The Lord of the Rings: The War of the Rohirrim (2024)
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| Theatrical Performance | ||
| Domestic Box Office | $9,158,572 | Details |
| International Box Office | $11,600,000 | Details |
| Worldwide Box Office | $20,758,572 | |
| OpusData ID: 543230100 More info... | ||
| Further financial details... | ||
Synopsis
Set 183 years before the events chronicled in the original trilogy of films, “The Lord of the Rings: The War of the Rohirrim” tells the fate of the House of Helm Hammerhand, the legendary King of Rohan. A sudden attack by Wulf, a clever and ruthless Dunlending lord seeking vengeance for the death of his father, forces Helm and his people to make a daring last stand in the ancient stronghold of the Hornburg—a mighty fortress that will later come to be known as Helm’s Deep. Finding herself in an increasingly desperate situation, Héra, the daughter of Helm, must summon the will to lead the resistance against a deadly enemy intent on their total destruction.
Metrics
| Opening Weekend: | $4,552,109 (49.7% of total gross) |
| Legs: | 2.01 (domestic box office/biggest weekend) |
| Domestic Share: | 44.1% (domestic box office/worldwide) |
| Production Budget: | $30,000,000 (worldwide box office is 0.7 times production budget) |
| Theater counts: | 2,602 opening theaters/2,602 max. theaters, 2.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $9,661,760 |
Movie Details
| Domestic Releases: | December 13th, 2024 (Wide) by Warner Bros. December 13th, 2024 (IMAX) by Warner Bros. |
| International Releases: | December 5th, 2024 (Wide), released as El Señor de los Anillos: La Guerra de los Rohirrim (Mexico)
December 5th, 2024 (Wide), released as El Señor de los Anillos: La Guerra de los Rohirrim (Spain) December 5th, 2024 (Wide), released as O senhor dos anéis - A guerra dos Rohirrim (Brazil) December 5th, 2024 (Wide), released as Ringenes herre: Slaget om Rohan (Norway) December 5th, 2024 (Wide) (Thailand) ... Show all releases |
| Video Release: | December 27th, 2024 by Warner Home Video |
| MPA Rating: | PG-13 for strong violence. (Rating bulletin 2857 (cert #55198), 10/23/2024) |
| Running Time: | 150 minutes |
| Franchise: | Peter Jackson's Lord of the Rings |
| Cast, crew, or production detail: | Prequel |
| Release detail: | Disrupted by 2023 WGA & SAG Strikes |
| Source material: | Lord of the Rings |
| Subgenre: | Action Adventure |
| Source: | Spin-Off |
| Genre: | Adventure |
| Production Method: | Digital Animation |
| Creative Type: | Fantasy |
| Production/Financing Companies: | New Line Cinema, Warner Bros Animation, Sola Media, Wingnut Films, Domain Entertainment |
| Production Countries: | United States, Japan |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 13, 2024 | 5 | $4,552,109 | 2,602 | $1,749 | $4,552,109 | 1 | |
| Dec 20, 2024 | 9 | $1,235,894 | -73% | 2,602 | $475 | $7,336,065 | 2 |
| Dec 27, 2024 | 12 | $450,239 | -64% | 1,135 | $397 | $8,585,454 | 3 |
| Jan 3, 2025 | - | $144,393 | -68% | 472 | $306 | $9,080,072 | 4 |
