The 15:17 to Paris (2018)
| Theatrical Performance | ||
| Domestic Box Office | $36,276,286 | Details |
| International Box Office | $20,900,000 | Details |
| Worldwide Box Office | $57,176,286 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $1,334,701 | |
| Blu-ray Sales (estimated) | $1,808,211 | |
| Total | $3,142,912 | |
| OpusData ID: 296690100 More info... | ||
| Further financial details... | ||
Synopsis
In the early evening of August 21, 2015, the world watched as the media reported a thwarted terrorist attack on Thalys train #9364 bound for Paris—an attempt prevented by three courageous young Americans traveling through Europe. The film follows the course of the friends’ lives, from the struggles of childhood through finding their footing in life, to the series of unlikely events leading up to the attack. Throughout the harrowing ordeal, their friendship never wavers, making it their greatest weapon and allowing them to save the lives of the more than 500 passengers on board.
Metrics
| Opening Weekend: | $12,554,286 (34.6% of total gross) |
| Legs: | 2.89 (domestic box office/biggest weekend) |
| Domestic Share: | 63.4% (domestic box office/worldwide) |
| Production Budget: | $30,000,000 (worldwide box office is 1.9 times production budget) |
| Theater counts: | 3,042 opening theaters/3,042 max. theaters, 3.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $47,625,067 |
Movie Details
| Domestic Releases: | February 9th, 2018 (Wide) by Warner Bros. |
| International Releases: | February 9th, 2018 (Wide), released as Ore 15:17 - Attacco al treno (Italy)
February 9th, 2018 (Wide) (France) February 9th, 2018 (Wide) (United Kingdom) February 9th, 2018 (Wide) (Australia) February 9th, 2018 (Wide), released as 15:17 Tren a Paris (Spain) ... Show all releases |
| Video Release: | May 1st, 2018 by Warner Home Video |
| MPA Rating: | PG-13 on appeal for bloody images, violence, some suggestive material, drug references and language. (Rating bulletin 2505 (Cert #51352), 12/6/2017) |
| Running Time: | 94 minutes |
| Cast, crew, or production detail: | Autobiographical, Non Professional Actor |
| Plot point: | Ex-soldier, Non-Chronological, Terrorism, Trains |
| Social setting: | Nightclub |
| Subgenre: | Biographical Drama |
| Time period setting: | 2010s |
| Source: | Based on Factual Book/Article |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Village Roadshow Productions, Warner Bros., Malpaso Productions, Access Motion Pictures, Dune Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 9, 2018 | 3 | $12,554,286 | 3,042 | $4,127 | $12,554,286 | 1 | |
| Feb 16, 2018 | 5 | $7,586,015 | -40% | 3,042 | $2,494 | $25,333,732 | 2 |
| Feb 23, 2018 | 7 | $3,573,259 | -53% | 2,752 | $1,298 | $32,231,011 | 3 |
| Mar 2, 2018 | 12 | $1,413,755 | -60% | 1,803 | $784 | $34,961,971 | 4 |
| Mar 9, 2018 | 22 | $264,490 | -81% | 420 | $630 | $35,772,875 | 5 |
| Mar 16, 2018 | 35 | $75,588 | -71% | 155 | $488 | $35,958,478 | 6 |
| Mar 23, 2018 | 37 | $80,164 | +6% | 146 | $549 | $36,080,186 | 7 |
| Mar 30, 2018 | 33 | $54,093 | -33% | 108 | $501 | $36,174,973 | 8 |
| Apr 6, 2018 | 44 | $37,794 | -30% | 81 | $467 | $36,237,990 | 9 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 9, 2018 | 3 | $3,736,369 | 3,042 | $1,228 | $3,736,369 | 1 | ||
| Feb 10, 2018 | 3 | $5,436,962 | +46% | 3,042 | $1,787 | $9,173,331 | 2 | |
| Feb 11, 2018 | 3 | $3,380,955 | -38% | 3,042 | $1,111 | $12,554,286 | 3 | |
| Feb 12, 2018 | 3 | $1,078,247 | -68% | 3,042 | $354 | $13,632,533 | 4 | |
| Feb 13, 2018 | 3 | $1,517,713 | +41% | 3,042 | $499 | $15,150,246 | 5 | |
| Feb 14, 2018 | 3 | $1,702,360 | +12% | 3,042 | $560 | $16,852,606 | 6 | |
