We Need to Talk About Kevin (2012)

We need to Talk About Kevin poster
Theatrical Performance
Domestic Box Office $1,738,692Details
International Box Office $9,026,591Details
Worldwide Box Office $10,765,283
Further financial details...

Synopsis

Based on the novel of the same name, We Need to Talk About Kevin explores the factious relationship between a mother and her evil son as Eva's own culpability is measured against Kevin's innate evilness.

Metrics

Opening Weekend:$24,587 (1.4% of total gross)
Legs:11.09 (domestic box office/biggest weekend)
Domestic Share:16.2% (domestic box office/worldwide)
Production Budget:$7,000,000 (worldwide box office is 1.5 times production budget)
Theater counts:1 opening theaters/80 max. theaters, 7.7 weeks average run per theater
Infl. Adj. Dom. BO $2,354,654

Latest Ranking on Cumulative Box Office Lists


Watch Now On

iTunes:iTunes
Google Play:Google Play

Movie Details

Domestic Releases: December 9th, 2011 (Oscar Qualifying Run) by Oscilloscope Pictures
January 13th, 2012 (Limited) by Oscilloscope Pictures
International Releases: January 27th, 2012 (Wide) (Brazil)
March 1st, 2012 (Wide) (New Zealand)
April 5th, 2012 (Wide) (Argentina)
April 12th, 2012 (Wide) (Denmark)
April 20th, 2012 (Wide) (Finland)
... Show all releases
Video Release: May 29th, 2012 by Oscilloscope Video
MPAA Rating: R for disturbing violence and behavior, some sexuality and language
Running Time: 112 minutes
Comparisons: vs. Basquiat
Create your own comparison chart…
Keywords: Dysfunctional Family, Spree Killer, Epilogue, Domestic Abuse, Mental Illness, Non-Chronological
Source:Based on Fiction Book/Short Story
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Footprint Investments, Piccadilly Pictures, LypSync Productions, Artina Films, Rockinghorse Films
Production Countries: United Kingdom, United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Theater Average 8th Weekend 74 $7,025 Jan 27, 2012 52
Theater Average 7th Weekend 34 $10,530 Jan 20, 2012 45
Theater Average 6th Weekend 15 $21,123 Jan 13, 2012 38
Top 2012 Theater Average 28 $24,587 Dec 9, 2011 3

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Dec 9, 2011 53 $24,587   1 $24,587   $24,587 1
Jan 13, 2012 45 $42,245   2 $21,123   $81,542 6
Jan 20, 2012 41 $73,710 +74% 7 $10,530   $184,731 7
Jan 27, 2012 41 $70,250 -5% 10 $7,025   $287,173 8
Feb 3, 2012 40 $65,529 -7% 13 $5,041   $382,587 9
Feb 10, 2012 44 $83,816 +28% 16 $5,239   $496,670 10
Feb 17, 2012 48 $71,232 -15% 16 $4,452   $604,821 11
Feb 24, 2012 61 $37,540 -47% 16 $2,346   $671,867 12
Mar 2, 2012 34 $132,595 +253% 40 $3,315   $818,315 13
Mar 9, 2012 32 $156,799 +18% 60 $2,613   $1,035,665 14
Mar 16, 2012 38 $100,109 -36% 65 $1,540   $1,202,296 15
Mar 23, 2012 40 $96,538 -4% 80 $1,207   $1,348,901 16
Mar 30, 2012 44 $67,401 -30% 67 $1,006   $1,462,677 17
Apr 6, 2012 36 $66,907 -1% 65 $1,029   $1,563,249 18
Apr 13, 2012 50 $40,480 -39% 55 $736   $1,638,439 19
Apr 20, 2012 59 $25,948 -36% 41 $633   $1,682,189 20
Apr 27, 2012 75 $13,568 -48% 29 $468   $1,708,380 21
May 4, 2012 82 $5,542 -59% 14 $396   $1,724,046 22
May 11, 2012 81 $5,303 -4% 10 $530   $1,731,696 23
May 18, 2012 81 $2,576 -51% 6 $429   $1,738,692 24

