All I See is You (2017)

All I See is You
Theatrical Performance
Domestic Box Office $217,644Details
International Box Office $429,302Details
Worldwide Box Office $646,946
Further financial details...

Synopsis

The story of a blind woman and her husband. When her sight unexpectedly returns, she begins to discover the previously unseen and disturbing details about themselves, their marriage and their lives.

Metrics

Opening Weekend:$144,076 (66.2% of total gross)
Legs:1.51 (domestic box office/biggest weekend)
Domestic Share:33.6% (domestic box office/worldwide)
Theater counts:283 opening theaters/283 max. theaters, 1.2 weeks average run per theater
Infl. Adj. Dom. BO $261,555

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Google Play:Google Play, Google Play
Vudu:Vudu

Movie Details

Domestic Releases: October 27th, 2017 (Limited) by Open Road
International Releases: November 10th, 2017 (Wide), released as Matau tik tave (Lithuania)
December 8th, 2017 (Wide) (Russia (CIS))
May 4th, 2018 (Wide), released as Só Te Vejo a Ti (Portugal)
July 11th, 2018 (Wide), released as Chiudi gli occhi (Italy)
Video Release: January 16th, 2018 by Universal Home Entertainment
MPAA Rating: R for strong sexual content/nudity, and language.
(Rating bulletin 2464 (Cert #50927), 2/22/2017)
Running Time: 110 minutes
Comparisons: vs. Suburbicon
Create your own comparison chart…
Keywords: Dysfunctional Family, Obsession, Blindness, Doctors, Surprise Twist, Accidental Death, Non-Chronological, Relationships Gone Wrong
Source:Original Screenplay
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: SC International Pictures, LINK Entertainment, 2Dux2, Wing and a Prayer Pictures, Open Road Films
Production Countries: United States
Languages: English, Spanish, Thai

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 27, 2017 29 $144,076   283 $509   $144,076 1
Nov 3, 2017 72 $5,850 -96% 53 $110   $214,210 2

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Oct 27, 2017 - $48,998     283 $173   $48,998 1
Oct 28, 2017 - $52,428 +7%   283 $185   $101,426 2
Oct 29, 2017 - $42,650 -19%   283 $151   $144,076 3
Oct 30, 2017 - $18,766 -56%   283 $66   $162,842 4
Oct 31, 2017 - $20,267 +8%   283 $72   $183,109 5
Nov 1, 2017 - $14,186 -30%   283 $50   $197,295 6
Nov 2, 2017 - $11,065 -22%   283 $39   $208,360 7
Nov 3, 2017 - $1,948 -82% -96% 53 $37   $210,308 8
Nov 4, 2017 - $2,084 +7% -96% 53 $39   $212,392 9
Nov 5, 2017 - $1,818 -13% -96% 53 $34   $214,210 10
Nov 6, 2017 - $1,148 -37% -94% 53 $22   $215,358 11
Nov 7, 2017 - $1,333 +16% -93% 53 $25   $216,691 12
Nov 8, 2017 - $527 -60% -96% 53 $10   $217,218 13
Nov 9, 2017 - $426 -19% -96% 53 $8   $217,644 14

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 27, 2017 29 $208,360   283 $736   $208,360 1
Nov 3, 2017 71 $9,284 -96% 53 $175   $217,644 2

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Italy 7/11/2018 $114,242 0 0 0 $309,890 7/23/2018
Lithuania 11/10/2017 $8,217 29 67 96 $12,120 11/26/2017
Portugal 5/4/2018 $10,257 18 18 38 $23,575 5/22/2018
Russia (CIS) 12/8/2017 $48,785 182 182 182 $83,717 1/1/2019
 
International Total$429,302 1/1/2019

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Blake Lively    Gina

Supporting Cast

Jason Clarke    James
Ahna O'Reilly    Carla
Yvonne Strahovski    Karen
Wes Chatham    Daniel
Danny Huston    Doctor
Johanna Wallmeier    Young Gina
Miguel Fernandez    Ramon
Kaitlin Orem    Lucy
Stacee Vatanapan    Jill

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Marc Forster    Director
Marc Forster    Screenwriter
Sean Conway    Screenwriter
Marc Forster    Producer
Craig Baumgarten    Producer
Michael Selby    Producer
Jillian Kugler    Producer
Brian Wilkins    Executive Producer
Ron Perlman    Executive Producer
Renee Wolfe    Executive Producer
Mark Cooper    Co-Producer
Anchittha Phongchub    Co-Producer
Jonathan Shore    Co-Producer
Pam Dixon    Casting Director
Matthias Koenigswieser    Director of Photography
Hughes Winborne    Editor
Marc Streitenfeld    Composer
Matt Cavanaugh    Dialogue Editor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for February 6th, 2018

February 7th, 2018

Duckman: The Complete Series

There are not a lot of big titles on this week’s list of home market releases and there won’t be for at least a couple more weeks. That’s not to say there is nothing worth picking up. Both Blame (DVD) and Only the Brave (Blu-ray) are Pick of the Week contenders. In the end, Duckman: The Compete Series is the Pick of the Week winner and worth picking up, unless you own the previous DVD releases. More...