| Feb 15, 2018 | 3 | $895,111 | -47% | 3,042 | $294 | $17,747,717 | 7 | |
| Feb 16, 2018 | 4 | $2,067,415 | +131% | -45% | 3,042 | $680 | $19,815,132 | 8 |
| Feb 17, 2018 | 5 | $3,183,971 | +54% | -41% | 3,042 | $1,047 | $22,999,103 | 9 |
| Feb 18, 2018 | 5 | $2,334,629 | -27% | -31% | 3,042 | $767 | $25,333,732 | 10 |
| Feb 19, 2018 | 6 | $1,337,091 | -43% | +24% | 3,042 | $440 | $26,670,823 | 11 |
| Feb 20, 2018 | 4 | $882,343 | -34% | -42% | 3,042 | $290 | $27,553,166 | 12 |
| Feb 21, 2018 | 4 | $578,402 | -34% | -66% | 3,042 | $190 | $28,131,568 | 13 |
| Feb 22, 2018 | 5 | $526,184 | -9% | -41% | 3,042 | $173 | $28,657,752 | 14 |
| Feb 23, 2018 | 8 | $996,216 | +89% | -52% | 2,752 | $362 | $29,653,968 | 15 |
| Feb 24, 2018 | 7 | $1,620,852 | +63% | -49% | 2,752 | $589 | $31,274,820 | 16 |
| Feb 25, 2018 | 7 | $956,191 | -41% | -59% | 2,752 | $347 | $32,231,011 | 17 |
| Feb 26, 2018 | 7 | $295,032 | -69% | -78% | 2,752 | $107 | $32,526,043 | 18 |
| Feb 27, 2018 | 7 | $451,057 | +53% | -49% | 2,752 | $164 | $32,977,100 | 19 |
| Feb 28, 2018 | 7 | $306,174 | -32% | -47% | 2,752 | $111 | $33,283,274 | 20 |
| Mar 1, 2018 | 7 | $264,942 | -13% | -50% | 2,752 | $96 | $33,548,216 | 21 |
| Mar 2, 2018 | 11 | $402,221 | +52% | -60% | 1,803 | $223 | $33,950,437 | 22 |
| Mar 3, 2018 | 12 | $654,782 | +63% | -60% | 1,803 | $363 | $34,605,219 | 23 |
| Mar 4, 2018 | 11 | $356,752 | -46% | -63% | 1,803 | $198 | $34,961,971 | 24 |
| Mar 5, 2018 | 12 | $120,863 | -66% | -59% | 1,803 | $67 | $35,082,834 | 25 |
| Mar 6, 2018 | 12 | $174,428 | +44% | -61% | 1,803 | $97 | $35,257,262 | 26 |
| Mar 7, 2018 | 12 | $141,030 | -19% | -54% | 1,803 | $78 | $35,398,292 | 27 |
| Mar 8, 2018 | 12 | $110,093 | -22% | -58% | 1,803 | $61 | $35,508,385 | 28 |
| Mar 9, 2018 | - | $77,085 | -30% | -81% | 420 | $184 | $35,585,470 | 29 |
| Mar 10, 2018 | - | $111,275 | +44% | -83% | 420 | $265 | $35,696,745 | 30 |
| Mar 11, 2018 | - | $76,130 | -32% | -79% | 420 | $181 | $35,772,875 | 31 |
| Mar 12, 2018 | - | $32,251 | -58% | -73% | 420 | $77 | $35,805,126 | 32 |
| Mar 13, 2018 | - | $32,835 | +2% | -81% | 420 | $78 | $35,837,961 | 33 |
| Mar 14, 2018 | - | $23,897 | -27% | -83% | 420 | $57 | $35,861,858 | 34 |
| Mar 15, 2018 | - | $21,032 | -12% | -81% | 420 | $50 | $35,882,890 | 35 |
| Mar 16, 2018 | - | $23,188 | +10% | -70% | 155 | $150 | $35,906,078 | 36 |
| Mar 17, 2018 | - | $31,310 | +35% | -72% | 155 | $202 | $35,937,388 | 37 |
| Mar 18, 2018 | - | $21,090 | -33% | -72% | 155 | $136 | $35,958,478 | 38 |
| Mar 19, 2018 | - | $9,532 | -55% | -70% | 155 | $61 | $35,968,010 | 39 |
| Mar 20, 2018 | - | $12,198 | +28% | -63% | 155 | $79 | $35,980,208 | 40 |
| Mar 21, 2018 | - | $10,356 | -15% | -57% | 155 | $67 | $35,990,564 | 41 |
| Mar 22, 2018 | - | $9,458 | -9% | -55% | 155 | $61 | $36,000,022 | 42 |
| Mar 23, 2018 | - | $22,823 | +141% | -2% | 146 | $156 | $36,022,845 | 43 |
| Mar 24, 2018 | - | $33,674 | +48% | +8% | 146 | $231 | $36,056,519 | 44 |
| Mar 25, 2018 | - | $23,667 | -30% | +12% | 146 | $162 | $36,080,186 | 45 |
| Mar 26, 2018 | - | $8,842 | -63% | -7% | 146 | $61 | $36,089,028 | 46 |
| Mar 27, 2018 | - | $11,488 | +30% | -6% | 146 | $79 | $36,100,516 | 47 |
| Mar 28, 2018 | - | $8,802 | -23% | -15% | 146 | $60 | $36,109,318 | 48 |
| Mar 29, 2018 | - | $11,562 | +31% | +22% | 146 | $79 | $36,120,880 | 49 |
| Mar 30, 2018 | - | $20,578 | +78% | -10% | 108 | $191 | $36,141,458 | 50 |
| Mar 31, 2018 | - | $21,257 | +3% | -37% | 108 | $197 | $36,162,715 | 51 |
| Apr 1, 2018 | - | $12,258 | -42% | -48% | 108 | $114 | $36,174,973 | 52 |
| Apr 2, 2018 | - | $5,617 | -54% | -36% | 108 | $52 | $36,180,590 | 53 |
| Apr 3, 2018 | - | $7,295 | +30% | -36% | 108 | $68 | $36,187,885 | 54 |
