1408 (2007)
| Theatrical Performance | ||
| Domestic Box Office | $71,985,628 | Details |
| International Box Office | $59,277,742 | |
| Worldwide Box Office | $131,263,370 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $50,979,073 | |
| Total | $50,979,073 | |
| OpusData ID: 129960100 More info... | ||
| Further financial details... | ||
Synopsis
Renowned horror novelist Mike Enslin believes only in what he can see with his own two eyes. After a string of bestsellers discrediting paranormal events in the most infamous haunted houses and graveyards around the world, he has no real proof of life after life. But Enslin's phantom-free run of long and lonely nights is about to change forever when he checks into suite 1408 of the notorious Dolphin Hotel for his latest project, "Ten Nights in Haunted Hotel Rooms." Defying the warnings of the hotel manager, the author is the first person in years to stay in the reputedly haunted room. Another bestseller may be imminent, but like all Stephen King heroes, first he must go from skeptic to true believer -- and ultimately survive the night.
Metrics
| Opening Weekend: | $20,617,667 (28.6% of total gross) |
| Legs: | 3.49 (domestic box office/biggest weekend) |
| Domestic Share: | 54.8% (domestic box office/worldwide) |
| Production Budget: | $22,500,000 (worldwide box office is 5.8 times production budget) |
| Theater counts: | 2,678 opening theaters/2,733 max. theaters, 5.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $118,336,835 |
Movie Details
| Domestic Releases: | June 22nd, 2007 (Wide) by MGM |
| Video Release: | October 2nd, 2007 by Weinstein Co./Genius December 26th, 2007 by Paramount Home Entertainment |
| MPA Rating: | R for thematic material including disturbing sequences of violence and terror, frightening images and language. |
| Running Time: | 104 minutes |
| Plot point: | Death of a Son or Daughter, Haunting, Paranormal Investigation, Skeptic, Surprise Twist |
| Subgenre: | Psychological Horror |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 22, 2007 | 2 | $20,617,667 | 2,678 | $7,699 | $20,617,667 | 1 | |
| Jun 29, 2007 | 4 | $10,662,804 | -48% | 2,733 | $3,902 | $40,442,058 | 2 |
| Jul 6, 2007 | 6 | $7,088,979 | -34% | 2,631 | $2,694 | $53,738,325 | 3 |
| Jul 13, 2007 | 6 | $4,934,516 | -30% | 2,206 | $2,237 | $62,127,222 | 4 |
| Jul 20, 2007 | 8 | $2,621,194 | -47% | 1,451 | $1,806 | $67,453,524 | 5 |
| Jul 27, 2007 | 17 | $1,139,669 | -57% | 981 | $1,162 | $69,926,874 | 6 |
| Aug 3, 2007 | 28 | $230,678 | -80% | 295 | $782 | $70,704,142 | 7 |
| Aug 10, 2007 | 39 | $106,058 | -54% | 240 | $442 | $70,918,071 | 8 |
| Aug 17, 2007 | 43 | $74,718 | -30% | 102 | $733 | $71,045,248 | 9 |
| Aug 24, 2007 | 54 | $47,518 | -36% | 72 | $660 | $71,124,791 | 10 |
| Aug 31, 2007 | 27 | $341,141 | +618% | 218 | $1,565 | $71,481,696 | 11 |
| Sep 7, 2007 | 35 | $148,419 | -56% | 205 | $724 | $71,706,278 | 12 |
| Sep 14, 2007 | 43 | $94,084 | -37% | 144 | $653 | $71,836,819 | 13 |
| Sep 21, 2007 | 50 | $51,267 | -46% | 95 | $540 | $71,192,310 | 14 |