| Jan 10, 2025 | - | $17,697 | -88% | 71 | $249 | $9,150,109 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Dec 12, 2024 | P | $625,000 | 2,500 | $250 | $625,000 | |||
| Dec 13, 2024 | 5 | $2,013,310 | 2,602 | $774 | $2,013,310 | 1 | ||
| Dec 14, 2024 | 6 | $1,476,921 | -27% | 2,602 | $568 | $3,490,231 | 2 | |
| Dec 15, 2024 | 7 | $1,061,878 | -28% | 2,602 | $408 | $4,552,109 | 3 | |
| Dec 16, 2024 | - | $398,413 | -62% | 2,602 | $153 | $4,950,522 | 4 | |
| Dec 17, 2024 | - | $512,213 | +29% | 2,602 | $197 | $5,462,735 | 5 | |
| Dec 18, 2024 | 7 | $355,109 | -31% | 2,602 | $136 | $5,817,844 | 6 | |
| Dec 19, 2024 | 5 | $282,327 | -20% | 2,602 | $109 | $6,100,171 | 7 | |
| Dec 20, 2024 | 9 | $360,647 | +28% | -82% | 2,602 | $139 | $6,460,818 | 8 |
| Dec 21, 2024 | 9 | $463,900 | +29% | -69% | 2,602 | $178 | $6,924,718 | 9 |
| Dec 22, 2024 | 9 | $411,347 | -11% | -61% | 2,602 | $158 | $7,336,065 | 10 |
| Dec 23, 2024 | 10 | $298,694 | -27% | -25% | 2,602 | $115 | $7,634,759 | 11 |
| Dec 24, 2024 | 10 | $185,238 | -38% | -64% | 2,602 | $71 | $7,819,997 | 12 |
| Dec 25, 2024 | - | $129,623 | -30% | -63% | 1,378 | $94 | $7,949,620 | 13 |
| Dec 26, 2024 | 12 | $185,595 | +43% | -34% | 1,378 | $135 | $8,135,215 | 14 |
| Dec 27, 2024 | 12 | $149,721 | -19% | -58% | 1,135 | $132 | $8,284,936 | 15 |
| Dec 28, 2024 | 12 | $164,021 | +10% | -65% | 1,135 | $145 | $8,448,957 | 16 |
| Dec 29, 2024 | 12 | $136,497 | -17% | -67% | 1,135 | $120 | $8,585,454 | 17 |
| Dec 30, 2024 | 12 | $93,356 | -32% | -69% | 1,135 | $82 | $8,678,810 | 18 |
| Dec 31, 2024 | 13 | $76,692 | -18% | -59% | 1,135 | $68 | $8,755,502 | 19 |
| Jan 1, 2025 | 12 | $114,145 | +49% | -12% | 1,135 | $101 | $8,869,647 | 20 |
| Jan 2, 2025 | 12 | $66,032 | -42% | -64% | 1,135 | $58 | $8,935,679 | 21 |
| Jan 3, 2025 | - | $40,053 | -39% | -73% | 472 | $85 | $8,975,732 | 22 |
| Jan 4, 2025 | - | $64,475 | +61% | -61% | 472 | $137 | $9,040,207 | 23 |
| Jan 5, 2025 | - | $39,865 | -38% | -71% | 472 | $84 | $9,080,072 | 24 |
| Jan 6, 2025 | - | $11,482 | -71% | -88% | 472 | $24 | $9,091,554 | 25 |
| Jan 7, 2025 | - | $17,923 | +56% | -77% | 472 | $38 | $9,109,477 | 26 |
| Jan 8, 2025 | - | $13,944 | -22% | -88% | 472 | $30 | $9,123,421 | 27 |
| Jan 9, 2025 | - | $8,991 | -36% | -86% | 472 | $19 | $9,132,412 | 28 |
| Jan 10, 2025 | - | $3,762 | -58% | -91% | 71 | $53 | $9,136,174 | 29 |
| Jan 11, 2025 | - | $8,372 | +123% | -87% | 71 | $118 | $9,144,546 | 30 |
| Jan 12, 2025 | - | $5,563 | -34% | -86% | 71 | $78 | $9,150,109 | 31 |
| Jan 13, 2025 | - | $2,058 | -63% | -82% | 71 | $29 | $9,152,167 | 32 |
| Jan 14, 2025 | - | $2,492 | +21% | -86% | 71 | $35 | $9,154,659 | 33 |
| Jan 15, 2025 | - | $2,042 | -18% | -85% | 71 | $29 | $9,156,701 | 34 |
| Jan 16, 2025 | - | $1,871 | -8% | -79% | 71 | $26 | $9,158,572 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 13, 2024 | 6 | $6,100,171 | 2,602 | $2,344 | $6,100,171 | 1 | |
| Dec 20, 2024 | 13 | $2,035,044 | -67% | 1,378 | $1,477 | $8,135,215 | 2 |
| Dec 27, 2024 | 12 | $800,464 | -61% | 1,135 | $705 | $8,935,679 | 3 |
| Jan 3, 2025 | 19 | $196,733 | -75% | 472 | $417 | $9,132,412 | 4 |