Home Market Releases for January 16th, 2018

January 15th, 2018

I, Daniel Blake

It’s not a particularly good week on the home market with no one film that is a must have dominating the rest of the pack. However, this is actually a good thing, as there are several smaller releases that get a chance to shine and there are several Pick of the Week contenders as a result. This includes the biggest release of the week, Blade Runner 2049, as well as a limited release, Loving Vincent, and a forgotten film, Matinee. In the end, I went with I, Daniel Blake: The Criterion Collection as the best of the week. More...

Theater Averages: The Square Squirreled Away $18,558

November 1st, 2017

The Square

The Square was the only film in the $10,000 club this past weekend. The latest from Ruben Ostlund earned an average of $18,558 in four theaters. This is a better opening than his last film, Force Majeure, which earned more than $1 million domestically. Hopefully this one will do the same. More...

Limited and VOD Releases: Get Hip to these Square Releases

October 27th, 2017

God’s Own Country

We don’t have a long list of limited releases this week, but there are a few that stand out as worth checking out and might actually do well in theaters. These include Bill Nye: Science Guy, God’s Own Country, The Square. The Square has the advantage, at least for the opening weekend, but I would be surprised if any of them expanded significantly over the coming weeks. More...

2017 Preview: September

September 1st, 2017

It

As bad as July was, August actually managed to be worse. 2017 was over $300 million behind 2016’s pace during August alone. That’s worse than the rest of the summer combined. The only film that was an unqualified hit was Annabelle: Creation, although there were a couple of other films that are doing well enough to be considered financial hits. There’s some good news and some bad news for this September. The month gets off to a slow start with no wide releases the first weekend, but there are three films opening during the rest of the month that are expected to top $100 million and all three should be better than the best August had to offer. It is expected to be the biggest hit of the month and is tracking to break the record for the biggest September weekend. Both Kingsman: The Golden Circle and The Lego Ninjago Movie are expected to cross $100 million, although they are opening the same weekend, so that could hurt both of their chances. Meanwhile last September, Sully was the biggest release of the month earning $125.07 million. It should top that, while Kingsman: The Golden Circle and The Lego Ninjago Movie won’t be too far behind. 2017 should cut the gap with 2016, but sadly only by a little bit. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

The story of a blind woman and her husband. When her sight unexpectedly returns, she begins to discover the previously unseen and disturbing details about themselves, their marriage and their lives.

Metrics

Opening Weekend:$144,076 (66.2% of total gross)
Legs:1.51 (domestic box office/biggest weekend)
Domestic Share:33.6% (domestic box office/worldwide)
Theater counts:283 opening theaters/283 max. theaters, 1.2 weeks average run per theater
Infl. Adj. Dom. BO $261,555

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Google Play:Google Play, Google Play
Vudu:Vudu

Movie Details

Domestic Releases: October 27th, 2017 (Limited) by Open Road
International Releases: November 10th, 2017 (Wide), released as Matau tik tave (Lithuania)
December 8th, 2017 (Wide) (Russia (CIS))
May 4th, 2018 (Wide), released as Só Te Vejo a Ti (Portugal)
July 11th, 2018 (Wide), released as Chiudi gli occhi (Italy)
Video Release: January 16th, 2018 by Universal Home Entertainment
MPAA Rating: R for strong sexual content/nudity, and language.
(Rating bulletin 2464 (Cert #50927), 2/22/2017)
Running Time: 110 minutes
Comparisons: vs. Suburbicon
Create your own comparison chart…
Keywords: Dysfunctional Family, Obsession, Blindness, Doctors, Surprise Twist, Accidental Death, Non-Chronological, Relationships Gone Wrong
Source:Original Screenplay
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: SC International Pictures, LINK Entertainment, 2Dux2, Wing and a Prayer Pictures, Open Road Films
Production Countries: United States
Languages: English, Spanish, Thai

Leading Cast

Blake Lively    Gina

Supporting Cast

Jason Clarke    James
Ahna O'Reilly    Carla
Yvonne Strahovski    Karen
Wes Chatham    Daniel
Danny Huston    Doctor
Johanna Wallmeier    Young Gina
Miguel Fernandez    Ramon
Kaitlin Orem    Lucy
Stacee Vatanapan    Jill

