The 15:17 to Paris (2018)

The 15:17 to Paris
Theatrical Performance
Domestic Box Office $36,276,286Details
International Box Office $19,819,914Details
Worldwide Box Office $56,096,200
Home Market Performance
Est. Domestic DVD Sales $1,331,109 Details
Est. Domestic Blu-ray Sales $1,801,339 Details
Total Est. Domestic Video Sales $3,132,448
Further financial details...

Synopsis

In the early evening of August 21, 2015, the world watched as the media reported a thwarted terrorist attack on Thalys train #9364 bound for Paris—an attempt prevented by three courageous young Americans traveling through Europe. The film follows the course of the friends’ lives, from the struggles of childhood through finding their footing in life, to the series of unlikely events leading up to the attack. Throughout the harrowing ordeal, their friendship never wavers, making it their greatest weapon and allowing them to save the lives of the more than 500 passengers on board.

Metrics

Opening Weekend:$12,554,286 (34.6% of total gross)
Legs:2.89 (domestic box office/biggest weekend)
Domestic Share:64.7% (domestic box office/worldwide)
Production Budget:$30,000,000 (worldwide box office is 1.9 times production budget)
Theater counts:3,042 opening theaters/3,042 max. theaters, 3.8 weeks average run per theater
Infl. Adj. Dom. BO $42,926,273

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 2,501-2,600) 2,532 $36,276,286
All Time International Box Office (Rank 3,501-3,600) 3,512 $19,819,914
All Time Worldwide Box Office (Rank 2,801-2,900) 2,843 $56,096,200

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon VOD, Amazon VOD
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu
Netflix:Netflix

Movie Details

Domestic Releases: February 9th, 2018 (Wide) by Warner Bros.
International Releases: February 9th, 2018 (Wide) (Argentina)
February 9th, 2018 (Wide) (Australia)
February 9th, 2018 (Wide), released as 15:17 до Париж (Bulgaria)
February 9th, 2018 (Wide) (France)
February 9th, 2018 (Wide) (India)
... Show all releases
Video Release: May 1st, 2018 by Warner Home Video
MPAA Rating: PG-13 on appeal for bloody images, violence, some suggestive material, drug references and language.
(Rating bulletin 2505 (Cert #51352), 12/6/2017)
Running Time: 94 minutes
Comparisons: vs. The Mule
Create your own comparison chart…
Keywords: Non-Chronological, 2010s, Ex-soldier, Terrorism, Trains, Nightclub, Non Professional Actor, Autobiographical, Biographical Drama
Source:Based on Factual Book/Article
Genre:Drama
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: Village Roadshow Productions, Warner Bros., Malpaso Productions, Access Motion Pictures, Dune Entertainment
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Washington's Birthday (All Movies, 3-Day) 158 $7,586,015 Feb 16, 2018 10
Washington's Birthday (All Movies, 3-Day, Inflation Adjusted) 260 $9,337,913 Feb 16, 2018 10
Washington's Birthday (All Movies, 4-Day, Fri-Mon) 135 $8,923,106 Feb 16, 2018 10
Washington's Birthday (All Movies, 4-Day, Fri-Mon, Inflation Adjusted) 163 $10,983,792 Feb 16, 2018 10

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Feb 9, 2018 3 $12,554,286   3,042 $4,127   $12,554,286 1
Feb 16, 2018 5 $7,586,015 -40% 3,042 $2,494   $25,333,732 2
Feb 23, 2018 7 $3,573,259 -53% 2,752 $1,298   $32,231,011 3
Mar 2, 2018 12 $1,413,755 -60% 1,803 $784   $34,961,971 4
Mar 9, 2018 22 $264,490 -81% 420 $630   $35,772,875 5
Mar 16, 2018 35 $75,588 -71% 155 $488   $35,958,478 6
Mar 23, 2018 37 $80,164 +6% 146 $549   $36,080,186 7
Mar 30, 2018 33 $54,093 -33% 108 $501   $36,174,973 8
Apr 6, 2018 44 $37,794 -30% 81 $467   $36,237,990 9