| Sep 28, 2007 | 60 | $26,773 | -48% | 67 | $400 | $71,953,494 | 15 |
| Oct 5, 2007 | 65 | $13,335 | -50% | 22 | $606 | $71,975,611 | 16 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jun 22, 2007 | 2 | $7,647,080 | 2,678 | $2,856 | $7,647,080 | 1 | ||
| Jun 23, 2007 | 3 | $7,372,491 | -4% | 2,678 | $2,753 | $15,019,571 | 2 | |
| Jun 24, 2007 | 3 | $5,598,096 | -24% | 2,678 | $2,090 | $20,617,667 | 3 | |
| Jun 25, 2007 | 2 | $2,781,408 | -50% | 2,678 | $1,039 | $23,399,075 | 4 | |
| Jun 26, 2007 | 2 | $2,393,034 | -14% | 2,678 | $894 | $25,792,109 | 5 | |
| Jun 27, 2007 | 3 | $1,999,479 | -16% | 2,678 | $747 | $27,791,588 | 6 | |
| Jun 28, 2007 | 3 | $1,987,666 | -1% | 2,678 | $742 | $29,779,254 | 7 | |
| Jun 29, 2007 | 4 | $3,659,434 | +84% | -52% | 2,733 | $1,339 | $33,438,688 | 8 |
| Jun 30, 2007 | 4 | $3,981,978 | +9% | -46% | 2,733 | $1,457 | $37,420,666 | 9 |
| Jul 1, 2007 | 4 | $3,021,392 | -24% | -46% | 2,733 | $1,106 | $40,442,058 | 10 |
| Jul 2, 2007 | 5 | $1,565,265 | -48% | -44% | 2,733 | $573 | $42,007,323 | 11 |
| Jul 3, 2007 | 6 | $1,510,000 | -4% | -37% | 2,733 | $553 | $43,520,000 | 12 |
| Jul 4, 2007 | 6 | $1,617,545 | +7% | -19% | 2,733 | $592 | $45,149,813 | 13 |
| Jul 5, 2007 | 6 | $1,499,533 | -7% | -25% | 2,733 | $549 | $46,649,346 | 14 |
| Jul 6, 2007 | 6 | $2,375,280 | +58% | -35% | 2,733 | $869 | $49,024,626 | 15 |
| Jul 7, 2007 | 6 | $2,650,346 | +12% | -33% | 2,733 | $970 | $51,674,972 | 16 |
| Jul 8, 2007 | 6 | $2,063,353 | -22% | -32% | 2,733 | $755 | $53,738,325 | 17 |
| Jul 9, 2007 | 6 | $1,031,045 | -50% | -34% | 2,631 | $392 | $54,769,370 | 18 |
| Jul 10, 2007 | 6 | $908,775 | -12% | -40% | 2,631 | $345 | $55,678,145 | 19 |
| Jul 11, 2007 | 7 | $787,837 | -13% | -51% | 2,631 | $299 | $56,465,982 | 20 |
| Jul 12, 2007 | 7 | $726,724 | -8% | -52% | 2,631 | $276 | $57,192,706 | 21 |
| Jul 13, 2007 | 6 | $1,624,217 | +123% | -32% | 2,206 | $736 | $58,816,923 | 22 |
| Jul 14, 2007 | 7 | $1,923,302 | +18% | -27% | 2,206 | $872 | $60,740,225 | 23 |
| Jul 15, 2007 | 7 | $1,386,997 | -28% | -33% | 2,206 | $629 | $62,127,222 | 24 |
| Jul 16, 2007 | 6 | $698,519 | -50% | -32% | 2,206 | $317 | $62,825,741 | 25 |
| Jul 17, 2007 | 7 | $673,033 | -4% | -26% | 2,206 | $305 | $63,498,774 | 26 |
| Jul 18, 2007 | 7 | $675,321 | n/c | -14% | 2,206 | $306 | $64,174,095 | 27 |
| Jul 19, 2007 | 7 | $658,235 | -3% | -9% | 2,206 | $298 | $64,832,330 | 28 |
| Jul 20, 2007 | 8 | $843,986 | +28% | -48% | 1,451 | $582 | $65,676,316 | 29 |
| Jul 21, 2007 | 8 | $1,039,832 | +23% | -46% | 1,451 | $717 | $66,784,637 | 30 |
| Jul 22, 2007 | 8 | $737,376 | -29% | -47% | 1,451 | $508 | $67,522,013 | 31 |
| Jul 23, 2007 | 9 | $369,693 | -50% | -47% | 1,451 | $255 | $67,823,217 | 32 |
| Jul 24, 2007 | 9 | $334,084 | -10% | -50% | 1,451 | $230 | $68,157,301 | 33 |
| Jul 25, 2007 | 9 | $319,560 | -4% | -53% | 1,451 | $220 | $68,476,861 | 34 |
| Jul 26, 2007 | 9 | $310,344 | -3% | -53% | 1,451 | $214 | $68,787,205 | 35 |
