Follow us on

The 15:17 to Paris (2018)

The 15:17 to Paris
Theatrical Performance
Domestic Box Office $36,250,957Details
International Box Office $19,899,879Details
Worldwide Box Office $56,150,836
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

In the early evening of August 21, 2015, the world watched as the media reported a thwarted terrorist attack on Thalys train #9364 bound for Paris—an attempt prevented by three courageous young Americans traveling through Europe. The film follows the course of the friends’ lives, from the struggles of childhood through finding their footing in life, to the series of unlikely events leading up to the attack. Throughout the harrowing ordeal, their friendship never wavers, making it their greatest weapon and allowing them to save the lives of the more than 500 passengers on board.

Metrics

Latest Ranking on Cumulative Box Office Lists


Movie Details

Production Budget:$30,000,000
Domestic Releases: February 9th, 2018 (Wide) by Warner Bros.
International Releases: February 9th, 2018 (Wide) (Argentina)
February 9th, 2018 (Wide) (Australia)
February 9th, 2018 (Wide), released as 15:17 до Париж (Bulgaria)
February 9th, 2018 (Wide) (France)
February 9th, 2018 (Wide) (India)
... Show all releases
Video Release: May 1st, 2018 by Warner Home Video
MPAA Rating: PG-13 on appeal for bloody images, violence, some suggestive material, drug references and language.
(Rating bulletin 2505 (Cert #51352), 12/6/2017)
Running Time: 94 minutes
Comparisons: vs. Love, Simon
Create your own comparison chart…
Keywords: Non-Chronological, 2010s, Ex-soldier, Terrorism, Trains, Nightclub, Non Professional Actor, Autobiographical
Source:Based on Factual Book/Article
Genre:Drama
Production Method:Live Action
Creative Type:Dramatization
Production Companies: Village Roadshow Productions, Warner Bros., Malpaso Productions, Access Motion Pictures, Dune Entertainment
Production Countries: United States

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Washington's Birthday (All Movies, 3-Day) 144 $7,586,015 Feb 16, 2018 10
Washington's Birthday (All Movies, 4-Day, Fri-Mon) 120 $8,923,106 Feb 16, 2018 10

Leading Cast

   Anthony Sadler
   Alex Skarlatos
   Spencer Stone

Supporting Cast

Ray Corasani    Ayoub El-Khazzani
Judy Greer    Joyce Eskel
Jenna Fischer    Heidi Skarlatos
Irene White    Elementary Teacher
William Jennings    Spencer (11-14)
Bryce Gheisar    Alek (11-14)
P.J. Byrne    Mr. Henry
Paul-Mikel Williamsm    Young Anthony Sadler
Thomas Lennon    School Principal
Tony Hale    Gym Teacher
Grant Weaver    Classmate #2
Jaleel White    Garrett Walden
Robert Pralgo    Mr. Skarlatos
Mark Moogalian    Mark
Isabelle Risacher Moogalian    Isabelle
Matt Thompson    Man on Train
Cyrille Hertel    Train Manager
Elena Campbell-Martinez    Professor
Lillian Solange    Carolyn
Sinqua Walls    Marine
Gary Weeks    Recruiter
Steve Coulter    Jonathan Athnos MD
David An    Air Force Liaison Lee
Adam Rosenberg    Trainee #1
Seth Meriwether    Francis
Matthew Barnes    Sewing Instructor
Christine Hooper    British Woman
Vernon Dobtcheff    Older Man
Deborah Grall    Train Passenger
Heidi Sulzman    Nursing Teacher
Jamie Renell    Instructor
Ethan Rains    Ben Zomerdyk
Mershad Torabi    Villager
Alan Heckner    Lt. Col. John
Cesar Perez    Spencer’s Friend
Louisa Pili    Front Desk Girl
Jeanne Goursaud    Lea
Alix Benezech    Server
Alisa Allapach    Lisa
Olivier Blanc    Tour Guide
Yan Brian    Rocker Dude
Camille Razat    Train Attendant #1
Christopher Norman    Chris
Julia Molkhou    Reporter
Patrick Braoude    President Hollande Actor

