Miss Sharon Jones (2016)

Miss Sharon Jones
Theatrical Performance
Domestic Box Office $120,880Details
Further financial details...

Synopsis

On the eve of the release of her new album, internationally recognized soul singer Sharon Jones was diagnosed with pancreatic cancer. Tour dates were cancelled, the album pushed back and Sharon entered into a fight for her life and career.

Metrics

Opening Weekend:$10,323 (8.5% of total gross)
Legs:8.91 (domestic box office/biggest weekend)
Domestic Share:100.0% (domestic box office/worldwide)
Theater counts:1 opening theaters/12 max. theaters, 5.2 weeks average run per theater
Infl. Adj. Dom. BO $150,640

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 12,401-12,500) 12,412 $120,880
All Time Worldwide Box Office (Rank 23,201-23,300) 23,292 $120,880
All Time Domestic Highest Grossing Limited Release Movies (Rank 4,301-4,400) 4,381 $120,880

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes, iTunes
Google Play:Google Play
Vudu:Vudu

Movie Details

Domestic Releases: July 29th, 2016 (Limited) by Starz Media
Video Release: October 25th, 2016 by Anchor Bay Home Entertainment
MPAA Rating: Not Rated
Running Time: 93 minutes
Comparisons: Create your own comparison chart…
Keywords: Singers, Musicians, Cancer, Archive Footage, Medical and Hospitals
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: Cabin Creek Films
Production Countries: United States
Languages: English

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jul 29, 2016 57 $10,323   1 $10,323   $10,323 1
Aug 5, 2016 60 $8,715 -16% 2 $4,358   $24,975 2
Aug 12, 2016 64 $8,055 -8% 6 $1,343   $37,483 3
Aug 19, 2016 76 $2,838 -65% 5 $568   $48,099 4
Aug 26, 2016 62 $13,567 +378% 10 $1,357   $75,080 5
Sep 2, 2016 65 $11,096 -18% 12 $925   $93,978 6
Sep 9, 2016 90 $4,280 -61% 9 $476   $101,737 7
Sep 16, 2016 96 $3,072 -28% 6 $512   $108,285 8
Sep 23, 2016 108 $1,158 -62% 4 $290   $110,269 9
Sep 30, 2016 104 $1,203 +4% 3 $401   $111,946 10
Oct 7, 2016 110 $474 -61% 2 $237   $119,887 11
Oct 14, 2016 103 $823 +74% 2 $412   $120,770 12

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jul 29, 2016 61 $16,260   1 $16,260   $16,260 1
Aug 5, 2016 64 $13,168 -19% 2 $6,584   $29,428 2
Aug 12, 2016 64 $15,833 +20% 6 $2,639   $45,261 3
Aug 19, 2016 62 $16,252 +3% 2 $8,126   $61,513 4
Aug 26, 2016 65 $21,369 +31% 10 $2,137   $82,882 5
Sep 2, 2016 69 $14,575 -32% 12 $1,215   $97,457 6
Sep 9, 2016 86 $7,756 -47% 9 $862   $105,213 7
Sep 16, 2016 100 $3,898 -50% 6 $650   $109,111 8
Sep 23, 2016 113 $1,632 -58% 4 $408   $110,743 9
Sep 30, 2016 84 $8,670 +431% 3 $2,890   $119,413 10
Oct 7, 2016 118 $534 -94% 2 $267   $119,947 11
Oct 14, 2016 116 $933 +75% 2 $467   $120,880 12

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Documentary Subject(s)

Sharon Jones    Herself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Barbara Kopple    Director
Barbara Kopple    Producer
David Cassidy    Producer
Michael Jones    Sound by
Jonathan Jackson    Sound by
David Cassidy    Sound by
Giovanni Di Simone    Sound by
Gary Griffin    Cinematographer
Tony Hardmon    Cinematographer
Kyle Kibbe    Cinematographer
Jean Tsien    Editor
Anne Fratto    Editor

Home Market Releases for November 1st, 2016

November 2nd, 2016

Star Trek Beyond

The Home Market Release Report is a day late this week for a trio of reasons. Firstly, the November Preview was also due the same day. Secondly, it was a very busy week. And finally, I’m suffering from a medical condition a lot of Canadians suffer from this time of year... acute Coffee Crisp poisoning. I’m not saying I ate four dozen fun-sized Coffee Crisps in the past three days... I’m not saying that, because it was actually an even 50. Don’t judge me. ... Okay, judge me. Clearly mistakes were made. It is a busy week, but not very deep week. Star Trek Beyond is by far the biggest and best release of the week and the various home market releases are the pick of the week. There wasn’t a lot of competition for that title, but Bad Moms is also worth picking up. More...