| Sep 3, 2007 | 39 | $38,250 | 218 | $175 | $71,519,946 | 74 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 22, 2007 | 2 | $29,779,254 | 2,678 | $11,120 | $29,779,254 | 1 | |
| Jun 29, 2007 | 5 | $16,870,092 | -43% | 2,733 | $6,173 | $46,649,346 | 2 |
| Jul 6, 2007 | 7 | $10,543,360 | -38% | 2,631 | $4,007 | $57,192,706 | 3 |
| Jul 13, 2007 | 7 | $7,639,624 | -28% | 2,206 | $3,463 | $64,832,330 | 4 |
| Jul 20, 2007 | 9 | $3,954,875 | -48% | 1,451 | $2,726 | $68,787,205 | 5 |
| Jul 27, 2007 | 17 | $1,686,259 | -57% | 981 | $1,719 | $70,473,464 | 6 |
| Aug 3, 2007 | 32 | $338,549 | -80% | 295 | $1,148 | $70,812,013 | 7 |
| Aug 10, 2007 | 42 | $158,517 | -53% | 240 | $660 | $70,970,530 | 8 |
| Aug 17, 2007 | 45 | $106,743 | -33% | 102 | $1,047 | $71,077,273 | 9 |
| Aug 24, 2007 | 54 | $63,282 | -41% | 72 | $879 | $71,140,555 | 10 |
| Aug 31, 2007 | 31 | $417,304 | +559% | 218 | $1,914 | $71,557,859 | 11 |
| Sep 7, 2007 | 36 | $184,876 | -56% | 205 | $902 | $71,742,735 | 12 |
| Sep 21, 2007 | 21 | $785,678 | 95 | $8,270 | $71,926,721 | 14 | |
| Sep 28, 2007 | 62 | $35,555 | -95% | 67 | $531 | $71,962,276 | 15 |
Leading
| John Cusack | Mike Enslin | |
| Samuel L. Jackson | Olin |
Supporting
| Mary McCormack | Lily | |
| Tony Shalhoub | Sam Farrell | |
| Len Cariou | Father | |
| Isiah Whitlock, Jr. | Engineer | |
| Jasmine Jessica Anthony | Katie | |
| Paul Birchard | Mr. Innkeeper | |
| Margot Leicester | Mrs. Innkeeper | |
| Walter Lewis | Cashier | |
| Eric Meyers | Man at Book Signing | |
| David Nicholson | Man at Book Signing | |
| Holly Hayes | Lady at Book Signing | |
| Alexandra Silber | Young Woman at Book Signing | |
| Johann Urb | Surfer Dude | |
| Andrew Lee Potts | Mailbox Guy | |
| Emily Harvey | Secretary | |
| William Armstrong | Clay (Lawyer) | |
| Kim Thomson | Desk Clerk | |
| Drew Powell | Assistant Hotel Manager | |
| Noah Lee Margetts | Bellboy | |
| Gil Cohen-Alloro | Maitre'd | |
| Benny Urquidez | Claw Hammer Maniac | |
| Ray Nicholas | Factory Owner | |
| Tina Maskell | 1950's Lady | |
| Paul Kasey | Kevin O'Malley | |
| George Cottle | Mailbox Worker | |
| Julian Spencer | Mailbox Worker | |
| Will Willoughby | Mailbox Worker | |
| Angel Oquendo | Taxi Cab Driver | |
| Thomas A. McMahon | Cop | |
| Anthony Mazza | Cop | |
| Chris Carey | Fireman |
Production and Technical Credits
| Mikael Hafstrom | Director | |
| Matt Greenberg | Screenwriter | |
| Scott Alexander | Screenwriter | |
| Larry Karaszewski | Screenwriter | |
| Stephen King | Story Creator | |
| Lorenzo di Bonaventura | Producer | |
| Bob Weinstein | Executive Producer | |
| Harvey Weinstein | Executive Producer | |
| Richard Saperstein | Executive Producer | |
| Jake Myers | Executive Producer | |
| Benoit Delhomme | Director of Photography | |
| Andrew Laws | Production Designer | |
| Peter Boyle | Editor | |
| Gabriel Yared | Composer | |
| Natalie Ward | Costume Designer | |
| Elaine Grainger | Casting Director | |
| Kelly Dennis | Associate Producer | |
| Antonia Kalmacoff | Associate Producer | |