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

   Director
Clint Eastwood    Producer
Jessica Meier    Producer
Tim Moore    Producer
Kristina Rivera    Producer
Dorothy Blyskal    Screenwriter
Jeffrey E. Stern    Story based on the book “The 15:17 to Paris: The True Story of a Terrorist, a Train, and Three American Heroes” by
Spencer Stone    Story based on the book “The 15:17 to Paris: The True Story of a Terrorist, a Train, and Three American Heroes” by
Anthony Sadler    Story based on the book “The 15:17 to Paris: The True Story of a Terrorist, a Train, and Three American Heroes” by
Alek Skarlatos    Story based on the book “The 15:17 to Paris: The True Story of a Terrorist, a Train, and Three American Heroes” by
Bruce Berman    Executive Producer
Tom Stern    Director of Photography
Kevin Ishioka    Production Designer
Blu Murray    Editor
Deborah Hopper    Costume Designer
Christian Jacob    Composer
David M. Bernstein    Co-Producer
Geoffrey Miclat    Casting Director
Tim Moore    Unit Production Manager
David M. Bernstein    First Assistant Director
Paula Case    Second Assistant Director
Julien Pougnier    Supervising Art Director
Ron Reiss    Set Decorator
Gina Zappala    Assistant Editor
Kevin R.W. Murray    Assistant Editor
Mable McCrary*    Script Supervisor
Alan Robert Murray    Supervising Sound Editor
Jason King    Supervising Sound Editor
Steve Morrow    Sound Mixer
Chris McGeary    Music Editor
Luisa Abel    Make up
Heather Mages    Make up
Patricia Dehaney    Hairstylist
Holly Hagy    Production Supervisor
Patrick O. Mignano    Location Manager
Cameron Steenhagen    Supervising Dialogue Editor
Bernard Weiser    Sound Effects Editor
Adam Kopald    Sound Effects Editor
Russell Gorsky    Sound Effects Editor
Curt Schulkey    Dialogue Editor
Julie Feiner    Dialogue Editor
Bobby Fernandez    Music Scoring Mixer
John Reitz    Re-recording Mixer
Dean A. Zupancic    Re-recording Mixer
James Ashwill    Foley Mixer
Richard Duarte    Foley Mixer
John Guentner    Foley Mixer
Darrin Mann    Foley Mixer
John Moffatt    Visual Effects Supervisor
Richard Reed    Visual Effects Supervisor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Weekend Wrap-Up: Black Panther Re-Writes the Record Book

February 20th, 2018

Black Panther

Black Panther destroyed expectations over the Presidents Day long weekend earning $202.00 million / $242.16 million over the 3-day / 4-day weekend. The list of records this film broke seems endless, but we will get to that in a bit. Unfortunately, the two other new releases, Early Man and Samson, both bombed. On a more positive note, the total box office rose 103% from last weekend reaching $285 million. This is the third-biggest weekend of all-time, and the biggest non-December weekend. This is also 92% higher than the same weekend last year. Even if we use Presidents Day of last year, 2018 was still 51% higher. More importantly, 2018 completely erased the small deficit it had and is now ahead of 2017 by $120 million or 8% at $1.62 billion to $1.50 billion. More impressively, 2018 is even ahead of 2017 in terms of ticket sales at 178 million to 172 million. More...

Weekend Predictions: Black Panther is About to Bring In a Lot of Green

February 15th, 2018

Black Panther

It’s Presidents Day long weekend and there are two-and-a-half films trying to take advantage of the holiday with wide releases. However, the only film opening this weekend that people are actually talking about is Black Panther. This film is earning more buzz than any film opening until Infinity War and is widely expected to break records. Early Man’s reviews have been overwhelmingly positive, but it is just hoping to reach the top five. Finally, there’s Samson, which is only opening semi-wide. This weekend last year was the weekend after Presidents Day long weekend, so it is not a fair comparison and 2018 will crush 2017. Compared to Presidents Day of last year, 2018 will still crush the competition. More...

Weekend Wrap-Up: Freed Falls to $38.56 million

February 13th, 2018

Fifty Shades Freed

Fifty Shades Freed topped our prediction by a tiny margin earning first place over the weekend with $38.56 million. Peter Rabbit also beat expectations with $25.01 million. Then there’s The 15:17 to Paris. Overall, the box office rocketed up 49% from last weekend to $140 million. Unfortunately, this wasn’t enough to compete with this weekend last year, as 2018 was 26% lower. That sounds devastating, but remember, there is a misalignment in holidays, so next weekend 2018 will bounce back. Likewise, because of the misalignment in holidays, the year-to-date comparison isn’t particularly useful. 2018 is behind 2017’s pace by 5.0% or $65 million at $1.22 billion to $1.28 billion. However, by this time next week, that entire deficit could be erased. More...

