The Glass Castle (2017)
| Theatrical Performance | ||
| Domestic Box Office | $17,273,059 | Details |
| International Box Office | $4,807,990 | Details |
| Worldwide Box Office | $22,081,049 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $615,496 | |
| Blu-ray Sales (estimated) | $423,778 | |
| Total | $1,039,274 | |
| OpusData ID: 244110100 More info... | ||
| Further financial details... | ||
Synopsis
Chronicling the adventures of an eccentric, resilient and tight-knit family comes a story of unconditional love. It brings to life the memoir of a young girl who, influenced by the joyfully wild nature of her deeply dysfunctional father, found the fiery determination to carve out a success life on her own terms.
Metrics
| Opening Weekend: | $4,678,548 (27.1% of total gross) |
| Legs: | 3.69 (domestic box office/biggest weekend) |
| Domestic Share: | 78.2% (domestic box office/worldwide) |
| Theater counts: | 1,461 opening theaters/1,461 max. theaters, 5.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $23,030,750 |
Movie Details
| Domestic Releases: | August 11th, 2017 (Wide) by Lionsgate |
| International Releases: | August 25th, 2017 (Wide), released as Stiklo pilis (Lithuania)
August 25th, 2017 (Wide) (Brazil) September 1st, 2017 (Wide) (Taiwan) September 8th, 2017 (Wide) (Australia) September 22nd, 2017 (Wide) (Germany) ... Show all releases |
| Video Release: | October 24th, 2017 by Lionsgate Home Entertainment |
| MPA Rating: | PG-13 for mature thematic content involving family dysfunction, and for some language and smoking. (Rating bulletin 2460 (Cert #50867), 1/25/2017) |
| Running Time: | 127 minutes |
| Cast, crew, or production detail: | Autobiographical, Same Role, Multiple Actors, Scene in End Credits |
| Geographical setting: | New York, New York City |
| Plot point: | Addiction, Artists, Biography, Child Abuse, Coming of Age, Dysfunctional Family, Money Troubles, Non-Chronological, Romance, Squatting |
| Subgenre: | Biographical Drama |
| Time period setting: | 1980s |
| Source: | Based on Factual Book/Article |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Lionsgate, Gil Netter Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 11, 2017 | 9 | $4,678,548 | 1,461 | $3,202 | $4,678,548 | 1 | |
| Aug 18, 2017 | 12 | $2,549,459 | -46% | 1,461 | $1,745 | $9,705,840 | 2 |
| Aug 25, 2017 | 18 | $1,388,562 | -46% | 1,298 | $1,070 | $12,500,415 | 3 |
| Sep 1, 2017 | 20 | $1,408,614 | +1% | 1,360 | $1,036 | $14,758,373 | 4 |
| Sep 8, 2017 | 16 | $533,828 | -62% | 1,037 | $515 | $16,078,713 | 5 |
| Sep 15, 2017 | 19 | $351,887 | -34% | 698 | $504 | $16,724,214 | 6 |
| Sep 22, 2017 | 29 | $114,190 | -68% | 219 | $521 | $17,038,526 | 7 |
| Sep 29, 2017 | 34 | $57,160 | -50% | 136 | $420 | $17,154,354 | 8 |
| Oct 6, 2017 | 42 | $46,008 | -20% | 113 | $407 | $17,238,739 | 9 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Aug 11, 2017 | 8 | $1,650,668 | 1,461 | $1,130 | $1,650,668 | 1 | ||
| Aug 12, 2017 | 10 | $1,856,627 | +12% | 1,461 | $1,271 | $3,507,295 | 2 | |
| Aug 13, 2017 | 10 | $1,171,253 | -37% | 1,461 | $802 | $4,678,548 | 3 | |
| Aug 14, 2017 | 8 | $556,740 | -52% | 1,461 | $381 | $5,235,288 | 4 | |
| Aug 15, 2017 | 8 | $845,317 | +52% | 1,461 | $579 | $6,080,605 | 5 | |
| Aug 16, 2017 | 8 | $558,039 | -34% | 1,461 | $382 | $6,638,644 | 6 | |
