The 355 (2022)
.jpg)
| Theatrical Performance | ||
| Domestic Box Office | $14,570,455 | Details |
| International Box Office | $4,332,343 | Details |
| Worldwide Box Office | $18,902,798 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $540,572 | |
| Blu-ray Sales (estimated) | $889,945 | |
| Total | $1,430,517 | |
| OpusData ID: 476950100 More info... | ||
| Further financial details... | ||
Synopsis
When a top-secret weapon falls into mercenary hands, wild card CIA agent Mason “Mace” Brown will need to join forces with rival badass German agent Marie, former MI6 ally and cutting-edge computer specialist Khadijah, and skilled Colombian psychologist Graciela on a lethal, breakneck mission to retrieve it, while also staying one-step ahead of a mysterious woman, Lin Mi Sheng, who is tracking their every move. As the action rockets around the globe from the cafes of Paris to the markets of Morocco to the wealth and glamour of Shanghai, the quartet of women will forge a tenuous loyalty that could protect the world—or get them killed.
Metrics
| Opening Weekend: | $4,621,765 (31.7% of total gross) |
| Legs: | 3.15 (domestic box office/biggest weekend) |
| Domestic Share: | 77.1% (domestic box office/worldwide) |
| Production Budget: | $75,000,000 (worldwide box office is 0.3 times production budget) |
| Theater counts: | 3,145 opening theaters/3,145 max. theaters, 4.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $16,549,160 |
Movie Details
| Domestic Releases: | January 7th, 2022 (Wide) by Universal |
| International Releases: | January 6th, 2022 (Wide), released as Agentes 355 (Mexico)
January 7th, 2022 (Wide) (United Kingdom) January 7th, 2022 (Wide) (Romania) January 13th, 2022 (Wide) (Australia) January 13th, 2022 (Wide) (Germany) ... Show all releases |
| Video Release: | January 28th, 2022 by Universal Home Entertainment |
| MPA Rating: | PG-13 for sequences of strong violence, brief strong language, and suggestive material. (Rating bulletin 2651 (cert #52888), 10/14/2020) |
| Running Time: | 124 minutes |
| Filming location (country): | England, France, Morocco, United Kingdom |
| Plot point: | C.I.A., MI6, Secret Agent |
| Subgenre: | Action Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Freckle Films, Genre Films, FilmNation Entertainment, Universal Pictures, Simon Kinberg |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 7, 2022 | 3 | $4,621,765 | 3,145 | $1,470 | $4,621,765 | 1 | |
| Jan 14, 2022 | 4 | $2,275,820 | -51% | 3,145 | $724 | $8,353,325 | 2 |
| Jan 21, 2022 | 6 | $1,599,815 | -30% | 2,609 | $613 | $11,080,825 | 3 |
| Jan 28, 2022 | 6 | $1,330,225 | -17% | 2,513 | $529 | $13,019,850 | 4 |
| Feb 4, 2022 | 9 | $698,275 | -48% | 1,710 | $408 | $14,175,665 | 5 |
| Feb 11, 2022 | - | $99,615 | -86% | 563 | $177 | $14,496,200 | 6 |
| Feb 18, 2022 | - | $13,000 | -87% | 229 | $57 | $14,557,430 | 7 |
| Feb 25, 2022 | - | $5,260 | -60% | 157 | $34 | $14,568,740 | 8 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jan 6, 2022 | P | $350,000 | 2,300 | $152 | $350,000 | |||
| Jan 7, 2022 | 3 | $1,722,760 | 3,145 | $548 | $1,722,760 | 1 | ||
| Jan 8, 2022 | 3 | $1,875,110 | +9% | 3,145 | $596 | $3,597,870 | 2 | |
| Jan 9, 2022 | 3 | $1,023,895 | -45% | 3,145 | $326 | $4,621,765 | 3 | |
| Jan 10, 2022 | 3 | $320,095 | -69% | 3,145 | $102 | $4,941,860 | 4 | |