| Jan 10, 2025 | 37 | $26,160 | -87% | 71 | $368 | $9,158,572 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 12/12/2024 | $252,881 | 283 | 283 | 664 | $567,029 | 2/3/2025 | |||
| Brazil | 12/5/2024 | $106,000 | 0 | 0 | 0 | $106,000 | 12/9/2024 | |||
| China | 12/14/2024 | $108,995 | 0 | 0 | 0 | $172,416 | 2/8/2025 | |||
| Croatia | 12/12/2024 | $24,025 | 58 | 58 | 118 | $53,439 | 1/17/2025 | |||
| Czech Republic | 12/6/2024 | $44,465 | 154 | 154 | 243 | $109,195 | 1/1/2025 | |||
| Finland | 12/13/2024 | $59,039 | 94 | 94 | 235 | $175,293 | 4/21/2026 | |||
| France | 12/11/2024 | $503,000 | 416 | 416 | 416 | $503,000 | 12/16/2024 | |||
| Germany | 12/12/2024 | $570,000 | 368 | 368 | 368 | $570,000 | 12/16/2024 | |||
| Italy | 1/1/2025 | $226,430 | 0 | 0 | 0 | $317,028 | 1/6/2025 | |||
| Mexico | 12/5/2024 | $225,000 | 0 | 0 | 0 | $377,375 | 12/18/2024 | |||
| Netherlands | 12/12/2024 | $107,937 | 83 | 83 | 217 | $315,622 | 1/8/2025 | |||
| New Zealand | 12/12/2024 | $65,010 | 93 | 93 | 280 | $149,414 | 1/28/2025 | |||
| Norway | 12/5/2024 | $55,000 | 0 | 0 | 0 | $55,000 | 12/9/2024 | |||
| Portugal | 12/12/2024 | $19,987 | 53 | 53 | 85 | $34,957 | 12/31/2024 | |||
| Romania | 12/13/2024 | $22,977 | 100 | 100 | 204 | $61,979 | 1/15/2025 | |||
| Russia (CIS) | 12/12/2024 | $56,963 | 136 | 136 | 136 | $56,963 | 12/18/2024 | |||
| Slovakia | 12/12/2024 | $16,935 | 66 | 66 | 129 | $36,433 | 12/31/2024 | |||
| South Korea | 1/25/2025 | $3,394 | 106 | 106 | 106 | $23,999 | 2/5/2025 | |||
| Spain | 12/5/2024 | $271,663 | 269 | 270 | 687 | $661,588 | 1/3/2025 | |||
| Thailand | 12/5/2024 | $109,000 | 0 | 0 | 0 | $109,000 | 12/9/2024 | |||
| Turkey | 12/13/2024 | $78,414 | 179 | 179 | 292 | $137,713 | 1/9/2025 | |||
| United Kingdom | 12/13/2024 | $610,740 | 515 | 515 | 899 | $1,047,893 | 12/25/2024 | |||
| Rest of World | $5,958,664 | |||||||||
| International Total | $11,600,000 | 4/21/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Brian Cox | Helm Hammerhand | |
| Gaia Wise | Hera |
Narrator
| Miranda Otto | Éowyn / Narrator |
Supporting
| Laurence Ubong Williams | Fréaláf Hildeson | |
| Shaun Dooley | Freca | |
| Luke Pasqualino | Wulf | |
| Lorraine Ashbourne | Olwyn | |
| Yazdan Qafouri | Hama | |
| Benjamin Wainwright | Haleth | |
| Michael Wildman | General Targg | |
| Jude Akuwudike | Lord Thorne | |
| Bilal Hasna | Lief | |
| Janine Duvitski | Old Pennicruik | |
| Billy Boyd | Shank | |
| Dominic Monaghan | Wrot | |
| Alex Jordan | Lord Fryght | |
| Bea Dooley | Young Héra | |
| Elijah Tamati | Young Wulf | |
| Will Godber | Young Rohan Refugee | |
| Christopher Lee | Saruman | |
| Calum Gittins | Wildman | |
| Matt Beachen | Dunharrow Captain |
Production and Technical Credits
| Kenji Kamiyama | Director | |
| Joseph Chou | Producer | |
| Philippa Boyens | Producer | |
| Jason DeMarco | Producer | |
| Phoebe Gittins | Screenwriter | |
| Arty Papageorgiou | Screenwriter | |
| Will Matthews | Screenwriter | |
| Jeffrey Addiss | Screenwriter | |
| Jeffrey Addiss | Story by | |
| Will Matthews | Story by | |
| Philippa Boyens | Story by | |
