11th Hour (2007)
| Theatrical Performance | ||
| Domestic Box Office | $703,464 | Details |
| International Box Office | $345,428 | |
| Worldwide Box Office | $1,048,892 | |
| OpusData ID: 131490100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $60,853 (8.7% of total gross) |
| Legs: | 4.02 (domestic box office/biggest weekend) |
| Domestic Share: | 67.1% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/111 max. theaters, 3.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,222,886 |
Movie Details
| Domestic Releases: | August 17th, 2007 (Limited) by Warner Independent |
| Video Release: | April 8th, 2008 by Warner Home Video, released as 11th Hour, The |
| MPA Rating: | PG for some mild disturbing images and thematic elements. |
| Running Time: | 92 minutes |
| Cast, crew, or production detail: | Voiceover/Narration |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Appian Way |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 17, 2007 | 47 | $60,853 | 4 | $15,213 | $60,853 | 1 | |
| Aug 24, 2007 | 46 | $69,725 | +15% | 20 | $3,486 | $150,138 | 2 |
| Aug 31, 2007 | 33 | $175,105 | +151% | 111 | $1,578 | $353,025 | 3 |
| Sep 7, 2007 | 41 | $73,959 | -58% | 95 | $779 | $550,272 | 4 |
| Sep 14, 2007 | 51 | $47,574 | -36% | 96 | $496 | $641,054 | 5 |
| Sep 21, 2007 | 67 | $16,691 | -65% | 55 | $303 | $687,845 | 6 |
| Sep 28, 2007 | 89 | $5,687 | -66% | 13 | $437 | $703,464 | 7 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Sep 3, 2007 | 31 | $64,888 | 111 | $585 | $417,913 | 18 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 17, 2007 | 49 | $80,413 | 4 | $20,103 | $80,413 | 1 | |
| Aug 24, 2007 | 46 | $97,507 | +21% | 20 | $4,875 | $177,920 | 2 |
| Aug 31, 2007 | 33 | $298,393 | +206% | 111 | $2,688 | $476,313 | 3 |
| Sep 7, 2007 | 41 | $117,167 | -61% | 95 | $1,233 | $593,480 | 4 |
| Sep 14, 2007 | 48 | $77,674 | -34% | 96 | $809 | $671,154 | 5 |
| Sep 21, 2007 | 66 | $26,623 | -66% | 55 | $484 | $697,777 | 6 |
Narrator
| Leonardo DiCaprio | Narrator |
Production and Technical Credits
| Leila Conners Petersen | Director | |
| Leila Conners Petersen | Screenwriter | |
| Nadia Conners | Screenwriter | |
| Leonardo DiCaprio | Producer | |
| Leila Conners Petersen | Producer | |
| Chuck Castleberry | Producer | |
| Brian Gerber | Producer | |
| Adam Lewis | Executive Producer | |
| Pierre Andre Senizergues | Executive Producer | |
| Doyle Brunson | Executive Producer | |
| Al Decarolis | Executive Producer | |
| Irmerlin DiCaprio | Executive Producer | |
| Jean-Pascal Beintus | Composer | |
| Eric Avery | Composer | |
| Stephen McGuire | Associate Producer | |
| Bettina Godi | Assistant Director | |
| Nick Case | Unit Production Manager | |
| Jean de Pomereu | Production Manager | |
| Dessie Markovsky | Production Supervisor | |
| Nadia Conners | Production Designer | |
| Peter Youngblood Hills | Director of Photography (16mm) | |
| Andrew Rowland | Director of Photography (35mm) | |
| Pietro Scalia | Editor | |
| Luis Alvarez y Alvarez | Editor | |
| Miklos Wright | Additional Editor | |
| Dennis Haggerty | Sound Mixer | |
| Ron Bartlett | Re-recording Mixer | |
| D.M. Hemphill | Re-recording Mixer | |
| Richard King | Supervising Sound Editor | |
| Hamilton Sterling | Sound Effects Editor | |
| Hugo Weng | Dialogue Editor | |
| Andy Snavley | Music Editor | |