| Aug 17, 2017 | 8 | $517,737 | -7% | 1,461 | $354 | $7,156,381 | 7 | |
| Aug 18, 2017 | 12 | $839,050 | +62% | -49% | 1,461 | $574 | $7,995,431 | 8 |
| Aug 19, 2017 | 12 | $1,028,622 | +23% | -45% | 1,461 | $704 | $9,024,053 | 9 |
| Aug 20, 2017 | 12 | $681,787 | -34% | -42% | 1,461 | $467 | $9,705,840 | 10 |
| Aug 21, 2017 | 11 | $262,245 | -62% | -53% | 1,461 | $179 | $9,968,085 | 11 |
| Aug 22, 2017 | 10 | $486,563 | +86% | -42% | 1,461 | $333 | $10,454,648 | 12 |
| Aug 23, 2017 | 10 | $356,557 | -27% | -36% | 1,461 | $244 | $10,811,205 | 13 |
| Aug 24, 2017 | 11 | $300,648 | -16% | -42% | 1,461 | $206 | $11,111,853 | 14 |
| Aug 25, 2017 | 17 | $413,583 | +38% | -51% | 1,298 | $319 | $11,525,436 | 15 |
| Aug 26, 2017 | - | $577,762 | +40% | -44% | 1,298 | $445 | $12,103,198 | 16 |
| Aug 27, 2017 | - | $397,217 | -31% | -42% | 1,298 | $306 | $12,500,415 | 17 |
| Aug 28, 2017 | 15 | $178,618 | -55% | -32% | 1,298 | $138 | $12,679,033 | 18 |
| Aug 29, 2017 | 13 | $294,250 | +65% | -40% | 1,298 | $227 | $12,973,283 | 19 |
| Aug 30, 2017 | 12 | $189,509 | -36% | -47% | 1,298 | $146 | $13,162,792 | 20 |
| Aug 31, 2017 | 14 | $186,967 | -1% | -38% | 1,298 | $144 | $13,349,759 | 21 |
| Sep 1, 2017 | - | $340,426 | +82% | -18% | 1,360 | $250 | $13,690,185 | 22 |
| Sep 2, 2017 | - | $531,945 | +56% | -8% | 1,360 | $391 | $14,222,130 | 23 |
| Sep 3, 2017 | - | $536,243 | +1% | +35% | 1,360 | $394 | $14,758,373 | 24 |
| Sep 4, 2017 | - | $370,692 | -31% | +108% | 1,360 | $273 | $15,129,065 | 25 |
| Sep 5, 2017 | 10 | $162,726 | -56% | -45% | 1,360 | $120 | $15,291,791 | 26 |
| Sep 6, 2017 | 9 | $138,510 | -15% | -27% | 1,360 | $102 | $15,430,301 | 27 |
| Sep 7, 2017 | 9 | $114,584 | -17% | -39% | 1,360 | $84 | $15,544,885 | 28 |
| Sep 8, 2017 | 14 | $163,345 | +43% | -52% | 1,037 | $158 | $15,708,230 | 29 |
| Sep 9, 2017 | - | $235,231 | +44% | -56% | 1,037 | $227 | $15,943,461 | 30 |
| Sep 10, 2017 | - | $135,252 | -43% | -75% | 1,037 | $130 | $16,078,713 | 31 |
| Sep 11, 2017 | 12 | $54,887 | -59% | -85% | 1,037 | $53 | $16,133,600 | 32 |
| Sep 12, 2017 | 12 | $95,647 | +74% | -41% | 1,037 | $92 | $16,229,247 | 33 |
| Sep 13, 2017 | 12 | $73,400 | -23% | -47% | 1,037 | $71 | $16,302,647 | 34 |
| Sep 14, 2017 | 11 | $69,680 | -5% | -39% | 1,037 | $67 | $16,372,327 | 35 |
| Sep 15, 2017 | - | $106,295 | +53% | -35% | 698 | $152 | $16,478,622 | 36 |
| Sep 16, 2017 | - | $152,338 | +43% | -35% | 698 | $218 | $16,630,960 | 37 |
| Sep 17, 2017 | - | $93,254 | -39% | -31% | 698 | $134 | $16,724,214 | 38 |
| Sep 18, 2017 | - | $41,186 | -56% | -25% | 698 | $59 | $16,765,400 | 39 |
| Sep 19, 2017 | 15 | $66,107 | +61% | -31% | 698 | $95 | $16,831,507 | 40 |
| Sep 20, 2017 | - | $47,046 | -29% | -36% | 698 | $67 | $16,878,553 | 41 |
| Sep 21, 2017 | - | $45,783 | -3% | -34% | 698 | $66 | $16,924,336 | 42 |
| Sep 22, 2017 | - | $32,839 | -28% | -69% | 219 | $150 | $16,957,175 | 43 |
| Sep 23, 2017 | - | $50,449 | +54% | -67% | 219 | $230 | $17,007,624 | 44 |
| Sep 24, 2017 | - | $30,902 | -39% | -67% | 219 | $141 | $17,038,526 | 45 |
| Sep 25, 2017 | - | $14,195 | -54% | -66% | 219 | $65 | $17,052,721 | 46 |
| Sep 26, 2017 | - | $17,479 | +23% | -74% | 219 | $80 | $17,070,200 | 47 |
| Sep 27, 2017 | - | $14,792 | -15% | -69% | 219 | $68 | $17,084,992 | 48 |
| Sep 28, 2017 | - | $12,202 | -18% | -73% | 219 | $56 | $17,097,194 | 49 |
