2073 (2024)
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| Theatrical Performance | ||
| Domestic Box Office | $7,125 | Details |
| International Box Office | $51,890 | Details |
| Worldwide Box Office | $59,015 | |
| OpusData ID: 565320100 More info... | ||
| Further financial details... | ||
Synopsis
It’s the year 2073, and the worst fears of modern life have been realized. Surveillance drones fill the burnt orange skies and militarized police room the wrecked streets, while survivors hide away underground, struggling to remember a free and hopeful existence.
Metrics
| Opening Weekend: | $5,078 (71.3% of total gross) |
| Legs: | 1.40 (domestic box office/biggest weekend) |
| Domestic Share: | 12.1% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/2 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $7,465 |
Movie Details
| Domestic Releases: | December 27th, 2024 (Limited) by Neon |
| International Releases: | January 1st, 2025 (Limited) (United Kingdom)
June 16th, 2025 (Limited) (Italy) |
| Video Release: | January 6th, 2025 by Decal |
| MPA Rating: | R for some violent content, disturbing images and language. (Rating bulletin 2875 (cert #55416), 3/5/2025) |
| Running Time: | 82 minutes |
| Cast, crew, or production detail: | Agitprop |
| Plot point: | Political |
| Social setting: | Dystopia |
| Subgenre: | Docudrama |
| Time period setting: | Near Future |
| Source: | Original Screenplay |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Neon Films, Film4, Double Agent |
| Production Countries: | United Kingdom, United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 27, 2024 | - | $5,078 | 2 | $2,539 | $5,078 | 1 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Dec 27, 2024 | - | $3,998 | 2 | $1,999 | $3,998 | 1 | |
| Dec 28, 2024 | - | $617 | -85% | 2 | $309 | $4,615 | 2 |
| Dec 29, 2024 | - | $463 | -25% | 2 | $232 | $5,078 | 3 |
| Dec 30, 2024 | - | $487 | +5% | 2 | $244 | $5,565 | 4 |
| Dec 31, 2024 | - | $350 | -28% | 2 | $175 | $5,915 | 5 |
| Jan 1, 2025 | - | $628 | +79% | 2 | $314 | $6,543 | 6 |
| Jan 2, 2025 | - | $582 | -7% | 2 | $291 | $7,125 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 27, 2024 | 40 | $7,125 | 2 | $3,563 | $7,125 | 1 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| United Kingdom | 1/1/2025 | $2,193 | 2 | 6 | 13 | $51,890 | 10/1/2025 | |||
| International Total | $51,890 | 10/1/2025 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Samantha Morton | ||
| Naomi Ackie |
Production and Technical Credits
| Asif Kapadia | Director | |
| Asif Kapadia | Screenwriter | |
| Tony Grisoni | Screenwriter | |
| Asif Kapadia | Producer | |
| George Chignell | Producer | |
| Tom Quinn | Executive Producer | |
| Dan O'Meara | Executive Producer | |
| Emily Thomas | Executive Producer | |
| Dana O’Keefe | Executive Producer | |
| Emily Selinger | Executive Producer | |
| Ollie Madden | Executive Producer | |
| Farhana Bhula | Executive Producer | |
| Nicole Stott | Executive Producer | |
| Chris King | Executive Producer | |
| Eric Sloss | Executive Producer | |
| John Sloss | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
It’s the year 2073, and the worst fears of modern life have been realized. Surveillance drones fill the burnt orange skies and militarized police room the wrecked streets, while survivors hide away underground, struggling to remember a free and hopeful existence.
Metrics
| Opening Weekend: | $5,078 (71.3% of total gross) |
| Legs: | 1.40 (domestic box office/biggest weekend) |
| Domestic Share: | 12.1% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/2 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $7,465 |
Movie Details
| Domestic Releases: | December 27th, 2024 (Limited) by Neon |
| International Releases: | January 1st, 2025 (Limited) (United Kingdom)
June 16th, 2025 (Limited) (Italy) |
| Video Release: | January 6th, 2025 by Decal |
| MPA Rating: | R for some violent content, disturbing images and language. (Rating bulletin 2875 (cert #55416), 3/5/2025) |
| Running Time: | 82 minutes |
| Cast, crew, or production detail: | Agitprop |
| Plot point: | Political |
| Social setting: | Dystopia |
| Subgenre: | Docudrama |
| Time period setting: | Near Future |
| Source: | Original Screenplay |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Neon Films, Film4, Double Agent |
| Production Countries: | United Kingdom, United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 27, 2024 | - | $5,078 | 2 | $2,539 | $5,078 | 1 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Dec 27, 2024 | - | $3,998 | 2 | $1,999 | $3,998 | 1 | |
| Dec 28, 2024 | - | $617 | -85% | 2 | $309 | $4,615 | 2 |
| Dec 29, 2024 | - | $463 | -25% | 2 | $232 | $5,078 | 3 |
| Dec 30, 2024 | - | $487 | +5% | 2 | $244 | $5,565 | 4 |
| Dec 31, 2024 | - | $350 | -28% | 2 | $175 | $5,915 | 5 |
| Jan 1, 2025 | - | $628 | +79% | 2 | $314 | $6,543 | 6 |
| Jan 2, 2025 | - | $582 | -7% | 2 | $291 | $7,125 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 27, 2024 | 40 | $7,125 | 2 | $3,563 | $7,125 | 1 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| United Kingdom | 1/1/2025 | $2,193 | 2 | 6 | 13 | $51,890 | 10/1/2025 | |||
| International Total | $51,890 | 10/1/2025 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Samantha Morton | ||
| Naomi Ackie |
Production and Technical Credits
| Asif Kapadia | Director | |
| Asif Kapadia | Screenwriter | |
| Tony Grisoni | Screenwriter | |
| Asif Kapadia | Producer | |
| George Chignell | Producer | |
| Tom Quinn | Executive Producer | |
| Dan O'Meara | Executive Producer | |
| Emily Thomas | Executive Producer | |
| Dana O’Keefe | Executive Producer | |
| Emily Selinger | Executive Producer | |
| Ollie Madden | Executive Producer | |
| Farhana Bhula | Executive Producer | |
| Nicole Stott | Executive Producer | |
| Chris King | Executive Producer | |
| Eric Sloss | Executive Producer | |
| John Sloss | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.