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Peggy Guggenheim: Art Addict (2015)

Peggy Guggenheim - Art Addict poster
Theatrical Performance
Domestic Box Office $498,428Details
International Box Office $446,095Details
Worldwide Box Office $944,523
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer


A colorful character who was not only ahead of her time but helped to define it, Peggy Guggenheim was an heiress to her family fortune who became a central figure in the modern art movement. As she moved through the cultural upheaval of the 20th century, she collected not only art, but artists. Her colorful personal history included such figures as Samuel Beckett, Max Ernst, Jackson Pollock, Alexander Calder, Marcel Duchamp as well as countless others. While fighting through personal tragedy, she maintained her vision to build one of the most important collections of modern art, now enshrined in her Venetian palazzo.


Latest Ranking on Cumulative Box Office Lists

All Time Domestic Box Office (Rank 8,801-8,900) 8,895 $498,428
All Time International Box Office (Rank 7,601-7,700) 7,685 $446,095
All Time Worldwide Box Office (Rank 11,201-11,300) 11,288 $944,523
All Time Domestic Highest Grossing Limited Release Movies (Rank 2,201-2,300) 2,266 $498,428

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.

Movie Details

Domestic Releases: November 6th, 2015 (Limited) by Submarine Deluxe
International Releases: December 11th, 2015 (Wide) (United Kingdom)
December 25th, 2015 (Wide) (Australia)
February 26th, 2016 (Wide) (New Zealand)
February 2nd, 2017 (Wide) (South Korea)
MPAA Rating: Not Rated
Running Time: 95 minutes
Comparisons: Create your own comparison chart…
Keywords: Paris, New York, London, 1920s, Painter, Collectors and Collectables
Source:Based on Real Life Events
Production Method:Live Action
Creative Type:Factual
Production Companies: Dakota Group, Fischio Films, Submarine Entertainment
Production Countries: United States

Documentary Subject(s)

Peggy Guggenhei    Herself


Marina Abramovic    Herself
Jean Arp    Himself
Dore Ashton    Herself
Stephanie Barron    Herself
Samuel Beckett    Himself
Constantin Brancusi    Himself
Alexander Calder    Himself
Joseph Cornell    Himself
Salvador Dali    Himself
Jeffrey Deitch    Himself
Willem De Kooning    Himself
Robert De Niro    Himself
Simon de Pury    Himself
Marcel Duchamp    Himself
Max Ernst    Himself
Larry Gagosian    Himself
Alberto Giacometti    Himself
Arne Glimcher    Himself
Nicky Haslam    Himself
Vasily Kandinsky    Himself
Donald Kuspit    Himself
Fernand Leger    Himself
Dominique Levy    Herself
Carlo McCormick    Himself
Joan Miro    Herself
Piet Mondrian    Himself
Robert Motherwell    Himself
Hans Ulrich Obrist    Himself
Jackson Pollock    Himself
Sir John Richardson    Himself
Mark Rothko    Himself
Mercedes Ruehl    Herself
Yves Tanguy    Himself
Calvin Tomkins    Himself
Jacqueline B. Weld    Herself
Edmund White    Himself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Lisa Immordino Vreeland    Producer
Stanley Buchthal    Producer
David Koh    Producer
Dan Braun    Producer
Maja Hoffmann    Executive Producer
Josh Braun    Executive Producer
Bob Benton    Executive Producer
John Northrup    Co-Producer
Bernadine Colish    Editor
Jed Parker    Editor
Peter Trilling    Director of Photography
Bonnie Greenberg    Executive Music Producer
Steve Argila    Composer

Per Theater Chart: Spotlight Shines Bright

November 10th, 2015


It was a busy week on the per theater chart with seven films in the $10,000 club. Spotlight led the way with an average of $59,002 in five theaters. This is the fourth best opening weekend average of 2015, just ahead of While We're Young and just behind Ex Machina. Brooklyn was next with an average of $37,456, also in five theaters. It opened on Wednesday, so its weekend average was a little lower than it otherwise would have been. The overall number one film, Spectre, was third with an average of $17,919. In Jackson Heights was on the opposite end of the scale playing in just one theater. It did well with an opening of $15,150. Trumbo was very close behind with an average of $14,835 in five theaters. Its reviews suggest it won't expand significantly, but this is a great start. The second wide release of the week was The Peanuts Movie, which opened with an average of $11,345. The final film in the $10,000 club was Peggy Guggenheim - Art Addict, which earned an average of $11,129 in two theaters. More...

Weekend Estimates: Spectre Misses Record, Peanuts Opens Strong

November 8th, 2015


After a great night on Thursday and a very good day on Friday, Spectre has faded a bit over the weekend. After posting $28 million on Friday, the film was down about 4% on Saturday to $26.5 million, and Sony is projecting a weekend total of $73 million. Even that number may be a shade high, and it falls well behind the $80 million that looked on the cards earlier in the weekend, and even further behind Skyfall’s franchise-record $88.4 million opening. While by any measure it’s a great debut, the final number does prompt the question: what went wrong over the weekend? More...

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2015/11/06 55 $22,258   2 $11,129   $22,258 1
2015/11/13 55 $21,781 -2% 5 $4,356   $57,047 2
2015/11/20 40 $51,305 +136% 20 $2,565   $121,083 3
2015/11/27 37 $55,947 +9% 21 $2,664   $210,931 4
2015/12/04 42 $37,061 -34% 25 $1,482   $270,085 5
2015/12/11 45 $17,737 -52% 19 $934   $309,979 6
2015/12/18 41 $18,547 +5% 18 $1,030   $343,302 7
2015/12/25 52 $11,352 -39% 6 $1,892   $366,627 8
2016/01/01 52 $14,779 +30% 9 $1,642   $393,584 9
2016/01/08 52 $17,804 +20% 10 $1,780   $420,299 10
2016/01/15 48 $11,719 -34% 9 $1,302   $447,087 11
2016/02/19 81 $2,085   1 $2,085   $498,428 16

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2015/11/06 56 $35,266   2 $17,633   $35,266 1
2015/11/13 55 $34,512 -2% 5 $6,902   $69,778 2
2015/11/20 43 $85,206 +147% 20 $4,260   $154,984 3
2015/11/27 36 $78,040 -8% 21 $3,716   $233,024 4
2015/12/04 41 $62,218 -20% 25 $2,489   $295,242 5

Box Office Summary Per Territory

Territory Release
Box Office
Australia 12/25/2015 $11,777 4 6 53 $179,364 6/9/2016
New Zealand 2/26/2016 $7,326 6 9 47 $92,508 6/9/2016
South Korea 2/2/2017 $0 0 14 32 $37,568 4/19/2017
United Kingdom 12/11/2015 $34,445 17 33 83 $135,835 6/9/2016
Rest of World $820
International Total$446,095 4/19/2017

International Cumulative Box Office Records

Worldwide Cumulative Box Office Records

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at