| Sep 29, 2017 | - | $16,295 | +34% | -50% | 136 | $120 | $17,113,489 | 50 |
| Sep 30, 2017 | - | $24,572 | +51% | -51% | 136 | $181 | $17,138,061 | 51 |
| Oct 1, 2017 | - | $16,293 | -34% | -47% | 136 | $120 | $17,154,354 | 52 |
| Oct 2, 2017 | - | $6,541 | -60% | -54% | 136 | $48 | $17,160,895 | 53 |
| Oct 3, 2017 | - | $10,745 | +64% | -39% | 136 | $79 | $17,171,640 | 54 |
| Oct 4, 2017 | - | $12,709 | +18% | -14% | 136 | $93 | $17,184,349 | 55 |
| Oct 5, 2017 | - | $8,382 | -34% | -31% | 136 | $62 | $17,192,731 | 56 |
| Oct 6, 2017 | - | $14,289 | +70% | -12% | 113 | $126 | $17,207,020 | 57 |
| Oct 7, 2017 | - | $18,501 | +29% | -25% | 113 | $164 | $17,225,521 | 58 |
| Oct 8, 2017 | - | $13,218 | -29% | -19% | 113 | $117 | $17,238,739 | 59 |
| Oct 9, 2017 | - | $8,029 | -39% | +23% | 113 | $71 | $17,246,768 | 60 |
| Oct 10, 2017 | - | $7,578 | -6% | -29% | 113 | $67 | $17,254,346 | 61 |
| Oct 11, 2017 | - | $9,243 | +22% | -27% | 113 | $82 | $17,263,589 | 62 |
| Oct 12, 2017 | - | $9,470 | +2% | +13% | 113 | $84 | $17,273,059 | 63 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 11, 2017 | 9 | $7,156,381 | 1,461 | $4,898 | $7,156,381 | 1 | |
| Aug 18, 2017 | 12 | $3,955,472 | -45% | 1,461 | $2,707 | $11,111,853 | 2 |
| Aug 25, 2017 | 15 | $2,237,906 | -43% | 1,298 | $1,724 | $13,349,759 | 3 |
| Sep 1, 2017 | 18 | $2,195,126 | -2% | 1,360 | $1,614 | $15,544,885 | 4 |
| Sep 8, 2017 | 15 | $827,442 | -62% | 1,037 | $798 | $16,372,327 | 5 |
| Sep 15, 2017 | 19 | $552,009 | -33% | 698 | $791 | $16,924,336 | 6 |
| Sep 22, 2017 | 30 | $172,858 | -69% | 219 | $789 | $17,097,194 | 7 |
| Sep 29, 2017 | 35 | $95,537 | -45% | 136 | $702 | $17,192,731 | 8 |
| Oct 6, 2017 | 40 | $80,328 | -16% | 113 | $711 | $17,273,059 | 9 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 10/13/2017 | $14,972 | 0 | 0 | 0 | $35,144 | 1/1/2019 | |||
| Australia | 9/8/2017 | $1,626 | 10 | 10 | 10 | $2,455 | 10/14/2018 | |||
| Brazil | 8/25/2017 | $93,929 | 0 | 0 | 0 | $158,265 | 6/26/2018 | |||
| France | 9/29/2017 | $112,296 | 0 | 0 | 0 | $171,116 | 9/23/2018 | |||
| Germany | 9/22/2017 | $184,414 | 0 | 0 | 0 | $1,004,909 | 6/29/2018 | |||
| Hong Kong | 11/17/2017 | $23,011 | 14 | 14 | 19 | $48,927 | 10/28/2018 | |||
| Italy | 12/6/2018 | $86,205 | 0 | 31 | 40 | $134,443 | 8/31/2019 | |||
| Japan | 6/14/2019 | $31,931 | 15 | 19 | 93 | $174,335 | 10/18/2019 | |||
| Lithuania | 8/25/2017 | $6,747 | 26 | 26 | 37 | $14,188 | 9/20/2017 | |||
| Mexico | 10/27/2017 | $159,554 | 0 | 0 | 0 | $373,829 | 9/10/2018 | |||
| Netherlands | 10/20/2017 | $62,027 | 40 | 40 | 173 | $271,151 | 9/12/2018 | |||
| Portugal | 10/20/2017 | $17,358 | 21 | 21 | 51 | $36,845 | 11/22/2017 | |||
| Spain | 10/13/2017 | $56,618 | 110 | 110 | 147 | $179,035 | 10/30/2018 | |||
| Taiwan | 9/1/2017 | $14,767 | 16 | 16 | 31 | $33,273 | 10/28/2018 | |||
| United Kingdom | 10/6/2017 | $64,566 | 82 | 82 | 82 | $146,680 | 10/3/2018 | |||
| Rest of World | $2,023,395 | |||||||||
| International Total | $4,807,990 | 10/18/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Brie Larson | Jeannette Walls | |
| Woody Harrelson | Rex Walls | |
| Naomi Watts | Rose Mary Walls |
Supporting
| Max Greenfield | David | |
| Sarah Snook | Lori Walls | |
| Ella Anderson | Young Jeannette | |
| Chandler Head | Youngest Jeannette | |
| Joshua Caras | Brian | |
| Charlie Shotwell | Young Brian | |