Weekend Estimates: Fifty Shades Finishes with $38.8 Million

February 11th, 2018

Fifty Shades Freed

Fifty Shades Freed caps the Shades franchise this weekend with a solid $38.805 million debut, according to Universal’s weekend estimate. That’s down from Fifty Shades Darker’s $46.6 million opening, but nowhere near the drop between the first and second movies—Fifty Shades of Grey came out the gate with $85 million back in 2015, although it was helped by Valentine’s Day falling on Saturday. More...

Friday Estimates: Freed Costs Moviegoers $18.5 million on Friday

February 10th, 2018

Fifty Shades Freed

Fifty Shades Freed dominated the box office on Friday, earning $18.5 million. This is 14% lower than Fifty Shades Darker earned during its opening day. The two films should have similar legs, as they have similar reviews and both films earned B pluses from CinemaScore. Plug the numbers into that equation and we get an opening weekend of a little more than $40 million, enough to put it on pace for $100 million domestically. More...

Thursday Night Previews: Freed Starts Strong with $5.6 million

February 9th, 2018

Fifty Shades Freed

Fifty Shades Freed got off to a fantastic start with $5.6 million from its previews on Thursday. This is nearly identical to the $5.72 million earned by Fifty Shades Darker. Add in the slight improvement in Tomatometer scores and I think we might have been a little pessimistic in our prediction. We will get a better idea where the film is at tomorrow, but for now, I’m bumping our prediction from $38 million to $42 million. More...

Weekend Predictions: Will the Final Grey Film Open in the Black?

February 8th, 2018

Fifty Shades Freed

As the weekend approaches, there’s only one film that everyone is talking about: Black Panther. The film’s reviews are nearly 100% positive and Fandango announced its presales are the best for any pre-summer release. Unfortunately, it doesn’t open until next weekend. This week we have to settle for Fifty Shades Freed, Peter Rabbit, and The 15:17 to Paris. Fifty Shades Freed is widely expected to be the biggest hit released in 2018, at least so far. On the other hand, its reviews and the Fangirl Effect strongly suggest very short legs. Peter Rabbit is a family film and even though it has direct competition next weekend, it should have the best legs on this week’s list. Finally there’s The 15:17 to Paris, which is not living up to expectations with critics and this will likely hurt its box office chances. This weekend last year was Presidents Day long Weekend. 2018 is going to get absolutely destroyed in the year-over-year comparison. More...

Weekend Estimates: Jumanji and Greatest Showman in Record Territory

February 4th, 2018

Winchester

In spite of a decent opening, Winchester is proving to be no match for Jumanji this weekend. The holiday holdover returns to top spot on the chart in its seventh weekend with $11 million, down 32% from last time out. That makes it four weekends at the top of the chart for Jumanji, after opening in second place back on December 20. One needs to go back the best part of 30 years to find a film that matches that performance. More...

2018 Preview: February

February 1st, 2018

Black Panther

2018 got off to a good start and January more or less held its ground when compared to 2017. There were some misses, but surprise holdovers made up the difference. Looking forward, February will be dominated by Black Panther. In fact, it will very likely make more during its opening weekend than the second place film, Fifty Shades Freed, will likely make in total. Black Panther likely won’t break records, but it could come close, while Fifty Shade Freed and Peter Rabbit both have a 50/50 shot at $100 million. Last February, The Lego Batman Movie both earned $175 million, while Fifty Shades Darker earned over $100 million. Black Panther will easily beat any film from last February; in fact, it could earn more than the top two films earned combined. As long as the rest of the box office isn’t a complete disaster, February should help 2018 earn a significant edge over 2017 in the year-over-year comparisons. More...

The 15:17 to Paris Trailer

January 16th, 2018

Clint Eastwood’s real-life thriller starring Anthony Sadler, Alek Skarlatos, and Spencer Stone opens February 9 ... Full Movie Details.