| Jan 11, 2022 | 3 | $518,750 | +62% | 3,145 | $165 | $5,460,610 | 5 | |
| Jan 12, 2022 | 3 | $330,125 | -36% | 3,145 | $105 | $5,790,735 | 6 | |
| Jan 13, 2022 | 4 | $286,770 | -13% | 3,145 | $91 | $6,077,505 | 7 | |
| Jan 14, 2022 | 5 | $669,080 | +133% | -61% | 3,145 | $213 | $6,746,585 | 8 |
| Jan 15, 2022 | 4 | $960,920 | +44% | -49% | 3,145 | $306 | $7,707,505 | 9 |
| Jan 16, 2022 | 4 | $645,820 | -33% | -37% | 3,145 | $205 | $8,353,325 | 10 |
| Jan 17, 2022 | 4 | $457,700 | -29% | +43% | 3,145 | $146 | $8,811,025 | 11 |
| Jan 18, 2022 | 4 | $284,275 | -38% | -45% | 3,145 | $90 | $9,095,300 | 12 |
| Jan 19, 2022 | 5 | $194,880 | -31% | -41% | 3,145 | $62 | $9,290,180 | 13 |
| Jan 20, 2022 | 5 | $190,830 | -2% | -33% | 3,145 | $61 | $9,481,010 | 14 |
| Jan 21, 2022 | 6 | $464,330 | +143% | -31% | 2,609 | $178 | $9,945,340 | 15 |
| Jan 22, 2022 | 6 | $729,300 | +57% | -24% | 2,609 | $280 | $10,674,640 | 16 |
| Jan 23, 2022 | 6 | $406,185 | -44% | -37% | 2,609 | $156 | $11,080,825 | 17 |
| Jan 24, 2022 | 6 | $122,050 | -70% | -73% | 2,609 | $47 | $11,202,875 | 18 |
| Jan 25, 2022 | 6 | $200,490 | +64% | -29% | 2,609 | $77 | $11,403,365 | 19 |
| Jan 26, 2022 | 6 | $138,640 | -31% | -29% | 2,609 | $53 | $11,542,005 | 20 |
| Jan 27, 2022 | - | $147,620 | +6% | -23% | 2,609 | $57 | $11,689,625 | 21 |
| Jan 28, 2022 | 6 | $370,910 | +151% | -20% | 2,513 | $148 | $12,060,535 | 22 |
| Jan 29, 2022 | 6 | $658,890 | +78% | -10% | 2,513 | $262 | $12,719,425 | 23 |
| Jan 30, 2022 | 7 | $300,425 | -54% | -26% | 2,513 | $120 | $13,019,850 | 24 |
| Jan 31, 2022 | 6 | $111,330 | -63% | -9% | 2,513 | $44 | $13,131,180 | 25 |
| Feb 1, 2022 | 6 | $161,470 | +45% | -19% | 2,513 | $64 | $13,292,650 | 26 |
| Feb 2, 2022 | 6 | $107,110 | -34% | -23% | 2,513 | $43 | $13,399,760 | 27 |
| Feb 3, 2022 | 7 | $77,630 | -28% | -47% | 2,513 | $31 | $13,477,390 | 28 |
| Feb 4, 2022 | 9 | $170,470 | +120% | -54% | 1,710 | $100 | $13,647,860 | 29 |
| Feb 5, 2022 | 9 | $340,080 | +99% | -48% | 1,710 | $199 | $13,987,940 | 30 |
| Feb 6, 2022 | - | $187,725 | -45% | -38% | 1,710 | $110 | $14,175,665 | 31 |
| Feb 7, 2022 | 9 | $51,755 | -72% | -54% | 1,710 | $30 | $14,227,420 | 32 |
| Feb 8, 2022 | 9 | $82,345 | +59% | -49% | 1,710 | $48 | $14,309,765 | 33 |
| Feb 9, 2022 | - | $54,935 | -33% | -49% | 1,710 | $32 | $14,364,700 | 34 |
| Feb 10, 2022 | - | $31,885 | -42% | -59% | 1,710 | $19 | $14,396,585 | 35 |
| Feb 11, 2022 | - | $30,825 | -3% | -82% | 563 | $55 | $14,427,410 | 36 |
| Feb 12, 2022 | - | $50,580 | +64% | -85% | 563 | $90 | $14,477,990 | 37 |
| Feb 13, 2022 | - | $18,210 | -64% | -90% | 563 | $32 | $14,496,200 | 38 |
| Feb 14, 2022 | - | $20,475 | +12% | -60% | 563 | $36 | $14,516,675 | 39 |
| Feb 15, 2022 | - | $12,390 | -39% | -85% | 563 | $22 | $14,529,065 | 40 |
| Feb 16, 2022 | - | $9,245 | -25% | -83% | 563 | $16 | $14,538,310 | 41 |
| Feb 17, 2022 | - | $6,120 | -34% | -81% | 563 | $11 | $14,544,430 | 42 |
| Feb 18, 2022 | - | $3,905 | -36% | -87% | 229 | $17 | $14,548,335 | 43 |
| Feb 19, 2022 | - | $5,575 | +43% | -89% | 229 | $24 | $14,553,910 | 44 |
| Feb 20, 2022 | - | $3,520 | -37% | -81% | 229 | $15 | $14,557,430 | 45 |
| Feb 21, 2022 | - | $1,920 | -45% | -91% | 229 | $8 | $14,559,350 | 46 |
| Feb 22, 2022 | - | $1,455 | -24% | -88% | 229 | $6 | $14,560,805 | 47 |
