinemaScore (for the 17th time straight for Pixar, per Disney), and 95% positive reviews on Rotten Tomatoes, the film should enjoy Pixar’s traditional good legs. In the Summer, that has meant a ratio between opening and final box office of somewhere between 3 and 4, which points towards a final box office somewhere between $400 million and $520 million for the fish pic. By way of comparison Finding Nemo earned $518 million, adjusted for inflation. More...

Weekend Predictions: Will Audience Find Dory? Is Seeing Central Intelligence the Smart Thing to do?

June 16th, 2016

Finding-Dory

This weekend should be the best weekend in June, led by Finding Dory. Finding Dory should easily be the biggest hit of the month, one of the biggest hits of the year, and the fastest opening film in Pixar's history. On the other hand, Central Intelligence is just hoping for a solid second place opening in its role as counter-programming. If it hits $30 million, then the studio will be very happy. This weekend last year, Jurassic World led the way with $106.59 million, while Inside Out opened in second place with $90.44 million. 2016 is going to lose more ground to 2015. I just hope they keep it close. I will be happy if Finding Dory and Central Intelligence earned a combined $150 million to $170 million. More...

International Box Office: Warcraft Crushes Competition in China on way to $185.8 Million Weekend

June 16th, 2016

Warcraft

Warcraft roared into first place with $185.8 million in 52 markets for totals of $261.7 million internationally and 285.9 million worldwide. There are some amazing news to report from over the weekend, but also some bad news. First the positive news. The film broke records in China earning $156.17 million during its five-day opening. That topped the previous record held by Furious 7. Unfortunately, outside of China, its box office run was much closer to its North American debut. For example, it earned second place in South Korea with $4.26 million on 736 screens over the weekend for a total opening of $5.09 million. Because of how much money the film is earning in China and how little of that the studio sees, the film could make $600 million internationally and still struggle to break even. More...

Weekend Wrap-Up: Conjuring Conquers Competition with $40.41 million

June 14th, 2016

The Conjuring 2: The Enfield Poltergeist

As anticipated, The Conjuring 2: The Enfield Poltergeist led the weekend box office with ease pulling in $40.41 million. The second place film, Warcraft, earned 40% less. Now You See Me 2 only managed third place and it will need a lot of help to break even. The overall box office was $152 million, which is 13% more than last weekend. However, it was also more than $100 million less than this weekend last year. Normally a 44% collapse like this only happens when there is a misalignment in holidays. In this case, it's because of Jurassic World. 2016 is still ahead of 2015 by a substantial margin at $4.76 billion to $4.54 billion. 2016's lead is now 4.8%, more than a full percentage point lower than it was this time last week, but hopefully Finding Dory will help prevent a similar descent this week. More...

Weekend Estimates: Conjuring Top at Home, Warcraft Dominates in China

June 12th, 2016

The Conjuring 2: The Enfield Poltergeist

This weekend’s box office is a tale of two continents. In North America, The Conjuring 2 is off to a great start, easily winning the weekend with $40.35 million, and averaging over $10,000 per theater. In Asia—China to be specific—Warcraft has made a record-breaking debut. Its domestic prospects look horrible though, with just $24.36 million expected for the weekend. More...

Thursday Night Previews: Conjuring 2 Re-Capture's Box Office Might with $3.4 million

June 10th, 2016

The Conjuring 2: The Enfield Poltergeist

The Conjuring 2: The Enfield Poltergeist had the best run during Midnight showings earning $3.4 million on Thursday. By comparison, The Conjuring earned $3.3 million during its previews. The Enfield Poltergeist does have a good Tomatometer Score (74% positive), but the Sequel Effect will still be in play and that will limit the film's weekend box office. Look for $35 million, or close to it. This will make it the biggest horror release of 2016 by Sunday, perhaps as early as Saturday. More...

Weekend Predictions: Will the New Releases Scare the Industry?

June 9th, 2016

The Conjuring 2: The Enfield Poltergeist

If this weekend is as bad as some fear it will be, it could begin to cause a panic among some studio executives. Two of the three wide releases are sequels and there are some who expect both to fail to match their predecessors by significant margins. If this happens, we will have six sequels failing to match expectations during a four-week stretch. Worse still, there are more than six additional sequels left to open before the end of summer. (Finding Dory seems safe, but the rest could flop as well.) The Conjuring 2: The Enfield Poltergeist should come out on top at the box office, but with less than the original made. Now You See Me 2 will likely continue Lionsgate's losing streak. Meanwhile, Warcraft could do well enough in China to justify a sequel, which is great news, because it will likely bomb here. This weekend last year, Jurassic World opened with $208 million. There's no way the entire box office will make that much this year. 2016 is going to get pummeled in the year-over-year comparison. More...