| Iain Armitage | Youngest Brian | |
| Sadie Sink | Young Lori | |
| Olivia Kate Rice | Youngest Lori | |
| Brigette Lundy-Paine | Maureen | |
| Shree Grace Crooks* | Young Maureen | |
| Eden Grace Redfield | Youngest Maureen | |
| Robin Bartlett | Erma | |
| Joe Pingue | Uncle Stanley | |
| A.J. Henderson | Grandpa Walls | |
| Dominic Bogart | Robbie | |
| Chris Gillett | Mr. Thomson | |
| Tessa Mossey | Tiffany | |
| Brenda Kamino | Mrs. Lehocky | |
| Vlasta Vrana | Mr. Lehocky | |
| Andrew Shaver | Dr. Taylor | |
| Sandra Flores | Miss Kelly | |
| Francesca Barcenas | Nurse | |
| Biance Bellange | Nurse | |
| Izabel Kerr | Nurse | |
| Darrin Baker | Pool Manager | |
| Kyra Harper | Miss Bivens | |
| Sarah Camacho | Student | |
| Allana Bale | Student | |
| Ray Adams | Welch Daily News Operator | |
| John Mullins | Welch Daily News Operator | |
| Sabrina Campilii | Brian’s Wife | |
| Ross Partridge | Cab Driver |
Production and Technical Credits
| Destin Daniel Cretton | Director | |
| Destin Daniel Cretton | Screenwriter | |
| Andrew Lanham | Screenwriter | |
| Jeanette Walls | Based on the memoir by | |
| Gil Netter | Producer | |
| Ken Kao | Producer | |
| Mike Drake | Executive Producer | |
| Brett Pawlak | Director of Photography | |
| Sharon Seymour | Production Designer | |
| Nat Sanders | Editor | |
| Mirren Gordon-Crozier | Costume Designer | |
| Joy Hanae | Costume Designer | |
| Joy Hanae Lani Cretton* | Costume Designer | |
| Joel P. West | Composer | |
| Ronna Kress | Casting Director | |
| Dave McKeown | Stunt Coordinator | |
| Bo Shen | Associate Co-Producer | |
| Shixing Zhou | Associate Co-Producer | |
| Joe Rudge | Music Supervisor | |
| Nicholas Lepage | Supervising Art Director | |
| Charlotte Rouleau | Art Director | |
| Suzanne Cloutier | Key Set Decorator | |
| Manon Thomas | Set Decorator | |
| Sébastien Thivierge | Set Decorator | |
| Jake Giles Netter | Still Photographer | |
| Joi McMillon | Additional Editor | |
| Daniel Morfesis | Assistant Editor | |
| Jennie Lee | Associate Producer | |
| Ray McIntyre Jr | Visual Effects Supervisor | |
| Ray McIntyre Jr | Visual Effects Producer | |
| Christine Lalande | Script Supervisor | |
| Claude La Haye | Sound Mixer | |
| Brent Lambert | Set Designer | |
| Louis Craig | Special Effects Supervisor | |
| Henri Aubertin | Costume Supervisor | |
| Annick Chartier | Make up | |
| Michelle Cote | Hairstylist | |
| Chelsea Ellis Bloch | Casting Associate | |
| Emma Sands-Milsom | Casting Associate | |
| Michele St-Arnaud | Location Manager | |
| Onnalee Blank | Re-recording Mixer | |
| Mathew Waters | Re-recording Mixer | |
| Hector Gika | Sound Effects Editor | |
| Michael Hertlein | Dialogue Editor | |
| Victor DiMichina | Production Supervisor | |
| Jeremiah Sweeney | Visual Effects Supervisor | |
| Thomas Nittmann | Visual Effects Executive Producer | |
| Mare McIntosh | Visual Effects Producer | |
| Del Spiva | Music Editor | |
| Satoshi Noguchi | Score Recordist | |
| Satoshi Noguchi | Score Mixer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Chronicling the adventures of an eccentric, resilient and tight-knit family comes a story of unconditional love. It brings to life the memoir of a young girl who, influenced by the joyfully wild nature of her deeply dysfunctional father, found the fiery determination to carve out a success life on her own terms.