| J.R.R. Tolkien | Character Creator | |
| Fran Walsh | Executive Producer | |
| Peter Jackson | Executive Producer | |
| Sam Register | Executive Producer | |
| Ken Kamins | Executive Producer | |
| Carolyn Blackwood | Executive Producer | |
| Pete Chiappetta | Executive Producer | |
| Andrew Lary | Executive Producer | |
| Anthony Tittanegro | Executive Producer | |
| Toby Emmerich | Executive Producer | |
| Stephen Gallagher | Composer | |
| Tomi Hashimoto | Co-Producer | |
| Carlos Ramirez Laloli | Co-Producer | |
| Takenari Maeda | Associate Producer | |
| Phoebe Gittins | Associate Producer | |
| Arty Papageorgiou | Associate Producer | |
| Michael Hedges | Re-recording Mixer | |
| Alexis Feodoroff | Re-recording Mixer | |
| Brent Burge | Supervising Sound Editor | |
| Martin Kwok | Supervising Sound Editor | |
| Mark Willsher | Music Producer | |
| Sarah Noonan | Casting Director | |
| Howard Shore | Song Writer | |
| Hinako Okasora | Line Producer | |
| Joey Goubeaud | Post-Production Supervisor | |
| Miyako Takasu | Animation Supervisor | |
| Kazuhide Tomonaga | Senior Key Animation Director | |
| Hisao Yokobori | Senior Key Animation Director | |
| Chiaki Sakuma | Senior Key Animation Director | |
| Kenji Yasuda | Assistant Director | |
| Yoshihiko Mori | Assistant Director | |
| Iori Miura | Assistant Director | |
| Keiichirou Shimizu | Set Designer | |
| Masahiko Suzuki | Creature Designer | |
| Talei Searell | Supervising Production Manager | |
| Tsuyoshi Sadamatsu | Editor | |
| Joey Goubeaud | Assistant Editor | |
| Tim Chaproniere | Additional Sound Re-recording Mixer | |
| Matt Stutter | Supervising Sound Effects Editor | |
| Hayden Collow | Sound Effects Editor | |
| Dmitry Novikov | Dialogue Editor | |
| Alexis Feodoroff | Foley Editor | |
| Craig Tomlinson | Foley Editor | |
| Michael Donaldson | Foley Recordist | |
| Michael Donaldson | Foley Editor | |
| Steve McGillen | Visual Effects Supervisor | |
| David Cowan | Dialogue Editor | |
| Kelly Foley Downs | Dialogue Editor | |
| John Reynolds | Dialogue Editor | |
| Darlene Stoker | Dialogue Editor | |
| Harrison T. Barth | Assistant Editor | |
| Michele Beeson | Assistant Editor | |
| Gabriel Gianola | Assistant Editor | |
| Janet Grab | Supervising Music Editor | |
| Alana Janssen | Music Editor | |
| John Neill | Score Recordist | |
| Mark Willsher | Score Recordist |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Set 183 years before the events chronicled in the original trilogy of films, “The Lord of the Rings: The War of the Rohirrim” tells the fate of the House of Helm Hammerhand, the legendary King of Rohan. A sudden attack by Wulf, a clever and ruthless Dunlending lord seeking vengeance for the death of his father, forces Helm and his people to make a daring last stand in the ancient stronghold of the Hornburg—a mighty fortress that will later come to be known as Helm’s Deep. Finding herself in an increasingly desperate situation, Héra, the daughter of Helm, must summon the will to lead the resistance against a deadly enemy intent on their total destruction.