International Box Office: Apocalypse Tops Weekend Chart, Zootopia Hits $1 billion

June 9th, 2016

X-Men: Apocalypse

X-Men: Apocalypse returned to top spot on the international chart with $84.4 million in 66 markets for totals of $286.0 million internationally and $403.0 million worldwide. Most of the film's weekend haul came from China, where it earned first place with $59.33 million. This is the best opening in the franchise in that market. The film has yet to open in Japan, but will likely fall out of the top ten before it gets there. More...

Contest: Scared Silly

June 3rd, 2016

The Conjuring 2: The Enfield Poltergeist

There are three wide releases coming out next week. The Conjuring 2: The Enfeild Poltergeist is expected to top Now You See Me 2 for top spot. (Warcraft is just hoping to not embarrass itself at this point.) While there is a chance of an upset, The Enfeild Poltergeist has a large enough advantage that I'm confident in making it the target film in this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for The Conjuring 2: The Enfeild Poltergeist.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprize of previously reviews DVD and / or Blu-rays. I grabbed a few more boxes from storage, so we can do winner's choice again. The choices are, two movies, one TV on DVD release, three single-disc kids DVDs, or two items from the mystery box. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a Frankenprize, as described above. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will win the final Frankenprize.

Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

International Box Office: Alice is Looking Up

June 2nd, 2016

Alice Through the Looking Glass

Alice Through the Looking Glass opened in first place on the international chart with $65.0 million in 43 markets for a worldwide opening of $91.9 million, not including holiday Monday. The film's biggest opening was in China, where it made $26.88 million. It also did well in Mexico opening in first place with $4.85 million. On the other hand, it had mediocre openings in Russia (second place with $3.95 million on 1,199 screens), in the U.K. (second place with $3.33 million in 603 theaters) and in Australia (first place with $2.18 million on 503 screens). Those three openings were similar to a $20 million opening here, more or less. If the film can get to $300 million to $350 million worldwide, then it will have a shot at breaking even, eventually. It opens in France this week, Japan next month, and closes its international run in South Korea in September. It will be a while before we will know where it ends. More...

2016 Preview: June

June 1st, 2016

Finding Dory

May was great, as long as you don't compare it to last May. Captain America: Civil War was a monster hit and is closing in on $400 million, while both X-Men: Apocalypse and The Angry Birds Movie will earn over $100 million. Looking ahead, every week in June, there is one movie that should top $100 million; however, only Finding Dory is expected to make more than $200 million. In fact, that film is expected to make close to $400 million domestically and over $1 billion worldwide. Last June, there were two monster hits, Inside Out and Jurassic World, plus one $100 million hit, Spy. I don't see how 2016 will top that. Even if every film with a shot at $100 million gets to that milestone, 2016 still might not top last year's pace. Fortunately, 2016 does have a large lead and that could be enough to keep 2016 ahead of 2015's pace in the year-over-year competition. It could be really close at the end of the month, on the other hand. More...

The shaded area represents the expected performance range for a film, based on its opening weekend box office. 95% of films fall within the shaded area. If a film trends towards the top end of the shaded area, it has good legs compared to the average film; if it trends towards the bottom end of the shaded area, it has poor legs. The predictive area is based on movies from the past 5 years.

Compare this performance with other movies…

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2016/06/10 2 $24,166,110   3,400 $7,108   $24,166,110 3
2016/06/17 5 $7,241,430 -70% 3,406 $2,126   $38,432,955 10
2016/06/24 10 $2,247,420 -69% 1,952 $1,151   $44,003,890 17
2016/07/01 18 $509,730 -77% 411 $1,240   $45,798,655 24
2016/07/08 16 $443,340 -13% 228 $1,944   $46,557,475 31
2016/07/15 25 $207,390 -53% 149 $1,392   $46,978,995 38
2016/07/22 39 $78,725 -62% 104 $757   $47,167,650 45

