Peggy Guggenheim: Art Addict (2015)
| Theatrical Performance | ||
| Domestic Box Office | $498,428 | Details |
| International Box Office | $486,040 | Details |
| Worldwide Box Office | $984,468 | |
| OpusData ID: 225770100 More info... | ||
| Further financial details... | ||
Synopsis
A colorful character who was not only ahead of her time but helped to define it, Peggy Guggenheim was an heiress to her family fortune who became a central figure in the modern art movement. As she moved through the cultural upheaval of the 20th century, she collected not only art, but artists. Her colorful personal history included such figures as Samuel Beckett, Max Ernst, Jackson Pollock, Alexander Calder, Marcel Duchamp as well as countless others. While fighting through personal tragedy, she maintained her vision to build one of the most important collections of modern art, now enshrined in her Venetian palazzo.
Metrics
| Opening Weekend: | $22,258 (4.5% of total gross) |
| Legs: | 8.91 (domestic box office/biggest weekend) |
| Domestic Share: | 50.6% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/25 max. theaters, 5.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $673,008 |
Movie Details
| Domestic Releases: | November 6th, 2015 (Limited) by Submarine Deluxe |
| International Releases: | December 11th, 2015 (Wide) (United Kingdom)
December 25th, 2015 (Wide) (Australia) February 26th, 2016 (Wide) (New Zealand) February 2nd, 2017 (Wide) (South Korea) July 28th, 2017 (Wide) (France) ... Show all releases |
| MPA Rating: | Not Rated |
| Running Time: | 95 minutes |
| Geographical setting: | London, New York, Paris |
| Plot point: | Collectors and Collectables, Painter |
| Time period setting: | 1920s |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Dakota Group, Fischio Films, Submarine Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 6, 2015 | 55 | $22,258 | 2 | $11,129 | $22,258 | 1 | |
| Nov 13, 2015 | 55 | $21,781 | -2% | 5 | $4,356 | $57,047 | 2 |
| Nov 20, 2015 | 40 | $51,305 | +136% | 20 | $2,565 | $121,083 | 3 |
| Nov 27, 2015 | 37 | $55,947 | +9% | 21 | $2,664 | $210,931 | 4 |
| Dec 4, 2015 | 42 | $37,061 | -34% | 25 | $1,482 | $270,085 | 5 |
| Dec 11, 2015 | 45 | $17,737 | -52% | 19 | $934 | $309,979 | 6 |
| Dec 18, 2015 | 41 | $18,547 | +5% | 18 | $1,030 | $343,302 | 7 |
| Dec 25, 2015 | 52 | $11,352 | -39% | 6 | $1,892 | $366,627 | 8 |
| Jan 1, 2016 | 52 | $14,779 | +30% | 9 | $1,642 | $393,584 | 9 |
| Jan 8, 2016 | 52 | $17,804 | +20% | 10 | $1,780 | $420,299 | 10 |
| Jan 15, 2016 | 48 | $11,719 | -34% | 9 | $1,302 | $447,087 | 11 |
| Feb 19, 2016 | 81 | $2,085 | 1 | $2,085 | $498,428 | 16 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 6, 2015 | 56 | $35,266 | 2 | $17,633 | $35,266 | 1 | |
| Nov 13, 2015 | 55 | $34,512 | -2% | 5 | $6,902 | $69,778 | 2 |
| Nov 20, 2015 | 43 | $85,206 | +147% | 20 | $4,260 | $154,984 | 3 |
| Nov 27, 2015 | 36 | $78,040 | -8% | 21 | $3,716 | $233,024 | 4 |
| Dec 4, 2015 | 41 | $62,218 | -20% | 25 | $2,489 | $295,242 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 12/25/2015 | $11,777 | 4 | 6 | 53 | $179,364 | 6/9/2016 | |||
| France | 7/28/2017 | $51,985 | 0 | 0 | 0 | $51,985 | 6/27/2018 | |||
| New Zealand | 2/26/2016 | $7,326 | 6 | 9 | 50 | $81,288 | 8/5/2024 | |||
| South Korea | 2/2/2017 | $0 | 0 | 14 | 32 | $37,568 | 4/19/2017 | |||
| United Kingdom | 12/11/2015 | $34,445 | 17 | 33 | 83 | $135,835 | 6/9/2016 | |||