Metrics
| Opening Weekend: | $4,552,109 (49.7% of total gross) |
| Legs: | 2.01 (domestic box office/biggest weekend) |
| Domestic Share: | 44.1% (domestic box office/worldwide) |
| Production Budget: | $30,000,000 (worldwide box office is 0.7 times production budget) |
| Theater counts: | 2,602 opening theaters/2,602 max. theaters, 2.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $9,661,760 |
Movie Details
| Domestic Releases: | December 13th, 2024 (Wide) by Warner Bros. December 13th, 2024 (IMAX) by Warner Bros. |
| International Releases: | December 5th, 2024 (Wide), released as El Señor de los Anillos: La Guerra de los Rohirrim (Mexico)
December 5th, 2024 (Wide), released as El Señor de los Anillos: La Guerra de los Rohirrim (Spain) December 5th, 2024 (Wide), released as O senhor dos anéis - A guerra dos Rohirrim (Brazil) December 5th, 2024 (Wide), released as Ringenes herre: Slaget om Rohan (Norway) December 5th, 2024 (Wide) (Thailand) ... Show all releases |
| Video Release: | December 27th, 2024 by Warner Home Video |
| MPA Rating: | PG-13 for strong violence. (Rating bulletin 2857 (cert #55198), 10/23/2024) |
| Running Time: | 150 minutes |
| Franchise: | Peter Jackson's Lord of the Rings |
| Cast, crew, or production detail: | Prequel |
| Release detail: | Disrupted by 2023 WGA & SAG Strikes |
| Source material: | Lord of the Rings |
| Subgenre: | Action Adventure |
| Source: | Spin-Off |
| Genre: | Adventure |
| Production Method: | Digital Animation |
| Creative Type: | Fantasy |
| Production/Financing Companies: | New Line Cinema, Warner Bros Animation, Sola Media, Wingnut Films, Domain Entertainment |
| Production Countries: | United States, Japan |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 13, 2024 | 5 | $4,552,109 | 2,602 | $1,749 | $4,552,109 | 1 | |
| Dec 20, 2024 | 9 | $1,235,894 | -73% | 2,602 | $475 | $7,336,065 | 2 |
| Dec 27, 2024 | 12 | $450,239 | -64% | 1,135 | $397 | $8,585,454 | 3 |
| Jan 3, 2025 | - | $144,393 | -68% | 472 | $306 | $9,080,072 | 4 |
| Jan 10, 2025 | - | $17,697 | -88% | 71 | $249 | $9,150,109 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Dec 12, 2024 | P | $625,000 | 2,500 | $250 | $625,000 | |||
| Dec 13, 2024 | 5 | $2,013,310 | 2,602 | $774 | $2,013,310 | 1 | ||
| Dec 14, 2024 | 6 | $1,476,921 | -27% | 2,602 | $568 | $3,490,231 | 2 | |
| Dec 15, 2024 | 7 | $1,061,878 | -28% | 2,602 | $408 | $4,552,109 | 3 | |
| Dec 16, 2024 | - | $398,413 | -62% | 2,602 | $153 | $4,950,522 | 4 | |
| Dec 17, 2024 | - | $512,213 | +29% | 2,602 | $197 | $5,462,735 | 5 | |
| Dec 18, 2024 | 7 | $355,109 | -31% | 2,602 | $136 | $5,817,844 | 6 | |
| Dec 19, 2024 | 5 | $282,327 | -20% | 2,602 | $109 | $6,100,171 | 7 | |