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Marc Forster    Director
Marc Forster    Screenwriter
Sean Conway    Screenwriter
Marc Forster    Producer
Craig Baumgarten    Producer
Michael Selby    Producer
Jillian Kugler    Producer
Brian Wilkins    Executive Producer
Ron Perlman    Executive Producer
Renee Wolfe    Executive Producer
Mark Cooper    Co-Producer
Anchittha Phongchub    Co-Producer
Jonathan Shore    Co-Producer
Pam Dixon    Casting Director
Matthias Koenigswieser    Director of Photography
Hughes Winborne    Editor
Marc Streitenfeld    Composer
Matt Cavanaugh    Dialogue Editor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for February 6th, 2018

February 7th, 2018

Duckman: The Complete Series

There are not a lot of big titles on this week’s list of home market releases and there won’t be for at least a couple more weeks. That’s not to say there is nothing worth picking up. Both Blame (DVD) and Only the Brave (Blu-ray) are Pick of the Week contenders. In the end, Duckman: The Compete Series is the Pick of the Week winner and worth picking up, unless you own the previous DVD releases. More...

Home Market Releases for January 16th, 2018

January 15th, 2018

I, Daniel Blake

It’s not a particularly good week on the home market with no one film that is a must have dominating the rest of the pack. However, this is actually a good thing, as there are several smaller releases that get a chance to shine and there are several Pick of the Week contenders as a result. This includes the biggest release of the week, Blade Runner 2049, as well as a limited release, Loving Vincent, and a forgotten film, Matinee. In the end, I went with I, Daniel Blake: The Criterion Collection as the best of the week. More...

Theater Averages: The Square Squirreled Away $18,558

November 1st, 2017

The Square

The Square was the only film in the $10,000 club this past weekend. The latest from Ruben Ostlund earned an average of $18,558 in four theaters. This is a better opening than his last film, Force Majeure, which earned more than $1 million domestically. Hopefully this one will do the same. More...

Limited and VOD Releases: Get Hip to these Square Releases

October 27th, 2017

God’s Own Country

We don’t have a long list of limited releases this week, but there are a few that stand out as worth checking out and might actually do well in theaters. These include Bill Nye: Science Guy, God’s Own Country, The Square. The Square has the advantage, at least for the opening weekend, but I would be surprised if any of them expanded significantly over the coming weeks. More...

2017 Preview: September

September 1st, 2017

It

As bad as July was, August actually managed to be worse. 2017 was over $300 million behind 2016’s pace during August alone. That’s worse than the rest of the summer combined. The only film that was an unqualified hit was Annabelle: Creation, although there were a couple of other films that are doing well enough to be considered financial hits. There’s some good news and some bad news for this September. The month gets off to a slow start with no wide releases the first weekend, but there are three films opening during the rest of the month that are expected to top $100 million and all three should be better than the best August had to offer. It is expected to be the biggest hit of the month and is tracking to break the record for the biggest September weekend. Both Kingsman: The Golden Circle and The Lego Ninjago Movie are expected to cross $100 million, although they are opening the same weekend, so that could hurt both of their chances. Meanwhile last September, Sully was the biggest release of the month earning $125.07 million. It should top that, while Kingsman: The Golden Circle and The Lego Ninjago Movie won’t be too far behind. 2017 should cut the gap with 2016, but sadly only by a little bit. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 27, 2017 29 $144,076   283 $509   $144,076 1
Nov 3, 2017 72 $5,850 -96% 53 $110   $214,210 2

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Oct 27, 2017 - $48,998     283 $173   $48,998 1
Oct 28, 2017 - $52,428 +7%   283 $185   $101,426 2
Oct 29, 2017 - $42,650 -19%   283 $151   $144,076 3
Oct 30, 2017 - $18,766 -56%   283 $66   $162,842 4
Oct 31, 2017 - $20,267 +8%   283 $72   $183,109 5
Nov 1, 2017 - $14,186 -30%   283 $50   $197,295 6
Nov 2, 2017 - $11,065 -22%   283 $39   $208,360 7
Nov 3, 2017 - $1,948 -82% -96% 53 $37   $210,308 8
Nov 4, 2017 - $2,084 +7% -96% 53 $39   $212,392 9
Nov 5, 2017 - $1,818 -13% -96% 53 $34   $214,210 10
Nov 6, 2017 - $1,148 -37% -94% 53 $22   $215,358 11
Nov 7, 2017 - $1,333 +16% -93% 53 $25   $216,691 12
Nov 8, 2017 - $527 -60% -96% 53 $10   $217,218 13
Nov 9, 2017 - $426 -19% -96% 53 $8   $217,644 14

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 27, 2017 29 $208,360   283 $736   $208,360 1
Nov 3, 2017 71 $9,284 -96% 53 $175   $217,644 2

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Italy 7/11/2018 $114,242 0 0 0 $309,890 7/23/2018
Lithuania 11/10/2017 $8,217 29 67 96 $12,120 11/26/2017
Portugal 5/4/2018 $10,257 18 18 38 $23,575 5/22/2018
Russia (CIS) 12/8/2017 $48,785 182 182 182 $83,717 1/1/2019
 
International Total$429,302 1/1/2019

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.