| International Total | $486,040 | 8/5/2024 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Documentary Subject
| Peggy Guggenhei | Herself |
Interviewee
| Marina Abramovic | Herself | |
| Jean Arp | Himself | |
| Dore Ashton | Herself | |
| Stephanie Barron | Herself | |
| Samuel Beckett | Himself | |
| Constantin Brancusi | Himself | |
| Alexander Calder | Himself | |
| Joseph Cornell | Himself | |
| Salvador Dalí | Himself | |
| Jeffrey Deitch | Himself | |
| Willem De Kooning | Himself | |
| Robert De Niro | Himself | |
| Simon de Pury | Himself | |
| Marcel Duchamp | Himself | |
| Max Ernst | Himself | |
| Larry Gagosian | Himself | |
| Alberto Giacometti | Himself | |
| Arne Glimcher | Himself | |
| Nicky Haslam | Himself | |
| Vasily Kandinsky | Himself | |
| Donald Kuspit | Himself | |
| Fernand Leger | Himself | |
| Dominique Levy | Herself | |
| Carlo McCormick | Himself | |
| Joan Miro | Herself | |
| Piet Mondrian | Himself | |
| Robert Motherwell | Himself | |
| Hans Ulrich Obrist | Himself | |
| Jackson Pollock | Himself | |
| Sir John Richardson | Himself | |
| Mark Rothko | Himself | |
| Mercedes Ruehl | Herself | |
| Yves Tanguy | Himself | |
| Calvin Tomkins | Himself | |
| Jacqueline B. Weld | Herself | |
| Edmund White | Himself |
Production and Technical Credits
| Lisa Immordino Vreeland | Director | |
| Lisa Immordino Vreeland | Producer | |
| Stanley Buchthal | Producer | |
| David Koh | Producer | |
| Dan Braun | Producer | |
| Maja Hoffmann | Executive Producer | |
| Josh Braun | Executive Producer | |
| Bob Benton | Executive Producer | |
| John Northrup | Co-Producer | |
| Bernadine Colish | Editor | |
| Jed Parker | Editor | |
| Peter Trilling | Director of Photography | |
| Bonnie Greenberg | Executive Music Producer | |
| Steve Argila | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A colorful character who was not only ahead of her time but helped to define it, Peggy Guggenheim was an heiress to her family fortune who became a central figure in the modern art movement. As she moved through the cultural upheaval of the 20th century, she collected not only art, but artists. Her colorful personal history included such figures as Samuel Beckett, Max Ernst, Jackson Pollock, Alexander Calder, Marcel Duchamp as well as countless others. While fighting through personal tragedy, she maintained her vision to build one of the most important collections of modern art, now enshrined in her Venetian palazzo.
Metrics
| Opening Weekend: | $22,258 (4.5% of total gross) |
| Legs: | 8.91 (domestic box office/biggest weekend) |
| Domestic Share: | 50.6% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/25 max. theaters, 5.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $673,008 |
Movie Details
| Domestic Releases: | November 6th, 2015 (Limited) by Submarine Deluxe |
| International Releases: | December 11th, 2015 (Wide) (United Kingdom)
December 25th, 2015 (Wide) (Australia) February 26th, 2016 (Wide) (New Zealand) February 2nd, 2017 (Wide) (South Korea) July 28th, 2017 (Wide) (France) ... Show all releases |
| MPA Rating: | Not Rated |
| Running Time: | 95 minutes |
| Geographical setting: | London, New York, Paris |
| Plot point: | Collectors and Collectables, Painter |
| Time period setting: | 1920s |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Dakota Group, Fischio Films, Submarine Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 6, 2015 | 55 | $22,258 | 2 | $11,129 | $22,258 | 1 | |
