20 Dates (1999)
| Theatrical Performance | ||
| Domestic Box Office | $541,636 | Details |
| International Box Office | $61,284 | |
| Worldwide Box Office | $602,920 | |
| OpusData ID: 131550100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $40,244 (7.4% of total gross) |
| Legs: | 6.73 (domestic box office/biggest weekend) |
| Domestic Share: | 89.8% (domestic box office/worldwide) |
| Production Budget: | $66,000 (worldwide box office is 9.1 times production budget) |
| Theater counts: | 3 opening theaters/43 max. theaters, 4.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,205,884 |
Movie Details
| Domestic Releases: | February 26th, 1999 (Limited) by Fox Searchlight |
| MPA Rating: | R for pervasive language and brief sexual images |
| Running Time: | 87 minutes |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 26, 1999 | 54 | $40,244 | 3 | $13,415 | $40,244 | 1 | |
| Mar 5, 1999 | 53 | $61,972 | +54% | 12 | $5,164 | $116,141 | 2 |
| Mar 12, 1999 | 45 | $80,505 | +30% | 22 | $3,659 | $218,710 | 3 |
| Mar 19, 1999 | 48 | $65,094 | -19% | 23 | $2,830 | $314,617 | 4 |
| Mar 26, 1999 | 47 | $74,550 | +15% | 43 | $1,734 | $416,428 | 5 |
| Apr 2, 1999 | 60 | $36,759 | -51% | 36 | $1,021 | $479,801 | 6 |
| Apr 9, 1999 | 71 | $13,533 | -63% | 19 | $712 | $507,993 | 7 |
| Apr 16, 1999 | 80 | $11,709 | -13% | 19 | $616 | $525,085 | 8 |
| Apr 23, 1999 | 87 | $8,790 | -25% | 16 | $549 | $536,767 | 9 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 26, 1999 | 52 | $54,169 | 3 | $18,056 | $54,169 | 1 | |
| Mar 5, 1999 | 48 | $84,036 | +55% | 12 | $7,003 | $138,205 | 2 |
| Mar 12, 1999 | 45 | $111,318 | +32% | 22 | $5,060 | $249,523 | 3 |
| Mar 19, 1999 | 49 | $92,355 | -17% | 23 | $4,015 | $341,878 | 4 |
| Mar 26, 1999 | 47 | $101,164 | +10% | 43 | $2,353 | $443,042 | 5 |
| Apr 2, 1999 | 60 | $51,418 | -49% | 36 | $1,428 | $494,460 | 6 |
| Apr 9, 1999 | 71 | $18,916 | -63% | 19 | $996 | $513,376 | 7 |
| Apr 16, 1999 | 79 | $14,601 | -23% | 19 | $768 | $527,977 | 8 |
| Myles Berkowitz | Myles | |
| Elisabeth Wagner | Elisabeth | |
| Richard Arlook | The Agent | |
| Tia Carrere | Herself | |
| Robert McKee | Himself | |
| Elie Samaha | Voice of the Producer | |
| Signy Coleman |
Production and Technical Credits
| Mark Mothersbaugh | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $40,244 (7.4% of total gross) |
| Legs: | 6.73 (domestic box office/biggest weekend) |
| Domestic Share: | 89.8% (domestic box office/worldwide) |
| Production Budget: | $66,000 (worldwide box office is 9.1 times production budget) |
| Theater counts: | 3 opening theaters/43 max. theaters, 4.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,205,884 |
Movie Details
| Domestic Releases: | February 26th, 1999 (Limited) by Fox Searchlight |
| MPA Rating: | R for pervasive language and brief sexual images |
| Running Time: | 87 minutes |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 26, 1999 | 54 | $40,244 | 3 | $13,415 | $40,244 | 1 | |
| Mar 5, 1999 | 53 | $61,972 | +54% | 12 | $5,164 | $116,141 | 2 |
| Mar 12, 1999 | 45 | $80,505 | +30% | 22 | $3,659 | $218,710 | 3 |
| Mar 19, 1999 | 48 | $65,094 | -19% | 23 | $2,830 | $314,617 | 4 |
| Mar 26, 1999 | 47 | $74,550 | +15% | 43 | $1,734 | $416,428 | 5 |
| Apr 2, 1999 | 60 | $36,759 | -51% | 36 | $1,021 | $479,801 | 6 |
| Apr 9, 1999 | 71 | $13,533 | -63% | 19 | $712 | $507,993 | 7 |
| Apr 16, 1999 | 80 | $11,709 | -13% | 19 | $616 | $525,085 | 8 |
| Apr 23, 1999 | 87 | $8,790 | -25% | 16 | $549 | $536,767 | 9 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 26, 1999 | 52 | $54,169 | 3 | $18,056 | $54,169 | 1 | |
| Mar 5, 1999 | 48 | $84,036 | +55% | 12 | $7,003 | $138,205 | 2 |
| Mar 12, 1999 | 45 | $111,318 | +32% | 22 | $5,060 | $249,523 | 3 |
| Mar 19, 1999 | 49 | $92,355 | -17% | 23 | $4,015 | $341,878 | 4 |
| Mar 26, 1999 | 47 | $101,164 | +10% | 43 | $2,353 | $443,042 | 5 |
| Apr 2, 1999 | 60 | $51,418 | -49% | 36 | $1,428 | $494,460 | 6 |
| Apr 9, 1999 | 71 | $18,916 | -63% | 19 | $996 | $513,376 | 7 |
| Apr 16, 1999 | 79 | $14,601 | -23% | 19 | $768 | $527,977 | 8 |
| Myles Berkowitz | Myles | |
| Elisabeth Wagner | Elisabeth | |
| Richard Arlook | The Agent | |
| Tia Carrere | Herself | |
| Robert McKee | Himself | |
| Elie Samaha | Voice of the Producer | |
| Signy Coleman |
Production and Technical Credits
| Mark Mothersbaugh | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.