| Jeremy Steckler | Associate Producer | |
| Sean Cameron Guest | Assistant Director | |
| John Greaves | Second Unit Director | |
| Elena Zokas | Unit Production Manager | |
| Gabriela Vazquez | Unit Production Manager | |
| Dana Robin | Unit Production Manager | |
| Mark Raggett | Supervising Art Director | |
| Stuart Kearns | Art Director | |
| Eric Sundahl | Art Director (Los Angeles) | |
| Tom Warren | Art Director (New York) | |
| Marina Morris | Set Decorator | |
| Daniel B. Clancy | Set Decorator (Los Angeles) | |
| Beth Kushnick | Set Decorator (New York) | |
| Tim Wooster | Second Unit Camera | |
| Mark Ferguson | Costume Supervisor | |
| Nigel Boyd | Costume Supervisor (Los Angeles) | |
| Jill Anderson | Costume Supervisor (New York) | |
| Brian Simmons | Sound Mixer | |
| Scott Stolz | Sound Mixer (Los Angeles) | |
| Tim Cavagin | Re-recording Mixer | |
| Craig Irving | Re-recording Mixer | |
| Steve Single | Re-recording Mixer | |
| Kevin McCue | Re-recording Mixer | |
| Nigel Mills | Supervising Sound Editor | |
| Steve Mayer | Sound Effects Editor | |
| Nigel Mills | Sound Designer | |
| Philip Alton | Dialogue Editor | |
| Kirsty Whalley | Music Editor | |
| Allan Jenkins | Additional Music Editor | |
| Pauline Heyes | Make up | |
| Luisa Abel | Make up | |
| Linda Grimes | Make up | |
| Victor De Nicola | Hairstylist | |
| Suzanne Stokes-Munton | Department Head Makeup and Hair | |
| Karl Derrick | Special Effects Makeup Design and Supervision | |
| Avy Kaufman | Casting (US) | |
| Paul Herbert | Stunt Coordinator | |
| Greg Barnett | Stunt Coordinator (Los Angeles) |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Renowned horror novelist Mike Enslin believes only in what he can see with his own two eyes. After a string of bestsellers discrediting paranormal events in the most infamous haunted houses and graveyards around the world, he has no real proof of life after life. But Enslin's phantom-free run of long and lonely nights is about to change forever when he checks into suite 1408 of the notorious Dolphin Hotel for his latest project, "Ten Nights in Haunted Hotel Rooms." Defying the warnings of the hotel manager, the author is the first person in years to stay in the reputedly haunted room. Another bestseller may be imminent, but like all Stephen King heroes, first he must go from skeptic to true believer -- and ultimately survive the night.
Metrics
| Opening Weekend: | $20,617,667 (28.6% of total gross) |
| Legs: | 3.49 (domestic box office/biggest weekend) |
| Domestic Share: | 54.8% (domestic box office/worldwide) |
| Production Budget: | $22,500,000 (worldwide box office is 5.8 times production budget) |
| Theater counts: | 2,678 opening theaters/2,733 max. theaters, 5.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $118,336,835 |
Movie Details
| Domestic Releases: | June 22nd, 2007 (Wide) by MGM |
| Video Release: | October 2nd, 2007 by Weinstein Co./Genius December 26th, 2007 by Paramount Home Entertainment |