Daily Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2016/06/10 2 $10,701,750   3,400 $3,148   $10,701,750 1
2016/06/11 3 $7,834,150 -27% 3,400 $2,304   $18,535,900 2
2016/06/12 3 $5,630,210 -28% 3,400 $1,656   $24,166,110 3
2016/06/13 3 $1,870,460 -67% 3,400 $550   $26,036,570 4
2016/06/14 3 $2,329,630 +25% 3,400 $685   $28,366,200 5
2016/06/15 3 $1,576,855 -32% 3,400 $464   $29,943,055 6
2016/06/16 3 $1,248,470 -21% 3,400 $367   $31,191,525 7
2016/06/17 5 $1,944,785 +56% 3,406 $571   $33,136,310 8
2016/06/18 5 $2,713,875 +40% 3,406 $797   $35,850,185 9
2016/06/19 5 $2,582,770 -5% 3,406 $758   $38,432,955 10
2016/06/20 5 $898,185 -65% 3,406 $264   $39,331,140 11
2016/06/21 5 $1,044,050 +16% 3,406 $307   $40,375,190 12
2016/06/22 6 $775,505 -26% 3,406 $228   $41,150,695 13
2016/06/23 6 $605,775 -22% 3,406 $178   $41,756,470 14
2016/06/24 12 $636,170 +5% 1,952 $326   $42,392,640 15
2016/06/25 10 $925,960 +46% 1,952 $474   $43,318,600 16
2016/06/26 10 $685,290 -26% 1,952 $351   $44,003,890 17
2016/06/27 11 $317,170 -54% 1,952 $162   $44,321,060 18
2016/06/28 11 $429,010 +35% 1,952 $220   $44,750,070 19
2016/06/29 11 $342,875 -20% 1,952 $176   $45,092,945 20
2016/06/30 12 $195,980 -43% 1,952 $100   $45,288,925 21
2016/07/01 - $142,570 -27% 411 $347   $45,431,495 22
2016/07/02 - $200,145 +40% 411 $487   $45,631,640 23
2016/07/03 - $167,015 -17% 411 $406   $45,798,655 24
2016/07/04 - $97,835 -41% 411 $238   $45,896,490 25
2016/07/05 - $94,050 -4% 411 $229   $45,990,540 26
2016/07/06 - $71,615 -24% 411 $174   $46,062,155 27
2016/07/07 - $51,980 -27% 411 $126   $46,114,135 28
2016/07/08 - $147,950 +185% 228 $649   $46,262,085 29
2016/07/09 - $192,375 +30% 228 $844   $46,454,460 30
2016/07/10 - $103,015 -46% 228 $452   $46,557,475 31
2016/07/11 - $53,380 -48% 228 $234   $46,610,855 32
2016/07/12 - $61,015 +14% 228 $268   $46,671,870 33
2016/07/13 - $50,910 -17% 228 $223   $46,722,780 34
2016/07/14 - $48,825 -4% 228 $214   $46,771,605 35
2016/07/15 - $63,860 +31% 149 $429   $46,835,465 36
2016/07/16 - $99,965 +57% 149 $671   $46,935,430 37
2016/07/17 - $43,565 -56% 149 $292   $46,978,995 38
2016/07/18 - $25,490 -41% 149 $171   $47,004,485 39
2016/07/19 - $32,675 +28% 149 $219   $47,037,160 40
2016/07/20 - $28,045 -14% 149 $188   $47,065,205 41
2016/07/21 - $23,720 -15% 149 $159   $47,088,925 42
2016/07/22 - $22,390 -6% 104 $215   $47,111,315 43
2016/07/23 - $33,350 +49% 104 $321   $47,144,665 44
2016/07/24 - $22,985 -31% 104 $221   $47,167,650 45
2016/07/25 - $11,785 -49% 104 $113   $47,179,435 46
2016/07/26 - $17,465 +48% 104 $168   $47,196,900 47
2016/07/27 - $14,550 -17% 104 $140   $47,211,450 48
2016/07/28 - $14,205 -2% 104 $137   $47,225,655 49

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2016/06/10 3 $31,191,525   3,400 $9,174   $31,191,525 7
2016/06/17 5 $10,564,945 -66% 3,406 $3,102   $41,756,470 14
2016/06/24 11 $3,532,455 -67% 1,952 $1,810   $45,288,925 21
2016/07/01 19 $825,210 -77% 411 $2,008   $46,114,135 28
2016/07/08 18 $657,470 -20% 228 $2,884   $46,771,605 35
2016/07/15 27 $317,320 -52% 149 $2,130   $47,088,925 42
2016/07/22 38 $136,730 -57% 104 $1,315   $47,225,655 49