| Dec 20, 2024 | 9 | $360,647 | +28% | -82% | 2,602 | $139 | $6,460,818 | 8 |
| Dec 21, 2024 | 9 | $463,900 | +29% | -69% | 2,602 | $178 | $6,924,718 | 9 |
| Dec 22, 2024 | 9 | $411,347 | -11% | -61% | 2,602 | $158 | $7,336,065 | 10 |
| Dec 23, 2024 | 10 | $298,694 | -27% | -25% | 2,602 | $115 | $7,634,759 | 11 |
| Dec 24, 2024 | 10 | $185,238 | -38% | -64% | 2,602 | $71 | $7,819,997 | 12 |
| Dec 25, 2024 | - | $129,623 | -30% | -63% | 1,378 | $94 | $7,949,620 | 13 |
| Dec 26, 2024 | 12 | $185,595 | +43% | -34% | 1,378 | $135 | $8,135,215 | 14 |
| Dec 27, 2024 | 12 | $149,721 | -19% | -58% | 1,135 | $132 | $8,284,936 | 15 |
| Dec 28, 2024 | 12 | $164,021 | +10% | -65% | 1,135 | $145 | $8,448,957 | 16 |
| Dec 29, 2024 | 12 | $136,497 | -17% | -67% | 1,135 | $120 | $8,585,454 | 17 |
| Dec 30, 2024 | 12 | $93,356 | -32% | -69% | 1,135 | $82 | $8,678,810 | 18 |
| Dec 31, 2024 | 13 | $76,692 | -18% | -59% | 1,135 | $68 | $8,755,502 | 19 |
| Jan 1, 2025 | 12 | $114,145 | +49% | -12% | 1,135 | $101 | $8,869,647 | 20 |
| Jan 2, 2025 | 12 | $66,032 | -42% | -64% | 1,135 | $58 | $8,935,679 | 21 |
| Jan 3, 2025 | - | $40,053 | -39% | -73% | 472 | $85 | $8,975,732 | 22 |
| Jan 4, 2025 | - | $64,475 | +61% | -61% | 472 | $137 | $9,040,207 | 23 |
| Jan 5, 2025 | - | $39,865 | -38% | -71% | 472 | $84 | $9,080,072 | 24 |
| Jan 6, 2025 | - | $11,482 | -71% | -88% | 472 | $24 | $9,091,554 | 25 |
| Jan 7, 2025 | - | $17,923 | +56% | -77% | 472 | $38 | $9,109,477 | 26 |
| Jan 8, 2025 | - | $13,944 | -22% | -88% | 472 | $30 | $9,123,421 | 27 |
| Jan 9, 2025 | - | $8,991 | -36% | -86% | 472 | $19 | $9,132,412 | 28 |
| Jan 10, 2025 | - | $3,762 | -58% | -91% | 71 | $53 | $9,136,174 | 29 |
| Jan 11, 2025 | - | $8,372 | +123% | -87% | 71 | $118 | $9,144,546 | 30 |
| Jan 12, 2025 | - | $5,563 | -34% | -86% | 71 | $78 | $9,150,109 | 31 |
| Jan 13, 2025 | - | $2,058 | -63% | -82% | 71 | $29 | $9,152,167 | 32 |
| Jan 14, 2025 | - | $2,492 | +21% | -86% | 71 | $35 | $9,154,659 | 33 |
| Jan 15, 2025 | - | $2,042 | -18% | -85% | 71 | $29 | $9,156,701 | 34 |
| Jan 16, 2025 | - | $1,871 | -8% | -79% | 71 | $26 | $9,158,572 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 13, 2024 | 6 | $6,100,171 | 2,602 | $2,344 | $6,100,171 | 1 | |
| Dec 20, 2024 | 13 | $2,035,044 | -67% | 1,378 | $1,477 | $8,135,215 | 2 |
| Dec 27, 2024 | 12 | $800,464 | -61% | 1,135 | $705 | $8,935,679 | 3 |
| Jan 3, 2025 | 19 | $196,733 | -75% | 472 | $417 | $9,132,412 | 4 |
| Jan 10, 2025 | 37 | $26,160 | -87% | 71 | $368 | $9,158,572 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 12/12/2024 | $252,881 | 283 | 283 | 664 | $567,029 | 2/3/2025 | |||