Metrics
| Opening Weekend: | $4,678,548 (27.1% of total gross) |
| Legs: | 3.69 (domestic box office/biggest weekend) |
| Domestic Share: | 78.2% (domestic box office/worldwide) |
| Theater counts: | 1,461 opening theaters/1,461 max. theaters, 5.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $23,030,750 |
Movie Details
| Domestic Releases: | August 11th, 2017 (Wide) by Lionsgate |
| International Releases: | August 25th, 2017 (Wide), released as Stiklo pilis (Lithuania)
August 25th, 2017 (Wide) (Brazil) September 1st, 2017 (Wide) (Taiwan) September 8th, 2017 (Wide) (Australia) September 22nd, 2017 (Wide) (Germany) ... Show all releases |
| Video Release: | October 24th, 2017 by Lionsgate Home Entertainment |
| MPA Rating: | PG-13 for mature thematic content involving family dysfunction, and for some language and smoking. (Rating bulletin 2460 (Cert #50867), 1/25/2017) |
| Running Time: | 127 minutes |
| Cast, crew, or production detail: | Autobiographical, Same Role, Multiple Actors, Scene in End Credits |
| Geographical setting: | New York, New York City |
| Plot point: | Addiction, Artists, Biography, Child Abuse, Coming of Age, Dysfunctional Family, Money Troubles, Non-Chronological, Romance, Squatting |
| Subgenre: | Biographical Drama |
| Time period setting: | 1980s |
| Source: | Based on Factual Book/Article |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Lionsgate, Gil Netter Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 11, 2017 | 9 | $4,678,548 | 1,461 | $3,202 | $4,678,548 | 1 | |
| Aug 18, 2017 | 12 | $2,549,459 | -46% | 1,461 | $1,745 | $9,705,840 | 2 |
| Aug 25, 2017 | 18 | $1,388,562 | -46% | 1,298 | $1,070 | $12,500,415 | 3 |
| Sep 1, 2017 | 20 | $1,408,614 | +1% | 1,360 | $1,036 | $14,758,373 | 4 |
| Sep 8, 2017 | 16 | $533,828 | -62% | 1,037 | $515 | $16,078,713 | 5 |
| Sep 15, 2017 | 19 | $351,887 | -34% | 698 | $504 | $16,724,214 | 6 |
| Sep 22, 2017 | 29 | $114,190 | -68% | 219 | $521 | $17,038,526 | 7 |
| Sep 29, 2017 | 34 | $57,160 | -50% | 136 | $420 | $17,154,354 | 8 |
| Oct 6, 2017 | 42 | $46,008 | -20% | 113 | $407 | $17,238,739 | 9 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Aug 11, 2017 | 8 | $1,650,668 | 1,461 | $1,130 | $1,650,668 | 1 | ||
| Aug 12, 2017 | 10 | $1,856,627 | +12% | 1,461 | $1,271 | $3,507,295 | 2 | |
| Aug 13, 2017 | 10 | $1,171,253 | -37% | 1,461 | $802 | $4,678,548 | 3 | |
| Aug 14, 2017 | 8 | $556,740 | -52% | 1,461 | $381 | $5,235,288 | 4 | |
| Aug 15, 2017 | 8 | $845,317 | +52% | 1,461 | $579 | $6,080,605 | 5 | |
| Aug 16, 2017 | 8 | $558,039 | -34% | 1,461 | $382 | $6,638,644 | 6 | |
| Aug 17, 2017 | 8 | $517,737 | -7% | 1,461 | $354 | $7,156,381 | 7 | |
| Aug 18, 2017 | 12 | $839,050 | +62% | -49% | 1,461 | $574 | $7,995,431 | 8 |
| Aug 19, 2017 | 12 | $1,028,622 | +23% | -45% | 1,461 | $704 | $9,024,053 | 9 |
| Aug 20, 2017 | 12 | $681,787 | -34% | -42% | 1,461 | $467 | $9,705,840 | 10 |
| Aug 21, 2017 | 11 | $262,245 | -62% | -53% | 1,461 | $179 | $9,968,085 | 11 |
| Aug 22, 2017 | 10 | $486,563 | +86% | -42% | 1,461 | $333 | $10,454,648 | 12 |
