Ballet 422 (2015)
| Theatrical Performance | ||
| Domestic Box Office | $333,554 | Details |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $87,766 | |
| Blu-ray Sales (estimated) | $9,561 | |
| Total | $97,327 | |
| Further financial details... | ||
Synopsis
From first rehearsal to world premiere, BALLET 422 takes us backstage at New York City Ballet as Justin Peck, a young up-and-coming choreographer, crafts a new work. BALLET 422 illuminates the process behind the creation of a single ballet within the ongoing cycle of work at one of the world’s great ballet companies. New York City Ballet, under the artistic direction of Ballet Master in Chief Peter Martins, boasts a roster of more than 90 elite dancers and a repertory of works by many of the greatest choreographers in the history of the art form. When 25-year-old NYCB dancer Justin Peck begins to emerge as a promising young choreographer, he is commissioned to create a new ballet for the Company’s 2013 Winter Season. With unprecedented access to an elite world, the film follows Peck as he collaborates with musicians, lighting designers, costume designers and his fellow dancers to create Paz de la Jolla, NYCB’s 422nd new ballet. BALLET 422 is an unembellished vérité portrait of a process that has never before been documented at New York City Ballet in its entirety.
Metrics
| Opening Weekend: | $27,653 (8.3% of total gross) |
| Legs: | 9.87 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/27 max. theaters, 6.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $473,221 |
Movie Details
| Domestic Releases: | February 6th, 2015 (Limited) by Magnolia Pictures |
| Video Release: | May 26th, 2015 by Magnolia Home Entertainment |
| MPA Rating: | PG for brief language. (Rating bulletin 2348, 11/12/2014) |
| Running Time: | 75 minutes |
| Geographical setting: | New York, New York City |
| Plot point: | Choreography, Dancing, Performing Arts |
| Social setting: | Ballet |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Magnolia Pictures, New York City Ballet, Vacheron Constantin |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 6, 2015 | 61 | $27,653 | 2 | $13,827 | $27,653 | 1 | |
| Feb 13, 2015 | 56 | $33,787 | +22% | 6 | $5,631 | $71,971 | 2 |
| Feb 20, 2015 | 55 | $28,437 | -16% | 14 | $2,031 | $122,411 | 3 |
| Feb 27, 2015 | 59 | $29,008 | +2% | 19 | $1,527 | $166,678 | 4 |
| Mar 6, 2015 | 57 | $26,266 | -9% | 19 | $1,382 | $207,850 | 5 |
| Mar 13, 2015 | 58 | $26,306 | n/c | 25 | $1,052 | $247,747 | 6 |
| Mar 20, 2015 | 61 | $20,905 | -21% | 27 | $774 | $281,568 | 7 |
| Mar 27, 2015 | 69 | $10,200 | -51% | 21 | $486 | $301,363 | 8 |
| Apr 3, 2015 | 73 | $5,003 | -51% | 13 | $385 | $309,300 | 9 |
| Apr 10, 2015 | 89 | $1,695 | -66% | 5 | $339 | $316,092 | 10 |
| Apr 17, 2015 | 82 | $2,002 | +18% | 5 | $400 | $320,095 | 11 |
| Apr 24, 2015 | 90 | $2,849 | +42% | 8 | $356 | $324,683 | 12 |
| May 1, 2015 | 79 | $1,472 | -48% | 5 | $294 | $327,879 | 13 |
| May 8, 2015 | 77 | $2,452 | +67% | 2 | $1,226 | $332,843 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 6, 2015 | 63 | $38,184 | 2 | $19,092 | $38,184 | 1 | |
| Feb 13, 2015 | 53 | $55,790 | +46% | 6 | $9,298 | $93,974 | 2 |
| Feb 20, 2015 | 60 | $43,696 | -22% | 14 | $3,121 | $137,670 | 3 |
| Feb 27, 2015 | 60 | $43,914 | n/c | 19 | $2,311 | $181,584 | 4 |
| Mar 6, 2015 | 56 | $39,857 | -9% | 19 | $2,098 | $221,441 | 5 |
| Mar 13, 2015 | 58 | $39,222 | -2% | 25 | $1,569 | $260,663 | 6 |
| Mar 20, 2015 | 55 | $30,500 | -22% | 27 | $1,130 | $291,163 | 7 |
| Mar 27, 2015 | 68 | $13,134 | -57% | 21 | $625 | $304,297 | 8 |
| Apr 3, 2015 | 71 | $10,100 | -23% | 13 | $777 | $314,397 | 9 |
| Apr 10, 2015 | 91 | $3,696 | -63% | 5 | $739 | $318,093 | 10 |
| Apr 17, 2015 | 89 | $3,741 | +1% | 5 | $748 | $321,834 | 11 |
| Apr 24, 2015 | 94 | $4,573 | +22% | 8 | $572 | $326,407 | 12 |
| May 1, 2015 | 76 | $3,984 | -13% | 5 | $797 | $330,391 | 13 |
| May 8, 2015 | 79 | $3,163 | -21% | 2 | $1,582 | $333,554 | 14 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
From first rehearsal to world premiere, BALLET 422 takes us backstage at New York City Ballet as Justin Peck, a young up-and-coming choreographer, crafts a new work. BALLET 422 illuminates the process behind the creation of a single ballet within the ongoing cycle of work at one of the world’s great ballet companies. New York City Ballet, under the artistic direction of Ballet Master in Chief Peter Martins, boasts a roster of more than 90 elite dancers and a repertory of works by many of the greatest choreographers in the history of the art form. When 25-year-old NYCB dancer Justin Peck begins to emerge as a promising young choreographer, he is commissioned to create a new ballet for the Company’s 2013 Winter Season. With unprecedented access to an elite world, the film follows Peck as he collaborates with musicians, lighting designers, costume designers and his fellow dancers to create Paz de la Jolla, NYCB’s 422nd new ballet. BALLET 422 is an unembellished vérité portrait of a process that has never before been documented at New York City Ballet in its entirety.