| Brazil | 12/5/2024 | $106,000 | 0 | 0 | 0 | $106,000 | 12/9/2024 | |||
| China | 12/14/2024 | $108,995 | 0 | 0 | 0 | $172,416 | 2/8/2025 | |||
| Croatia | 12/12/2024 | $24,025 | 58 | 58 | 118 | $53,439 | 1/17/2025 | |||
| Czech Republic | 12/6/2024 | $44,465 | 154 | 154 | 243 | $109,195 | 1/1/2025 | |||
| Finland | 12/13/2024 | $59,039 | 94 | 94 | 235 | $175,293 | 4/21/2026 | |||
| France | 12/11/2024 | $503,000 | 416 | 416 | 416 | $503,000 | 12/16/2024 | |||
| Germany | 12/12/2024 | $570,000 | 368 | 368 | 368 | $570,000 | 12/16/2024 | |||
| Italy | 1/1/2025 | $226,430 | 0 | 0 | 0 | $317,028 | 1/6/2025 | |||
| Mexico | 12/5/2024 | $225,000 | 0 | 0 | 0 | $377,375 | 12/18/2024 | |||
| Netherlands | 12/12/2024 | $107,937 | 83 | 83 | 217 | $315,622 | 1/8/2025 | |||
| New Zealand | 12/12/2024 | $65,010 | 93 | 93 | 280 | $149,414 | 1/28/2025 | |||
| Norway | 12/5/2024 | $55,000 | 0 | 0 | 0 | $55,000 | 12/9/2024 | |||
| Portugal | 12/12/2024 | $19,987 | 53 | 53 | 85 | $34,957 | 12/31/2024 | |||
| Romania | 12/13/2024 | $22,977 | 100 | 100 | 204 | $61,979 | 1/15/2025 | |||
| Russia (CIS) | 12/12/2024 | $56,963 | 136 | 136 | 136 | $56,963 | 12/18/2024 | |||
| Slovakia | 12/12/2024 | $16,935 | 66 | 66 | 129 | $36,433 | 12/31/2024 | |||
| South Korea | 1/25/2025 | $3,394 | 106 | 106 | 106 | $23,999 | 2/5/2025 | |||
| Spain | 12/5/2024 | $271,663 | 269 | 270 | 687 | $661,588 | 1/3/2025 | |||
| Thailand | 12/5/2024 | $109,000 | 0 | 0 | 0 | $109,000 | 12/9/2024 | |||
| Turkey | 12/13/2024 | $78,414 | 179 | 179 | 292 | $137,713 | 1/9/2025 | |||
| United Kingdom | 12/13/2024 | $610,740 | 515 | 515 | 899 | $1,047,893 | 12/25/2024 | |||
| Rest of World | $5,958,664 | |||||||||
| International Total | $11,600,000 | 4/21/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Brian Cox | Helm Hammerhand | |
| Gaia Wise | Hera |
Narrator
| Miranda Otto | Éowyn / Narrator |
Supporting
| Laurence Ubong Williams | Fréaláf Hildeson | |
| Shaun Dooley | Freca | |
| Luke Pasqualino | Wulf | |
| Lorraine Ashbourne | Olwyn | |
| Yazdan Qafouri | Hama | |
| Benjamin Wainwright | Haleth | |
| Michael Wildman | General Targg | |
| Jude Akuwudike | Lord Thorne | |
| Bilal Hasna | Lief | |
| Janine Duvitski | Old Pennicruik | |
| Billy Boyd | Shank | |
| Dominic Monaghan | Wrot | |
| Alex Jordan | Lord Fryght | |
| Bea Dooley | Young Héra | |
| Elijah Tamati | Young Wulf | |
| Will Godber | Young Rohan Refugee | |
| Christopher Lee | Saruman | |
| Calum Gittins | Wildman | |
| Matt Beachen | Dunharrow Captain |
Production and Technical Credits
| Kenji Kamiyama | Director | |
| Joseph Chou | Producer | |
| Philippa Boyens | Producer | |
| Jason DeMarco | Producer | |
