Struggling with his older brother’s death, 13-year-old Dayveon spends the sweltering summer days roaming around his rural Arkansan town. With no parents and few role models, he soon falls in with the local gang. Though his sister’s boyfriend tries to provide stability and comfort as a reluctant father figure, Dayveon becomes increasingly drawn into the camaraderie and violence of his new world.
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Production and Technical Credits
November 22nd, 2017
The Independent Spirit Awards nominations were announced yesterday and thus the 2017 Awards Season begins. The movie with the most nominations is Call Me by Your Name, which opens on Friday. This is amazingly good timing. It’s not the only film that should get a financial boost.
September 20th, 2017
Brad’s Status led the way on the theater average chart with an average of $22,480 in four theaters. It was the only holdover in the $10,000 club earning an average of $14,490. The only other member of the $10,000 was Ex Libris: The New York Public Library, which earned $10,926 in one theater over the weekend and $16,308 from Wednesday through Sunday. It won’t expand significantly, because it is a documentary, but the distributor should be very happy with this result.
September 15th, 2017
It’s almost Awards Season. Awards season is an amazing time of year for limited releases. Sadly, this means a lot of films that are not good enough to compete during Awards Season are being pushed out now. That doesn’t mean there are no good films worth checking out, but they are a minority compared to the films earning bad reviews, or not enough reviews to talk about. Abracadabra, Ex Libris, The Future Perfect, and Indivisible all have a shot at success on the art house circuit, even if none of them will likely expand beyond that.
June 30th, 2017
It is not a great week for limited releases, as there are none that are expected to earn any measure of mainstream success. Okja is earning the loudest buzz, but it is playing on Netflix, so its box office chances are close to zero. The Little Hours has the best cast and its reviews are over 80% positive, but black comedies rarely do well in theaters. Finally, The B-Side is earning some of the best reviews, but documentaries rarely escape the art house circuit.
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