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Theaters
Maximum
Theaters
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 7/1/2016 $902,977 142 142 335 $1,981,868 8/10/2016
Australia 6/17/2016 $2,514,928 430 430 1075 $4,772,734 8/24/2016
Austria 5/27/2016 $473,811 65 70 343 $1,653,565 8/24/2016
Belgium 6/1/2016 $667,169 135 135 693 $1,778,359 8/10/2016
Brazil 6/2/2016 $2,691,059 1212 1212 1882 $5,882,511 8/3/2016
Bulgaria 6/10/2016 $227,017 0 0 0 $704,745 8/24/2016
Chile 6/30/2016 $330,767 60 60 117 $611,462 8/3/2016
China 6/7/2016 $65,030,000 125330 125330 214916 $221,120,000 7/11/2016
Colombia 6/30/2016 $841,614 193 193 396 $1,699,972 7/27/2016
Croatia 6/9/2016 $121,035 27 27 98 $245,794 8/24/2016
Cyprus 6/17/2016 $33,000 0 0 0 $33,000 6/20/2016
Czech Republic 6/10/2016 $790,806 145 145 483 $1,798,588 8/3/2016
Denmark 5/26/2016 $718,916 69 72 334 $1,968,944 8/3/2016
Ecuador 6/10/2016 $250,000 0 0 0 $250,000 6/12/2016
Finland 6/10/2016 $266,770 123 123 375 $695,343 8/16/2016
France 5/25/2016 $4,438,788 490 517 3122 $14,136,472 8/3/2016
Germany 5/26/2016 $5,804,790 608 652 3995 $15,664,189 9/1/2016
Greece 6/10/2016 $305,699 112 112 286 $701,645 7/20/2016
Hong Kong 6/10/2016 $1,291,672 46 46 157 $2,499,502 7/12/2016
Hungary 5/26/2016 $436,292 60 65 291 $1,187,030 8/3/2016
India 6/10/2016 $676,000 0 0 0 $676,000 9/5/2016
Israel 6/10/2016 $295,443 24 24 96 $665,661 7/20/2016
Italy 6/1/2016 $1,652,881 641 641 1382 $3,975,641 7/27/2016
Japan 7/1/2016 $272,247 47 47 162 $658,557 8/10/2016
Lithuania 6/10/2016 $77,385 155 155 393 $188,237 7/20/2016
Malaysia 6/10/2016 $1,467,434 134 134 461 $2,518,539 7/20/2016
Mexico 6/17/2016 $2,677,075 0 674 705 $5,580,883 7/12/2016
Netherlands 6/2/2016 $695,443 105 105 573 $2,208,361 8/10/2016
New Zealand 6/17/2016 $411,235 96 96 266 $754,499 8/24/2016
Norway 5/27/2016 $691,077 142 142 349 $1,479,944 8/16/2016
Panama 6/30/2016 $521,207 23 23 36 $921,370 7/27/2016
Peru 6/30/2016 $716,138 91 91 212 $1,312,890 8/3/2016
Philippines 5/25/2016 $1,334,654 159 159 415 $2,481,117 6/21/2016
Poland 6/10/2016 $837,220 142 149 719 $2,481,866 8/24/2016
Portugal 6/9/2016 $285,400 68 75 262 $786,057 8/3/2016
Russia (CIS) 5/26/2016 $10,372,244 1249 1253 5236 $22,458,267 8/3/2016
Singapore 6/10/2016 $1,040,261 77 77 173 $1,742,609 7/20/2016
Slovakia 6/9/2016 $362,562 73 73 198 $611,093 8/3/2016
Slovenia 5/26/2016 $33,743 10 10 63 $137,873 7/27/2016
South Africa 6/10/2016 $282,857 140 143 431 $785,145 8/10/2016
South Korea 6/10/2016 $4,240,500 736 736 1520 $8,709,364 7/20/2016
Spain 6/3/2016 $2,518,617 614 650 2400 $6,075,890 8/11/2016
Sweden 5/27/2016 $1,284,953 143 143 506 $3,443,697 8/3/2016
Switzerland 5/25/2016 $616,038 59 73 324 $1,681,321 8/10/2016
Taiwan 6/10/2016 $2,868,245 133 133 395 $4,854,972 7/20/2016
Thailand 5/26/2016 $1,272,477 157 157 349 $2,419,696 6/21/2016
Trinidad 6/10/2016 $118,000 0 0 0 $118,000 6/12/2016
Turkey 6/3/2016 $947,301 453 453 1632 $2,566,768 8/4/2016
Ukraine 6/10/2016 $911,000 0 0 0 $911,000 6/12/2016
United Kingdom 6/3/2016 $5,261,689 500 509 1743 $8,889,223 7/20/2016
Uruguay 7/8/2016 $32,000 0 0 0 $32,000 7/10/2016
Venezuela 6/17/2016 $26,417 64 64 116 $94,510 7/12/2016
Vietnam 6/10/2016 $544,000 0 0 0 $544,000 6/12/2016
 
Rest of World $13,749,227
 
International Total$385,900,000 9/5/2016

Weekly US Blu-ray Sales

DateRankUnits this Week% ChangeTotal UnitsSpending this WeekTotal SpendingWeeks in Release
10/2/20161279,663 279,663$5,582,073$5,582,0733

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.