| Aug 23, 2017 | 10 | $356,557 | -27% | -36% | 1,461 | $244 | $10,811,205 | 13 |
| Aug 24, 2017 | 11 | $300,648 | -16% | -42% | 1,461 | $206 | $11,111,853 | 14 |
| Aug 25, 2017 | 17 | $413,583 | +38% | -51% | 1,298 | $319 | $11,525,436 | 15 |
| Aug 26, 2017 | - | $577,762 | +40% | -44% | 1,298 | $445 | $12,103,198 | 16 |
| Aug 27, 2017 | - | $397,217 | -31% | -42% | 1,298 | $306 | $12,500,415 | 17 |
| Aug 28, 2017 | 15 | $178,618 | -55% | -32% | 1,298 | $138 | $12,679,033 | 18 |
| Aug 29, 2017 | 13 | $294,250 | +65% | -40% | 1,298 | $227 | $12,973,283 | 19 |
| Aug 30, 2017 | 12 | $189,509 | -36% | -47% | 1,298 | $146 | $13,162,792 | 20 |
| Aug 31, 2017 | 14 | $186,967 | -1% | -38% | 1,298 | $144 | $13,349,759 | 21 |
| Sep 1, 2017 | - | $340,426 | +82% | -18% | 1,360 | $250 | $13,690,185 | 22 |
| Sep 2, 2017 | - | $531,945 | +56% | -8% | 1,360 | $391 | $14,222,130 | 23 |
| Sep 3, 2017 | - | $536,243 | +1% | +35% | 1,360 | $394 | $14,758,373 | 24 |
| Sep 4, 2017 | - | $370,692 | -31% | +108% | 1,360 | $273 | $15,129,065 | 25 |
| Sep 5, 2017 | 10 | $162,726 | -56% | -45% | 1,360 | $120 | $15,291,791 | 26 |
| Sep 6, 2017 | 9 | $138,510 | -15% | -27% | 1,360 | $102 | $15,430,301 | 27 |
| Sep 7, 2017 | 9 | $114,584 | -17% | -39% | 1,360 | $84 | $15,544,885 | 28 |
| Sep 8, 2017 | 14 | $163,345 | +43% | -52% | 1,037 | $158 | $15,708,230 | 29 |
| Sep 9, 2017 | - | $235,231 | +44% | -56% | 1,037 | $227 | $15,943,461 | 30 |
| Sep 10, 2017 | - | $135,252 | -43% | -75% | 1,037 | $130 | $16,078,713 | 31 |
| Sep 11, 2017 | 12 | $54,887 | -59% | -85% | 1,037 | $53 | $16,133,600 | 32 |
| Sep 12, 2017 | 12 | $95,647 | +74% | -41% | 1,037 | $92 | $16,229,247 | 33 |
| Sep 13, 2017 | 12 | $73,400 | -23% | -47% | 1,037 | $71 | $16,302,647 | 34 |
| Sep 14, 2017 | 11 | $69,680 | -5% | -39% | 1,037 | $67 | $16,372,327 | 35 |
| Sep 15, 2017 | - | $106,295 | +53% | -35% | 698 | $152 | $16,478,622 | 36 |
| Sep 16, 2017 | - | $152,338 | +43% | -35% | 698 | $218 | $16,630,960 | 37 |
| Sep 17, 2017 | - | $93,254 | -39% | -31% | 698 | $134 | $16,724,214 | 38 |
| Sep 18, 2017 | - | $41,186 | -56% | -25% | 698 | $59 | $16,765,400 | 39 |
| Sep 19, 2017 | 15 | $66,107 | +61% | -31% | 698 | $95 | $16,831,507 | 40 |
| Sep 20, 2017 | - | $47,046 | -29% | -36% | 698 | $67 | $16,878,553 | 41 |
| Sep 21, 2017 | - | $45,783 | -3% | -34% | 698 | $66 | $16,924,336 | 42 |
| Sep 22, 2017 | - | $32,839 | -28% | -69% | 219 | $150 | $16,957,175 | 43 |
| Sep 23, 2017 | - | $50,449 | +54% | -67% | 219 | $230 | $17,007,624 | 44 |
| Sep 24, 2017 | - | $30,902 | -39% | -67% | 219 | $141 | $17,038,526 | 45 |
| Sep 25, 2017 | - | $14,195 | -54% | -66% | 219 | $65 | $17,052,721 | 46 |
| Sep 26, 2017 | - | $17,479 | +23% | -74% | 219 | $80 | $17,070,200 | 47 |
| Sep 27, 2017 | - | $14,792 | -15% | -69% | 219 | $68 | $17,084,992 | 48 |
| Sep 28, 2017 | - | $12,202 | -18% | -73% | 219 | $56 | $17,097,194 | 49 |
| Sep 29, 2017 | - | $16,295 | +34% | -50% | 136 | $120 | $17,113,489 | 50 |
| Sep 30, 2017 | - | $24,572 | +51% | -51% | 136 | $181 | $17,138,061 | 51 |
| Oct 1, 2017 | - | $16,293 | -34% | -47% | 136 | $120 | $17,154,354 | 52 |