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Feb 9, 2018 3 $3,736,369     3,042 $1,228   $3,736,369 1
Feb 10, 2018 3 $5,436,962 +46%   3,042 $1,787   $9,173,331 2
Feb 11, 2018 3 $3,380,955 -38%   3,042 $1,111   $12,554,286 3
Feb 12, 2018 3 $1,078,247 -68%   3,042 $354   $13,632,533 4
Feb 13, 2018 3 $1,517,713 +41%   3,042 $499   $15,150,246 5
Feb 14, 2018 3 $1,702,360 +12%   3,042 $560   $16,852,606 6
Feb 15, 2018 3 $895,111 -47%   3,042 $294   $17,747,717 7
Feb 16, 2018 4 $2,067,415 +131% -45% 3,042 $680   $19,815,132 8
Feb 17, 2018 5 $3,183,971 +54% -41% 3,042 $1,047   $22,999,103 9
Feb 18, 2018 5 $2,334,629 -27% -31% 3,042 $767   $25,333,732 10
Feb 19, 2018 6 $1,337,091 -43% +24% 3,042 $440   $26,670,823 11
Feb 20, 2018 4 $882,343 -34% -42% 3,042 $290   $27,553,166 12
Feb 21, 2018 4 $578,402 -34% -66% 3,042 $190   $28,131,568 13
Feb 22, 2018 5 $526,184 -9% -41% 3,042 $173   $28,657,752 14
Feb 23, 2018 8 $996,216 +89% -52% 2,752 $362   $29,653,968 15
Feb 24, 2018 7 $1,620,852 +63% -49% 2,752 $589   $31,274,820 16
Feb 25, 2018 7 $956,191 -41% -59% 2,752 $347   $32,231,011 17
Feb 26, 2018 7 $295,032 -69% -78% 2,752 $107   $32,526,043 18
Feb 27, 2018 7 $451,057 +53% -49% 2,752 $164   $32,977,100 19
Feb 28, 2018 7 $306,174 -32% -47% 2,752 $111   $33,283,274 20
Mar 1, 2018 7 $264,942 -13% -50% 2,752 $96   $33,548,216 21
Mar 2, 2018 11 $402,221 +52% -60% 1,803 $223   $33,950,437 22
Mar 3, 2018 12 $654,782 +63% -60% 1,803 $363   $34,605,219 23
Mar 4, 2018 11 $356,752 -46% -63% 1,803 $198   $34,961,971 24
Mar 5, 2018 12 $120,863 -66% -59% 1,803 $67   $35,082,834 25
Mar 6, 2018 12 $174,428 +44% -61% 1,803 $97   $35,257,262 26
Mar 7, 2018 12 $141,030 -19% -54% 1,803 $78   $35,398,292 27
Mar 8, 2018 12 $110,093 -22% -58% 1,803 $61   $35,508,385 28
Mar 9, 2018 - $77,085 -30% -81% 420 $184   $35,585,470 29
Mar 10, 2018 - $111,275 +44% -83% 420 $265   $35,696,745 30
Mar 11, 2018 - $76,130 -32% -79% 420 $181   $35,772,875 31
Mar 12, 2018 - $32,251 -58% -73% 420 $77   $35,805,126 32
Mar 13, 2018 - $32,835 +2% -81% 420 $78   $35,837,961 33
Mar 14, 2018 - $23,897 -27% -83% 420 $57   $35,861,858 34
Mar 15, 2018 - $21,032 -12% -81% 420 $50   $35,882,890 35
Mar 16, 2018 - $23,188 +10% -70% 155 $150   $35,906,078 36
Mar 17, 2018 - $31,310 +35% -72% 155 $202   $35,937,388 37
Mar 18, 2018 - $21,090 -33% -72% 155 $136   $35,958,478 38
Mar 19, 2018 - $9,532 -55% -70% 155 $61   $35,968,010 39
Mar 20, 2018 - $12,198 +28% -63% 155 $79   $35,980,208 40
Mar 21, 2018 - $10,356 -15% -57% 155 $67   $35,990,564 41
Mar 22, 2018 - $9,458 -9% -55% 155 $61   $36,000,022 42
Mar 23, 2018 - $22,823 +141% -2% 146 $156   $36,022,845 43
Mar 24, 2018 - $33,674 +48% +8% 146 $231   $36,056,519 44
Mar 25, 2018 - $23,667 -30% +12% 146 $162   $36,080,186 45
Mar 26, 2018 - $8,842 -63% -7% 146 $61   $36,089,028 46
Mar 27, 2018 - $11,488 +30% -6% 146 $79   $36,100,516 47
Mar 28, 2018 - $8,802 -23% -15% 146 $60   $36,109,318 48
Mar 29, 2018 - $11,562 +31% +22% 146 $79   $36,120,880 49
Mar 30, 2018 - $20,578 +78% -10% 108 $191   $36,141,458 50
Mar 31, 2018 - $21,257 +3% -37% 108 $197   $36,162,715 51
Apr 1, 2018 - $12,258 -42% -48% 108 $114   $36,174,973 52
Apr 2, 2018 - $5,617 -54% -36% 108 $52   $36,180,590 53
Apr 3, 2018 - $7,295 +30% -36% 108 $68   $36,187,885 54
Apr 4, 2018 - $5,913 -19% -33% 108 $55   $36,193,798 55
Apr 5, 2018 - $6,398 +8% -45% 108 $59   $36,200,196 56
Apr 6, 2018 - $10,563 +65% -49% 81 $130   $36,210,759 57
Apr 7, 2018 - $17,435 +65% -18% 81 $215   $36,228,194 58
Apr 8, 2018 - $9,796 -44% -20% 81 $121   $36,237,990 59
Apr 9, 2018 - $3,046 -69% -46% 81 $38   $36,241,036 60
Apr 10, 2018 - $3,682 +21% -50% 81 $45   $36,244,718 61
Apr 11, 2018 - $2,908 -21% -51% 81 $36   $36,247,626 62
Apr 12, 2018 - $3,331 +15% -48% 81 $41   $36,250,957 63

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Feb 9, 2018 3 $17,747,717   3,042 $5,834   $17,747,717 1
Feb 16, 2018 5 $10,910,035 -39% 3,042 $3,586   $28,657,752 2
Feb 23, 2018 7 $4,890,464 -55% 2,752 $1,777   $33,548,216 3
Mar 2, 2018 12 $1,960,169 -60% 1,803 $1,087   $35,508,385 4
Mar 9, 2018 25 $374,505 -81% 420 $892   $35,882,890 5
Mar 16, 2018 34 $117,132 -69% 155 $756   $36,000,022 6
Mar 23, 2018 37 $120,858 +3% 146 $828   $36,120,880 7
Mar 30, 2018 38 $79,316 -34% 108 $734   $36,200,196 8
Apr 6, 2018 46 $50,761 -36% 81 $627   $36,250,957 9

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 2/9/2018 $204,000 0 0 0 $476,416 1/1/2019
Australia 2/9/2018 $343,895 151 151 424 $808,130 3/15/2018
Bulgaria 2/9/2018 $18,789 0 0 0 $41,513 1/1/2019
France 2/9/2018 $1,400,000 411 411 1,180 $3,460,000 4/11/2019
India 2/9/2018 $0 0 0 0 $299,470 4/2/2018
Italy 2/9/2018 $1,474,284 470 470 880 $3,470,000 3/13/2018
Japan 3/1/2018 $1,900,000 237 237 474 $3,850,075 6/8/2018
Mexico 2/9/2018 $161,534 0 0 0 $161,534 2/12/2018
Netherlands 4/20/2018 $37,062 30 30 86 $164,265 5/7/2018
Portugal 2/16/2018 $124,293 49 54 165 $327,121 8/15/2018
Slovakia 2/9/2018 $26,445 50 50 82 $51,323 2/28/2018
Spain 2/9/2018 $332,763 88 98 277 $848,000 3/12/2018
Taiwan 2/9/2018 $273,000 0 0 0 $273,000 2/15/2018
United Arab Emirates 2/9/2018 $269,000 52 52 52 $269,000 1/1/2019
United Kingdom 2/9/2018 $400,796 323 323 323 $896,000 3/12/2018
 