| Nov 13, 2015 | 55 | $21,781 | -2% | 5 | $4,356 | $57,047 | 2 |
| Nov 20, 2015 | 40 | $51,305 | +136% | 20 | $2,565 | $121,083 | 3 |
| Nov 27, 2015 | 37 | $55,947 | +9% | 21 | $2,664 | $210,931 | 4 |
| Dec 4, 2015 | 42 | $37,061 | -34% | 25 | $1,482 | $270,085 | 5 |
| Dec 11, 2015 | 45 | $17,737 | -52% | 19 | $934 | $309,979 | 6 |
| Dec 18, 2015 | 41 | $18,547 | +5% | 18 | $1,030 | $343,302 | 7 |
| Dec 25, 2015 | 52 | $11,352 | -39% | 6 | $1,892 | $366,627 | 8 |
| Jan 1, 2016 | 52 | $14,779 | +30% | 9 | $1,642 | $393,584 | 9 |
| Jan 8, 2016 | 52 | $17,804 | +20% | 10 | $1,780 | $420,299 | 10 |
| Jan 15, 2016 | 48 | $11,719 | -34% | 9 | $1,302 | $447,087 | 11 |
| Feb 19, 2016 | 81 | $2,085 | 1 | $2,085 | $498,428 | 16 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 6, 2015 | 56 | $35,266 | 2 | $17,633 | $35,266 | 1 | |
| Nov 13, 2015 | 55 | $34,512 | -2% | 5 | $6,902 | $69,778 | 2 |
| Nov 20, 2015 | 43 | $85,206 | +147% | 20 | $4,260 | $154,984 | 3 |
| Nov 27, 2015 | 36 | $78,040 | -8% | 21 | $3,716 | $233,024 | 4 |
| Dec 4, 2015 | 41 | $62,218 | -20% | 25 | $2,489 | $295,242 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 12/25/2015 | $11,777 | 4 | 6 | 53 | $179,364 | 6/9/2016 | |||
| France | 7/28/2017 | $51,985 | 0 | 0 | 0 | $51,985 | 6/27/2018 | |||
| New Zealand | 2/26/2016 | $7,326 | 6 | 9 | 50 | $81,288 | 8/5/2024 | |||
| South Korea | 2/2/2017 | $0 | 0 | 14 | 32 | $37,568 | 4/19/2017 | |||
| United Kingdom | 12/11/2015 | $34,445 | 17 | 33 | 83 | $135,835 | 6/9/2016 | |||
| International Total | $486,040 | 8/5/2024 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Documentary Subject
| Peggy Guggenhei | Herself |
Interviewee
| Marina Abramovic | Herself | |
| Jean Arp | Himself | |
| Dore Ashton | Herself | |
| Stephanie Barron | Herself | |
| Samuel Beckett | Himself | |
| Constantin Brancusi | Himself | |
| Alexander Calder | Himself | |
| Joseph Cornell | Himself | |
| Salvador Dalí | Himself | |
| Jeffrey Deitch | Himself | |
| Willem De Kooning | Himself | |
| Robert De Niro | Himself | |
| Simon de Pury | Himself | |
| Marcel Duchamp | Himself | |
| Max Ernst | Himself | |
| Larry Gagosian | Himself | |
| Alberto Giacometti | Himself | |
| Arne Glimcher | Himself | |
| Nicky Haslam | Himself | |
| Vasily Kandinsky | Himself | |
| Donald Kuspit | Himself | |
| Fernand Leger | Himself | |
| Dominique Levy | Herself | |
| Carlo McCormick | Himself | |
| Joan Miro | Herself | |
| Piet Mondrian | Himself | |
| Robert Motherwell | Himself | |
| Hans Ulrich Obrist | Himself | |
| Jackson Pollock | Himself | |
| Sir John Richardson | Himself | |
| Mark Rothko | Himself | |
| Mercedes Ruehl | Herself | |
| Yves Tanguy | Himself | |
| Calvin Tomkins | Himself | |
| Jacqueline B. Weld | Herself | |
| Edmund White | Himself |
Production and Technical Credits
| Lisa Immordino Vreeland | Director | |
| Lisa Immordino Vreeland | Producer | |
| Stanley Buchthal | Producer | |
| David Koh | Producer | |
| Dan Braun | Producer | |
| Maja Hoffmann | Executive Producer | |
| Josh Braun | Executive Producer | |
| Bob Benton | Executive Producer | |
| John Northrup | Co-Producer | |
| Bernadine Colish | Editor | |
| Jed Parker | Editor | |
| Peter Trilling | Director of Photography | |
| Bonnie Greenberg | Executive Music Producer | |
| Steve Argila | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.