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Dec 9, 2011 50 $39,297   1 $39,297   $39,297 1
Jan 13, 2012 43 $71,724   2 $35,862   $111,021 6
Jan 20, 2012 40 $105,902 +48% 7 $15,129   $216,923 7
Jan 27, 2012 39 $100,135 -5% 10 $10,014   $317,058 8
Feb 3, 2012 40 $95,796 -4% 13 $7,369   $412,854 9
Feb 10, 2012 45 $120,735 +26% 16 $7,546   $533,589 10
Feb 17, 2012 51 $100,738 -17% 16 $6,296   $634,327 11
Feb 24, 2012 58 $51,393 -49% 16 $3,212   $685,720 12
Mar 2, 2012 31 $193,146 +276% 40 $4,829   $878,866 13
Mar 9, 2012 34 $223,321 +16% 60 $3,722   $1,102,187 14
Mar 16, 2012 37 $150,176 -33% 65 $2,310   $1,252,363 15
Mar 23, 2012 39 $142,913 -5% 80 $1,786   $1,395,276 16
Mar 30, 2012 43 $101,066 -29% 80 $1,263   $1,496,342 17
Apr 6, 2012 43 $101,617 +1% 65 $1,563   $1,597,959 18
Apr 13, 2012 52 $58,282 -43% 55 $1,060   $1,656,241 19
Apr 20, 2012 61 $38,571 -34% 41 $941   $1,694,812 20
Apr 27, 2012 66 $23,692 -39% 29 $817   $1,718,504 21
May 4, 2012 79 $7,889 -67% 14 $564   $1,726,393 22
May 11, 2012 74 $9,723 +23% 10 $972   $1,736,116 23
May 18, 2012 77 $2,576 -74% 6 $429   $1,738,692 24

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 4/5/2012 $0 0 3 6 $39,427 12/29/2018
Austria 10/5/2012 $4,146 4 4 10 $13,235 12/12/2015
Brazil 1/27/2012 $0 0 4 4 $267,703 12/10/2015
Colombia 7/20/2012 $11,668 9 9 17 $34,766 12/29/2018
Denmark 4/12/2012 $0 0 54 190 $622,050 12/10/2015
Finland 4/20/2012 $0 0 12 27 $170,825 12/10/2015
Germany 8/16/2012 $18,839 22 24 70 $92,287 12/11/2015
New Zealand 3/1/2012 $0 0 12 26 $209,848 12/10/2015
Peru 6/21/2012 $5,521 7 7 10 $9,334 12/29/2018
Portugal 5/3/2012 $0 0 6 7 $24,825 12/10/2015
Uruguay 5/18/2012 $1,269 1 1 3 $3,299 12/29/2018
Venezuela 4/12/2013 $753 8,488 8,488 8,492 $32,709 12/14/2015
 
Rest of World $7,506,283
 
International Total$9,026,591 12/29/2018

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Tilda Swinton    Eva
Ezra Miller    Kevin

Supporting Cast

John C. Reilly    Franklin

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Lynne Ramsay    Director
Lynne Ramsay    Screenwriter
Lynne Ramsay    Executive Producer
Rory Stewart Kinnear    Screenwriter
Seamus McGarvey    Director of Photography
Luc Roeg    Producer
Jennifer Fox    Producer
Bob Salerno    Robert Salerno
Joe Bini    Editor
Jonny Greenwood    Composer
Judy Becker    Production Designer
Catherine George    Costume Designer

Featured TV on DVD Review: Louie: Season Two

June 20th, 2012

Louis C.K. returns for a second season of Louie. The first season earned a couple Emmy nominations, a WGA nomination, as well as some other nods and a couple wins. Can it maintain this level of quality through the second season? More...

DVD and Blu-ray Releases for May 29th, 2012

May 28th, 2012

It likely won't be a strong week on the home market. There's only one prime release, True Blood on DVD or Blu-ray Combo Pack. It is an excellent show and the Blu-ray is a clear contender for Pick of the Week, but as a TV on DVD release, I doubt it will sell as many units as the average first-run theatrical release sells. The biggest first run release is Man on a Ledge, but it did so poorly in theaters that I doubt it will have a real impact on the home market. True Blood isn't the only contender for Pick of the Week. Goon's Blu-ray Combo Pack is on that list. The price of the Combo Pack dropped since my review went online and at $15, it is the Pick of the Week, or should I say Puck of the Week. Also of note, Degrassi: Season 11, Part 1 - Buy from Amazon would also be a contender for Pick of the Week, but the full season set will likely be significantly cheaper on a price-per-minute basis. More...