Rest of World $4,424,067
 
International Total$19,819,914 4/11/2019

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
May 27, 2018436,660 36,660$585,094$585,0944
Jun 3, 2018632,890-10% 69,550$524,924$1,110,0185
Jun 10, 20181213,354-59% 82,904$213,130$1,323,1486

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
May 27, 2018632,444 32,444$745,562$745,5624
Jun 3, 20181119,304-41% 51,748$432,212$1,177,7745

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Anthony Sadler    Anthony Sadler
Alek Skarlatos    Alex Skarlatos
Spencer Stone    Spencer Stone

Supporting Cast

Ray Corasani    Ayoub El-Khazzani
Judy Greer    Joyce Eskel
Jenna Fischer    Heidi Skarlatos
Irene White    Elementary Teacher
William Jennings    Spencer (11-14)
Bryce Gheisar    Alek (11-14)
P.J. Byrne    Mr. Henry
Paul-Mikel Williams    Young Anthony Sadler
Thomas Lennon    School Principal
Tony Hale    Gym Teacher
Grant Weaver    Classmate #2
Jaleel White    Garrett Walden
Robert Pralgo    Mr. Skarlatos
Mark Moogalian    Mark
Isabelle Risacher Moogalian    Isabelle
Matt Thompson    Man on Train
Cyrille Hertel    Train Manager
Elena Campbell-Martinez    Professor
Lillian Solange    Carolyn
Sinqua Walls    Marine
Gary Weeks    Recruiter
Steve Coulter    Jonathan Athnos MD
David An    Air Force Liaison Lee
Adam Rosenberg    Trainee #1
Seth Meriwether    Francis
Matthew Barnes    Sewing Instructor
Christine Hooper    British Woman
Vernon Dobtcheff    Older Man
Deborah Grall    Train Passenger
Heidi Sulzman    Nursing Teacher
Jamie Renell    Instructor
Ethan Rains    Ben Zomerdyk
Mershad Torabi    Villager
Alan Heckner    Lt. Col. John
Cesar Perez    Spencer’s Friend
Louisa Pili    Front Desk Girl
Jeanne Goursaud    Lea
Alix Benezech    Server
Alisa Allapach    Lisa
Olivier Blanc    Tour Guide
Yan Brian    Rocker Dude
Camille Razat    Train Attendant #1
Christopher Norman    Chris
Julia Molkhou    Reporter
Patrick Braoude    President Hollande Actor

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Clint Eastwood    Director
Clint Eastwood    Producer
Jessica Meier    Producer
Tim Moore    Producer
Kristina Rivera    Producer
Dorothy Blyskal    Screenwriter
Jeffrey E. Stern    Story based on the book “The 15:17 to Paris: The True Story of a Terrorist, a Train, and Three American Heroes” by
Spencer Stone    Story based on the book “The 15:17 to Paris: The True Story of a Terrorist, a Train, and Three American Heroes” by
Anthony Sadler    Story based on the book “The 15:17 to Paris: The True Story of a Terrorist, a Train, and Three American Heroes” by
Alek Skarlatos    Story based on the book “The 15:17 to Paris: The True Story of a Terrorist, a Train, and Three American Heroes” by
Bruce Berman    Executive Producer
Tom Stern    Director of Photography
Kevin Ishioka    Production Designer
Blu Murray    Editor
Deborah Hopper    Costume Designer
Christian Jacob    Composer
David M. Bernstein    Co-Producer
Geoffrey Miclat    Casting Director
Tim Moore    Unit Production Manager
David M. Bernstein    First Assistant Director
Paula Case    Second Assistant Director
Julien Pougnier    Supervising Art Director
Ron Reiss    Set Decorator
Gina Zappala    Assistant Editor
Kevin R.W. Murray    Assistant Editor
Mable McCrary*    Script Supervisor
Alan Robert Murray    Supervising Sound Editor
Jason King    Supervising Sound Editor
Steven A. Morrow    Sound Mixer
Chris McGeary    Music Editor
Luisa Abel    Make up
Heather Mages    Make up
Patricia Dehaney    Hairstylist
Holly Hagy    Production Supervisor
Patrick O. Mignano    Location Manager
Cameron Steenhagen    Supervising Dialogue Editor
Bernard Weiser    Sound Effects Editor
Adam Kopald    Sound Effects Editor
Russell Gorsky    Sound Effects Editor
Curt Schulkey    Dialogue Editor
Julie Feiner    Dialogue Editor
Bobby Fernandez    Music Scoring Mixer
John Reitz    Re-recording Mixer
Dean A. Zupancic    Re-recording Mixer
James Ashwill    Foley Mixer
Richard Duarte    Foley Mixer
John Guentner    Foley Mixer
Darrin Mann    Foley Mixer
John Moffatt    Visual Effects Supervisor
Richard Reed    Visual Effects Supervisor
Mitchell Kenney    Costume Supervisor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for May 22nd, 2018

May 23rd, 2018

Early Man

Black Panther came out on DVD, Blu-ray Combo Pack, or 4K Ultra HD Combo Pack last weekend and it is still scaring away a lot of the competition. That’s not to say there are no new releases that are worth picking up. In fact, A Fantastic Woman, I Kill Giants, and Early Man are all contenders for Pick of the Week. In the end, that title went to Early Man on Blu-ray. More...

Home Market Releases for May 1st, 2018

May 2nd, 2018

Miss Kobayashi's Dragon Maid

It is a really shallow week. There are releases that are fighting for a spot in the top five that normally would be so far down the list that we wouldn’t even cover them. That doesn’t mean there are no releases that are worth picking up. In Between was a limited release that earned near perfect reviews. The 1970s film, Legend of the Mountain, got a recent release and its reviews are even better. I reviewed Mary and the Witch’s Flower last week and it nearly won Pick of the Week then. I reviewed Miss Kobayashi's Dragon Maid: The Complete Series this week and it is one of my favorite recent Anime comedies. It was a really close race between these four films and in the end, it came down to a coin-toss with Miss Kobayashi's Dragon Maid coming out ahead. More...