| Feb 23, 2022 | - | $1,025 | -30% | -89% | 229 | $4 | $14,561,830 | 48 |
| Feb 24, 2022 | - | $1,650 | +61% | -73% | 229 | $7 | $14,563,480 | 49 |
| Feb 25, 2022 | - | $1,260 | -24% | -68% | 157 | $8 | $14,564,740 | 50 |
| Feb 26, 2022 | - | $2,455 | +95% | -56% | 157 | $16 | $14,567,195 | 51 |
| Feb 27, 2022 | - | $1,545 | -37% | -56% | 157 | $10 | $14,568,740 | 52 |
| Feb 28, 2022 | - | $360 | -77% | -81% | 157 | $2 | $14,569,100 | 53 |
| Mar 1, 2022 | - | $625 | +74% | -57% | 157 | $4 | $14,569,725 | 54 |
| Mar 2, 2022 | - | $420 | -33% | -59% | 157 | $3 | $14,570,145 | 55 |
| Mar 3, 2022 | - | $310 | -26% | -81% | 157 | $2 | $14,570,455 | 56 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 7, 2022 | 3 | $6,077,505 | 3,145 | $1,932 | $6,077,505 | 1 | |
| Jan 14, 2022 | 4 | $3,403,505 | -44% | 3,145 | $1,082 | $9,481,010 | 2 |
| Jan 21, 2022 | 6 | $2,208,615 | -35% | 2,609 | $847 | $11,689,625 | 3 |
| Jan 28, 2022 | 6 | $1,787,765 | -19% | 2,513 | $711 | $13,477,390 | 4 |
| Feb 4, 2022 | - | $919,195 | -49% | 1,710 | $538 | $14,396,585 | 5 |
| Feb 11, 2022 | - | $147,845 | -84% | 563 | $263 | $14,544,430 | 6 |
| Feb 18, 2022 | - | $19,050 | -87% | 229 | $83 | $14,563,480 | 7 |
| Feb 25, 2022 | - | $6,975 | -63% | 157 | $44 | $14,570,455 | 8 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 1/13/2022 | $192,700 | 232 | 232 | 536 | $509,138 | ||||
| Italy | 5/12/2022 | $80,247 | 0 | 0 | 0 | $211,618 | 7/16/2022 | |||
| Lithuania | 1/14/2022 | $9,482 | 12 | 12 | 19 | $14,681 | 1/26/2022 | |||
| Mexico | 1/6/2022 | $343,188 | 0 | 0 | 0 | $585,745 | ||||
| Netherlands | 3/10/2022 | $93,349 | 73 | 73 | 199 | $219,676 | ||||
| New Zealand | 1/13/2022 | $29,649 | 59 | 61 | 243 | $81,707 | ||||
| Portugal | 1/27/2022 | $24,435 | 56 | 56 | 119 | $61,391 | ||||
| Romania | 1/7/2022 | $63,705 | 75 | 75 | 326 | $240,995 | ||||
| Russia (CIS) | 1/20/2022 | $268,510 | 1,562 | 1,564 | 3,126 | $441,218 | ||||
| South Korea | 2/9/2022 | $91,308 | 532 | 532 | 716 | $330,012 | ||||
| Spain | 1/21/2022 | $147,400 | 303 | 303 | 571 | $253,198 | ||||
| Turkey | 1/14/2022 | $7,668 | 95 | 95 | 99 | $13,088 | ||||
| United Kingdom | 1/7/2022 | $498,707 | 490 | 490 | 1,247 | $1,249,728 | ||||
| Rest of World | $120,148 | |||||||||
| International Total | $4,332,343 | 7/16/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Jessica Chastain | Mace | |
| Penélope Cruz | Graciela | |
| Fan Bingbing | Lin Mi Sheng | |
| Diane Kruger | Marie | |
| Lupita Nyong'o | Khadijah |
Supporting
| Edgar Ramirez | Luis Rojas | |
| Sebastian Stan | Nick Fowler | |
| Leo Staar | Grady | |
| Jason Flemyng | Elijah Clarke | |
| Pablo Scola | Santiago | |
| Marcello Cruz | Jeronimo | |
| Eddie Arnold | Agent Team Leader Ramirez | |
| Sebastián Capitán Viveros | Agent #1 | |
| Federico Trujillo | Agent #2 | |
| John Douglas Thompson | Larry Marks | |
| Sylvester Groth | Jonas Muller | |
| Jason Wong | Stevens | |
| Raphael Acloque | Abdel | |
| Dom Dumaresq | Diego Garcia | |
| Gethin Alderman | Gendarme 1 | |
| Costin Cambir | Gendarme 2 | |
| Joseph Wicks | DGSE Agent | |
| Alexander Cardona | Tomas | |
| Francisco Labbe | Juan | |
| Waleed Elgadi | Yassine | |
| Amra Mallassi | Man at Reception | |
| Zaydun Khalaf | Bar Person | |
| Polly Middlehurst | News Anchor | |
| Tom Cox | Team Leader | |
| Lee George Wilkinson* | Grey Haired Man | |