In the early evening of August 21, 2015, the world watched as the media reported a thwarted terrorist attack on Thalys train #9364 bound for Paris—an attempt prevented by three courageous young Americans traveling through Europe. The film follows the course of the friends’ lives, from the struggles of childhood through finding their footing in life, to the series of unlikely events leading up to the attack. Throughout the harrowing ordeal, their friendship never wavers, making it their greatest weapon and allowing them to save the lives of the more than 500 passengers on board. More...

Domestic Cumulative Box Office Records


Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2018/02/09 3 $12,554,286   3,042 $4,127   $12,554,286 1
2018/02/16 5 $7,586,015 -40% 3,042 $2,494   $25,333,732 2
2018/02/23 7 $3,573,259 -53% 2,752 $1,298   $32,231,011 3
2018/03/02 12 $1,413,755 -60% 1,803 $784   $34,961,971 4
2018/03/09 22 $264,490 -81% 420 $630   $35,772,875 5
2018/03/16 35 $75,588 -71% 155 $488   $35,958,478 6
2018/03/23 37 $80,164 +6% 146 $549   $36,080,186 7
2018/03/30 33 $54,093 -33% 108 $501   $36,174,973 8
2018/04/06 44 $37,794 -30% 81 $467   $36,237,990 9

Daily Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2018/02/09 3 $3,736,369   3,042 $1,228   $3,736,369 1
2018/02/10 3 $5,436,962 +46% 3,042 $1,787   $9,173,331 2
2018/02/11 3 $3,380,955 -38% 3,042 $1,111   $12,554,286 3
2018/02/12 3 $1,078,247 -68% 3,042 $354   $13,632,533 4
2018/02/13 3 $1,517,713 +41% 3,042 $499   $15,150,246 5
2018/02/14 3 $1,702,360 +12% 3,042 $560   $16,852,606 6
2018/02/15 3 $895,111 -47% 3,042 $294   $17,747,717 7
2018/02/16 4 $2,067,415 +131% 3,042 $680   $19,815,132 8
2018/02/17 5 $3,183,971 +54% 3,042 $1,047   $22,999,103 9
2018/02/18 5 $2,334,629 -27% 3,042 $767   $25,333,732 10
2018/02/19 6 $1,337,091 -43% 3,042 $440   $26,670,823 11
2018/02/20 4 $882,343 -34% 3,042 $290   $27,553,166 12
2018/02/21 4 $578,402 -34% 3,042 $190   $28,131,568 13
2018/02/22 5 $526,184 -9% 3,042 $173   $28,657,752 14
2018/02/23 8 $996,216 +89% 2,752 $362   $29,653,968 15
2018/02/24 7 $1,620,852 +63% 2,752 $589   $31,274,820 16
2018/02/25 7 $956,191 -41% 2,752 $347   $32,231,011 17
2018/02/26 7 $295,032 -69% 2,752 $107   $32,526,043 18
2018/02/27 7 $451,057 +53% 2,752 $164   $32,977,100 19
2018/02/28 7 $306,174 -32% 2,752 $111   $33,283,274 20
2018/03/01 7 $264,942 -13% 2,752 $96   $33,548,216 21
2018/03/02 11 $402,221 +52% 1,803 $223   $33,950,437 22
2018/03/03 12 $654,782 +63% 1,803 $363   $34,605,219 23
2018/03/04 11 $356,752 -46% 1,803 $198   $34,961,971 24
2018/03/05 12 $120,863 -66% 1,803 $67   $35,082,834 25
2018/03/06 12 $174,428 +44% 1,803 $97   $35,257,262 26
2018/03/07 12 $141,030 -19% 1,803 $78   $35,398,292 27
2018/03/08 12 $110,093 -22% 1,803 $61   $35,508,385 28
2018/03/09 - $77,085 -30% 420 $184   $35,585,470 29
2018/03/10 - $111,275 +44% 420 $265   $35,696,745 30
2018/03/11 - $76,130 -32% 420 $181   $35,772,875 31
2018/03/12 - $32,251 -58% 420 $77   $35,805,126 32
2018/03/13 - $32,835 +2% 420 $78   $35,837,961 33
2018/03/14 - $23,897 -27% 420 $57   $35,861,858 34
2018/03/15 - $21,032 -12% 420 $50   $35,882,890 35
2018/03/16 - $23,188 +10% 155 $150   $35,906,078 36
2018/03/17 - $31,310 +35% 155 $202   $35,937,388 37
2018/03/18 - $21,090 -33% 155 $136   $35,958,478 38
2018/03/19 - $9,532 -55% 155 $61   $35,968,010 39
2018/03/20 - $12,198 +28% 155 $79   $35,980,208 40
2018/03/21 - $10,356 -15% 155 $67   $35,990,564 41
2018/03/22 - $9,458 -9% 155 $61   $36,000,022 42
2018/03/23 - $22,823 +141% 146 $156   $36,022,845 43
2018/03/24 - $33,674 +48% 146 $231   $36,056,519 44
2018/03/25 - $23,667 -30% 146 $162   $36,080,186 45
2018/03/26 - $8,842 -63% 146 $61   $36,089,028 46
2018/03/27 - $11,488 +30% 146 $79   $36,100,516 47
2018/03/28 - $8,802 -23% 146 $60   $36,109,318 48
2018/03/29 - $11,562 +31% 146 $79   $36,120,880 49
2018/03/30 - $20,578 +78% 108 $191   $36,141,458 50
2018/03/31 - $21,257 +3% 108 $197   $36,162,715 51
2018/04/01 - $12,258 -42% 108 $114   $36,174,973 52
2018/04/02 - $5,617 -54% 108 $52   $36,180,590 53
2018/04/03 - $7,295 +30% 108 $68   $36,187,885 54
2018/04/04 - $5,913 -19% 108 $55   $36,193,798 55
2018/04/05 - $6,398 +8% 108 $59   $36,200,196 56
2018/04/06 - $10,563 +65% 81 $130   $36,210,759 57
2018/04/07 - $17,435 +65% 81 $215   $36,228,194 58
2018/04/08 - $9,796 -44% 81 $121   $36,237,990 59
2018/04/09 - $3,046 -69% 81 $38   $36,241,036 60
2018/04/10 - $3,682 +21% 81 $45   $36,244,718 61
2018/04/11 - $2,908 -21% 81 $36   $36,247,626 62
2018/04/12 - $3,331 +15% 81 $41   $36,250,957 63