| Apr 4, 2018 | - | $5,913 | -19% | -33% | 108 | $55 | $36,193,798 | 55 |
| Apr 5, 2018 | - | $6,398 | +8% | -45% | 108 | $59 | $36,200,196 | 56 |
| Apr 6, 2018 | - | $10,563 | +65% | -49% | 81 | $130 | $36,210,759 | 57 |
| Apr 7, 2018 | - | $17,435 | +65% | -18% | 81 | $215 | $36,228,194 | 58 |
| Apr 8, 2018 | - | $9,796 | -44% | -20% | 81 | $121 | $36,237,990 | 59 |
| Apr 9, 2018 | - | $3,046 | -69% | -46% | 81 | $38 | $36,241,036 | 60 |
| Apr 10, 2018 | - | $3,682 | +21% | -50% | 81 | $45 | $36,244,718 | 61 |
| Apr 11, 2018 | - | $2,908 | -21% | -51% | 81 | $36 | $36,247,626 | 62 |
| Apr 12, 2018 | - | $3,331 | +15% | -48% | 81 | $41 | $36,250,957 | 63 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 9, 2018 | 3 | $17,747,717 | 3,042 | $5,834 | $17,747,717 | 1 | |
| Feb 16, 2018 | 5 | $10,910,035 | -39% | 3,042 | $3,586 | $28,657,752 | 2 |
| Feb 23, 2018 | 7 | $4,890,464 | -55% | 2,752 | $1,777 | $33,548,216 | 3 |
| Mar 2, 2018 | 12 | $1,960,169 | -60% | 1,803 | $1,087 | $35,508,385 | 4 |
| Mar 9, 2018 | 25 | $374,505 | -81% | 420 | $892 | $35,882,890 | 5 |
| Mar 16, 2018 | 34 | $117,132 | -69% | 155 | $756 | $36,000,022 | 6 |
| Mar 23, 2018 | 37 | $120,858 | +3% | 146 | $828 | $36,120,880 | 7 |
| Mar 30, 2018 | 38 | $79,316 | -34% | 108 | $734 | $36,200,196 | 8 |
| Apr 6, 2018 | 46 | $50,761 | -36% | 81 | $627 | $36,250,957 | 9 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 2/9/2018 | $204,000 | 0 | 0 | 0 | $476,416 | 1/1/2019 | |||
| Australia | 2/9/2018 | $343,895 | 151 | 151 | 424 | $808,130 | 3/15/2018 | |||
| Bulgaria | 2/9/2018 | $18,789 | 0 | 0 | 0 | $41,513 | 1/1/2019 | |||
| France | 2/9/2018 | $1,400,000 | 411 | 411 | 1,180 | $3,460,000 | 4/11/2019 | |||
| India | 2/9/2018 | $0 | 0 | 0 | 0 | $299,470 | 4/2/2018 | |||
| Italy | 2/9/2018 | $1,474,284 | 470 | 470 | 880 | $3,470,000 | 3/13/2018 | |||
| Japan | 3/1/2018 | $1,900,000 | 237 | 237 | 474 | $3,850,075 | 6/8/2018 | |||
| Mexico | 2/9/2018 | $161,534 | 0 | 0 | 0 | $161,534 | 2/12/2018 | |||
| Netherlands | 4/20/2018 | $37,062 | 30 | 30 | 86 | $164,265 | 5/7/2018 | |||
| Portugal | 2/16/2018 | $124,293 | 49 | 54 | 165 | $327,121 | 8/15/2018 | |||
| Slovakia | 2/9/2018 | $26,445 | 50 | 50 | 82 | $51,323 | 2/28/2018 | |||
| Spain | 2/9/2018 | $332,763 | 88 | 98 | 277 | $848,000 | 3/12/2018 | |||
| Taiwan | 2/9/2018 | $273,000 | 0 | 0 | 0 | $273,000 | 2/15/2018 | |||
| United Arab Emirates | 2/9/2018 | $269,000 | 52 | 52 | 52 | $269,000 | 1/1/2019 | |||
| United Kingdom | 2/9/2018 | $400,796 | 323 | 323 | 323 | $896,000 | 4/4/2026 | |||
| Rest of World | $5,504,153 | |||||||||
| International Total | $20,900,000 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Anthony Sadler | Anthony Sadler | |
| Alek Skarlatos | Alex Skarlatos | |
| Spencer Stone | Spencer Stone |
Supporting
| Ray Corasani | Ayoub El-Khazzani | |
| Judy Greer | Joyce Eskel | |
| Jenna Fischer | Heidi Skarlatos | |
| Irene White | Elementary Teacher | |
| William Jennings | Spencer (11-14) | |
| Bryce Gheisar | Alek (11-14) | |
| P.J. Byrne | Mr. Henry | |
| Paul-Mikel Williams | Young Anthony Sadler | |
| Thomas Lennon | School Principal | |
| Tony Hale | Gym Teacher | |
| Grant Weaver | Classmate #2 | |
| Jaleel White | Garrett Walden | |
| Robert Pralgo | Mr. Skarlatos | |
| Mark Moogalian | Mark | |
| Isabelle Risacher Moogalian | Isabelle | |
| Matt Thompson | Man on Train | |
| Cyrille Hertel | Train Manager | |
| Elena Campbell-Martinez | Professor | |
| Lillian Solange | Carolyn | |
| Sinqua Walls | Marine | |
| Gary Weeks | Recruiter | |
| Steve Coulter | Jonathan Athnos MD | |
| David An | Air Force Liaison Lee | |
| Adam Rosenberg | Trainee #1 | |
| Seth Meriwether | Francis | |
| Matthew Barnes | Sewing Instructor | |
