Manifesto (2017)
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| Theatrical Performance | ||
| Domestic Box Office | $161,101 | Details |
| International Box Office | $271,236 | Details |
| Worldwide Box Office | $432,337 | |
| OpusData ID: 282070100 More info... | ||
| Further financial details... | ||
Synopsis
Manifesto features Cate Blanchett in 13 distinct, must-see vignettes that incorporate timeless manifestos from 20th century art movements. From anchorwoman to homeless man, from Pop Art to Dogma 95, a chameleonic Blanchett gives a tour-de-force performance as she transforms herself like never before. Rosefeldt weaves together history’s most impassioned artistic statements in this stunning and contemporary call to action. Manifesto draws on the writings of Futurists, Dadaists, Fluxus artists, Suprematists, Situationists and other artist groups, as well as the musings of individual artists, architects, dancers and filmmakers.
Metrics
| Opening Weekend: | $9,628 (6.0% of total gross) |
| Legs: | 11.94 (domestic box office/biggest weekend) |
| Domestic Share: | 37.3% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/10 max. theaters, 6.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $214,802 |
Movie Details
| Domestic Releases: | May 10th, 2017 (Limited) by FilmRise |
| International Releases: | May 22nd, 2017 (Wide) (South Korea)
June 8th, 2017 (Wide) (Russia (CIS)) August 11th, 2017 (Wide) (Turkey) November 10th, 2017 (Wide), released as Manifesto: Live from Tate Modern (United Kingdom) January 5th, 2018 (Limited) (Portugal) ... Show all releases |
| MPA Rating: | Not Rated |
| Running Time: | 95 minutes |
| Cast, crew, or production detail: | Same Actor, Multiple Roles, Segments |
| Plot point: | Choreography, Homeless, Puppeteers, Teachers, Widow/Widower |
| Social setting: | Punk Rock |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Australian Centre for the Moving Image Melbourne, Art Gallery of New South Wales Sydney, Nationalgalerie, The Sprengel Museum Hannover, The Burger Collection Hong Kong, The Ruhrtriennale |
| Production Countries: | Germany |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 12, 2017 | 59 | $9,628 | 1 | $9,628 | $11,824 | 1 | |
| May 19, 2017 | - | $7,312 | -24% | 1 | $7,312 | $24,816 | 2 |
| May 26, 2017 | 54 | $10,540 | +44% | 4 | $2,635 | $42,330 | 3 |
| Jun 2, 2017 | 52 | $9,061 | -14% | 8 | $1,133 | $63,617 | 4 |
| Jun 9, 2017 | 56 | $7,647 | -16% | 9 | $850 | $78,083 | 5 |
| Jun 16, 2017 | 62 | $6,394 | -16% | 5 | $1,279 | $91,778 | 6 |
| Jun 23, 2017 | 49 | $13,495 | +111% | 10 | $1,350 | $110,040 | 7 |
| Jun 30, 2017 | 59 | $6,485 | -52% | 6 | $1,081 | $123,854 | 8 |
| Jul 7, 2017 | 66 | $5,470 | -16% | 7 | $781 | $132,485 | 9 |
| Jul 14, 2017 | 61 | $4,439 | -19% | 3 | $1,480 | $143,656 | 10 |
| Jul 21, 2017 | 77 | $1,818 | -59% | 3 | $606 | $153,151 | 11 |
| Jul 28, 2017 | 76 | $1,539 | -15% | 2 | $770 | $157,280 | 12 |
| Aug 11, 2017 | 88 | $1,331 | 1 | $1,331 | $160,101 | 14 | |
| Aug 18, 2017 | 101 | $272 | -80% | 1 | $272 | $161,101 | 15 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 5, 2017 | 79 | $2,196 | 1 | $2,196 | $2,196 | 1 | |
| May 12, 2017 | 59 | $14,948 | +581% | 1 | $14,948 | $17,504 | 2 |
| May 19, 2017 | 56 | $14,286 | -4% | 1 | $14,286 | $31,790 | 3 |
| May 26, 2017 | 48 | $22,766 | +59% | 4 | $5,692 | $54,556 | 4 |
| Jun 2, 2017 | 54 | $15,880 | -30% | 8 | $1,985 | $70,436 | 5 |
| Jun 9, 2017 | 53 | $14,948 | -6% | 9 | $1,661 | $85,384 | 6 |
| Jun 16, 2017 | 62 | $10,636 | -29% | 5 | $2,127 | $96,020 | 7 |