| Adrianna Stepien | Makeup | |
| Luis Alvarez y Alvarez | Music Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Metrics
| Opening Weekend: | $60,853 (8.7% of total gross) |
| Legs: | 4.02 (domestic box office/biggest weekend) |
| Domestic Share: | 67.1% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/111 max. theaters, 3.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,222,886 |
Movie Details
| Domestic Releases: | August 17th, 2007 (Limited) by Warner Independent |
| Video Release: | April 8th, 2008 by Warner Home Video, released as 11th Hour, The |
| MPA Rating: | PG for some mild disturbing images and thematic elements. |
| Running Time: | 92 minutes |
| Cast, crew, or production detail: | Voiceover/Narration |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Appian Way |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 17, 2007 | 47 | $60,853 | 4 | $15,213 | $60,853 | 1 | |
| Aug 24, 2007 | 46 | $69,725 | +15% | 20 | $3,486 | $150,138 | 2 |
| Aug 31, 2007 | 33 | $175,105 | +151% | 111 | $1,578 | $353,025 | 3 |
| Sep 7, 2007 | 41 | $73,959 | -58% | 95 | $779 | $550,272 | 4 |
| Sep 14, 2007 | 51 | $47,574 | -36% | 96 | $496 | $641,054 | 5 |
| Sep 21, 2007 | 67 | $16,691 | -65% | 55 | $303 | $687,845 | 6 |
| Sep 28, 2007 | 89 | $5,687 | -66% | 13 | $437 | $703,464 | 7 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Sep 3, 2007 | 31 | $64,888 | 111 | $585 | $417,913 | 18 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 17, 2007 | 49 | $80,413 | 4 | $20,103 | $80,413 | 1 | |
| Aug 24, 2007 | 46 | $97,507 | +21% | 20 | $4,875 | $177,920 | 2 |
| Aug 31, 2007 | 33 | $298,393 | +206% | 111 | $2,688 | $476,313 | 3 |
| Sep 7, 2007 | 41 | $117,167 | -61% | 95 | $1,233 | $593,480 | 4 |
| Sep 14, 2007 | 48 | $77,674 | -34% | 96 | $809 | $671,154 | 5 |
| Sep 21, 2007 | 66 | $26,623 | -66% | 55 | $484 | $697,777 | 6 |
Narrator
| Leonardo DiCaprio | Narrator |
Production and Technical Credits
| Leila Conners Petersen | Director | |
| Leila Conners Petersen | Screenwriter | |
| Nadia Conners | Screenwriter | |
| Leonardo DiCaprio | Producer | |
| Leila Conners Petersen | Producer | |
| Chuck Castleberry | Producer | |
| Brian Gerber | Producer | |
| Adam Lewis | Executive Producer | |
| Pierre Andre Senizergues | Executive Producer | |
| Doyle Brunson | Executive Producer | |
| Al Decarolis | Executive Producer | |
| Irmerlin DiCaprio | Executive Producer | |
| Jean-Pascal Beintus | Composer | |
| Eric Avery | Composer | |
| Stephen McGuire | Associate Producer | |
| Bettina Godi | Assistant Director | |
| Nick Case | Unit Production Manager | |
| Jean de Pomereu | Production Manager | |
| Dessie Markovsky | Production Supervisor | |
| Nadia Conners | Production Designer | |
| Peter Youngblood Hills | Director of Photography (16mm) | |
| Andrew Rowland | Director of Photography (35mm) | |
| Pietro Scalia | Editor | |
| Luis Alvarez y Alvarez | Editor | |
| Miklos Wright | Additional Editor | |
| Dennis Haggerty | Sound Mixer | |
| Ron Bartlett | Re-recording Mixer | |
| D.M. Hemphill | Re-recording Mixer | |
| Richard King | Supervising Sound Editor | |
| Hamilton Sterling | Sound Effects Editor | |
| Hugo Weng | Dialogue Editor | |
| Andy Snavley | Music Editor | |
| Adrianna Stepien | Makeup | |
| Luis Alvarez y Alvarez | Music Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.