Per Theater Chart: Pina Dances to the Top

January 25th, 2012

There were only three films this past weekend to reach the $10,000 mark on the per theater average, and none of them were new releases. Pina finally expanded playing in ten theaters, while it climbed to the top of the per theater average with $13,667. It should hit its first major milestone soon. A Separation doubled its theater count and saw its per theater average grow to $12,986. It too should reach its first milestone sooner rather than later. The final member of the $10,000 club was We Need to Talk About Kevin with an average of $10,530 in seven theaters. The best new release of the week was Crazy Horse with $7,963 in its lone theater. However, it was a Wednesday release and if you include its first two days of release, it earned $12,336. If it were a Friday release, it likely would have reached the $10,000 market. More...

Per Theater Chart: We Need to Talk About Holdovers

January 18th, 2012

It was a busy week on the per theater chart with five films in the $10,000 club; however, all but one of those films were holdovers. Leading the way was We Need to Talk About Kevin, which returned to theaters after its week-long Oscar qualification run. It earned an average of $21,123 in two theaters. Pina doubled its theater count, but remained strong in second place with an average of $20,740 in six theaters. Even if it doesn't expand significantly, it will reach some major milestones. Despite mixed reviews, Extremely Loud and Incredibly Close is earning very strong legs. This past weekend it dipped just 8% while earning an average of $15,172 in six theaters. It expands wide on Friday and it should do quite well. The only new release of the week to reach the $10,000 club was Sophomore, which opened with an estimated $13,000 in its lone theater. Finally, we get to A Separation, which earned an average of $11,977 in six theaters. Hopefully it will expand to take advantage of is success thus far. More...

MLK 3-Day Estimates: Contraband Steals the Weekend

January 15th, 2012

With Beauty and the Beast disappointing slightly over the 3-day MLK frame, Contraband will take first place by a fairly comfortable margin, according to studio estimates released on Sunday. The action movie is set to pick up about $24.1 million, per Universal, while Disney pegs Beast's Friday-Sunday total at $18.5 million. Joyful Noise will bring in a solid, if slightly disappointing, $11.3 million for Warner Bros.. More...

We Need to Talk about Limited Releases

January 13th, 2012

It's one of the worst times of the year to release a film on the art house circuit. Not only is it too late for Awards Season, but the competition is incredibly tight. So it should come as no surprise that most films coming out this week are underwhelming. In fact, of the films on this week's column, only one of them, Sing Your Song, is earning overall positive reviews. However, the biggest release of the week is We Need to Talk About Kevin, which we previously discussed when it had its Oscar Qualifying run. More...

Awards Season: Globes Reward Artistic Intent

December 16th, 2011

The Hollywood Foreign Press Association announced their nominations and the Awards Season picture started to look a whole lot clearer. The Artist led the way with six nominations, while The Descendents and The Help were right behind with five apiece. More...

Awards Season: SAG Spreads the Love

December 15th, 2011

The SAG nominations were handed out this week, and while The Help led the way with four nods, it wasn't the only film that earned multiple nominations. More...

Per Theater Chart: Tailor Made for Success

December 14th, 2011

Three new releases were able to reached the $10,000 mark on the per theater chart, while there were three holdovers that were able to join them. Leading the way was Tinker Tailor Soldier Spy with an outstanding average of $77,641 in four theaters. Young Adult opened with nearly the same total, but was playing in eight theaters giving it an average of $38,783. We Need to Talk About Kevin earned $24,587 in one theater during its Oscar qualifying run. A Dangerous Method spent its third weekend in the $10,000 club with an average of $19,234 in four theaters. However, it has seen in per theater average cut by more than half since its opening, and it has yet to expand. The Artist has also seen its per theater average fall, but it expanded its theater count to sixteen this past weekend and still earned an average of $18,460. It is already an art house success and will soon start earning some measure of mainstream success. Shame more than doubled its theater count, but hung onto a spot in the $10,000 club with an average of $13,496 in 21 theaters. More...

Limited Releases: Tinker, Tailor, Nominee, Winner?