| Jun 23, 2017 | 52 | $20,824 | +96% | 10 | $2,082 | $117,369 | 8 |
| Jun 30, 2017 | 64 | $9,646 | -54% | 6 | $1,608 | $127,015 | 9 |
| Jul 7, 2017 | 62 | $12,202 | +26% | 7 | $1,743 | $139,217 | 10 |
| Jul 14, 2017 | 53 | $12,116 | -1% | 3 | $4,039 | $151,333 | 11 |
| Jul 21, 2017 | 69 | $4,408 | -64% | 3 | $1,469 | $155,741 | 12 |
| Jul 28, 2017 | 78 | $2,693 | -39% | 2 | $1,347 | $158,434 | 13 |
| Aug 11, 2017 | 92 | $2,059 | 1 | $2,059 | $160,829 | 15 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Bulgaria | 9/28/2018 | $440 | 0 | 0 | 0 | $6,546 | 2/26/2019 | |||
| Lithuania | 3/2/2018 | $0 | 0 | 1 | 1 | $4,688 | 11/22/2018 | |||
| Portugal | 1/5/2018 | $0 | 0 | 11 | 25 | $15,527 | 4/23/2018 | |||
| Russia (CIS) | 6/8/2017 | $36,147 | 94 | 94 | 162 | $147,664 | 1/1/2019 | |||
| South Korea | 5/22/2017 | $0 | 0 | 1 | 0 | $877 | 4/4/2026 | |||
| Turkey | 8/11/2017 | $13,225 | 18 | 18 | 50 | $42,281 | 2/26/2019 | |||
| United Kingdom | 11/10/2017 | $0 | 0 | 3 | 8 | $5,333 | 4/4/2026 | |||
| Rest of World | $48,320 | |||||||||
| International Total | $271,236 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Cate Blanchett | Various Characters |
Production and Technical Credits
| Julian Rosefeldt | Director | |
| Julian Rosefeldt | Screenwriter | |
| Julian Rosefeldt | Producer | |
| Christoph Krauss | Director of Photography | |
| Erwin Prib | Production Designer | |
| Bina Daigeler | Costume Designer | |
| David Hilgers | Sound Recordist | |
| Bobby Good | Editor | |
| Nils Frahm | Composer | |
| Ben Lukas Boysen | Composer | |
| Jan Schoningh | Post-Production Supervisor | |
| Markus Stemler | Supervising Sound Editor | |
| Fabian Schmidt | Supervising Sound Editor | |
| Tschangis Chahrokh-Zadeh* | Re-recording Mixer | |
| Wassili Zygouris | Executive Producer | |
| Marcos Kantis | Executive Producer | |
| Martin Lehwald | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Manifesto features Cate Blanchett in 13 distinct, must-see vignettes that incorporate timeless manifestos from 20th century art movements. From anchorwoman to homeless man, from Pop Art to Dogma 95, a chameleonic Blanchett gives a tour-de-force performance as she transforms herself like never before. Rosefeldt weaves together history’s most impassioned artistic statements in this stunning and contemporary call to action. Manifesto draws on the writings of Futurists, Dadaists, Fluxus artists, Suprematists, Situationists and other artist groups, as well as the musings of individual artists, architects, dancers and filmmakers.
Metrics
| Opening Weekend: | $9,628 (6.0% of total gross) |
| Legs: | 11.94 (domestic box office/biggest weekend) |
| Domestic Share: | 37.3% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/10 max. theaters, 6.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $214,802 |
Movie Details
| Domestic Releases: | May 10th, 2017 (Limited) by FilmRise |
| International Releases: | May 22nd, 2017 (Wide) (South Korea)
June 8th, 2017 (Wide) (Russia (CIS)) August 11th, 2017 (Wide) (Turkey) November 10th, 2017 (Wide), released as Manifesto: Live from Tate Modern (United Kingdom) January 5th, 2018 (Limited) (Portugal) ... Show all releases |
| MPA Rating: | Not Rated |
| Running Time: | 95 minutes |
| Cast, crew, or production detail: | Same Actor, Multiple Roles, Segments |
| Plot point: | Choreography, Homeless, Puppeteers, Teachers, Widow/Widower |
