Centers on a former Deadhead turned born-again Christian who finds himself on the run from fundamentalist members of his mega-church who will do anything to protect their larger-than-life pastor.
Latest Ranking on Cumulative Box Office Lists
|All Time Domestic Box Office (Rank 12,801-12,900)
|All Time Worldwide Box Office (Rank 17,101-17,200)
|All Time Domestic Highest Grossing Limited Release Movies (Rank 5,401-5,500)
|All Time Domestic Box Office for Comedy Movies (Rank 2,201-2,300)
|All Time Worldwide Box Office for Comedy Movies (Rank 2,901-3,000)
|All Time Domestic Box Office for R Movies (Rank 4,101-4,200)
|All Time Worldwide Box Office for R Movies (Rank 4,501-4,600)
See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.
||July 15th, 2011 (Limited) by IFC Films|
||R for some language, violence, drug material and brief sexual content.|
(Rating bulletin 2185, 8/17/2011)
||vs. Enough Said|
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||Religious, Atheism, Kidnap, Blackmail, Ensemble|
|Production Method:||Live Action|
|Creative Type:||Contemporary Fiction|
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
July 19th, 2011
Harry Potter and the Deathly Hallow, Part 2 added another record over the weekend earning the highest per theater average for a wide release with $38,672, surpassing the previous record holder, The Dark Knight. However, Hannah Montana/Miley Cyrus: Best of Both Worlds Concert Tour still holds the record for best per theater average for a number one film at $45,561. That record might not be broken till the $200 million opening weekend milestone is cracked. The only other member of the $10,000 club was Sholem Aleichem: Laughing in the Darkness, which grew by a few percent to $20,998. Its ability to expand is untested, but growth is always a good sign.
July 15th, 2011
It could be tough for limited releases this weekend. Not only is Harry Potter and the Deathly Hallows, Part 2 going to dominate the box office, but both new wide releases are earning Oscar-worthy reviews, so there's not a lot of room for limited releases to survive in. Fortunately, both wide releases are aimed at families, so perhaps a more dramatic film like Life, Above All or a documentary like Tabloid! can find a niche market.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
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