| Oleg Kricunova | Pyotr Khasanov | |
| Emilio Insolera | Giovanni Lupo | |
| Jeffrey Che Kai Chang* | Auctioneer | |
| Eldi Dundee | Greta | |
| Yoon C. Joyce | Hwan Ha Jun | |
| David Yu | Lin Jien | |
| Kevin Ta | Chinese Security Guard 1 | |
| Charles M. Baker | Chinese Security Guard 2 | |
| Sebastian Roldan | Hiro | |
| Bodo Friesecke | German Man in Elevator | |
| Claudia Neumann | German Woman in Elevator |
Production and Technical Credits
| Simon Kinberg | Director | |
| Theresa Rebeck | Screenwriter | |
| Simon Kinberg | Screenwriter | |
| Jessica Chastain | Producer | |
| Kelly Carmichael | Producer | |
| Simon Kinberg | Producer | |
| Richard Hewitt | Executive Producer | |
| Esmond Ren | Executive Producer | |
| Huan Wang | Executive Producer | |
| Simon Elliott | Production Designer | |
| John Gilbert | Editor | |
| Lee Smith | Editor | |
| Tom Holkenborg | Composer | |
| Tim Maurice-Jones | Director of Photography | |
| Avy Kaufman | Casting Director | |
| Jimmy O'Dee | Stunt Coordinator | |
| Jimmy O'Dee | Second Unit Director | |
| Jennifer Wynne | Unit Production Manager | |
| Phil Booth | First Assistant Director | |
| Alice Syed | Production Supervisor | |
| Jason Wheeler | Supervising Location Manager | |
| Tom Williams | Production Sound Mixer | |
| Tom Williams | SFX Supervisor | |
| Louise Seymour | Post-Production Supervisor | |
| Keith Devlin | Visual Effects Supervisor | |
| Matthew Collinge | Sound Supervisor | |
| Bill Crutcher | Supervising Art Director | |
| Andrew Rothschild | Supervising Art Director | |
| Jack Berk | Art Director | |
| Daryn McLaughlan | Art Director | |
| Anna Lynch-Robinson | Set Decorator | |
| Beth Lewis | Costume Supervisor | |
| Linda Dowds | Make-up and Hair Designer | |
| Julie Robinson | Script Supervisor | |
| Martina Zamolo | First Assistant Editors | |
| Gemma Bourne | First Assistant Editors | |
| James Devlin | VFX Editor | |
| Simon Changer | Music Editor | |
| Mark Grimwade | Location Manager | |
| Rosalind Laugharne | Location Manager | |
| Jon Roper | Location Manager | |
| Stephen Parker | Location Manager | |
| Emma Woodcock | Location Manager | |
| Rob Weatherall | Foley Editor | |
| Tavish Grade | Foley Mixer | |
| Jack Cucci | Foley Mixer | |
| Mike Prestwood Smith | Re-recording Mixer | |
| Matthew Collinge | Re-recording Mixer | |
| Daniel Evans | Visual Effects Producer | |
| Martin Hobbs | Visual Effects Executive Producer | |
| James Prosser | Visual Effects Executive Producer | |
| Bhairavi Kulkarni | Special Effects Coordinator | |
| Dominique Scoles | Special Effects Coordinator | |
| Katie Brown | Special Effects Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
When a top-secret weapon falls into mercenary hands, wild card CIA agent Mason “Mace” Brown will need to join forces with rival badass German agent Marie, former MI6 ally and cutting-edge computer specialist Khadijah, and skilled Colombian psychologist Graciela on a lethal, breakneck mission to retrieve it, while also staying one-step ahead of a mysterious woman, Lin Mi Sheng, who is tracking their every move. As the action rockets around the globe from the cafes of Paris to the markets of Morocco to the wealth and glamour of Shanghai, the quartet of women will forge a tenuous loyalty that could protect the world—or get them killed.
