10 to Midnight (1983)
| Theatrical Performance | ||
| Domestic Box Office | $7,175,592 | Details |
| Domestic Physical Disc Sales | ||
| Blu-ray Sales (estimated) | $213,333 | |
| Total | $213,333 | |
| OpusData ID: 130890100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $3,050,225 (42.5% of total gross) |
| Legs: | 2.35 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 595 opening theaters/595 max. theaters, 2.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $25,763,784 |
Movie Details
| Domestic Releases: | March 11th, 1983 (Wide) by Cannon |
| Video Release: | January 22nd, 2019 by Shout Factory |
| MPA Rating: | R |
| Running Time: | 101 minutes |
| Geographical setting: | Los Angeles |
| Plot point: | Dysfunctional Family, Fired, Framed, Police Brutality, Police Detective, Prostitution, Revenge, Serial Killer |
| Social setting: | LAPD |
| Subgenre: | Crime Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 11, 1983 | 2 | $3,050,225 | 595 | $5,126 | $3,050,225 | 1 | |
| Mar 18, 1983 | 3 | $2,149,672 | -30% | 595 | $3,613 | $5,895,197 | 2 |
| Mar 25, 1983 | 12 | $574,890 | -73% | 225 | $2,555 | $6,575,087 | 3 |
| Apr 1, 1983 | 21 | $274,036 | -52% | 135 | $2,030 | $6,939,123 | 4 |
| Apr 8, 1983 | 22 | $206,469 | -25% | 95 | $2,173 | $7,175,592 | 5 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 11, 1983 | 2 | $3,745,525 | 595 | $6,295 | $3,745,525 | 1 | |
| Mar 18, 1983 | 4 | $2,254,672 | -40% | 595 | $3,789 | $6,000,197 | 2 |
| Mar 25, 1983 | 15 | $664,890 | -71% | 225 | $2,955 | $6,665,087 | 3 |
| Apr 1, 1983 | 23 | $304,036 | -54% | 135 | $2,252 | $6,969,123 | 4 |
| Wilford Brimley | Captain Malone | |
| Geoffrey Lewis | Dave Dante |
Leading
| Charles Bronson | Leo Kessler | |
| Kelly Preston | Doreen |
Supporting
| Lisa Eilbacher | Laurie Kessler |
Production and Technical Credits
| Jack Lee Thompson | Director | |
| Gregory H. Watkins | Re-recording Mixer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $3,050,225 (42.5% of total gross) |
| Legs: | 2.35 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 595 opening theaters/595 max. theaters, 2.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $25,763,784 |
Movie Details
| Domestic Releases: | March 11th, 1983 (Wide) by Cannon |
| Video Release: | January 22nd, 2019 by Shout Factory |
| MPA Rating: | R |
| Running Time: | 101 minutes |
| Geographical setting: | Los Angeles |
| Plot point: | Dysfunctional Family, Fired, Framed, Police Brutality, Police Detective, Prostitution, Revenge, Serial Killer |
| Social setting: | LAPD |
| Subgenre: | Crime Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 11, 1983 | 2 | $3,050,225 | 595 | $5,126 | $3,050,225 | 1 | |
| Mar 18, 1983 | 3 | $2,149,672 | -30% | 595 | $3,613 | $5,895,197 | 2 |
| Mar 25, 1983 | 12 | $574,890 | -73% | 225 | $2,555 | $6,575,087 | 3 |
| Apr 1, 1983 | 21 | $274,036 | -52% | 135 | $2,030 | $6,939,123 | 4 |
| Apr 8, 1983 | 22 | $206,469 | -25% | 95 | $2,173 | $7,175,592 | 5 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 11, 1983 | 2 | $3,745,525 | 595 | $6,295 | $3,745,525 | 1 | |
| Mar 18, 1983 | 4 | $2,254,672 | -40% | 595 | $3,789 | $6,000,197 | 2 |
| Mar 25, 1983 | 15 | $664,890 | -71% | 225 | $2,955 | $6,665,087 | 3 |
| Apr 1, 1983 | 23 | $304,036 | -54% | 135 | $2,252 | $6,969,123 | 4 |
| Wilford Brimley | Captain Malone | |
| Geoffrey Lewis | Dave Dante |
Leading
| Charles Bronson | Leo Kessler | |
| Kelly Preston | Doreen |
Supporting
| Lisa Eilbacher | Laurie Kessler |
Production and Technical Credits
| Jack Lee Thompson | Director | |
| Gregory H. Watkins | Re-recording Mixer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.