Mãe Só Há Uma (2016)
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| Theatrical Performance | ||
| Domestic Box Office | $11,678 | Details |
| International Box Office | $194,308 | Details |
| Worldwide Box Office | $205,986 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $17,070 | |
| Total | $17,070 | |
| OpusData ID: 264410100 More info... | ||
| Further financial details... | ||
Synopsis
Tall, dark, androgynously handsome, Pierre wears eyeliner and a black lace g-string, while having sex with both boys and girls. The confusion only goes deeper when the teenager’s single, working-class mom is arrested for having stolen him (and his “sister”) at birth. Thanks to the wonders of DNA, he’s returned to his biological parents: bourgeois, straight-laced and thrilled to have him back — at least until he shows up in a zebra-print mini dress.
Metrics
| Opening Weekend: | $2,066 (17.7% of total gross) |
| Legs: | 5.65 (domestic box office/biggest weekend) |
| Domestic Share: | 5.7% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/2 max. theaters, 1.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $16,146 |
Movie Details
| Domestic Releases: | November 2nd, 2016 (Limited) by Zeitgeist, released as Don’t Call Me Son |
| International Releases: | July 22nd, 2016 (Wide) (France)
July 22nd, 2016 (Wide) (Brazil) December 2nd, 2016 (Wide) (Spain) October 2nd, 2020 (Wide) (Portugal) ... Show all releases |
| Video Release: | February 13th, 2018 by Zeitgeist Home, released as Don’t Call Me Son |
| MPA Rating: | Not Rated |
| Running Time: | 82 minutes |
| Geographical setting: | Brazil |
| Plot point: | Cross-Dressing, Dysfunctional Family, Kidnap, LGBTQ+, Reunited With Biological Family, Transgender |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Dezenove, Africa Filmes, Canal Brasil |
| Production Countries: | Brazil |
| Languages: | Portuguese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 4, 2016 | 80 | $2,066 | 1 | $2,066 | $2,708 | 1 | |
| Dec 2, 2016 | 103 | $789 | 2 | $395 | $11,678 | 5 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 4, 2016 | 82 | $3,356 | 1 | $3,356 | $3,998 | 2 | |
| Nov 11, 2016 | 84 | $4,416 | +32% | 2 | $2,208 | $8,414 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Brazil | 7/22/2016 | $42,112 | 0 | 0 | 0 | $139,044 | 11/16/2018 | |||
| France | 7/22/2016 | $49,519 | 0 | 0 | 0 | $49,519 | 8/17/2018 | |||
| Portugal | 10/2/2020 | $494 | 4 | 4 | 7 | $1,403 | 10/13/2020 | |||
| Spain | 12/2/2016 | $4,342 | 13 | 13 | 13 | $4,342 | 12/9/2016 | |||
| International Total | $194,308 | 10/13/2020 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Naomi Nero | Pierre / Felipe |
Supporting
| Daniel Botelho | Joca | |
| Dani Nefussi | Arcay / Glória | |
| Matheus Nachtergaele | Matheus | |
| Luciana Paes | Tia Yara | |
| Helena Albergaria | Sueli | |
| June Dantas | Walmissa | |
| Lais Dias | Jacqueline | |
| Renan Tenca | René | |
| Luciano Bortoluzzi | Marcelo |
Production and Technical Credits
| Anna Muylaert | Director | |
| Anna Muylaert | Screenwriter | |
| Anna Muylaert | Producer | |
| Sara Silveira | Producer | |
| Maria Ionescu | Producer | |
| Leonardo Rocha | Assistant Director | |
| Zoe Guglielmoni | Assistant Director | |
| Paulo Gama | Sound Mixer | |
| Miriam Biderman | Sound Editor | |
| Ricardo Reis | Sound Editor | |
| Gabriela Cunha | Sound Designer | |
| Helio Villela Nunes | Editor | |
| Patricia Faria | Casting Director | |
| Rene Guerra | Casting Director | |
| Thales Junqueira | Production Designer | |
| Barbara Alvarez | Cinematographer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Tall, dark, androgynously handsome, Pierre wears eyeliner and a black lace g-string, while having sex with both boys and girls. The confusion only goes deeper when the teenager’s single, working-class mom is arrested for having stolen him (and his “sister”) at birth. Thanks to the wonders of DNA, he’s returned to his biological parents: bourgeois, straight-laced and thrilled to have him back — at least until he shows up in a zebra-print mini dress.
Metrics
| Opening Weekend: | $2,066 (17.7% of total gross) |
| Legs: | 5.65 (domestic box office/biggest weekend) |
| Domestic Share: | 5.7% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/2 max. theaters, 1.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $16,146 |
Movie Details
| Domestic Releases: | November 2nd, 2016 (Limited) by Zeitgeist, released as Don’t Call Me Son |
| International Releases: | July 22nd, 2016 (Wide) (France)
July 22nd, 2016 (Wide) (Brazil) December 2nd, 2016 (Wide) (Spain) October 2nd, 2020 (Wide) (Portugal) ... Show all releases |
| Video Release: | February 13th, 2018 by Zeitgeist Home, released as Don’t Call Me Son |
| MPA Rating: | Not Rated |
| Running Time: | 82 minutes |
| Geographical setting: | Brazil |
| Plot point: | Cross-Dressing, Dysfunctional Family, Kidnap, LGBTQ+, Reunited With Biological Family, Transgender |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Dezenove, Africa Filmes, Canal Brasil |
| Production Countries: | Brazil |
| Languages: | Portuguese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 4, 2016 | 80 | $2,066 | 1 | $2,066 | $2,708 | 1 | |
| Dec 2, 2016 | 103 | $789 | 2 | $395 | $11,678 | 5 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 4, 2016 | 82 | $3,356 | 1 | $3,356 | $3,998 | 2 | |
| Nov 11, 2016 | 84 | $4,416 | +32% | 2 | $2,208 | $8,414 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Brazil | 7/22/2016 | $42,112 | 0 | 0 | 0 | $139,044 | 11/16/2018 | |||
| France | 7/22/2016 | $49,519 | 0 | 0 | 0 | $49,519 | 8/17/2018 | |||
| Portugal | 10/2/2020 | $494 | 4 | 4 | 7 | $1,403 | 10/13/2020 | |||
| Spain | 12/2/2016 | $4,342 | 13 | 13 | 13 | $4,342 | 12/9/2016 | |||
| International Total | $194,308 | 10/13/2020 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Naomi Nero | Pierre / Felipe |
Supporting
| Daniel Botelho | Joca | |
| Dani Nefussi | Arcay / Glória | |
| Matheus Nachtergaele | Matheus | |
| Luciana Paes | Tia Yara | |
| Helena Albergaria | Sueli | |
| June Dantas | Walmissa | |
| Lais Dias | Jacqueline | |
| Renan Tenca | René | |
| Luciano Bortoluzzi | Marcelo |
Production and Technical Credits
| Anna Muylaert | Director | |
| Anna Muylaert | Screenwriter | |
| Anna Muylaert | Producer | |
| Sara Silveira | Producer | |
| Maria Ionescu | Producer | |
| Leonardo Rocha | Assistant Director | |
| Zoe Guglielmoni | Assistant Director | |
| Paulo Gama | Sound Mixer | |
| Miriam Biderman | Sound Editor | |
| Ricardo Reis | Sound Editor | |
| Gabriela Cunha | Sound Designer | |
| Helio Villela Nunes | Editor | |
| Patricia Faria | Casting Director | |
| Rene Guerra | Casting Director | |
| Thales Junqueira | Production Designer | |
| Barbara Alvarez | Cinematographer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.