| Christine Hooper | British Woman | |
| Vernon Dobtcheff | Older Man | |
| Deborah Grall | Train Passenger | |
| Heidi Sulzman | Nursing Teacher | |
| Jamie Renell | Instructor | |
| Ethan Rains | Ben Zomerdyk | |
| Mershad Torabi | Villager | |
| Alan Heckner | Lt. Col. John | |
| Cesar Perez | Spencer’s Friend | |
| Louisa Pili | Front Desk Girl | |
| Jeanne Goursaud | Lea | |
| Alix Benezech | Server | |
| Alisa Allapach | Lisa | |
| Olivier Blanc | Tour Guide | |
| Yan Brian | Rocker Dude | |
| Camille Razat | Train Attendant #1 | |
| Christopher Norman | Chris | |
| Julia Molkhou | Reporter | |
| Patrick Braoude | President Hollande Actor |
Production and Technical Credits
| Clint Eastwood | Director | |
| Clint Eastwood | Producer | |
| Jessica Meier | Producer | |
| Tim Moore | Producer | |
| Kristina Rivera | Producer | |
| Dorothy Blyskal | Screenwriter | |
| Jeffrey E. Stern | Story based on the book “The 15:17 to Paris: The True Story of a Terrorist, a Train, and Three American Heroes” by | |
| Spencer Stone | Story based on the book “The 15:17 to Paris: The True Story of a Terrorist, a Train, and Three American Heroes” by | |
| Anthony Sadler | Story based on the book “The 15:17 to Paris: The True Story of a Terrorist, a Train, and Three American Heroes” by | |
| Alek Skarlatos | Story based on the book “The 15:17 to Paris: The True Story of a Terrorist, a Train, and Three American Heroes” by | |
| Bruce Berman | Executive Producer | |
| Tom Stern | Director of Photography | |
| Kevin Ishioka | Production Designer | |
| Blu Murray | Editor | |
| Deborah Hopper | Costume Designer | |
| Christian Jacob | Composer | |
| David M. Bernstein | Co-Producer | |
| Geoffrey Miclat | Casting Director | |
| Tim Moore | Unit Production Manager | |
| David M. Bernstein | First Assistant Director | |
| Paula Case | Second Assistant Director | |
| Julien Pougnier | Supervising Art Director | |
| Ronald R. Reiss | Set Decorator | |
| Gina Zappala | Assistant Editor | |
| Kevin R.W. Murray | Assistant Editor | |
| Mable McCrary* | Script Supervisor | |
| Alan Robert Murray | Supervising Sound Editor | |
| Jason King | Supervising Sound Editor | |
| Steven A. Morrow | Sound Mixer | |
| Chris McGeary | Music Editor | |
| Luisa Abel | Make up | |
| Heather Mages | Make up | |
| Patricia Dehaney | Hairstylist | |
| Holly Hagy | Production Supervisor | |
| Patrick O. Mignano | Location Manager | |
| Cameron Steenhagen | Supervising Dialogue Editor | |
| Bernard Weiser | Sound Effects Editor | |
| Adam Kopald | Sound Effects Editor | |
| Russell Gorsky | Sound Effects Editor | |
| Curt Schulkey | Dialogue Editor | |
| Julie Feiner | Dialogue Editor | |
| Bobby Fernandez | Music Scoring Mixer | |
| John Reitz | Re-recording Mixer | |
| Dean A. Zupancic | Re-recording Mixer | |
| James Ashwill | Foley Mixer | |
| Richard Duarte | Foley Mixer | |
| John Guentner | Foley Mixer | |
| Darrin Mann | Foley Mixer | |
| John Moffatt | Visual Effects Supervisor | |
| Richard Reed | Visual Effects Supervisor | |
| Mitchell Kenney | Costume Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
In the early evening of August 21, 2015, the world watched as the media reported a thwarted terrorist attack on Thalys train #9364 bound for Paris—an attempt prevented by three courageous young Americans traveling through Europe. The film follows the course of the friends’ lives, from the struggles of childhood through finding their footing in life, to the series of unlikely events leading up to the attack. Throughout the harrowing ordeal, their friendship never wavers, making it their greatest weapon and allowing them to save the lives of the more than 500 passengers on board.