Theater Averages: Don’t Think has earned First Place Twice

August 3rd, 2016

Indignation

Don’t Think Twice repeated as champion of the theater average chart. It expanded from 1 to 5 theaters but still earned a very healthy average of $31,022. It will expand further. Indignation was the best of the new limited releases, earning an average of $23,281 in 4 theaters, while Equity was close behind with an average of $20,609 in 4 theaters. The overall number one film, Jason Bourne, was next with an average of $14,708. Hieronymus Bosch, Touched by the Devil earned $12,064 in 1 theater over the weekend and $19,076 from Wednesday through Sunday. A couple of documentaries rounded out the $10,000 club. Miss Sharon Jones earned $10,323 in 1 theater, while Gleason managed an average of $10,176 in 9 theaters. More...

Weekend Estimates: Matt Damon Shows Star Power Can Matter

July 31st, 2016

Jason Bourne

When it comes to “star power” in Hollywood, I’ve been a skeptic ever since we launched our Bankability Index, and started looking at the real influence a single actor has on the performance of a film. With some notable exceptions (Tom Cruise and Sandra Bullock chief among them these days), actors generally don’t move the box office dial much when they appear in a generic film. But this weekend’s opening of Jason Bourne shows what the combination of the right actor in the right role can do. In spite of virtually identical reviews to 2012’s The Bourne Legacy, the new film, a franchise un-re-boot if you will, starring Matt Damon in the role he made iconic, will post a very solid $60 million this weekend. To be fair, that’s a bit behind the inflation-adjusted openings of The Bourne Ultimatum and The Bourne Supremacy, but it’s far better than the $38 million earned by Legacy when it debuted. More...

Limited and VOD Releases: Will Forest See some Green this Weekend?

July 29th, 2016

Into the Forest

It’s a week of “good, but not great” movies as there are a number of films earning Tomatometer Scores in the 70s. Generally speaking, films usually need 80% positive reviews or better to survive in limited release. There are a couple of films with amazing reviews, Gleason and Miss Sharon Jones, but both are documentaries, so they don’t have a lot of box office potential. The film I’m most interested in is Into the Forest, which is playing on Video on Demand. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

On the eve of the release of her new album, internationally recognized soul singer Sharon Jones was diagnosed with pancreatic cancer. Tour dates were cancelled, the album pushed back and Sharon entered into a fight for her life and career.

Metrics

Opening Weekend:$10,323 (8.5% of total gross)
Legs:8.91 (domestic box office/biggest weekend)
Domestic Share:100.0% (domestic box office/worldwide)
Theater counts:1 opening theaters/12 max. theaters, 5.2 weeks average run per theater
Infl. Adj. Dom. BO $150,640

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 12,401-12,500) 12,412 $120,880
All Time Worldwide Box Office (Rank 23,201-23,300) 23,292 $120,880
All Time Domestic Highest Grossing Limited Release Movies (Rank 4,301-4,400) 4,381 $120,880

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes, iTunes
Google Play:Google Play
Vudu:Vudu

Movie Details

Domestic Releases: July 29th, 2016 (Limited) by Starz Media
Video Release: October 25th, 2016 by Anchor Bay Home Entertainment
MPAA Rating: Not Rated
Running Time: 93 minutes
Comparisons: Create your own comparison chart…
Keywords: Singers, Musicians, Cancer, Archive Footage, Medical and Hospitals
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: Cabin Creek Films
Production Countries: United States
Languages: English

Documentary Subject(s)

Sharon Jones    Herself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Barbara Kopple    Director
Barbara Kopple    Producer
David Cassidy    Producer
Michael Jones    Sound by
Jonathan Jackson    Sound by
David Cassidy    Sound by
Giovanni Di Simone    Sound by
Gary Griffin    Cinematographer
Tony Hardmon    Cinematographer
Kyle Kibbe    Cinematographer
Jean Tsien    Editor
Anne Fratto    Editor

Home Market Releases for November 1st, 2016

November 2nd, 2016

Star Trek Beyond

The Home Market Release Report is a day late this week for a trio of reasons. Firstly, the November Preview was also due the same day. Secondly, it was a very busy week. And finally, I’m suffering from a medical condition a lot of Canadians suffer from this time of year... acute Coffee Crisp poisoning. I’m not saying I ate four dozen fun-sized Coffee Crisps in the past three days... I’m not saying that, because it was actually an even 50. Don’t judge me. ... Okay, judge me. Clearly mistakes were made. It is a busy week, but not very deep week. Star Trek Beyond is by far the biggest and best release of the week and the various home market releases are the pick of the week. There wasn’t a lot of competition for that title, but Bad Moms is also worth picking up. More...