| Social setting: | Punk Rock |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Australian Centre for the Moving Image Melbourne, Art Gallery of New South Wales Sydney, Nationalgalerie, The Sprengel Museum Hannover, The Burger Collection Hong Kong, The Ruhrtriennale |
| Production Countries: | Germany |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 12, 2017 | 59 | $9,628 | 1 | $9,628 | $11,824 | 1 | |
| May 19, 2017 | - | $7,312 | -24% | 1 | $7,312 | $24,816 | 2 |
| May 26, 2017 | 54 | $10,540 | +44% | 4 | $2,635 | $42,330 | 3 |
| Jun 2, 2017 | 52 | $9,061 | -14% | 8 | $1,133 | $63,617 | 4 |
| Jun 9, 2017 | 56 | $7,647 | -16% | 9 | $850 | $78,083 | 5 |
| Jun 16, 2017 | 62 | $6,394 | -16% | 5 | $1,279 | $91,778 | 6 |
| Jun 23, 2017 | 49 | $13,495 | +111% | 10 | $1,350 | $110,040 | 7 |
| Jun 30, 2017 | 59 | $6,485 | -52% | 6 | $1,081 | $123,854 | 8 |
| Jul 7, 2017 | 66 | $5,470 | -16% | 7 | $781 | $132,485 | 9 |
| Jul 14, 2017 | 61 | $4,439 | -19% | 3 | $1,480 | $143,656 | 10 |
| Jul 21, 2017 | 77 | $1,818 | -59% | 3 | $606 | $153,151 | 11 |
| Jul 28, 2017 | 76 | $1,539 | -15% | 2 | $770 | $157,280 | 12 |
| Aug 11, 2017 | 88 | $1,331 | 1 | $1,331 | $160,101 | 14 | |
| Aug 18, 2017 | 101 | $272 | -80% | 1 | $272 | $161,101 | 15 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 5, 2017 | 79 | $2,196 | 1 | $2,196 | $2,196 | 1 | |
| May 12, 2017 | 59 | $14,948 | +581% | 1 | $14,948 | $17,504 | 2 |
| May 19, 2017 | 56 | $14,286 | -4% | 1 | $14,286 | $31,790 | 3 |
| May 26, 2017 | 48 | $22,766 | +59% | 4 | $5,692 | $54,556 | 4 |
| Jun 2, 2017 | 54 | $15,880 | -30% | 8 | $1,985 | $70,436 | 5 |
| Jun 9, 2017 | 53 | $14,948 | -6% | 9 | $1,661 | $85,384 | 6 |
| Jun 16, 2017 | 62 | $10,636 | -29% | 5 | $2,127 | $96,020 | 7 |
| Jun 23, 2017 | 52 | $20,824 | +96% | 10 | $2,082 | $117,369 | 8 |
| Jun 30, 2017 | 64 | $9,646 | -54% | 6 | $1,608 | $127,015 | 9 |
| Jul 7, 2017 | 62 | $12,202 | +26% | 7 | $1,743 | $139,217 | 10 |
| Jul 14, 2017 | 53 | $12,116 | -1% | 3 | $4,039 | $151,333 | 11 |
| Jul 21, 2017 | 69 | $4,408 | -64% | 3 | $1,469 | $155,741 | 12 |
| Jul 28, 2017 | 78 | $2,693 | -39% | 2 | $1,347 | $158,434 | 13 |
| Aug 11, 2017 | 92 | $2,059 | 1 | $2,059 | $160,829 | 15 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Bulgaria | 9/28/2018 | $440 | 0 | 0 | 0 | $6,546 | 2/26/2019 | |||
| Lithuania | 3/2/2018 | $0 | 0 | 1 | 1 | $4,688 | 11/22/2018 | |||
| Portugal | 1/5/2018 | $0 | 0 | 11 | 25 | $15,527 | 4/23/2018 | |||
| Russia (CIS) | 6/8/2017 | $36,147 | 94 | 94 | 162 | $147,664 | 1/1/2019 | |||
| South Korea | 5/22/2017 | $0 | 0 | 1 | 0 | $877 | 4/4/2026 | |||
| Turkey | 8/11/2017 | $13,225 | 18 | 18 | 50 | $42,281 | 2/26/2019 | |||
| United Kingdom | 11/10/2017 | $0 | 0 | 3 | 8 | $5,333 | 4/4/2026 | |||
| Rest of World | $48,320 | |||||||||
| International Total | $271,236 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Cate Blanchett | Various Characters |
Production and Technical Credits
| Julian Rosefeldt | Director | |
| Julian Rosefeldt | Screenwriter | |
| Julian Rosefeldt | Producer | |
| Christoph Krauss | Director of Photography | |
| Erwin Prib | Production Designer | |
| Bina Daigeler | Costume Designer | |
| David Hilgers | Sound Recordist | |
| Bobby Good | Editor | |
| Nils Frahm | Composer | |
| Ben Lukas Boysen | Composer | |
| Jan Schoningh | Post-Production Supervisor | |
| Markus Stemler | Supervising Sound Editor | |
| Fabian Schmidt | Supervising Sound Editor | |
| Tschangis Chahrokh-Zadeh* | Re-recording Mixer | |
| Wassili Zygouris | Executive Producer | |
| Marcos Kantis | Executive Producer | |
| Martin Lehwald | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.