Metrics
| Opening Weekend: | $12,554,286 (34.6% of total gross) |
| Legs: | 2.89 (domestic box office/biggest weekend) |
| Domestic Share: | 63.4% (domestic box office/worldwide) |
| Production Budget: | $30,000,000 (worldwide box office is 1.9 times production budget) |
| Theater counts: | 3,042 opening theaters/3,042 max. theaters, 3.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $47,625,067 |
Movie Details
| Domestic Releases: | February 9th, 2018 (Wide) by Warner Bros. |
| International Releases: | February 9th, 2018 (Wide), released as Ore 15:17 - Attacco al treno (Italy)
February 9th, 2018 (Wide) (France) February 9th, 2018 (Wide) (United Kingdom) February 9th, 2018 (Wide) (Australia) February 9th, 2018 (Wide), released as 15:17 Tren a Paris (Spain) ... Show all releases |
| Video Release: | May 1st, 2018 by Warner Home Video |
| MPA Rating: | PG-13 on appeal for bloody images, violence, some suggestive material, drug references and language. (Rating bulletin 2505 (Cert #51352), 12/6/2017) |
| Running Time: | 94 minutes |
| Cast, crew, or production detail: | Autobiographical, Non Professional Actor |
| Plot point: | Ex-soldier, Non-Chronological, Terrorism, Trains |
| Social setting: | Nightclub |
| Subgenre: | Biographical Drama |
| Time period setting: | 2010s |
| Source: | Based on Factual Book/Article |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Village Roadshow Productions, Warner Bros., Malpaso Productions, Access Motion Pictures, Dune Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 9, 2018 | 3 | $12,554,286 | 3,042 | $4,127 | $12,554,286 | 1 | |
| Feb 16, 2018 | 5 | $7,586,015 | -40% | 3,042 | $2,494 | $25,333,732 | 2 |
| Feb 23, 2018 | 7 | $3,573,259 | -53% | 2,752 | $1,298 | $32,231,011 | 3 |
| Mar 2, 2018 | 12 | $1,413,755 | -60% | 1,803 | $784 | $34,961,971 | 4 |
| Mar 9, 2018 | 22 | $264,490 | -81% | 420 | $630 | $35,772,875 | 5 |
| Mar 16, 2018 | 35 | $75,588 | -71% | 155 | $488 | $35,958,478 | 6 |
| Mar 23, 2018 | 37 | $80,164 | +6% | 146 | $549 | $36,080,186 | 7 |
| Mar 30, 2018 | 33 | $54,093 | -33% | 108 | $501 | $36,174,973 | 8 |
| Apr 6, 2018 | 44 | $37,794 | -30% | 81 | $467 | $36,237,990 | 9 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 9, 2018 | 3 | $3,736,369 | 3,042 | $1,228 | $3,736,369 | 1 | ||
| Feb 10, 2018 | 3 | $5,436,962 | +46% | 3,042 | $1,787 | $9,173,331 | 2 | |
| Feb 11, 2018 | 3 | $3,380,955 | -38% | 3,042 | $1,111 | $12,554,286 | 3 | |
| Feb 12, 2018 | 3 | $1,078,247 | -68% | 3,042 | $354 | $13,632,533 | 4 | |
| Feb 13, 2018 | 3 | $1,517,713 | +41% | 3,042 | $499 | $15,150,246 | 5 | |
| Feb 14, 2018 | 3 | $1,702,360 | +12% | 3,042 | $560 | $16,852,606 | 6 | |
| Feb 15, 2018 | 3 | $895,111 | -47% | 3,042 | $294 | $17,747,717 | 7 | |
| Feb 16, 2018 | 4 | $2,067,415 | +131% | -45% | 3,042 | $680 | $19,815,132 | 8 |
| Feb 17, 2018 | 5 | $3,183,971 | +54% | -41% | 3,042 | $1,047 | $22,999,103 | 9 |
| Feb 18, 2018 | 5 | $2,334,629 | -27% | -31% | 3,042 | $767 | $25,333,732 | 10 |
| Feb 19, 2018 | 6 | $1,337,091 | -43% | +24% | 3,042 | $440 | $26,670,823 | 11 |
| Feb 20, 2018 | 4 | $882,343 | -34% | -42% | 3,042 | $290 | $27,553,166 | 12 |
| Feb 21, 2018 | 4 | $578,402 | -34% | -66% | 3,042 | $190 | $28,131,568 | 13 |
| Feb 22, 2018 | 5 | $526,184 | -9% | -41% | 3,042 | $173 | $28,657,752 | 14 |