Weekend Wrap-Up: Black Panther Re-Writes the Record Book

February 20th, 2018

Black Panther

Black Panther destroyed expectations over the Presidents Day long weekend earning $202.00 million / $242.16 million over the 3-day / 4-day weekend. The list of records this film broke seems endless, but we will get to that in a bit. Unfortunately, the two other new releases, Early Man and Samson, both bombed. On a more positive note, the total box office rose 103% from last weekend reaching $285 million. This is the third-biggest weekend of all-time, and the biggest non-December weekend. This is also 92% higher than the same weekend last year. Even if we use Presidents Day of last year, 2018 was still 51% higher. More importantly, 2018 completely erased the small deficit it had and is now ahead of 2017 by $120 million or 8% at $1.62 billion to $1.50 billion. More impressively, 2018 is even ahead of 2017 in terms of ticket sales at 178 million to 172 million. More...

Weekend Predictions: Black Panther is About to Bring In a Lot of Green

February 15th, 2018

Black Panther

It’s Presidents Day long weekend and there are two-and-a-half films trying to take advantage of the holiday with wide releases. However, the only film opening this weekend that people are actually talking about is Black Panther. This film is earning more buzz than any film opening until Infinity War and is widely expected to break records. Early Man’s reviews have been overwhelmingly positive, but it is just hoping to reach the top five. Finally, there’s Samson, which is only opening semi-wide. This weekend last year was the weekend after Presidents Day long weekend, so it is not a fair comparison and 2018 will crush 2017. Compared to Presidents Day of last year, 2018 will still crush the competition. More...

Weekend Wrap-Up: Freed Falls to $38.56 million

February 13th, 2018

Fifty Shades Freed

Fifty Shades Freed topped our prediction by a tiny margin earning first place over the weekend with $38.56 million. Peter Rabbit also beat expectations with $25.01 million. Then there’s The 15:17 to Paris. Overall, the box office rocketed up 49% from last weekend to $140 million. Unfortunately, this wasn’t enough to compete with this weekend last year, as 2018 was 26% lower. That sounds devastating, but remember, there is a misalignment in holidays, so next weekend 2018 will bounce back. Likewise, because of the misalignment in holidays, the year-to-date comparison isn’t particularly useful. 2018 is behind 2017’s pace by 5.0% or $65 million at $1.22 billion to $1.28 billion. However, by this time next week, that entire deficit could be erased. More...

Weekend Estimates: Fifty Shades Finishes with $38.8 Million

February 11th, 2018

Fifty Shades Freed

Fifty Shades Freed caps the Shades franchise this weekend with a solid $38.805 million debut, according to Universal’s weekend estimate. That’s down from Fifty Shades Darker’s $46.6 million opening, but nowhere near the drop between the first and second movies—Fifty Shades of Grey came out the gate with $85 million back in 2015, although it was helped by Valentine’s Day falling on Saturday. More...

Friday Estimates: Freed Costs Moviegoers $18.5 million on Friday

February 10th, 2018

Fifty Shades Freed

Fifty Shades Freed dominated the box office on Friday, earning $18.5 million. This is 14% lower than Fifty Shades Darker earned during its opening day. The two films should have similar legs, as they have similar reviews and both films earned B pluses from CinemaScore. Plug the numbers into that equation and we get an opening weekend of a little more than $40 million, enough to put it on pace for $100 million domestically. More...

Thursday Night Previews: Freed Starts Strong with $5.6 million

February 9th, 2018

Fifty Shades Freed

Fifty Shades Freed got off to a fantastic start with $5.6 million from its previews on Thursday. This is nearly identical to the $5.72 million earned by Fifty Shades Darker. Add in the slight improvement in Tomatometer scores and I think we might have been a little pessimistic in our prediction. We will get a better idea where the film is at tomorrow, but for now, I’m bumping our prediction from $38 million to $42 million. More...

Weekend Predictions: Will the Final Grey Film Open in the Black?

February 8th, 2018

Fifty Shades Freed

As the weekend approaches, there’s only one film that everyone is talking about: Black Panther. The film’s reviews are nearly 100% positive and Fandango announced its presales are the best for any pre-summer release. Unfortunately, it doesn’t open until next weekend. This week we have to settle for Fifty Shades Freed, Peter Rabbit, and The 15:17 to Paris. Fifty Shades Freed is widely expected to be the biggest hit released in 2018, at least so far. On the other hand, its reviews and the Fangirl Effect strongly suggest very short legs. Peter Rabbit is a family film and even though it has direct competition next weekend, it should have the best legs on this week’s list. Finally there’s The 15:17 to Paris, which is not living up to expectations with critics and this will likely hurt its box office chances. This weekend last year was Presidents Day long Weekend. 2018 is going to get absolutely destroyed in the year-over-year comparison. More...

Weekend Estimates: Jumanji and Greatest Showman in Record Territory

February 4th, 2018

Winchester

In spite of a decent opening, Winchester is proving to be no match for Jumanji this weekend. The holiday holdover returns to top spot on the chart in its seventh weekend with $11 million, down 32% from last time out. That makes it four weekends at the top of the chart for Jumanji, after opening in second place back on December 20. One needs to go back the best part of 30 years to find a film that matches that performance. More...

2018 Preview: February

February 1st, 2018

Black Panther

2018 got off to a good start and January more or less held its ground when compared to 2017. There were some misses, but surprise holdovers made up the difference. Looking forward, February will be dominated by Black Panther. In fact, it will very likely make more during its opening weekend than the second place film, Fifty Shades Freed, will likely make in total. Black Panther likely won’t break records, but it could come close, while Fifty Shade Freed and Peter Rabbit both have a 50/50 shot at $100 million. Last February, The Lego Batman Movie both earned $175 million, while Fifty Shades Darker earned over $100 million. Black Panther will easily beat any film from last February; in fact, it could earn more than the top two films earned combined. As long as the rest of the box office isn’t a complete disaster, February should help 2018 earn a significant edge over 2017 in the year-over-year comparisons. More...

The 15:17 to Paris Trailer

January 16th, 2018

Clint Eastwood’s real-life thriller starring Anthony Sadler, Alek Skarlatos, and Spencer Stone opens February 9 ... Full Movie Details.