December 9th, 2011

It's an excellent week for limited releases with several films earning reviews that are strong enough to suggest they can thrive in limited release (Tomatometer Scores of 80% positive or more). There are even a few that have reviews that are strong enough to suggest they will be players during Awards Season. Of these, Tinker Tailor Soldier Spy probably has the best shot at winning awards, but Young Adult likely has the best shot at mainstream success. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Based on the novel of the same name, We Need to Talk About Kevin explores the factious relationship between a mother and her evil son as Eva's own culpability is measured against Kevin's innate evilness.

Metrics

Opening Weekend:$24,587 (1.4% of total gross)
Legs:11.09 (domestic box office/biggest weekend)
Domestic Share:16.2% (domestic box office/worldwide)
Production Budget:$7,000,000 (worldwide box office is 1.5 times production budget)
Theater counts:1 opening theaters/80 max. theaters, 7.7 weeks average run per theater
Infl. Adj. Dom. BO $2,354,654

Latest Ranking on Cumulative Box Office Lists


Watch Now On

iTunes:iTunes
Google Play:Google Play

Movie Details

Domestic Releases: December 9th, 2011 (Oscar Qualifying Run) by Oscilloscope Pictures
January 13th, 2012 (Limited) by Oscilloscope Pictures
International Releases: January 27th, 2012 (Wide) (Brazil)
March 1st, 2012 (Wide) (New Zealand)
April 5th, 2012 (Wide) (Argentina)
April 12th, 2012 (Wide) (Denmark)
April 20th, 2012 (Wide) (Finland)
... Show all releases
Video Release: May 29th, 2012 by Oscilloscope Video
MPAA Rating: R for disturbing violence and behavior, some sexuality and language
Running Time: 112 minutes
Comparisons: vs. Basquiat
Create your own comparison chart…
Keywords: Dysfunctional Family, Spree Killer, Epilogue, Domestic Abuse, Mental Illness, Non-Chronological
Source:Based on Fiction Book/Short Story
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Footprint Investments, Piccadilly Pictures, LypSync Productions, Artina Films, Rockinghorse Films
Production Countries: United Kingdom, United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Theater Average 8th Weekend 74 $7,025 Jan 27, 2012 52
Theater Average 7th Weekend 34 $10,530 Jan 20, 2012 45
Theater Average 6th Weekend 15 $21,123 Jan 13, 2012 38
Top 2012 Theater Average 28 $24,587 Dec 9, 2011 3

Leading Cast

Tilda Swinton    Eva
Ezra Miller    Kevin

Supporting Cast

John C. Reilly    Franklin

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Lynne Ramsay    Director
Lynne Ramsay    Screenwriter
Lynne Ramsay    Executive Producer
Rory Stewart Kinnear    Screenwriter
Seamus McGarvey    Director of Photography
Luc Roeg    Producer
Jennifer Fox    Producer
Bob Salerno    Robert Salerno
Joe Bini    Editor
Jonny Greenwood    Composer
Judy Becker    Production Designer
Catherine George    Costume Designer

Featured TV on DVD Review: Louie: Season Two

June 20th, 2012

Louis C.K. returns for a second season of Louie. The first season earned a couple Emmy nominations, a WGA nomination, as well as some other nods and a couple wins. Can it maintain this level of quality through the second season? More...

DVD and Blu-ray Releases for May 29th, 2012

May 28th, 2012

It likely won't be a strong week on the home market. There's only one prime release, True Blood on DVD or Blu-ray Combo Pack. It is an excellent show and the Blu-ray is a clear contender for Pick of the Week, but as a TV on DVD release, I doubt it will sell as many units as the average first-run theatrical release sells. The biggest first run release is Man on a Ledge, but it did so poorly in theaters that I doubt it will have a real impact on the home market. True Blood isn't the only contender for Pick of the Week. Goon's Blu-ray Combo Pack is on that list. The price of the Combo Pack dropped since my review went online and at $15, it is the Pick of the Week, or should I say Puck of the Week. Also of note, Degrassi: Season 11, Part 1 - Buy from Amazon would also be a contender for Pick of the Week, but the full season set will likely be significantly cheaper on a price-per-minute basis. More...

Per Theater Chart: Pina Dances to the Top

January 25th, 2012

There were only three films this past weekend to reach the $10,000 mark on the per theater average, and none of them were new releases. Pina finally expanded playing in ten theaters, while it climbed to the top of the per theater average with $13,667. It should hit its first major milestone soon. A Separation doubled its theater count and saw its per theater average grow to $12,986. It too should reach its first milestone sooner rather than later. The final member of the $10,000 club was We Need to Talk About Kevin with an average of $10,530 in seven theaters. The best new release of the week was Crazy Horse with $7,963 in its lone theater. However, it was a Wednesday release and if you include its first two days of release, it earned $12,336. If it were a Friday release, it likely would have reached the $10,000 market. More...