| Oct 2, 2017 | - | $6,541 | -60% | -54% | 136 | $48 | $17,160,895 | 53 |
| Oct 3, 2017 | - | $10,745 | +64% | -39% | 136 | $79 | $17,171,640 | 54 |
| Oct 4, 2017 | - | $12,709 | +18% | -14% | 136 | $93 | $17,184,349 | 55 |
| Oct 5, 2017 | - | $8,382 | -34% | -31% | 136 | $62 | $17,192,731 | 56 |
| Oct 6, 2017 | - | $14,289 | +70% | -12% | 113 | $126 | $17,207,020 | 57 |
| Oct 7, 2017 | - | $18,501 | +29% | -25% | 113 | $164 | $17,225,521 | 58 |
| Oct 8, 2017 | - | $13,218 | -29% | -19% | 113 | $117 | $17,238,739 | 59 |
| Oct 9, 2017 | - | $8,029 | -39% | +23% | 113 | $71 | $17,246,768 | 60 |
| Oct 10, 2017 | - | $7,578 | -6% | -29% | 113 | $67 | $17,254,346 | 61 |
| Oct 11, 2017 | - | $9,243 | +22% | -27% | 113 | $82 | $17,263,589 | 62 |
| Oct 12, 2017 | - | $9,470 | +2% | +13% | 113 | $84 | $17,273,059 | 63 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 11, 2017 | 9 | $7,156,381 | 1,461 | $4,898 | $7,156,381 | 1 | |
| Aug 18, 2017 | 12 | $3,955,472 | -45% | 1,461 | $2,707 | $11,111,853 | 2 |
| Aug 25, 2017 | 15 | $2,237,906 | -43% | 1,298 | $1,724 | $13,349,759 | 3 |
| Sep 1, 2017 | 18 | $2,195,126 | -2% | 1,360 | $1,614 | $15,544,885 | 4 |
| Sep 8, 2017 | 15 | $827,442 | -62% | 1,037 | $798 | $16,372,327 | 5 |
| Sep 15, 2017 | 19 | $552,009 | -33% | 698 | $791 | $16,924,336 | 6 |
| Sep 22, 2017 | 30 | $172,858 | -69% | 219 | $789 | $17,097,194 | 7 |
| Sep 29, 2017 | 35 | $95,537 | -45% | 136 | $702 | $17,192,731 | 8 |
| Oct 6, 2017 | 40 | $80,328 | -16% | 113 | $711 | $17,273,059 | 9 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 10/13/2017 | $14,972 | 0 | 0 | 0 | $35,144 | 1/1/2019 | |||
| Australia | 9/8/2017 | $1,626 | 10 | 10 | 10 | $2,455 | 10/14/2018 | |||
| Brazil | 8/25/2017 | $93,929 | 0 | 0 | 0 | $158,265 | 6/26/2018 | |||
| France | 9/29/2017 | $112,296 | 0 | 0 | 0 | $171,116 | 9/23/2018 | |||
| Germany | 9/22/2017 | $184,414 | 0 | 0 | 0 | $1,004,909 | 6/29/2018 | |||
| Hong Kong | 11/17/2017 | $23,011 | 14 | 14 | 19 | $48,927 | 10/28/2018 | |||
| Italy | 12/6/2018 | $86,205 | 0 | 31 | 40 | $134,443 | 8/31/2019 | |||
| Japan | 6/14/2019 | $31,931 | 15 | 19 | 93 | $174,335 | 10/18/2019 | |||
| Lithuania | 8/25/2017 | $6,747 | 26 | 26 | 37 | $14,188 | 9/20/2017 | |||
| Mexico | 10/27/2017 | $159,554 | 0 | 0 | 0 | $373,829 | 9/10/2018 | |||
| Netherlands | 10/20/2017 | $62,027 | 40 | 40 | 173 | $271,151 | 9/12/2018 | |||
| Portugal | 10/20/2017 | $17,358 | 21 | 21 | 51 | $36,845 | 11/22/2017 | |||
| Spain | 10/13/2017 | $56,618 | 110 | 110 | 147 | $179,035 | 10/30/2018 | |||
| Taiwan | 9/1/2017 | $14,767 | 16 | 16 | 31 | $33,273 | 10/28/2018 | |||
| United Kingdom | 10/6/2017 | $64,566 | 82 | 82 | 82 | $146,680 | 10/3/2018 | |||
| Rest of World | $2,023,395 | |||||||||
| International Total | $4,807,990 | 10/18/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Brie Larson | Jeannette Walls | |
| Woody Harrelson | Rex Walls | |
| Naomi Watts | Rose Mary Walls |
Supporting
| Max Greenfield | David | |
| Sarah Snook | Lori Walls | |
| Ella Anderson | Young Jeannette | |
| Chandler Head | Youngest Jeannette | |
| Joshua Caras | Brian | |
