100 Meters (2025)
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| Theatrical Performance | ||
| Domestic Box Office | $140,991 | Details |
| International Box Office | $264,027 | Details |
| Worldwide Box Office | $405,018 | |
| OpusData ID: 764350100 More info... | ||
| Further financial details... | ||
Synopsis
Togashi is a track star who is born to run. As a kid, he is naturally gifted and wins every 100-meter race without effort. But in sixth grade, he meets Komiya, a transfer student who is full of determination but lacks technique. In teaching him, Togashi gives Komiya a new purpose: to win no matter what. Years pass by, and Togashi and Komiya meet again as rivals on the track and reveal their true selves.
Metrics
| Opening Weekend: | $62,131 (44.1% of total gross) |
| Legs: | 2.27 (domestic box office/biggest weekend) |
| Domestic Share: | 34.8% (domestic box office/worldwide) |
| Theater counts: | 491 opening theaters/491 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $140,991 |
Movie Details
| Domestic Releases: | October 10th, 2025 (Limited) by GKIDS |
| International Releases: | October 8th, 2025 (Limited), released as 100 Meters (100미터) (South Korea)
October 16th, 2025 (Limited) (Australia) October 16th, 2025 (Limited) (New Zealand) November 14th, 2025 (Limited) (United Kingdom) November 27th, 2025 (Limited), released as 100 Meters (Стометровка) (Russia (CIS)) ... Show all releases |
| MPA Rating: | Not Rated (Rated 10/21/2025) |
| Running Time: | 102 minutes |
| Cast, crew, or production detail: | Anime |
| Plot point: | Mentor, New Guy/Girl in School, Professional Rivalry, Track and Field |
| Subgenre: | Sports Drama |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Hand Animation |
| Creative Type: | Contemporary Fiction |
| Production Countries: | Japan |
| Languages: | Japanese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 10, 2025 | - | $62,131 | 491 | $127 | $62,131 | 1 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Oct 10, 2025 | - | $207 | 1 | $207 | $207 | 1 | |
| Oct 11, 2025 | - | $265 | +28% | 1 | $265 | $472 | 2 |
| Oct 12, 2025 | - | $61,659 | +23,168% | 491 | $126 | $62,131 | 3 |
| Oct 13, 2025 | - | $28,028 | -55% | 491 | $57 | $90,159 | 4 |
| Oct 14, 2025 | - | $50,196 | +79% | 491 | $102 | $140,355 | 5 |
| Oct 15, 2025 | - | $323 | -99% | 1 | $323 | $140,678 | 6 |
| Oct 16, 2025 | - | $313 | -3% | 1 | $313 | $140,991 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 10, 2025 | 24 | $140,991 | 1 | $140,991 | $140,991 | 1 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 10/16/2025 | $6,411 | 27 | 27 | 0 | $10,152 | 4/6/2026 | |||
| South Korea | 10/8/2025 | $51,249 | 141 | 141 | 0 | $238,151 | 4/6/2026 | |||
| United Kingdom | 11/14/2025 | $15,724 | 47 | 47 | 47 | $15,724 | 4/4/2026 | |||
| International Total | $264,027 | 4/6/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Tori Matsuzaka | Togashi | |
| Shota Sometani | Komiya |
Production and Technical Credits
| Kenji Iwaisawa | Director | |
| Yasuyuki Moto | Screenwriter | |
| Uoto | Story Creator | |
| Maaki Komazuki | Cinematographer | |
| Ayumi Miyazaki | Editor | |
| Hiroaki Tsutsumi | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Togashi is a track star who is born to run. As a kid, he is naturally gifted and wins every 100-meter race without effort. But in sixth grade, he meets Komiya, a transfer student who is full of determination but lacks technique. In teaching him, Togashi gives Komiya a new purpose: to win no matter what. Years pass by, and Togashi and Komiya meet again as rivals on the track and reveal their true selves.
Metrics
| Opening Weekend: | $62,131 (44.1% of total gross) |
| Legs: | 2.27 (domestic box office/biggest weekend) |
| Domestic Share: | 34.8% (domestic box office/worldwide) |
| Theater counts: | 491 opening theaters/491 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $140,991 |
Movie Details
| Domestic Releases: | October 10th, 2025 (Limited) by GKIDS |
| International Releases: | October 8th, 2025 (Limited), released as 100 Meters (100미터) (South Korea)
October 16th, 2025 (Limited) (Australia) October 16th, 2025 (Limited) (New Zealand) November 14th, 2025 (Limited) (United Kingdom) November 27th, 2025 (Limited), released as 100 Meters (Стометровка) (Russia (CIS)) ... Show all releases |
| MPA Rating: | Not Rated (Rated 10/21/2025) |
| Running Time: | 102 minutes |
| Cast, crew, or production detail: | Anime |
| Plot point: | Mentor, New Guy/Girl in School, Professional Rivalry, Track and Field |
| Subgenre: | Sports Drama |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Hand Animation |
| Creative Type: | Contemporary Fiction |
| Production Countries: | Japan |
| Languages: | Japanese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 10, 2025 | - | $62,131 | 491 | $127 | $62,131 | 1 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Oct 10, 2025 | - | $207 | 1 | $207 | $207 | 1 | |
| Oct 11, 2025 | - | $265 | +28% | 1 | $265 | $472 | 2 |
| Oct 12, 2025 | - | $61,659 | +23,168% | 491 | $126 | $62,131 | 3 |
| Oct 13, 2025 | - | $28,028 | -55% | 491 | $57 | $90,159 | 4 |
| Oct 14, 2025 | - | $50,196 | +79% | 491 | $102 | $140,355 | 5 |
| Oct 15, 2025 | - | $323 | -99% | 1 | $323 | $140,678 | 6 |
| Oct 16, 2025 | - | $313 | -3% | 1 | $313 | $140,991 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 10, 2025 | 24 | $140,991 | 1 | $140,991 | $140,991 | 1 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 10/16/2025 | $6,411 | 27 | 27 | 0 | $10,152 | 4/6/2026 | |||
| South Korea | 10/8/2025 | $51,249 | 141 | 141 | 0 | $238,151 | 4/6/2026 | |||
| United Kingdom | 11/14/2025 | $15,724 | 47 | 47 | 47 | $15,724 | 4/4/2026 | |||
| International Total | $264,027 | 4/6/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Tori Matsuzaka | Togashi | |
| Shota Sometani | Komiya |
Production and Technical Credits
| Kenji Iwaisawa | Director | |
| Yasuyuki Moto | Screenwriter | |
| Uoto | Story Creator | |
| Maaki Komazuki | Cinematographer | |
| Ayumi Miyazaki | Editor | |
| Hiroaki Tsutsumi | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.