For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.
September 21st, 2011
We had good news on the Blu-ray sales chart, as X-Men: First Class opened better than it did on DVD. It dominated with 825,000 units / $19.35 million during just three days of sales. That was more than the rest of the market managed over the full week. This gave the film an opening week Blu-ray ratio of just under 60%, which is the best the format has managed for a first-run release.
March 30th, 2011
It's a very busy week for DVD and Blu-ray releases with several top-tier releases, as well as plenty of interesting catalog titles. Paradoxically, this week's list could be rather short, as I've previously reviewed most of the major releases, while I'm still waiting on about half of the catalog titles to show up. So this week's list is mostly just links to the reviews already done and notices of what reviews to look forward to if / when late screeners arrive. In the meantime, the best of the best is a three-horse race between Tangled, Black Swan, and Mad Men: Season Four. All three are absolutely worth picking up, but for Pick of the Week I'm going with the Mad Men: Season Four on Blu-ray.
March 26th, 2011
Back in 1996, Scream came out and really revitalized the teenage slasher genre by both embracing the conventions of the genre, as well as spoofing them. 15 years, and two sequels later, Scream 4 is about to hit theaters, so what better time to release the original trilogy on Blu-ray? But have these films aged well? And did the studio make sure they shine on Blu-ray?
Weekly US Blu-ray Sales
|Date||Rank||Units this Week||% Change||Total Units||Spending this Week||Total Spending||Weeks in Release|
Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Home Media Magazine.
For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.
We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.
Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.