| Charlie Shotwell | Young Brian | |
| Iain Armitage | Youngest Brian | |
| Sadie Sink | Young Lori | |
| Olivia Kate Rice | Youngest Lori | |
| Brigette Lundy-Paine | Maureen | |
| Shree Grace Crooks* | Young Maureen | |
| Eden Grace Redfield | Youngest Maureen | |
| Robin Bartlett | Erma | |
| Joe Pingue | Uncle Stanley | |
| A.J. Henderson | Grandpa Walls | |
| Dominic Bogart | Robbie | |
| Chris Gillett | Mr. Thomson | |
| Tessa Mossey | Tiffany | |
| Brenda Kamino | Mrs. Lehocky | |
| Vlasta Vrana | Mr. Lehocky | |
| Andrew Shaver | Dr. Taylor | |
| Sandra Flores | Miss Kelly | |
| Francesca Barcenas | Nurse | |
| Biance Bellange | Nurse | |
| Izabel Kerr | Nurse | |
| Darrin Baker | Pool Manager | |
| Kyra Harper | Miss Bivens | |
| Sarah Camacho | Student | |
| Allana Bale | Student | |
| Ray Adams | Welch Daily News Operator | |
| John Mullins | Welch Daily News Operator | |
| Sabrina Campilii | Brian’s Wife | |
| Ross Partridge | Cab Driver |
Production and Technical Credits
| Destin Daniel Cretton | Director | |
| Destin Daniel Cretton | Screenwriter | |
| Andrew Lanham | Screenwriter | |
| Jeanette Walls | Based on the memoir by | |
| Gil Netter | Producer | |
| Ken Kao | Producer | |
| Mike Drake | Executive Producer | |
| Brett Pawlak | Director of Photography | |
| Sharon Seymour | Production Designer | |
| Nat Sanders | Editor | |
| Mirren Gordon-Crozier | Costume Designer | |
| Joy Hanae | Costume Designer | |
| Joy Hanae Lani Cretton* | Costume Designer | |
| Joel P. West | Composer | |
| Ronna Kress | Casting Director | |
| Dave McKeown | Stunt Coordinator | |
| Bo Shen | Associate Co-Producer | |
| Shixing Zhou | Associate Co-Producer | |
| Joe Rudge | Music Supervisor | |
| Nicholas Lepage | Supervising Art Director | |
| Charlotte Rouleau | Art Director | |
| Suzanne Cloutier | Key Set Decorator | |
| Manon Thomas | Set Decorator | |
| Sébastien Thivierge | Set Decorator | |
| Jake Giles Netter | Still Photographer | |
| Joi McMillon | Additional Editor | |
| Daniel Morfesis | Assistant Editor | |
| Jennie Lee | Associate Producer | |
| Ray McIntyre Jr | Visual Effects Supervisor | |
| Ray McIntyre Jr | Visual Effects Producer | |
| Christine Lalande | Script Supervisor | |
| Claude La Haye | Sound Mixer | |
| Brent Lambert | Set Designer | |
| Louis Craig | Special Effects Supervisor | |
| Henri Aubertin | Costume Supervisor | |
| Annick Chartier | Make up | |
| Michelle Cote | Hairstylist | |
| Chelsea Ellis Bloch | Casting Associate | |
| Emma Sands-Milsom | Casting Associate | |
| Michele St-Arnaud | Location Manager | |
| Onnalee Blank | Re-recording Mixer | |
| Mathew Waters | Re-recording Mixer | |
| Hector Gika | Sound Effects Editor | |
| Michael Hertlein | Dialogue Editor | |
| Victor DiMichina | Production Supervisor | |
| Jeremiah Sweeney | Visual Effects Supervisor | |
| Thomas Nittmann | Visual Effects Executive Producer | |
| Mare McIntosh | Visual Effects Producer | |
| Del Spiva | Music Editor | |
| Satoshi Noguchi | Score Recordist | |
| Satoshi Noguchi | Score Mixer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.