| Feb 23, 2018 | 8 | $996,216 | +89% | -52% | 2,752 | $362 | $29,653,968 | 15 |
| Feb 24, 2018 | 7 | $1,620,852 | +63% | -49% | 2,752 | $589 | $31,274,820 | 16 |
| Feb 25, 2018 | 7 | $956,191 | -41% | -59% | 2,752 | $347 | $32,231,011 | 17 |
| Feb 26, 2018 | 7 | $295,032 | -69% | -78% | 2,752 | $107 | $32,526,043 | 18 |
| Feb 27, 2018 | 7 | $451,057 | +53% | -49% | 2,752 | $164 | $32,977,100 | 19 |
| Feb 28, 2018 | 7 | $306,174 | -32% | -47% | 2,752 | $111 | $33,283,274 | 20 |
| Mar 1, 2018 | 7 | $264,942 | -13% | -50% | 2,752 | $96 | $33,548,216 | 21 |
| Mar 2, 2018 | 11 | $402,221 | +52% | -60% | 1,803 | $223 | $33,950,437 | 22 |
| Mar 3, 2018 | 12 | $654,782 | +63% | -60% | 1,803 | $363 | $34,605,219 | 23 |
| Mar 4, 2018 | 11 | $356,752 | -46% | -63% | 1,803 | $198 | $34,961,971 | 24 |
| Mar 5, 2018 | 12 | $120,863 | -66% | -59% | 1,803 | $67 | $35,082,834 | 25 |
| Mar 6, 2018 | 12 | $174,428 | +44% | -61% | 1,803 | $97 | $35,257,262 | 26 |
| Mar 7, 2018 | 12 | $141,030 | -19% | -54% | 1,803 | $78 | $35,398,292 | 27 |
| Mar 8, 2018 | 12 | $110,093 | -22% | -58% | 1,803 | $61 | $35,508,385 | 28 |
| Mar 9, 2018 | - | $77,085 | -30% | -81% | 420 | $184 | $35,585,470 | 29 |
| Mar 10, 2018 | - | $111,275 | +44% | -83% | 420 | $265 | $35,696,745 | 30 |
| Mar 11, 2018 | - | $76,130 | -32% | -79% | 420 | $181 | $35,772,875 | 31 |
| Mar 12, 2018 | - | $32,251 | -58% | -73% | 420 | $77 | $35,805,126 | 32 |
| Mar 13, 2018 | - | $32,835 | +2% | -81% | 420 | $78 | $35,837,961 | 33 |
| Mar 14, 2018 | - | $23,897 | -27% | -83% | 420 | $57 | $35,861,858 | 34 |
| Mar 15, 2018 | - | $21,032 | -12% | -81% | 420 | $50 | $35,882,890 | 35 |
| Mar 16, 2018 | - | $23,188 | +10% | -70% | 155 | $150 | $35,906,078 | 36 |
| Mar 17, 2018 | - | $31,310 | +35% | -72% | 155 | $202 | $35,937,388 | 37 |
| Mar 18, 2018 | - | $21,090 | -33% | -72% | 155 | $136 | $35,958,478 | 38 |
| Mar 19, 2018 | - | $9,532 | -55% | -70% | 155 | $61 | $35,968,010 | 39 |
| Mar 20, 2018 | - | $12,198 | +28% | -63% | 155 | $79 | $35,980,208 | 40 |
| Mar 21, 2018 | - | $10,356 | -15% | -57% | 155 | $67 | $35,990,564 | 41 |
| Mar 22, 2018 | - | $9,458 | -9% | -55% | 155 | $61 | $36,000,022 | 42 |
| Mar 23, 2018 | - | $22,823 | +141% | -2% | 146 | $156 | $36,022,845 | 43 |
| Mar 24, 2018 | - | $33,674 | +48% | +8% | 146 | $231 | $36,056,519 | 44 |
| Mar 25, 2018 | - | $23,667 | -30% | +12% | 146 | $162 | $36,080,186 | 45 |
| Mar 26, 2018 | - | $8,842 | -63% | -7% | 146 | $61 | $36,089,028 | 46 |
| Mar 27, 2018 | - | $11,488 | +30% | -6% | 146 | $79 | $36,100,516 | 47 |
| Mar 28, 2018 | - | $8,802 | -23% | -15% | 146 | $60 | $36,109,318 | 48 |
| Mar 29, 2018 | - | $11,562 | +31% | +22% | 146 | $79 | $36,120,880 | 49 |
| Mar 30, 2018 | - | $20,578 | +78% | -10% | 108 | $191 | $36,141,458 | 50 |
| Mar 31, 2018 | - | $21,257 | +3% | -37% | 108 | $197 | $36,162,715 | 51 |
| Apr 1, 2018 | - | $12,258 | -42% | -48% | 108 | $114 | $36,174,973 | 52 |
| Apr 2, 2018 | - | $5,617 | -54% | -36% | 108 | $52 | $36,180,590 | 53 |
| Apr 3, 2018 | - | $7,295 | +30% | -36% | 108 | $68 | $36,187,885 | 54 |
| Apr 4, 2018 | - | $5,913 | -19% | -33% | 108 | $55 | $36,193,798 | 55 |
| Apr 5, 2018 | - | $6,398 | +8% | -45% | 108 | $59 | $36,200,196 | 56 |
| Apr 6, 2018 | - | $10,563 | +65% | -49% | 81 | $130 | $36,210,759 | 57 |