Metrics
| Opening Weekend: | $4,621,765 (31.7% of total gross) |
| Legs: | 3.15 (domestic box office/biggest weekend) |
| Domestic Share: | 77.1% (domestic box office/worldwide) |
| Production Budget: | $75,000,000 (worldwide box office is 0.3 times production budget) |
| Theater counts: | 3,145 opening theaters/3,145 max. theaters, 4.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $16,549,160 |
Movie Details
| Domestic Releases: | January 7th, 2022 (Wide) by Universal |
| International Releases: | January 6th, 2022 (Wide), released as Agentes 355 (Mexico)
January 7th, 2022 (Wide) (United Kingdom) January 7th, 2022 (Wide) (Romania) January 13th, 2022 (Wide) (Australia) January 13th, 2022 (Wide) (Germany) ... Show all releases |
| Video Release: | January 28th, 2022 by Universal Home Entertainment |
| MPA Rating: | PG-13 for sequences of strong violence, brief strong language, and suggestive material. (Rating bulletin 2651 (cert #52888), 10/14/2020) |
| Running Time: | 124 minutes |
| Filming location (country): | England, France, Morocco, United Kingdom |
| Plot point: | C.I.A., MI6, Secret Agent |
| Subgenre: | Action Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Freckle Films, Genre Films, FilmNation Entertainment, Universal Pictures, Simon Kinberg |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 7, 2022 | 3 | $4,621,765 | 3,145 | $1,470 | $4,621,765 | 1 | |
| Jan 14, 2022 | 4 | $2,275,820 | -51% | 3,145 | $724 | $8,353,325 | 2 |
| Jan 21, 2022 | 6 | $1,599,815 | -30% | 2,609 | $613 | $11,080,825 | 3 |
| Jan 28, 2022 | 6 | $1,330,225 | -17% | 2,513 | $529 | $13,019,850 | 4 |
| Feb 4, 2022 | 9 | $698,275 | -48% | 1,710 | $408 | $14,175,665 | 5 |
| Feb 11, 2022 | - | $99,615 | -86% | 563 | $177 | $14,496,200 | 6 |
| Feb 18, 2022 | - | $13,000 | -87% | 229 | $57 | $14,557,430 | 7 |
| Feb 25, 2022 | - | $5,260 | -60% | 157 | $34 | $14,568,740 | 8 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jan 6, 2022 | P | $350,000 | 2,300 | $152 | $350,000 | |||
| Jan 7, 2022 | 3 | $1,722,760 | 3,145 | $548 | $1,722,760 | 1 | ||
| Jan 8, 2022 | 3 | $1,875,110 | +9% | 3,145 | $596 | $3,597,870 | 2 | |
| Jan 9, 2022 | 3 | $1,023,895 | -45% | 3,145 | $326 | $4,621,765 | 3 | |
| Jan 10, 2022 | 3 | $320,095 | -69% | 3,145 | $102 | $4,941,860 | 4 | |
| Jan 11, 2022 | 3 | $518,750 | +62% | 3,145 | $165 | $5,460,610 | 5 | |
| Jan 12, 2022 | 3 | $330,125 | -36% | 3,145 | $105 | $5,790,735 | 6 | |
| Jan 13, 2022 | 4 | $286,770 | -13% | 3,145 | $91 | $6,077,505 | 7 | |
| Jan 14, 2022 | 5 | $669,080 | +133% | -61% | 3,145 | $213 | $6,746,585 | 8 |
| Jan 15, 2022 | 4 | $960,920 | +44% | -49% | 3,145 | $306 | $7,707,505 | 9 |
| Jan 16, 2022 | 4 | $645,820 | -33% | -37% | 3,145 | $205 | $8,353,325 | 10 |
| Jan 17, 2022 | 4 | $457,700 | -29% | +43% | 3,145 | $146 | $8,811,025 | 11 |
| Jan 18, 2022 | 4 | $284,275 | -38% | -45% | 3,145 | $90 | $9,095,300 | 12 |