Metrics
| Opening Weekend: | $27,653 (8.3% of total gross) |
| Legs: | 9.87 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/27 max. theaters, 6.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $473,221 |
Movie Details
| Domestic Releases: | February 6th, 2015 (Limited) by Magnolia Pictures |
| Video Release: | May 26th, 2015 by Magnolia Home Entertainment |
| MPA Rating: | PG for brief language. (Rating bulletin 2348, 11/12/2014) |
| Running Time: | 75 minutes |
| Geographical setting: | New York, New York City |
| Plot point: | Choreography, Dancing, Performing Arts |
| Social setting: | Ballet |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Magnolia Pictures, New York City Ballet, Vacheron Constantin |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 6, 2015 | 61 | $27,653 | 2 | $13,827 | $27,653 | 1 | |
| Feb 13, 2015 | 56 | $33,787 | +22% | 6 | $5,631 | $71,971 | 2 |
| Feb 20, 2015 | 55 | $28,437 | -16% | 14 | $2,031 | $122,411 | 3 |
| Feb 27, 2015 | 59 | $29,008 | +2% | 19 | $1,527 | $166,678 | 4 |
| Mar 6, 2015 | 57 | $26,266 | -9% | 19 | $1,382 | $207,850 | 5 |
| Mar 13, 2015 | 58 | $26,306 | n/c | 25 | $1,052 | $247,747 | 6 |
| Mar 20, 2015 | 61 | $20,905 | -21% | 27 | $774 | $281,568 | 7 |
| Mar 27, 2015 | 69 | $10,200 | -51% | 21 | $486 | $301,363 | 8 |
| Apr 3, 2015 | 73 | $5,003 | -51% | 13 | $385 | $309,300 | 9 |
| Apr 10, 2015 | 89 | $1,695 | -66% | 5 | $339 | $316,092 | 10 |
| Apr 17, 2015 | 82 | $2,002 | +18% | 5 | $400 | $320,095 | 11 |
| Apr 24, 2015 | 90 | $2,849 | +42% | 8 | $356 | $324,683 | 12 |
| May 1, 2015 | 79 | $1,472 | -48% | 5 | $294 | $327,879 | 13 |
| May 8, 2015 | 77 | $2,452 | +67% | 2 | $1,226 | $332,843 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 6, 2015 | 63 | $38,184 | 2 | $19,092 | $38,184 | 1 | |
| Feb 13, 2015 | 53 | $55,790 | +46% | 6 | $9,298 | $93,974 | 2 |
| Feb 20, 2015 | 60 | $43,696 | -22% | 14 | $3,121 | $137,670 | 3 |
| Feb 27, 2015 | 60 | $43,914 | n/c | 19 | $2,311 | $181,584 | 4 |
| Mar 6, 2015 | 56 | $39,857 | -9% | 19 | $2,098 | $221,441 | 5 |
| Mar 13, 2015 | 58 | $39,222 | -2% | 25 | $1,569 | $260,663 | 6 |
| Mar 20, 2015 | 55 | $30,500 | -22% | 27 | $1,130 | $291,163 | 7 |
| Mar 27, 2015 | 68 | $13,134 | -57% | 21 | $625 | $304,297 | 8 |
| Apr 3, 2015 | 71 | $10,100 | -23% | 13 | $777 | $314,397 | 9 |
| Apr 10, 2015 | 91 | $3,696 | -63% | 5 | $739 | $318,093 | 10 |
| Apr 17, 2015 | 89 | $3,741 | +1% | 5 | $748 | $321,834 | 11 |
| Apr 24, 2015 | 94 | $4,573 | +22% | 8 | $572 | $326,407 | 12 |
| May 1, 2015 | 76 | $3,984 | -13% | 5 | $797 | $330,391 | 13 |
| May 8, 2015 | 79 | $3,163 | -21% | 2 | $1,582 | $333,554 | 14 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.