In the early evening of August 21, 2015, the world watched as the media reported a thwarted terrorist attack on Thalys train #9364 bound for Paris—an attempt prevented by three courageous young Americans traveling through Europe. The film follows the course of the friends’ lives, from the struggles of childhood through finding their footing in life, to the series of unlikely events leading up to the attack. Throughout the harrowing ordeal, their friendship never wavers, making it their greatest weapon and allowing them to save the lives of the more than 500 passengers on board. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

In the early evening of August 21, 2015, the world watched as the media reported a thwarted terrorist attack on Thalys train #9364 bound for Paris—an attempt prevented by three courageous young Americans traveling through Europe. The film follows the course of the friends’ lives, from the struggles of childhood through finding their footing in life, to the series of unlikely events leading up to the attack. Throughout the harrowing ordeal, their friendship never wavers, making it their greatest weapon and allowing them to save the lives of the more than 500 passengers on board.

Metrics

Opening Weekend:$12,554,286 (34.6% of total gross)
Legs:2.89 (domestic box office/biggest weekend)
Domestic Share:64.7% (domestic box office/worldwide)
Production Budget:$30,000,000 (worldwide box office is 1.9 times production budget)
Theater counts:3,042 opening theaters/3,042 max. theaters, 3.8 weeks average run per theater
Infl. Adj. Dom. BO $42,926,273

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 2,501-2,600) 2,532 $36,276,286
All Time International Box Office (Rank 3,501-3,600) 3,512 $19,819,914
All Time Worldwide Box Office (Rank 2,801-2,900) 2,843 $56,096,200

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon VOD, Amazon VOD
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu
Netflix:Netflix

Movie Details

Domestic Releases: February 9th, 2018 (Wide) by Warner Bros.
International Releases: February 9th, 2018 (Wide) (Argentina)
February 9th, 2018 (Wide) (Australia)
February 9th, 2018 (Wide), released as 15:17 до Париж (Bulgaria)
February 9th, 2018 (Wide) (France)
February 9th, 2018 (Wide) (India)
... Show all releases
Video Release: May 1st, 2018 by Warner Home Video
MPAA Rating: PG-13 on appeal for bloody images, violence, some suggestive material, drug references and language.
(Rating bulletin 2505 (Cert #51352), 12/6/2017)
Running Time: 94 minutes
Comparisons: vs. The Mule
Create your own comparison chart…
Keywords: Non-Chronological, 2010s, Ex-soldier, Terrorism, Trains, Nightclub, Non Professional Actor, Autobiographical, Biographical Drama
Source:Based on Factual Book/Article
Genre:Drama
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: Village Roadshow Productions, Warner Bros., Malpaso Productions, Access Motion Pictures, Dune Entertainment
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Washington's Birthday (All Movies, 3-Day) 158 $7,586,015 Feb 16, 2018 10
Washington's Birthday (All Movies, 3-Day, Inflation Adjusted) 260 $9,337,913 Feb 16, 2018 10
Washington's Birthday (All Movies, 4-Day, Fri-Mon) 135 $8,923,106 Feb 16, 2018 10
Washington's Birthday (All Movies, 4-Day, Fri-Mon, Inflation Adjusted) 163 $10,983,792 Feb 16, 2018 10

Leading Cast

Anthony Sadler    Anthony Sadler
Alek Skarlatos    Alex Skarlatos
Spencer Stone    Spencer Stone

Supporting Cast

Ray Corasani    Ayoub El-Khazzani
Judy Greer    Joyce Eskel
Jenna Fischer    Heidi Skarlatos
Irene White    Elementary Teacher
William Jennings    Spencer (11-14)
Bryce Gheisar    Alek (11-14)
P.J. Byrne    Mr. Henry
Paul-Mikel Williams    Young Anthony Sadler
Thomas Lennon    School Principal
Tony Hale    Gym Teacher
Grant Weaver    Classmate #2
Jaleel White    Garrett Walden
Robert Pralgo    Mr. Skarlatos
Mark Moogalian    Mark
Isabelle Risacher Moogalian    Isabelle
Matt Thompson    Man on Train
Cyrille Hertel    Train Manager
Elena Campbell-Martinez    Professor
Lillian Solange    Carolyn
Sinqua Walls    Marine
Gary Weeks    Recruiter
Steve Coulter    Jonathan Athnos MD
David An    Air Force Liaison Lee
Adam Rosenberg    Trainee #1
Seth Meriwether    Francis
Matthew Barnes    Sewing Instructor
Christine Hooper    British Woman
Vernon Dobtcheff    Older Man
Deborah Grall    Train Passenger
Heidi Sulzman    Nursing Teacher
Jamie Renell    Instructor
Ethan Rains    Ben Zomerdyk
Mershad Torabi    Villager
Alan Heckner    Lt. Col. John
Cesar Perez    Spencer’s Friend
Louisa Pili    Front Desk Girl
Jeanne Goursaud    Lea
Alix Benezech    Server
Alisa Allapach    Lisa
Olivier Blanc    Tour Guide
Yan Brian    Rocker Dude
Camille Razat    Train Attendant #1
Christopher Norman    Chris
Julia Molkhou    Reporter
Patrick Braoude    President Hollande Actor

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Clint Eastwood    Director
Clint Eastwood    Producer
Jessica Meier    Producer
Tim Moore    Producer
Kristina Rivera    Producer
Dorothy Blyskal    Screenwriter
Jeffrey E. Stern    Story based on the book “The 15:17 to Paris: The True Story of a Terrorist, a Train, and Three American Heroes” by
Spencer Stone    Story based on the book “The 15:17 to Paris: The True Story of a Terrorist, a Train, and Three American Heroes” by
Anthony Sadler    Story based on the book “The 15:17 to Paris: The True Story of a Terrorist, a Train, and Three American Heroes” by
Alek Skarlatos    Story based on the book “The 15:17 to Paris: The True Story of a Terrorist, a Train, and Three American Heroes” by
Bruce Berman    Executive Producer
Tom Stern    Director of Photography
Kevin Ishioka    Production Designer
Blu Murray    Editor
Deborah Hopper    Costume Designer
Christian Jacob    Composer
David M. Bernstein    Co-Producer
Geoffrey Miclat    Casting Director
Tim Moore    Unit Production Manager
David M. Bernstein    First Assistant Director
Paula Case    Second Assistant Director
Julien Pougnier    Supervising Art Director
Ron Reiss    Set Decorator
Gina Zappala    Assistant Editor
Kevin R.W. Murray    Assistant Editor
Mable McCrary*    Script Supervisor
Alan Robert Murray    Supervising Sound Editor
Jason King    Supervising Sound Editor
Steven A. Morrow    Sound Mixer
Chris McGeary    Music Editor
Luisa Abel    Make up
Heather Mages    Make up
Patricia Dehaney    Hairstylist
Holly Hagy    Production Supervisor
Patrick O. Mignano    Location Manager
Cameron Steenhagen    Supervising Dialogue Editor
Bernard Weiser    Sound Effects Editor
Adam Kopald    Sound Effects Editor
Russell Gorsky    Sound Effects Editor
Curt Schulkey    Dialogue Editor
Julie Feiner    Dialogue Editor
Bobby Fernandez    Music Scoring Mixer
John Reitz    Re-recording Mixer
Dean A. Zupancic    Re-recording Mixer
James Ashwill    Foley Mixer
Richard Duarte    Foley Mixer
John Guentner    Foley Mixer
Darrin Mann    Foley Mixer
John Moffatt    Visual Effects Supervisor
Richard Reed    Visual Effects Supervisor
Mitchell Kenney    Costume Supervisor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for May 22nd, 2018

