Father Billy, an eccentric young priest, is forced to take a sabbatical by his superiors when he is discovered telling inappropriate parables to his flock. Billy tracks down his high-school idol Robbie, who begrudgingly agrees to a canoe trip. On the water, the two men reminisce about Billy’s days as the keyboardist in a Christian band and Robbie’s as a guitarist for a metal band. When night approaches, they realize they have lost their way—and that’s when things get weird.
Latest Ranking on Cumulative Box Office Lists
|All Time Domestic Box Office (Rank 15,001-15,100)
|All Time Worldwide Box Office (Rank 19,901-20,000)
|All Time Domestic Highest Grossing Limited Release Movies (Rank 7,101-7,200)
|All Time Domestic Box Office for Comedy Movies (Rank 2,501-2,600)
|All Time Worldwide Box Office for Comedy Movies (Rank 3,301-3,400)
See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.
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Production and Technical Credits
October 25th, 2011
Martha Marcy May Marlene was one of five films to top $10,000 on the per theater chart leading the way with $34,413. Combining the film's opening with its reviews and it suggests serious potential for expansion. Being Elmo: A Puppeteers Journey opened with $22,963 in its lone theater, which is surprisingly strong. The overall box office leader, Paranormal Activity 3, was next with $15,829. Last week's winner on the per theater chart, The Skin I Live In, remained strong with an average of $11,771 in 21 theaters. Further expansion is likely, as it is earning some measure of mainstream success, but its bizarre subject matter will prevent it from truly escaping the art house circuit. Margin Call was a surprise entrant in the $10,000 club, as it was playing in 56 theaters, which is a lot for a limited release. Its opening weekend average of $10,034 and excellent reviews suggests some potential to expand, while reaching $1 million should happen sometime during the upcoming weekend.
October 21st, 2011
This week more than a dozen limited releases are being released, which is far too many. This level of competition means even films with great reviews, high name recognition among the cast, and strong advance buzz could struggle to find an audience. There are a number of films that have at least two of those three key ingredients, including Martha Marcy May Marlene and Oranges and Sunshine. Hopefully these two, and a few others, will find a receptive audience in limited release.
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