Pump (2014)
| Theatrical Performance | ||
| Domestic Box Office | $89,787 | Details |
| OpusData ID: 211580100 More info... | ||
| Further financial details... | ||
Synopsis
A documentary that tells the story of America’s addiction to oil, from its corporate conspiracy beginnings to its current monopoly today, and sets out to explain how we can end it—and finally win choice at the pump. Today oil is our only option of transportation fuel at the pump. Our exclusive use of it has drained our wallets, increased air pollution and sent our sons and daughters to war in faraway lands. Pump argues that, through the use of a variety of replacement fuels, we will be able to fill up our cars—cheaper, cleaner and American made—and in the process, create more jobs for a stronger, healthier economy.
Metrics
| Opening Weekend: | $42,177 (47.0% of total gross) |
| Legs: | 2.13 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Production Budget: | $2,000,000 (worldwide box office is 0.0 times production budget) |
| Theater counts: | 3 opening theaters/6 max. theaters, 1.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $124,286 |
Movie Details
| Domestic Releases: | September 19th, 2014 (Limited) by Submarine Deluxe |
| Video Release: | January 13th, 2015 by Submarine Entertainment |
| MPA Rating: | PG for mild thematic material. (Rating bulletin 2333, 7/30/2014) |
| Running Time: | 88 minutes |
| Cast, crew, or production detail: | Agitprop, Voiceover/Narration |
| Plot point: | Environment, Political |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Submarine Deluxe, Fuel Freedom Foundation, Ideal Partners |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 19, 2014 | 49 | $42,177 | 3 | $14,059 | $42,177 | 1 | |
| Sep 26, 2014 | 51 | $30,100 | -29% | 6 | $5,017 | $72,277 | 2 |
Narrator
| Jason Bateman | Narrator |
Interviewee
| John Hofmeister | Himself | |
| Phil Near | Himself | |
| Cheryl Near | Herself | |
| Elon Musk | Himself | |
| John Brackett | Himself | |
| David Blume | Himself | |
| Peter Goldmark | Himself | |
| Robert Zubrin | Himself | |
| Anne Korin | Herself |
Production and Technical Credits
| Josh Tickell | Director | |
| Rebecca Harrell Tickell | Director | |
| Johnny O'Hara | Screenwriter | |
| Rebecca Harrell Tickell | Producer | |
| Yossie Hollander | Producer | |
| Eyal Aronoff | Producer | |
| Jana Edelbaum | Executive Producer | |
| Rachel Cohen | Executive Producer | |
| Ilana Meirovitch | Associate Producer | |
| Ann Norman | Associate Producer | |
| Martin DiCicco | Director of Photography | |
| Sean P. Keenan | Editor | |
| Philip Norden | Editor | |
| Ryan A. Nichols | Editor | |
| Richard Gibbs | Composer | |
| Stephanie Diaz-Matos | Music Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A documentary that tells the story of America’s addiction to oil, from its corporate conspiracy beginnings to its current monopoly today, and sets out to explain how we can end it—and finally win choice at the pump. Today oil is our only option of transportation fuel at the pump. Our exclusive use of it has drained our wallets, increased air pollution and sent our sons and daughters to war in faraway lands. Pump argues that, through the use of a variety of replacement fuels, we will be able to fill up our cars—cheaper, cleaner and American made—and in the process, create more jobs for a stronger, healthier economy.
Metrics
| Opening Weekend: | $42,177 (47.0% of total gross) |
| Legs: | 2.13 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Production Budget: | $2,000,000 (worldwide box office is 0.0 times production budget) |
| Theater counts: | 3 opening theaters/6 max. theaters, 1.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $124,286 |
Movie Details
| Domestic Releases: | September 19th, 2014 (Limited) by Submarine Deluxe |
| Video Release: | January 13th, 2015 by Submarine Entertainment |
| MPA Rating: | PG for mild thematic material. (Rating bulletin 2333, 7/30/2014) |
| Running Time: | 88 minutes |
| Cast, crew, or production detail: | Agitprop, Voiceover/Narration |
| Plot point: | Environment, Political |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Submarine Deluxe, Fuel Freedom Foundation, Ideal Partners |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 19, 2014 | 49 | $42,177 | 3 | $14,059 | $42,177 | 1 | |
| Sep 26, 2014 | 51 | $30,100 | -29% | 6 | $5,017 | $72,277 | 2 |
Narrator
| Jason Bateman | Narrator |
Interviewee
| John Hofmeister | Himself | |
| Phil Near | Himself | |
| Cheryl Near | Herself | |
| Elon Musk | Himself | |
| John Brackett | Himself | |
| David Blume | Himself | |
| Peter Goldmark | Himself | |
| Robert Zubrin | Himself | |
| Anne Korin | Herself |
Production and Technical Credits
| Josh Tickell | Director | |
| Rebecca Harrell Tickell | Director | |
| Johnny O'Hara | Screenwriter | |
| Rebecca Harrell Tickell | Producer | |
| Yossie Hollander | Producer | |
| Eyal Aronoff | Producer | |
| Jana Edelbaum | Executive Producer | |
| Rachel Cohen | Executive Producer | |
| Ilana Meirovitch | Associate Producer | |
| Ann Norman | Associate Producer | |
| Martin DiCicco | Director of Photography | |
| Sean P. Keenan | Editor | |
| Philip Norden | Editor | |
| Ryan A. Nichols | Editor | |
| Richard Gibbs | Composer | |
| Stephanie Diaz-Matos | Music Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.