| Apr 7, 2018 | - | $17,435 | +65% | -18% | 81 | $215 | $36,228,194 | 58 |
| Apr 8, 2018 | - | $9,796 | -44% | -20% | 81 | $121 | $36,237,990 | 59 |
| Apr 9, 2018 | - | $3,046 | -69% | -46% | 81 | $38 | $36,241,036 | 60 |
| Apr 10, 2018 | - | $3,682 | +21% | -50% | 81 | $45 | $36,244,718 | 61 |
| Apr 11, 2018 | - | $2,908 | -21% | -51% | 81 | $36 | $36,247,626 | 62 |
| Apr 12, 2018 | - | $3,331 | +15% | -48% | 81 | $41 | $36,250,957 | 63 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 9, 2018 | 3 | $17,747,717 | 3,042 | $5,834 | $17,747,717 | 1 | |
| Feb 16, 2018 | 5 | $10,910,035 | -39% | 3,042 | $3,586 | $28,657,752 | 2 |
| Feb 23, 2018 | 7 | $4,890,464 | -55% | 2,752 | $1,777 | $33,548,216 | 3 |
| Mar 2, 2018 | 12 | $1,960,169 | -60% | 1,803 | $1,087 | $35,508,385 | 4 |
| Mar 9, 2018 | 25 | $374,505 | -81% | 420 | $892 | $35,882,890 | 5 |
| Mar 16, 2018 | 34 | $117,132 | -69% | 155 | $756 | $36,000,022 | 6 |
| Mar 23, 2018 | 37 | $120,858 | +3% | 146 | $828 | $36,120,880 | 7 |
| Mar 30, 2018 | 38 | $79,316 | -34% | 108 | $734 | $36,200,196 | 8 |
| Apr 6, 2018 | 46 | $50,761 | -36% | 81 | $627 | $36,250,957 | 9 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 2/9/2018 | $204,000 | 0 | 0 | 0 | $476,416 | 1/1/2019 | |||
| Australia | 2/9/2018 | $343,895 | 151 | 151 | 424 | $808,130 | 3/15/2018 | |||
| Bulgaria | 2/9/2018 | $18,789 | 0 | 0 | 0 | $41,513 | 1/1/2019 | |||
| France | 2/9/2018 | $1,400,000 | 411 | 411 | 1,180 | $3,460,000 | 4/11/2019 | |||
| India | 2/9/2018 | $0 | 0 | 0 | 0 | $299,470 | 4/2/2018 | |||
| Italy | 2/9/2018 | $1,474,284 | 470 | 470 | 880 | $3,470,000 | 3/13/2018 | |||
| Japan | 3/1/2018 | $1,900,000 | 237 | 237 | 474 | $3,850,075 | 6/8/2018 | |||
| Mexico | 2/9/2018 | $161,534 | 0 | 0 | 0 | $161,534 | 2/12/2018 | |||
| Netherlands | 4/20/2018 | $37,062 | 30 | 30 | 86 | $164,265 | 5/7/2018 | |||
| Portugal | 2/16/2018 | $124,293 | 49 | 54 | 165 | $327,121 | 8/15/2018 | |||
| Slovakia | 2/9/2018 | $26,445 | 50 | 50 | 82 | $51,323 | 2/28/2018 | |||
| Spain | 2/9/2018 | $332,763 | 88 | 98 | 277 | $848,000 | 3/12/2018 | |||
| Taiwan | 2/9/2018 | $273,000 | 0 | 0 | 0 | $273,000 | 2/15/2018 | |||
| United Arab Emirates | 2/9/2018 | $269,000 | 52 | 52 | 52 | $269,000 | 1/1/2019 | |||
| United Kingdom | 2/9/2018 | $400,796 | 323 | 323 | 323 | $896,000 | 4/4/2026 | |||
| Rest of World | $5,504,153 | |||||||||
| International Total | $20,900,000 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Anthony Sadler | Anthony Sadler | |
| Alek Skarlatos | Alex Skarlatos | |
| Spencer Stone | Spencer Stone |
Supporting
| Ray Corasani | Ayoub El-Khazzani | |
| Judy Greer | Joyce Eskel | |
| Jenna Fischer | Heidi Skarlatos | |
| Irene White | Elementary Teacher | |
| William Jennings | Spencer (11-14) | |
| Bryce Gheisar | Alek (11-14) | |
| P.J. Byrne | Mr. Henry | |
| Paul-Mikel Williams | Young Anthony Sadler | |
| Thomas Lennon | School Principal | |
| Tony Hale | Gym Teacher | |
| Grant Weaver | Classmate #2 | |
| Jaleel White | Garrett Walden | |
| Robert Pralgo | Mr. Skarlatos | |
| Mark Moogalian | Mark | |
| Isabelle Risacher Moogalian | Isabelle | |
| Matt Thompson | Man on Train | |
| Cyrille Hertel | Train Manager | |
| Elena Campbell-Martinez | Professor | |
| Lillian Solange | Carolyn | |
| Sinqua Walls | Marine | |
| Gary Weeks | Recruiter | |