Per Theater Chart: We Need to Talk About Holdovers

January 18th, 2012

It was a busy week on the per theater chart with five films in the $10,000 club; however, all but one of those films were holdovers. Leading the way was We Need to Talk About Kevin, which returned to theaters after its week-long Oscar qualification run. It earned an average of $21,123 in two theaters. Pina doubled its theater count, but remained strong in second place with an average of $20,740 in six theaters. Even if it doesn't expand significantly, it will reach some major milestones. Despite mixed reviews, Extremely Loud and Incredibly Close is earning very strong legs. This past weekend it dipped just 8% while earning an average of $15,172 in six theaters. It expands wide on Friday and it should do quite well. The only new release of the week to reach the $10,000 club was Sophomore, which opened with an estimated $13,000 in its lone theater. Finally, we get to A Separation, which earned an average of $11,977 in six theaters. Hopefully it will expand to take advantage of is success thus far. More...

MLK 3-Day Estimates: Contraband Steals the Weekend

January 15th, 2012

With Beauty and the Beast disappointing slightly over the 3-day MLK frame, Contraband will take first place by a fairly comfortable margin, according to studio estimates released on Sunday. The action movie is set to pick up about $24.1 million, per Universal, while Disney pegs Beast's Friday-Sunday total at $18.5 million. Joyful Noise will bring in a solid, if slightly disappointing, $11.3 million for Warner Bros.. More...

We Need to Talk about Limited Releases

January 13th, 2012

It's one of the worst times of the year to release a film on the art house circuit. Not only is it too late for Awards Season, but the competition is incredibly tight. So it should come as no surprise that most films coming out this week are underwhelming. In fact, of the films on this week's column, only one of them, Sing Your Song, is earning overall positive reviews. However, the biggest release of the week is We Need to Talk About Kevin, which we previously discussed when it had its Oscar Qualifying run. More...

Awards Season: Globes Reward Artistic Intent

December 16th, 2011

The Hollywood Foreign Press Association announced their nominations and the Awards Season picture started to look a whole lot clearer. The Artist led the way with six nominations, while The Descendents and The Help were right behind with five apiece. More...

Awards Season: SAG Spreads the Love

December 15th, 2011

The SAG nominations were handed out this week, and while The Help led the way with four nods, it wasn't the only film that earned multiple nominations. More...

Per Theater Chart: Tailor Made for Success

December 14th, 2011

Three new releases were able to reached the $10,000 mark on the per theater chart, while there were three holdovers that were able to join them. Leading the way was Tinker Tailor Soldier Spy with an outstanding average of $77,641 in four theaters. Young Adult opened with nearly the same total, but was playing in eight theaters giving it an average of $38,783. We Need to Talk About Kevin earned $24,587 in one theater during its Oscar qualifying run. A Dangerous Method spent its third weekend in the $10,000 club with an average of $19,234 in four theaters. However, it has seen in per theater average cut by more than half since its opening, and it has yet to expand. The Artist has also seen its per theater average fall, but it expanded its theater count to sixteen this past weekend and still earned an average of $18,460. It is already an art house success and will soon start earning some measure of mainstream success. Shame more than doubled its theater count, but hung onto a spot in the $10,000 club with an average of $13,496 in 21 theaters. More...

Limited Releases: Tinker, Tailor, Nominee, Winner?