| MPA Rating: | R for thematic material including disturbing sequences of violence and terror, frightening images and language. |
| Running Time: | 104 minutes |
| Plot point: | Death of a Son or Daughter, Haunting, Paranormal Investigation, Skeptic, Surprise Twist |
| Subgenre: | Psychological Horror |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 22, 2007 | 2 | $20,617,667 | 2,678 | $7,699 | $20,617,667 | 1 | |
| Jun 29, 2007 | 4 | $10,662,804 | -48% | 2,733 | $3,902 | $40,442,058 | 2 |
| Jul 6, 2007 | 6 | $7,088,979 | -34% | 2,631 | $2,694 | $53,738,325 | 3 |
| Jul 13, 2007 | 6 | $4,934,516 | -30% | 2,206 | $2,237 | $62,127,222 | 4 |
| Jul 20, 2007 | 8 | $2,621,194 | -47% | 1,451 | $1,806 | $67,453,524 | 5 |
| Jul 27, 2007 | 17 | $1,139,669 | -57% | 981 | $1,162 | $69,926,874 | 6 |
| Aug 3, 2007 | 28 | $230,678 | -80% | 295 | $782 | $70,704,142 | 7 |
| Aug 10, 2007 | 39 | $106,058 | -54% | 240 | $442 | $70,918,071 | 8 |
| Aug 17, 2007 | 43 | $74,718 | -30% | 102 | $733 | $71,045,248 | 9 |
| Aug 24, 2007 | 54 | $47,518 | -36% | 72 | $660 | $71,124,791 | 10 |
| Aug 31, 2007 | 27 | $341,141 | +618% | 218 | $1,565 | $71,481,696 | 11 |
| Sep 7, 2007 | 35 | $148,419 | -56% | 205 | $724 | $71,706,278 | 12 |
| Sep 14, 2007 | 43 | $94,084 | -37% | 144 | $653 | $71,836,819 | 13 |
| Sep 21, 2007 | 50 | $51,267 | -46% | 95 | $540 | $71,192,310 | 14 |
| Sep 28, 2007 | 60 | $26,773 | -48% | 67 | $400 | $71,953,494 | 15 |
| Oct 5, 2007 | 65 | $13,335 | -50% | 22 | $606 | $71,975,611 | 16 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jun 22, 2007 | 2 | $7,647,080 | 2,678 | $2,856 | $7,647,080 | 1 | ||
| Jun 23, 2007 | 3 | $7,372,491 | -4% | 2,678 | $2,753 | $15,019,571 | 2 | |
| Jun 24, 2007 | 3 | $5,598,096 | -24% | 2,678 | $2,090 | $20,617,667 | 3 | |
| Jun 25, 2007 | 2 | $2,781,408 | -50% | 2,678 | $1,039 | $23,399,075 | 4 | |
| Jun 26, 2007 | 2 | $2,393,034 | -14% | 2,678 | $894 | $25,792,109 | 5 | |
| Jun 27, 2007 | 3 | $1,999,479 | -16% | 2,678 | $747 | $27,791,588 | 6 | |
| Jun 28, 2007 | 3 | $1,987,666 | -1% | 2,678 | $742 | $29,779,254 | 7 | |
| Jun 29, 2007 | 4 | $3,659,434 | +84% | -52% | 2,733 | $1,339 | $33,438,688 | 8 |
| Jun 30, 2007 | 4 | $3,981,978 | +9% | -46% | 2,733 | $1,457 | $37,420,666 | 9 |
| Jul 1, 2007 | 4 | $3,021,392 | -24% | -46% | 2,733 | $1,106 | $40,442,058 | 10 |
| Jul 2, 2007 | 5 | $1,565,265 | -48% | -44% | 2,733 | $573 | $42,007,323 | 11 |
| Jul 3, 2007 | 6 | $1,510,000 | -4% | -37% | 2,733 | $553 | $43,520,000 | 12 |
| Jul 4, 2007 | 6 | $1,617,545 | +7% | -19% | 2,733 | $592 | $45,149,813 | 13 |
| Jul 5, 2007 | 6 | $1,499,533 | -7% | -25% | 2,733 | $549 | $46,649,346 | 14 |
| Jul 6, 2007 | 6 | $2,375,280 | +58% | -35% | 2,733 | $869 | $49,024,626 | 15 |
| Jul 7, 2007 | 6 | $2,650,346 | +12% | -33% | 2,733 | $970 | $51,674,972 | 16 |
| Jul 8, 2007 | 6 | $2,063,353 | -22% | -32% | 2,733 | $755 | $53,738,325 | 17 |
| Jul 9, 2007 | 6 | $1,031,045 | -50% | -34% | 2,631 | $392 | $54,769,370 | 18 |
| Jul 10, 2007 | 6 | $908,775 | -12% | -40% | 2,631 | $345 | $55,678,145 | 19 |