| Phoebe Gittins | Screenwriter | |
| Arty Papageorgiou | Screenwriter | |
| Will Matthews | Screenwriter | |
| Jeffrey Addiss | Screenwriter | |
| Jeffrey Addiss | Story by | |
| Will Matthews | Story by | |
| Philippa Boyens | Story by | |
| J.R.R. Tolkien | Character Creator | |
| Fran Walsh | Executive Producer | |
| Peter Jackson | Executive Producer | |
| Sam Register | Executive Producer | |
| Ken Kamins | Executive Producer | |
| Carolyn Blackwood | Executive Producer | |
| Pete Chiappetta | Executive Producer | |
| Andrew Lary | Executive Producer | |
| Anthony Tittanegro | Executive Producer | |
| Toby Emmerich | Executive Producer | |
| Stephen Gallagher | Composer | |
| Tomi Hashimoto | Co-Producer | |
| Carlos Ramirez Laloli | Co-Producer | |
| Takenari Maeda | Associate Producer | |
| Phoebe Gittins | Associate Producer | |
| Arty Papageorgiou | Associate Producer | |
| Michael Hedges | Re-recording Mixer | |
| Alexis Feodoroff | Re-recording Mixer | |
| Brent Burge | Supervising Sound Editor | |
| Martin Kwok | Supervising Sound Editor | |
| Mark Willsher | Music Producer | |
| Sarah Noonan | Casting Director | |
| Howard Shore | Song Writer | |
| Hinako Okasora | Line Producer | |
| Joey Goubeaud | Post-Production Supervisor | |
| Miyako Takasu | Animation Supervisor | |
| Kazuhide Tomonaga | Senior Key Animation Director | |
| Hisao Yokobori | Senior Key Animation Director | |
| Chiaki Sakuma | Senior Key Animation Director | |
| Kenji Yasuda | Assistant Director | |
| Yoshihiko Mori | Assistant Director | |
| Iori Miura | Assistant Director | |
| Keiichirou Shimizu | Set Designer | |
| Masahiko Suzuki | Creature Designer | |
| Talei Searell | Supervising Production Manager | |
| Tsuyoshi Sadamatsu | Editor | |
| Joey Goubeaud | Assistant Editor | |
| Tim Chaproniere | Additional Sound Re-recording Mixer | |
| Matt Stutter | Supervising Sound Effects Editor | |
| Hayden Collow | Sound Effects Editor | |
| Dmitry Novikov | Dialogue Editor | |
| Alexis Feodoroff | Foley Editor | |
| Craig Tomlinson | Foley Editor | |
| Michael Donaldson | Foley Recordist | |
| Michael Donaldson | Foley Editor | |
| Steve McGillen | Visual Effects Supervisor | |
| David Cowan | Dialogue Editor | |
| Kelly Foley Downs | Dialogue Editor | |
| John Reynolds | Dialogue Editor | |
| Darlene Stoker | Dialogue Editor | |
| Harrison T. Barth | Assistant Editor | |
| Michele Beeson | Assistant Editor | |
| Gabriel Gianola | Assistant Editor | |
| Janet Grab | Supervising Music Editor | |
| Alana Janssen | Music Editor | |
| John Neill | Score Recordist | |
| Mark Willsher | Score Recordist |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.