| Jan 19, 2022 | 5 | $194,880 | -31% | -41% | 3,145 | $62 | $9,290,180 | 13 |
| Jan 20, 2022 | 5 | $190,830 | -2% | -33% | 3,145 | $61 | $9,481,010 | 14 |
| Jan 21, 2022 | 6 | $464,330 | +143% | -31% | 2,609 | $178 | $9,945,340 | 15 |
| Jan 22, 2022 | 6 | $729,300 | +57% | -24% | 2,609 | $280 | $10,674,640 | 16 |
| Jan 23, 2022 | 6 | $406,185 | -44% | -37% | 2,609 | $156 | $11,080,825 | 17 |
| Jan 24, 2022 | 6 | $122,050 | -70% | -73% | 2,609 | $47 | $11,202,875 | 18 |
| Jan 25, 2022 | 6 | $200,490 | +64% | -29% | 2,609 | $77 | $11,403,365 | 19 |
| Jan 26, 2022 | 6 | $138,640 | -31% | -29% | 2,609 | $53 | $11,542,005 | 20 |
| Jan 27, 2022 | - | $147,620 | +6% | -23% | 2,609 | $57 | $11,689,625 | 21 |
| Jan 28, 2022 | 6 | $370,910 | +151% | -20% | 2,513 | $148 | $12,060,535 | 22 |
| Jan 29, 2022 | 6 | $658,890 | +78% | -10% | 2,513 | $262 | $12,719,425 | 23 |
| Jan 30, 2022 | 7 | $300,425 | -54% | -26% | 2,513 | $120 | $13,019,850 | 24 |
| Jan 31, 2022 | 6 | $111,330 | -63% | -9% | 2,513 | $44 | $13,131,180 | 25 |
| Feb 1, 2022 | 6 | $161,470 | +45% | -19% | 2,513 | $64 | $13,292,650 | 26 |
| Feb 2, 2022 | 6 | $107,110 | -34% | -23% | 2,513 | $43 | $13,399,760 | 27 |
| Feb 3, 2022 | 7 | $77,630 | -28% | -47% | 2,513 | $31 | $13,477,390 | 28 |
| Feb 4, 2022 | 9 | $170,470 | +120% | -54% | 1,710 | $100 | $13,647,860 | 29 |
| Feb 5, 2022 | 9 | $340,080 | +99% | -48% | 1,710 | $199 | $13,987,940 | 30 |
| Feb 6, 2022 | - | $187,725 | -45% | -38% | 1,710 | $110 | $14,175,665 | 31 |
| Feb 7, 2022 | 9 | $51,755 | -72% | -54% | 1,710 | $30 | $14,227,420 | 32 |
| Feb 8, 2022 | 9 | $82,345 | +59% | -49% | 1,710 | $48 | $14,309,765 | 33 |
| Feb 9, 2022 | - | $54,935 | -33% | -49% | 1,710 | $32 | $14,364,700 | 34 |
| Feb 10, 2022 | - | $31,885 | -42% | -59% | 1,710 | $19 | $14,396,585 | 35 |
| Feb 11, 2022 | - | $30,825 | -3% | -82% | 563 | $55 | $14,427,410 | 36 |
| Feb 12, 2022 | - | $50,580 | +64% | -85% | 563 | $90 | $14,477,990 | 37 |
| Feb 13, 2022 | - | $18,210 | -64% | -90% | 563 | $32 | $14,496,200 | 38 |
| Feb 14, 2022 | - | $20,475 | +12% | -60% | 563 | $36 | $14,516,675 | 39 |
| Feb 15, 2022 | - | $12,390 | -39% | -85% | 563 | $22 | $14,529,065 | 40 |
| Feb 16, 2022 | - | $9,245 | -25% | -83% | 563 | $16 | $14,538,310 | 41 |
| Feb 17, 2022 | - | $6,120 | -34% | -81% | 563 | $11 | $14,544,430 | 42 |
| Feb 18, 2022 | - | $3,905 | -36% | -87% | 229 | $17 | $14,548,335 | 43 |
| Feb 19, 2022 | - | $5,575 | +43% | -89% | 229 | $24 | $14,553,910 | 44 |
| Feb 20, 2022 | - | $3,520 | -37% | -81% | 229 | $15 | $14,557,430 | 45 |
| Feb 21, 2022 | - | $1,920 | -45% | -91% | 229 | $8 | $14,559,350 | 46 |
| Feb 22, 2022 | - | $1,455 | -24% | -88% | 229 | $6 | $14,560,805 | 47 |
| Feb 23, 2022 | - | $1,025 | -30% | -89% | 229 | $4 | $14,561,830 | 48 |
| Feb 24, 2022 | - | $1,650 | +61% | -73% | 229 | $7 | $14,563,480 | 49 |
| Feb 25, 2022 | - | $1,260 | -24% | -68% | 157 | $8 | $14,564,740 | 50 |