| Steve Coulter | Jonathan Athnos MD | |
| David An | Air Force Liaison Lee | |
| Adam Rosenberg | Trainee #1 | |
| Seth Meriwether | Francis | |
| Matthew Barnes | Sewing Instructor | |
| Christine Hooper | British Woman | |
| Vernon Dobtcheff | Older Man | |
| Deborah Grall | Train Passenger | |
| Heidi Sulzman | Nursing Teacher | |
| Jamie Renell | Instructor | |
| Ethan Rains | Ben Zomerdyk | |
| Mershad Torabi | Villager | |
| Alan Heckner | Lt. Col. John | |
| Cesar Perez | Spencer’s Friend | |
| Louisa Pili | Front Desk Girl | |
| Jeanne Goursaud | Lea | |
| Alix Benezech | Server | |
| Alisa Allapach | Lisa | |
| Olivier Blanc | Tour Guide | |
| Yan Brian | Rocker Dude | |
| Camille Razat | Train Attendant #1 | |
| Christopher Norman | Chris | |
| Julia Molkhou | Reporter | |
| Patrick Braoude | President Hollande Actor |
Production and Technical Credits
| Clint Eastwood | Director | |
| Clint Eastwood | Producer | |
| Jessica Meier | Producer | |
| Tim Moore | Producer | |
| Kristina Rivera | Producer | |
| Dorothy Blyskal | Screenwriter | |
| Jeffrey E. Stern | Story based on the book “The 15:17 to Paris: The True Story of a Terrorist, a Train, and Three American Heroes” by | |
| Spencer Stone | Story based on the book “The 15:17 to Paris: The True Story of a Terrorist, a Train, and Three American Heroes” by | |
| Anthony Sadler | Story based on the book “The 15:17 to Paris: The True Story of a Terrorist, a Train, and Three American Heroes” by | |
| Alek Skarlatos | Story based on the book “The 15:17 to Paris: The True Story of a Terrorist, a Train, and Three American Heroes” by | |
| Bruce Berman | Executive Producer | |
| Tom Stern | Director of Photography | |
| Kevin Ishioka | Production Designer | |
| Blu Murray | Editor | |
| Deborah Hopper | Costume Designer | |
| Christian Jacob | Composer | |
| David M. Bernstein | Co-Producer | |
| Geoffrey Miclat | Casting Director | |
| Tim Moore | Unit Production Manager | |
| David M. Bernstein | First Assistant Director | |
| Paula Case | Second Assistant Director | |
| Julien Pougnier | Supervising Art Director | |
| Ronald R. Reiss | Set Decorator | |
| Gina Zappala | Assistant Editor | |
| Kevin R.W. Murray | Assistant Editor | |
| Mable McCrary* | Script Supervisor | |
| Alan Robert Murray | Supervising Sound Editor | |
| Jason King | Supervising Sound Editor | |
| Steven A. Morrow | Sound Mixer | |
| Chris McGeary | Music Editor | |
| Luisa Abel | Make up | |
| Heather Mages | Make up | |
| Patricia Dehaney | Hairstylist | |
| Holly Hagy | Production Supervisor | |
| Patrick O. Mignano | Location Manager | |
| Cameron Steenhagen | Supervising Dialogue Editor | |
| Bernard Weiser | Sound Effects Editor | |
| Adam Kopald | Sound Effects Editor | |
| Russell Gorsky | Sound Effects Editor | |
| Curt Schulkey | Dialogue Editor | |
| Julie Feiner | Dialogue Editor | |
| Bobby Fernandez | Music Scoring Mixer | |
| John Reitz | Re-recording Mixer | |
| Dean A. Zupancic | Re-recording Mixer | |
| James Ashwill | Foley Mixer | |
| Richard Duarte | Foley Mixer | |
| John Guentner | Foley Mixer | |
| Darrin Mann | Foley Mixer | |
| John Moffatt | Visual Effects Supervisor | |
| Richard Reed | Visual Effects Supervisor | |
| Mitchell Kenney | Costume Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.