May 23rd, 2018

Early Man

Black Panther came out on DVD, Blu-ray Combo Pack, or 4K Ultra HD Combo Pack last weekend and it is still scaring away a lot of the competition. That’s not to say there are no new releases that are worth picking up. In fact, A Fantastic Woman, I Kill Giants, and Early Man are all contenders for Pick of the Week. In the end, that title went to Early Man on Blu-ray. More...

Home Market Releases for May 1st, 2018

May 2nd, 2018

Miss Kobayashi's Dragon Maid

It is a really shallow week. There are releases that are fighting for a spot in the top five that normally would be so far down the list that we wouldn’t even cover them. That doesn’t mean there are no releases that are worth picking up. In Between was a limited release that earned near perfect reviews. The 1970s film, Legend of the Mountain, got a recent release and its reviews are even better. I reviewed Mary and the Witch’s Flower last week and it nearly won Pick of the Week then. I reviewed Miss Kobayashi's Dragon Maid: The Complete Series this week and it is one of my favorite recent Anime comedies. It was a really close race between these four films and in the end, it came down to a coin-toss with Miss Kobayashi's Dragon Maid coming out ahead. More...

Weekend Wrap-Up: Black Panther Re-Writes the Record Book

February 20th, 2018

Black Panther

Black Panther destroyed expectations over the Presidents Day long weekend earning $202.00 million / $242.16 million over the 3-day / 4-day weekend. The list of records this film broke seems endless, but we will get to that in a bit. Unfortunately, the two other new releases, Early Man and Samson, both bombed. On a more positive note, the total box office rose 103% from last weekend reaching $285 million. This is the third-biggest weekend of all-time, and the biggest non-December weekend. This is also 92% higher than the same weekend last year. Even if we use Presidents Day of last year, 2018 was still 51% higher. More importantly, 2018 completely erased the small deficit it had and is now ahead of 2017 by $120 million or 8% at $1.62 billion to $1.50 billion. More impressively, 2018 is even ahead of 2017 in terms of ticket sales at 178 million to 172 million. More...

Weekend Predictions: Black Panther is About to Bring In a Lot of Green

February 15th, 2018

Black Panther

It’s Presidents Day long weekend and there are two-and-a-half films trying to take advantage of the holiday with wide releases. However, the only film opening this weekend that people are actually talking about is Black Panther. This film is earning more buzz than any film opening until Infinity War and is widely expected to break records. Early Man’s reviews have been overwhelmingly positive, but it is just hoping to reach the top five. Finally, there’s Samson, which is only opening semi-wide. This weekend last year was the weekend after Presidents Day long weekend, so it is not a fair comparison and 2018 will crush 2017. Compared to Presidents Day of last year, 2018 will still crush the competition. More...

Weekend Wrap-Up: Freed Falls to $38.56 million

February 13th, 2018

Fifty Shades Freed

Fifty Shades Freed topped our prediction by a tiny margin earning first place over the weekend with $38.56 million. Peter Rabbit also beat expectations with $25.01 million. Then there’s The 15:17 to Paris. Overall, the box office rocketed up 49% from last weekend to $140 million. Unfortunately, this wasn’t enough to compete with this weekend last year, as 2018 was 26% lower. That sounds devastating, but remember, there is a misalignment in holidays, so next weekend 2018 will bounce back. Likewise, because of the misalignment in holidays, the year-to-date comparison isn’t particularly useful. 2018 is behind 2017’s pace by 5.0% or $65 million at $1.22 billion to $1.28 billion. However, by this time next week, that entire deficit could be erased. More...

Weekend Estimates: Fifty Shades Finishes with $38.8 Million

February 11th, 2018

Fifty Shades Freed

Fifty Shades Freed caps the Shades franchise this weekend with a solid $38.805 million debut, according to Universal’s weekend estimate. That’s down from Fifty Shades Darker’s $46.6 million opening, but nowhere near the drop between the first and second movies—Fifty Shades of Grey came out the gate with $85 million back in 2015, although it was helped by Valentine’s Day falling on Saturday. More...

Friday Estimates: Freed Costs Moviegoers $18.5 million on Friday

February 10th, 2018

Fifty Shades Freed

Fifty Shades Freed dominated the box office on Friday, earning $18.5 million. This is 14% lower than Fifty Shades Darker earned during its opening day. The two films should have similar legs, as they have similar reviews and both films earned B pluses from CinemaScore. Plug the numbers into that equation and we get an opening weekend of a little more than $40 million, enough to put it on pace for $100 million domestically. More...

Thursday Night Previews: Freed Starts Strong with $5.6 million

February 9th, 2018

Fifty Shades Freed

Fifty Shades Freed got off to a fantastic start with $5.6 million from its previews on Thursday. This is nearly identical to the $5.72 million earned by Fifty Shades Darker. Add in the slight improvement in Tomatometer scores and I think we might have been a little pessimistic in our prediction. We will get a better idea where the film is at tomorrow, but for now, I’m bumping our prediction from $38 million to $42 million. More...