| Jul 11, 2007 | 7 | $787,837 | -13% | -51% | 2,631 | $299 | $56,465,982 | 20 |
| Jul 12, 2007 | 7 | $726,724 | -8% | -52% | 2,631 | $276 | $57,192,706 | 21 |
| Jul 13, 2007 | 6 | $1,624,217 | +123% | -32% | 2,206 | $736 | $58,816,923 | 22 |
| Jul 14, 2007 | 7 | $1,923,302 | +18% | -27% | 2,206 | $872 | $60,740,225 | 23 |
| Jul 15, 2007 | 7 | $1,386,997 | -28% | -33% | 2,206 | $629 | $62,127,222 | 24 |
| Jul 16, 2007 | 6 | $698,519 | -50% | -32% | 2,206 | $317 | $62,825,741 | 25 |
| Jul 17, 2007 | 7 | $673,033 | -4% | -26% | 2,206 | $305 | $63,498,774 | 26 |
| Jul 18, 2007 | 7 | $675,321 | n/c | -14% | 2,206 | $306 | $64,174,095 | 27 |
| Jul 19, 2007 | 7 | $658,235 | -3% | -9% | 2,206 | $298 | $64,832,330 | 28 |
| Jul 20, 2007 | 8 | $843,986 | +28% | -48% | 1,451 | $582 | $65,676,316 | 29 |
| Jul 21, 2007 | 8 | $1,039,832 | +23% | -46% | 1,451 | $717 | $66,784,637 | 30 |
| Jul 22, 2007 | 8 | $737,376 | -29% | -47% | 1,451 | $508 | $67,522,013 | 31 |
| Jul 23, 2007 | 9 | $369,693 | -50% | -47% | 1,451 | $255 | $67,823,217 | 32 |
| Jul 24, 2007 | 9 | $334,084 | -10% | -50% | 1,451 | $230 | $68,157,301 | 33 |
| Jul 25, 2007 | 9 | $319,560 | -4% | -53% | 1,451 | $220 | $68,476,861 | 34 |
| Jul 26, 2007 | 9 | $310,344 | -3% | -53% | 1,451 | $214 | $68,787,205 | 35 |
| Sep 3, 2007 | 39 | $38,250 | 218 | $175 | $71,519,946 | 74 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 22, 2007 | 2 | $29,779,254 | 2,678 | $11,120 | $29,779,254 | 1 | |
| Jun 29, 2007 | 5 | $16,870,092 | -43% | 2,733 | $6,173 | $46,649,346 | 2 |
| Jul 6, 2007 | 7 | $10,543,360 | -38% | 2,631 | $4,007 | $57,192,706 | 3 |
| Jul 13, 2007 | 7 | $7,639,624 | -28% | 2,206 | $3,463 | $64,832,330 | 4 |
| Jul 20, 2007 | 9 | $3,954,875 | -48% | 1,451 | $2,726 | $68,787,205 | 5 |
| Jul 27, 2007 | 17 | $1,686,259 | -57% | 981 | $1,719 | $70,473,464 | 6 |
| Aug 3, 2007 | 32 | $338,549 | -80% | 295 | $1,148 | $70,812,013 | 7 |
| Aug 10, 2007 | 42 | $158,517 | -53% | 240 | $660 | $70,970,530 | 8 |
| Aug 17, 2007 | 45 | $106,743 | -33% | 102 | $1,047 | $71,077,273 | 9 |
| Aug 24, 2007 | 54 | $63,282 | -41% | 72 | $879 | $71,140,555 | 10 |
| Aug 31, 2007 | 31 | $417,304 | +559% | 218 | $1,914 | $71,557,859 | 11 |
| Sep 7, 2007 | 36 | $184,876 | -56% | 205 | $902 | $71,742,735 | 12 |
| Sep 21, 2007 | 21 | $785,678 | 95 | $8,270 | $71,926,721 | 14 | |
| Sep 28, 2007 | 62 | $35,555 | -95% | 67 | $531 | $71,962,276 | 15 |
Leading
| John Cusack | Mike Enslin | |
| Samuel L. Jackson | Olin |
Supporting
| Mary McCormack | Lily | |
| Tony Shalhoub | Sam Farrell | |
| Len Cariou | Father | |
| Isiah Whitlock, Jr. | Engineer | |
| Jasmine Jessica Anthony | Katie | |
| Paul Birchard | Mr. Innkeeper | |
| Margot Leicester | Mrs. Innkeeper | |
| Walter Lewis | Cashier | |
| Eric Meyers | Man at Book Signing | |
| David Nicholson | Man at Book Signing | |
| Holly Hayes | Lady at Book Signing | |
| Alexandra Silber | Young Woman at Book Signing | |
| Johann Urb | Surfer Dude | |
| Andrew Lee Potts | Mailbox Guy | |