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2018/02/09 3 $17,747,717   3,042 $5,834   $17,747,717 1
2018/02/16 5 $10,910,035 -39% 3,042 $3,586   $28,657,752 2
2018/02/23 7 $4,890,464 -55% 2,752 $1,777   $33,548,216 3
2018/03/02 12 $1,960,169 -60% 1,803 $1,087   $35,508,385 4
2018/03/09 25 $374,505 -81% 420 $892   $35,882,890 5
2018/03/16 34 $117,132 -69% 155 $756   $36,000,022 6
2018/03/23 37 $120,858 +3% 146 $828   $36,120,880 7
2018/03/30 38 $79,316 -34% 108 $734   $36,200,196 8
2018/04/06 46 $50,761 -36% 81 $627   $36,250,957 9

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Theaters
Maximum
Theaters
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 2/9/2018 $204,000 0 0 0 $204,000 2/13/2018
Australia 2/9/2018 $343,895 151 151 424 $808,130 3/15/2018
Bulgaria 2/9/2018 $18,887 0 0 0 $41,539 2/26/2018
France 2/9/2018 $1,400,000 411 411 821 $3,460,000 3/13/2018
India 2/9/2018 $0 0 0 0 $299,470 4/2/2018
Italy 2/9/2018 $1,474,284 470 470 880 $3,470,000 3/13/2018
Japan 3/1/2018 $1,900,000 237 237 474 $3,900,000 3/13/2018
Mexico 2/9/2018 $161,534 0 0 0 $161,534 2/12/2018
Netherlands 4/20/2018 $37,062 30 30 30 $37,820 4/23/2018
Portugal 2/16/2018 $124,293 49 54 164 $353,195 3/28/2018
Slovakia 2/9/2018 $26,445 50 50 82 $51,323 2/28/2018
Spain 2/9/2018 $332,763 88 98 277 $848,000 3/12/2018
Taiwan 2/9/2018 $273,000 0 0 0 $273,000 2/15/2018
United Arab Emirates 2/9/2018 $269,000 52 52 52 $269,000 2/13/2018
United Kingdom 2/9/2018 $400,796 323 323 323 $896,000 3/12/2018
 
Rest of World $4,826,868
 
International Total$19,899,879 4/23/2018

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.


ProductionNext