Weekend Predictions: Will the Final Grey Film Open in the Black?

February 8th, 2018

Fifty Shades Freed

As the weekend approaches, there’s only one film that everyone is talking about: Black Panther. The film’s reviews are nearly 100% positive and Fandango announced its presales are the best for any pre-summer release. Unfortunately, it doesn’t open until next weekend. This week we have to settle for Fifty Shades Freed, Peter Rabbit, and The 15:17 to Paris. Fifty Shades Freed is widely expected to be the biggest hit released in 2018, at least so far. On the other hand, its reviews and the Fangirl Effect strongly suggest very short legs. Peter Rabbit is a family film and even though it has direct competition next weekend, it should have the best legs on this week’s list. Finally there’s The 15:17 to Paris, which is not living up to expectations with critics and this will likely hurt its box office chances. This weekend last year was Presidents Day long Weekend. 2018 is going to get absolutely destroyed in the year-over-year comparison. More...

Weekend Estimates: Jumanji and Greatest Showman in Record Territory

February 4th, 2018

Winchester

In spite of a decent opening, Winchester is proving to be no match for Jumanji this weekend. The holiday holdover returns to top spot on the chart in its seventh weekend with $11 million, down 32% from last time out. That makes it four weekends at the top of the chart for Jumanji, after opening in second place back on December 20. One needs to go back the best part of 30 years to find a film that matches that performance. More...

2018 Preview: February

February 1st, 2018

Black Panther

2018 got off to a good start and January more or less held its ground when compared to 2017. There were some misses, but surprise holdovers made up the difference. Looking forward, February will be dominated by Black Panther. In fact, it will very likely make more during its opening weekend than the second place film, Fifty Shades Freed, will likely make in total. Black Panther likely won’t break records, but it could come close, while Fifty Shade Freed and Peter Rabbit both have a 50/50 shot at $100 million. Last February, The Lego Batman Movie both earned $175 million, while Fifty Shades Darker earned over $100 million. Black Panther will easily beat any film from last February; in fact, it could earn more than the top two films earned combined. As long as the rest of the box office isn’t a complete disaster, February should help 2018 earn a significant edge over 2017 in the year-over-year comparisons. More...

The 15:17 to Paris Trailer

January 16th, 2018

Clint Eastwood’s real-life thriller starring Anthony Sadler, Alek Skarlatos, and Spencer Stone opens February 9 ... Full Movie Details.

In the early evening of August 21, 2015, the world watched as the media reported a thwarted terrorist attack on Thalys train #9364 bound for Paris—an attempt prevented by three courageous young Americans traveling through Europe. The film follows the course of the friends’ lives, from the struggles of childhood through finding their footing in life, to the series of unlikely events leading up to the attack. Throughout the harrowing ordeal, their friendship never wavers, making it their greatest weapon and allowing them to save the lives of the more than 500 passengers on board. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Feb 9, 2018 3 $12,554,286   3,042 $4,127   $12,554,286 1
Feb 16, 2018 5 $7,586,015 -40% 3,042 $2,494   $25,333,732 2
Feb 23, 2018 7 $3,573,259 -53% 2,752 $1,298   $32,231,011 3
Mar 2, 2018 12 $1,413,755 -60% 1,803 $784   $34,961,971 4
Mar 9, 2018 22 $264,490 -81% 420 $630   $35,772,875 5
Mar 16, 2018 35 $75,588 -71% 155 $488   $35,958,478 6
Mar 23, 2018 37 $80,164 +6% 146 $549   $36,080,186 7
Mar 30, 2018 33 $54,093 -33% 108 $501   $36,174,973 8
Apr 6, 2018 44 $37,794 -30% 81 $467   $36,237,990 9