| Emily Harvey | Secretary | |
| William Armstrong | Clay (Lawyer) | |
| Kim Thomson | Desk Clerk | |
| Drew Powell | Assistant Hotel Manager | |
| Noah Lee Margetts | Bellboy | |
| Gil Cohen-Alloro | Maitre'd | |
| Benny Urquidez | Claw Hammer Maniac | |
| Ray Nicholas | Factory Owner | |
| Tina Maskell | 1950's Lady | |
| Paul Kasey | Kevin O'Malley | |
| George Cottle | Mailbox Worker | |
| Julian Spencer | Mailbox Worker | |
| Will Willoughby | Mailbox Worker | |
| Angel Oquendo | Taxi Cab Driver | |
| Thomas A. McMahon | Cop | |
| Anthony Mazza | Cop | |
| Chris Carey | Fireman |
Production and Technical Credits
| Mikael Hafstrom | Director | |
| Matt Greenberg | Screenwriter | |
| Scott Alexander | Screenwriter | |
| Larry Karaszewski | Screenwriter | |
| Stephen King | Story Creator | |
| Lorenzo di Bonaventura | Producer | |
| Bob Weinstein | Executive Producer | |
| Harvey Weinstein | Executive Producer | |
| Richard Saperstein | Executive Producer | |
| Jake Myers | Executive Producer | |
| Benoit Delhomme | Director of Photography | |
| Andrew Laws | Production Designer | |
| Peter Boyle | Editor | |
| Gabriel Yared | Composer | |
| Natalie Ward | Costume Designer | |
| Elaine Grainger | Casting Director | |
| Kelly Dennis | Associate Producer | |
| Antonia Kalmacoff | Associate Producer | |
| Jeremy Steckler | Associate Producer | |
| Sean Cameron Guest | Assistant Director | |
| John Greaves | Second Unit Director | |
| Elena Zokas | Unit Production Manager | |
| Gabriela Vazquez | Unit Production Manager | |
| Dana Robin | Unit Production Manager | |
| Mark Raggett | Supervising Art Director | |
| Stuart Kearns | Art Director | |
| Eric Sundahl | Art Director (Los Angeles) | |
| Tom Warren | Art Director (New York) | |
| Marina Morris | Set Decorator | |
| Daniel B. Clancy | Set Decorator (Los Angeles) | |
| Beth Kushnick | Set Decorator (New York) | |
| Tim Wooster | Second Unit Camera | |
| Mark Ferguson | Costume Supervisor | |
| Nigel Boyd | Costume Supervisor (Los Angeles) | |
| Jill Anderson | Costume Supervisor (New York) | |
| Brian Simmons | Sound Mixer | |
| Scott Stolz | Sound Mixer (Los Angeles) | |
| Tim Cavagin | Re-recording Mixer | |
| Craig Irving | Re-recording Mixer | |
| Steve Single | Re-recording Mixer | |
| Kevin McCue | Re-recording Mixer | |
| Nigel Mills | Supervising Sound Editor | |
| Steve Mayer | Sound Effects Editor | |
| Nigel Mills | Sound Designer | |
| Philip Alton | Dialogue Editor | |
| Kirsty Whalley | Music Editor | |
| Allan Jenkins | Additional Music Editor | |
| Pauline Heyes | Make up | |
| Luisa Abel | Make up | |
| Linda Grimes | Make up | |
| Victor De Nicola | Hairstylist | |
| Suzanne Stokes-Munton | Department Head Makeup and Hair | |
| Karl Derrick | Special Effects Makeup Design and Supervision | |
| Avy Kaufman | Casting (US) | |
| Paul Herbert | Stunt Coordinator | |
| Greg Barnett | Stunt Coordinator (Los Angeles) |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
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