| Feb 26, 2022 | - | $2,455 | +95% | -56% | 157 | $16 | $14,567,195 | 51 |
| Feb 27, 2022 | - | $1,545 | -37% | -56% | 157 | $10 | $14,568,740 | 52 |
| Feb 28, 2022 | - | $360 | -77% | -81% | 157 | $2 | $14,569,100 | 53 |
| Mar 1, 2022 | - | $625 | +74% | -57% | 157 | $4 | $14,569,725 | 54 |
| Mar 2, 2022 | - | $420 | -33% | -59% | 157 | $3 | $14,570,145 | 55 |
| Mar 3, 2022 | - | $310 | -26% | -81% | 157 | $2 | $14,570,455 | 56 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 7, 2022 | 3 | $6,077,505 | 3,145 | $1,932 | $6,077,505 | 1 | |
| Jan 14, 2022 | 4 | $3,403,505 | -44% | 3,145 | $1,082 | $9,481,010 | 2 |
| Jan 21, 2022 | 6 | $2,208,615 | -35% | 2,609 | $847 | $11,689,625 | 3 |
| Jan 28, 2022 | 6 | $1,787,765 | -19% | 2,513 | $711 | $13,477,390 | 4 |
| Feb 4, 2022 | - | $919,195 | -49% | 1,710 | $538 | $14,396,585 | 5 |
| Feb 11, 2022 | - | $147,845 | -84% | 563 | $263 | $14,544,430 | 6 |
| Feb 18, 2022 | - | $19,050 | -87% | 229 | $83 | $14,563,480 | 7 |
| Feb 25, 2022 | - | $6,975 | -63% | 157 | $44 | $14,570,455 | 8 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 1/13/2022 | $192,700 | 232 | 232 | 536 | $509,138 | ||||
| Italy | 5/12/2022 | $80,247 | 0 | 0 | 0 | $211,618 | 7/16/2022 | |||
| Lithuania | 1/14/2022 | $9,482 | 12 | 12 | 19 | $14,681 | 1/26/2022 | |||
| Mexico | 1/6/2022 | $343,188 | 0 | 0 | 0 | $585,745 | ||||
| Netherlands | 3/10/2022 | $93,349 | 73 | 73 | 199 | $219,676 | ||||
| New Zealand | 1/13/2022 | $29,649 | 59 | 61 | 243 | $81,707 | ||||
| Portugal | 1/27/2022 | $24,435 | 56 | 56 | 119 | $61,391 | ||||
| Romania | 1/7/2022 | $63,705 | 75 | 75 | 326 | $240,995 | ||||
| Russia (CIS) | 1/20/2022 | $268,510 | 1,562 | 1,564 | 3,126 | $441,218 | ||||
| South Korea | 2/9/2022 | $91,308 | 532 | 532 | 716 | $330,012 | ||||
| Spain | 1/21/2022 | $147,400 | 303 | 303 | 571 | $253,198 | ||||
| Turkey | 1/14/2022 | $7,668 | 95 | 95 | 99 | $13,088 | ||||
| United Kingdom | 1/7/2022 | $498,707 | 490 | 490 | 1,247 | $1,249,728 | ||||
| Rest of World | $120,148 | |||||||||
| International Total | $4,332,343 | 7/16/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Jessica Chastain | Mace | |
| Penélope Cruz | Graciela | |
| Fan Bingbing | Lin Mi Sheng | |
| Diane Kruger | Marie | |
| Lupita Nyong'o | Khadijah |
Supporting
| Edgar Ramirez | Luis Rojas | |
| Sebastian Stan | Nick Fowler | |
| Leo Staar | Grady | |
| Jason Flemyng | Elijah Clarke | |
| Pablo Scola | Santiago | |
| Marcello Cruz | Jeronimo | |
| Eddie Arnold | Agent Team Leader Ramirez | |
| Sebastián Capitán Viveros | Agent #1 | |
| Federico Trujillo | Agent #2 | |
| John Douglas Thompson | Larry Marks | |
| Sylvester Groth | Jonas Muller | |
| Jason Wong | Stevens | |
| Raphael Acloque | Abdel | |
| Dom Dumaresq | Diego Garcia | |
| Gethin Alderman | Gendarme 1 | |
| Costin Cambir | Gendarme 2 | |
| Joseph Wicks | DGSE Agent | |
| Alexander Cardona | Tomas | |
| Francisco Labbe | Juan | |