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Feb 9, 2018 3 $3,736,369     3,042 $1,228   $3,736,369 1
Feb 10, 2018 3 $5,436,962 +46%   3,042 $1,787   $9,173,331 2
Feb 11, 2018 3 $3,380,955 -38%   3,042 $1,111   $12,554,286 3
Feb 12, 2018 3 $1,078,247 -68%   3,042 $354   $13,632,533 4
Feb 13, 2018 3 $1,517,713 +41%   3,042 $499   $15,150,246 5
Feb 14, 2018 3 $1,702,360 +12%   3,042 $560   $16,852,606 6
Feb 15, 2018 3 $895,111 -47%   3,042 $294   $17,747,717 7
Feb 16, 2018 4 $2,067,415 +131% -45% 3,042 $680   $19,815,132 8
Feb 17, 2018 5 $3,183,971 +54% -41% 3,042 $1,047   $22,999,103 9
Feb 18, 2018 5 $2,334,629 -27% -31% 3,042 $767   $25,333,732 10
Feb 19, 2018 6 $1,337,091 -43% +24% 3,042 $440   $26,670,823 11
Feb 20, 2018 4 $882,343 -34% -42% 3,042 $290   $27,553,166 12
Feb 21, 2018 4 $578,402 -34% -66% 3,042 $190   $28,131,568 13
Feb 22, 2018 5 $526,184 -9% -41% 3,042 $173   $28,657,752 14
Feb 23, 2018 8 $996,216 +89% -52% 2,752 $362   $29,653,968 15
Feb 24, 2018 7 $1,620,852 +63% -49% 2,752 $589   $31,274,820 16
Feb 25, 2018 7 $956,191 -41% -59% 2,752 $347   $32,231,011 17
Feb 26, 2018 7 $295,032 -69% -78% 2,752 $107   $32,526,043 18
Feb 27, 2018 7 $451,057 +53% -49% 2,752 $164   $32,977,100 19
Feb 28, 2018 7 $306,174 -32% -47% 2,752 $111   $33,283,274 20
Mar 1, 2018 7 $264,942 -13% -50% 2,752 $96   $33,548,216 21
Mar 2, 2018 11 $402,221 +52% -60% 1,803 $223   $33,950,437 22
Mar 3, 2018 12 $654,782 +63% -60% 1,803 $363   $34,605,219 23
Mar 4, 2018 11 $356,752 -46% -63% 1,803 $198   $34,961,971 24
Mar 5, 2018 12 $120,863 -66% -59% 1,803 $67   $35,082,834 25
Mar 6, 2018 12 $174,428 +44% -61% 1,803 $97   $35,257,262 26
Mar 7, 2018 12 $141,030 -19% -54% 1,803 $78   $35,398,292 27
Mar 8, 2018 12 $110,093 -22% -58% 1,803 $61   $35,508,385 28
Mar 9, 2018 - $77,085 -30% -81% 420 $184   $35,585,470 29
Mar 10, 2018 - $111,275 +44% -83% 420 $265   $35,696,745 30
Mar 11, 2018 - $76,130 -32% -79% 420 $181   $35,772,875 31
Mar 12, 2018 - $32,251 -58% -73% 420 $77   $35,805,126 32
Mar 13, 2018 - $32,835 +2% -81% 420 $78   $35,837,961 33
Mar 14, 2018 - $23,897 -27% -83% 420 $57   $35,861,858 34
Mar 15, 2018 - $21,032 -12% -81% 420 $50   $35,882,890 35
Mar 16, 2018 - $23,188 +10% -70% 155 $150   $35,906,078 36
Mar 17, 2018 - $31,310 +35% -72% 155 $202   $35,937,388 37
Mar 18, 2018 - $21,090 -33% -72% 155 $136   $35,958,478 38
Mar 19, 2018 - $9,532 -55% -70% 155 $61   $35,968,010 39
Mar 20, 2018 - $12,198 +28% -63% 155 $79   $35,980,208 40
Mar 21, 2018 - $10,356 -15% -57% 155 $67   $35,990,564 41
Mar 22, 2018 - $9,458 -9% -55% 155 $61   $36,000,022 42
Mar 23, 2018 - $22,823 +141% -2% 146 $156   $36,022,845 43
Mar 24, 2018 - $33,674 +48% +8% 146 $231   $36,056,519 44
Mar 25, 2018 - $23,667 -30% +12% 146 $162   $36,080,186 45
Mar 26, 2018 - $8,842 -63% -7% 146 $61   $36,089,028 46
Mar 27, 2018 - $11,488 +30% -6% 146 $79   $36,100,516 47
Mar 28, 2018 - $8,802 -23% -15% 146 $60   $36,109,318 48
Mar 29, 2018 - $11,562 +31% +22% 146 $79   $36,120,880 49
Mar 30, 2018 - $20,578 +78% -10% 108 $191   $36,141,458 50
Mar 31, 2018 - $21,257 +3% -37% 108 $197   $36,162,715 51
Apr 1, 2018 - $12,258 -42% -48% 108 $114   $36,174,973 52
Apr 2, 2018 - $5,617 -54% -36% 108 $52   $36,180,590 53
Apr 3, 2018 - $7,295 +30% -36% 108 $68   $36,187,885 54
Apr 4, 2018 - $5,913 -19% -33% 108 $55   $36,193,798 55
Apr 5, 2018 - $6,398 +8% -45% 108 $59   $36,200,196 56
Apr 6, 2018 - $10,563 +65% -49% 81 $130   $36,210,759 57
Apr 7, 2018 - $17,435 +65% -18% 81 $215   $36,228,194 58
Apr 8, 2018 - $9,796 -44% -20% 81 $121   $36,237,990 59
Apr 9, 2018 - $3,046 -69% -46% 81 $38   $36,241,036 60
Apr 10, 2018 - $3,682 +21% -50% 81 $45   $36,244,718 61
Apr 11, 2018 - $2,908 -21% -51% 81 $36   $36,247,626 62
Apr 12, 2018 - $3,331 +15% -48% 81 $41   $36,250,957 63

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Feb 9, 2018 3 $17,747,717   3,042 $5,834   $17,747,717 1
Feb 16, 2018 5 $10,910,035 -39% 3,042 $3,586   $28,657,752 2
Feb 23, 2018 7 $4,890,464 -55% 2,752 $1,777   $33,548,216 3
Mar 2, 2018 12 $1,960,169 -60% 1,803 $1,087   $35,508,385 4
Mar 9, 2018 25 $374,505 -81% 420 $892   $35,882,890 5
Mar 16, 2018 34 $117,132 -69% 155 $756   $36,000,022 6
Mar 23, 2018 37 $120,858 +3% 146 $828   $36,120,880 7
Mar 30, 2018 38 $79,316 -34% 108 $734   $36,200,196 8
Apr 6, 2018 46 $50,761 -36% 81 $627   $36,250,957 9

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 2/9/2018 $204,000 0 0 0 $476,416 1/1/2019
Australia 2/9/2018 $343,895 151 151 424 $808,130 3/15/2018
Bulgaria 2/9/2018 $18,789 0 0 0 $41,513 1/1/2019
France 2/9/2018 $1,400,000 411 411 1,180 $3,460,000 4/11/2019
India 2/9/2018 $0 0 0 0 $299,470 4/2/2018
Italy 2/9/2018 $1,474,284 470 470 880 $3,470,000 3/13/2018
Japan 3/1/2018 $1,900,000 237 237 474 $3,850,075 6/8/2018
Mexico 2/9/2018 $161,534 0 0 0 $161,534 2/12/2018
Netherlands 4/20/2018 $37,062 30 30 86 $164,265 5/7/2018
Portugal 2/16/2018 $124,293 49 54 165 $327,121 8/15/2018
Slovakia 2/9/2018 $26,445 50 50 82 $51,323 2/28/2018
Spain 2/9/2018 $332,763 88 98 277 $848,000 3/12/2018
Taiwan 2/9/2018 $273,000 0 0 0 $273,000 2/15/2018
United Arab Emirates 2/9/2018 $269,000 52 52 52 $269,000 1/1/2019
United Kingdom 2/9/2018 $400,796 323 323 323 $896,000 3/12/2018
 
Rest of World $4,424,067
 
International Total$19,819,914 4/11/2019

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
May 27, 2018436,660 36,660$585,094$585,0944
Jun 3, 2018632,890-10% 69,550$524,924$1,110,0185
Jun 10, 20181213,354-59% 82,904$213,130$1,323,1486

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
May 27, 2018632,444 32,444$745,562$745,5624
Jun 3, 20181119,304-41% 51,748$432,212$1,177,7745

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.