December 9th, 2011

It's an excellent week for limited releases with several films earning reviews that are strong enough to suggest they can thrive in limited release (Tomatometer Scores of 80% positive or more). There are even a few that have reviews that are strong enough to suggest they will be players during Awards Season. Of these, Tinker Tailor Soldier Spy probably has the best shot at winning awards, but Young Adult likely has the best shot at mainstream success. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Dec 9, 2011 53 $24,587   1 $24,587   $24,587 1
Jan 13, 2012 45 $42,245   2 $21,123   $81,542 6
Jan 20, 2012 41 $73,710 +74% 7 $10,530   $184,731 7
Jan 27, 2012 41 $70,250 -5% 10 $7,025   $287,173 8
Feb 3, 2012 40 $65,529 -7% 13 $5,041   $382,587 9
Feb 10, 2012 44 $83,816 +28% 16 $5,239   $496,670 10
Feb 17, 2012 48 $71,232 -15% 16 $4,452   $604,821 11
Feb 24, 2012 61 $37,540 -47% 16 $2,346   $671,867 12
Mar 2, 2012 34 $132,595 +253% 40 $3,315   $818,315 13
Mar 9, 2012 32 $156,799 +18% 60 $2,613   $1,035,665 14
Mar 16, 2012 38 $100,109 -36% 65 $1,540   $1,202,296 15
Mar 23, 2012 40 $96,538 -4% 80 $1,207   $1,348,901 16
Mar 30, 2012 44 $67,401 -30% 67 $1,006   $1,462,677 17
Apr 6, 2012 36 $66,907 -1% 65 $1,029   $1,563,249 18
Apr 13, 2012 50 $40,480 -39% 55 $736   $1,638,439 19
Apr 20, 2012 59 $25,948 -36% 41 $633   $1,682,189 20
Apr 27, 2012 75 $13,568 -48% 29 $468   $1,708,380 21
May 4, 2012 82 $5,542 -59% 14 $396   $1,724,046 22
May 11, 2012 81 $5,303 -4% 10 $530   $1,731,696 23
May 18, 2012 81 $2,576 -51% 6 $429   $1,738,692 24

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Dec 9, 2011 50 $39,297   1 $39,297   $39,297 1
Jan 13, 2012 43 $71,724   2 $35,862   $111,021 6
Jan 20, 2012 40 $105,902 +48% 7 $15,129   $216,923 7
Jan 27, 2012 39 $100,135 -5% 10 $10,014   $317,058 8
Feb 3, 2012 40 $95,796 -4% 13 $7,369   $412,854 9
Feb 10, 2012 45 $120,735 +26% 16 $7,546   $533,589 10
Feb 17, 2012 51 $100,738 -17% 16 $6,296   $634,327 11
Feb 24, 2012 58 $51,393 -49% 16 $3,212   $685,720 12
Mar 2, 2012 31 $193,146 +276% 40 $4,829   $878,866 13
Mar 9, 2012 34 $223,321 +16% 60 $3,722   $1,102,187 14
Mar 16, 2012 37 $150,176 -33% 65 $2,310   $1,252,363 15
Mar 23, 2012 39 $142,913 -5% 80 $1,786   $1,395,276 16
Mar 30, 2012 43 $101,066 -29% 80 $1,263   $1,496,342 17
Apr 6, 2012 43 $101,617 +1% 65 $1,563   $1,597,959 18
Apr 13, 2012 52 $58,282 -43% 55 $1,060   $1,656,241 19
Apr 20, 2012 61 $38,571 -34% 41 $941   $1,694,812 20
Apr 27, 2012 66 $23,692 -39% 29 $817   $1,718,504 21
May 4, 2012 79 $7,889 -67% 14 $564   $1,726,393 22
May 11, 2012 74 $9,723 +23% 10 $972   $1,736,116 23
May 18, 2012 77 $2,576 -74% 6 $429   $1,738,692 24

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 4/5/2012 $0 0 3 6 $39,427 12/29/2018
Austria 10/5/2012 $4,146 4 4 10 $13,235 12/12/2015
Brazil 1/27/2012 $0 0 4 4 $267,703 12/10/2015
Colombia 7/20/2012 $11,668 9 9 17 $34,766 12/29/2018
Denmark 4/12/2012 $0 0 54 190 $622,050 12/10/2015
Finland 4/20/2012 $0 0 12 27 $170,825 12/10/2015
Germany 8/16/2012 $18,839 22 24 70 $92,287 12/11/2015
New Zealand 3/1/2012 $0 0 12 26 $209,848 12/10/2015
Peru 6/21/2012 $5,521 7 7 10 $9,334 12/29/2018
Portugal 5/3/2012 $0 0 6 7 $24,825 12/10/2015
Uruguay 5/18/2012 $1,269 1 1 3 $3,299 12/29/2018
Venezuela 4/12/2013 $753 8,488 8,488 8,492 $32,709 12/14/2015
 
Rest of World $7,506,283
 
International Total$9,026,591 12/29/2018

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.