| Waleed Elgadi | Yassine | |
| Amra Mallassi | Man at Reception | |
| Zaydun Khalaf | Bar Person | |
| Polly Middlehurst | News Anchor | |
| Tom Cox | Team Leader | |
| Lee George Wilkinson* | Grey Haired Man | |
| Oleg Kricunova | Pyotr Khasanov | |
| Emilio Insolera | Giovanni Lupo | |
| Jeffrey Che Kai Chang* | Auctioneer | |
| Eldi Dundee | Greta | |
| Yoon C. Joyce | Hwan Ha Jun | |
| David Yu | Lin Jien | |
| Kevin Ta | Chinese Security Guard 1 | |
| Charles M. Baker | Chinese Security Guard 2 | |
| Sebastian Roldan | Hiro | |
| Bodo Friesecke | German Man in Elevator | |
| Claudia Neumann | German Woman in Elevator |
Production and Technical Credits
| Simon Kinberg | Director | |
| Theresa Rebeck | Screenwriter | |
| Simon Kinberg | Screenwriter | |
| Jessica Chastain | Producer | |
| Kelly Carmichael | Producer | |
| Simon Kinberg | Producer | |
| Richard Hewitt | Executive Producer | |
| Esmond Ren | Executive Producer | |
| Huan Wang | Executive Producer | |
| Simon Elliott | Production Designer | |
| John Gilbert | Editor | |
| Lee Smith | Editor | |
| Tom Holkenborg | Composer | |
| Tim Maurice-Jones | Director of Photography | |
| Avy Kaufman | Casting Director | |
| Jimmy O'Dee | Stunt Coordinator | |
| Jimmy O'Dee | Second Unit Director | |
| Jennifer Wynne | Unit Production Manager | |
| Phil Booth | First Assistant Director | |
| Alice Syed | Production Supervisor | |
| Jason Wheeler | Supervising Location Manager | |
| Tom Williams | Production Sound Mixer | |
| Tom Williams | SFX Supervisor | |
| Louise Seymour | Post-Production Supervisor | |
| Keith Devlin | Visual Effects Supervisor | |
| Matthew Collinge | Sound Supervisor | |
| Bill Crutcher | Supervising Art Director | |
| Andrew Rothschild | Supervising Art Director | |
| Jack Berk | Art Director | |
| Daryn McLaughlan | Art Director | |
| Anna Lynch-Robinson | Set Decorator | |
| Beth Lewis | Costume Supervisor | |
| Linda Dowds | Make-up and Hair Designer | |
| Julie Robinson | Script Supervisor | |
| Martina Zamolo | First Assistant Editors | |
| Gemma Bourne | First Assistant Editors | |
| James Devlin | VFX Editor | |
| Simon Changer | Music Editor | |
| Mark Grimwade | Location Manager | |
| Rosalind Laugharne | Location Manager | |
| Jon Roper | Location Manager | |
| Stephen Parker | Location Manager | |
| Emma Woodcock | Location Manager | |
| Rob Weatherall | Foley Editor | |
| Tavish Grade | Foley Mixer | |
| Jack Cucci | Foley Mixer | |
| Mike Prestwood Smith | Re-recording Mixer | |
| Matthew Collinge | Re-recording Mixer | |
| Daniel Evans | Visual Effects Producer | |
| Martin Hobbs | Visual Effects Executive Producer | |
| James Prosser | Visual Effects Executive Producer | |
| Bhairavi Kulkarni | Special Effects Coordinator | |
| Dominique Scoles | Special Effects Coordinator | |
| Katie Brown | Special Effects Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.