Theater Averages: Don’t Think has earned First Place Twice

August 3rd, 2016

Indignation

Don’t Think Twice repeated as champion of the theater average chart. It expanded from 1 to 5 theaters but still earned a very healthy average of $31,022. It will expand further. Indignation was the best of the new limited releases, earning an average of $23,281 in 4 theaters, while Equity was close behind with an average of $20,609 in 4 theaters. The overall number one film, Jason Bourne, was next with an average of $14,708. Hieronymus Bosch, Touched by the Devil earned $12,064 in 1 theater over the weekend and $19,076 from Wednesday through Sunday. A couple of documentaries rounded out the $10,000 club. Miss Sharon Jones earned $10,323 in 1 theater, while Gleason managed an average of $10,176 in 9 theaters. More...

Weekend Estimates: Matt Damon Shows Star Power Can Matter

July 31st, 2016

Jason Bourne

When it comes to “star power” in Hollywood, I’ve been a skeptic ever since we launched our Bankability Index, and started looking at the real influence a single actor has on the performance of a film. With some notable exceptions (Tom Cruise and Sandra Bullock chief among them these days), actors generally don’t move the box office dial much when they appear in a generic film. But this weekend’s opening of Jason Bourne shows what the combination of the right actor in the right role can do. In spite of virtually identical reviews to 2012’s The Bourne Legacy, the new film, a franchise un-re-boot if you will, starring Matt Damon in the role he made iconic, will post a very solid $60 million this weekend. To be fair, that’s a bit behind the inflation-adjusted openings of The Bourne Ultimatum and The Bourne Supremacy, but it’s far better than the $38 million earned by Legacy when it debuted. More...

Limited and VOD Releases: Will Forest See some Green this Weekend?

July 29th, 2016

Into the Forest

It’s a week of “good, but not great” movies as there are a number of films earning Tomatometer Scores in the 70s. Generally speaking, films usually need 80% positive reviews or better to survive in limited release. There are a couple of films with amazing reviews, Gleason and Miss Sharon Jones, but both are documentaries, so they don’t have a lot of box office potential. The film I’m most interested in is Into the Forest, which is playing on Video on Demand. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jul 29, 2016 57 $10,323   1 $10,323   $10,323 1
Aug 5, 2016 60 $8,715 -16% 2 $4,358   $24,975 2
Aug 12, 2016 64 $8,055 -8% 6 $1,343   $37,483 3
Aug 19, 2016 76 $2,838 -65% 5 $568   $48,099 4
Aug 26, 2016 62 $13,567 +378% 10 $1,357   $75,080 5
Sep 2, 2016 65 $11,096 -18% 12 $925   $93,978 6
Sep 9, 2016 90 $4,280 -61% 9 $476   $101,737 7
Sep 16, 2016 96 $3,072 -28% 6 $512   $108,285 8
Sep 23, 2016 108 $1,158 -62% 4 $290   $110,269 9
Sep 30, 2016 104 $1,203 +4% 3 $401   $111,946 10
Oct 7, 2016 110 $474 -61% 2 $237   $119,887 11
Oct 14, 2016 103 $823 +74% 2 $412   $120,770 12

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jul 29, 2016 61 $16,260   1 $16,260   $16,260 1
Aug 5, 2016 64 $13,168 -19% 2 $6,584   $29,428 2
Aug 12, 2016 64 $15,833 +20% 6 $2,639   $45,261 3
Aug 19, 2016 62 $16,252 +3% 2 $8,126   $61,513 4
Aug 26, 2016 65 $21,369 +31% 10 $2,137   $82,882 5
Sep 2, 2016 69 $14,575 -32% 12 $1,215   $97,457 6
Sep 9, 2016 86 $7,756 -47% 9 $862   $105,213 7
Sep 16, 2016 100 $3,898 -50% 6 $650   $109,111 8
Sep 23, 2016 113 $1,632 -58% 4 $408   $110,743 9
Sep 30, 2016 84 $8,670 +431% 3 $2,890   $119,413 10
Oct 7, 2016 118 $534 -94% 2 $267   $119,947 11
Oct 14, 2016 116 $933 +75% 2 $467   $120,880 12

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.