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7 Days in Entebbe (2018)

7 Days in Entebbe
Theatrical Performance
Domestic Box Office $3,189,220Details
International Box Office $4,175,507Details
Worldwide Box Office $7,364,727
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

A thriller inspired by the true events of the 1976 hijacking of an Air France flight en route from Tel Aviv to Paris, the film depicts one of the most daring rescue missions ever attempted.

Metrics

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 6,501-6,600) 6,585 $3,189,220
All Time International Box Office (Rank 4,701-4,800) 4,718 $4,175,507
All Time Worldwide Box Office (Rank 6,901-7,000) 6,961 $7,364,727
All Time Domestic Highest Grossing Limited Release Movies (Rank 801-900) 801 $3,189,220

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Domestic Releases: March 16th, 2018 (Wide) by Focus Features
International Releases: March 15th, 2018 (Wide) (Hong Kong)
March 16th, 2018 (Wide) (India)
March 16th, 2018 (Wide), released as Entebbe'de 7 Gün (Turkey)
March 22nd, 2018 (Wide) (Singapore)
March 23rd, 2018 (Wide) (Sri Lanka)
... Show all releases
Video Release: June 19th, 2018 by Focus Features
MPAA Rating: PG-13 for violence, some thematic material, drug use, smoking and brief strong language.
(Rating bulletin 2492 (Cert #51227), 9/6/2017)
Running Time: 107 minutes
Comparisons: Create your own comparison chart…
Keywords: Hijacking, Terrorism, Rescue, 1970s
Source:Based on Real Life Events
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Dramatization
Production Companies: Participant Media, Working Title Films
Production Countries: United Kingdom

Leading Cast

   Wilfried Böse
   Brigitte Kuhlmann

Supporting Cast

Eddie Marsan    Shimon Peres
Lior Ashkenazi    Yitzhak Rabin
Denis Menochet    Jacques Lemoine
Ben Schnetzer    Zeev Hirsch
Mark Ivanir    Motta Gur
Peter Sullivan    Amos Eiran
Andrea Deck    Patricia Martel
Nonso Anozie    Idi Amin
Angel Bonanni    Yonatan Netanyahu
Brontis Jodorowsky    Captain Michel Bacos
Vincent Riotta    Dan Shomron
Michael Lewis    Major Muki Betser
Trudy Weiss    Dora Bloch
Natalie Stone    Leah Rabin
Yiftach Klein    Ehud Barak
Samy Seghir   
Vincent Cassel   

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

   Director
Tim Bevan    Producer
Eric Fellner    Producer
Kate Solomon    Producer
Michelle Wright    Producer
Ron Halpern    Producer
Gregory Burke    Screenwriter
Jeff Skoll    Executive Producer
Jonathan King    Executive Producer
Olivier Courson    Executive Producer
Jean-Claude Darmon    Executive Producer
Angela Morrison    Executive Producer
Jo Burn    Executive Producer
Liza Chasin    Executive Producer
Lula Carvalho    Director of Photography
Kave Quinn    Production Designer
Daniel Rezende    Editor
Bina Daigeler    Costume Designer
Rodrigo Amarante    Composer
Fiona Weir    Casting Director

Theater Averages: Dog Days Carry it to a Second Win

April 3rd, 2018

Isle of Dogs

For the second weekend in a row, Isle of Dogs led the way on the theater average chart with $17,839 in 165 theaters. The only other film to reach the $10,000 mark was Love After Love, which pulled in $11,290 in its lone theater. More...

Theater Averages: Isle Dogpiles the Competition

March 27th, 2018

Isle of Dogs

Isle of Dogs had the best theater average of the weekend and indeed the year with an average of $59,825 in 27 theaters. Technically Fantastic Mr. Fox had a better average with $66,475, but it was only playing on 4 theaters, so this is much more impressive. More...

Weekend Wrap-Up: Uprising Wins, but Falls Compared to Original

March 27th, 2018

Pacific Rim: Uprising

Pacific Rim: Uprising opened in first place over the weekend. In fact, it opened better than expected with $28.12 million. Unfortunately, that’s nowhere near enough compared to its production budget, so it will need international numbers to thrive. Black Panther was finally removed from top spot, but it also held on better than expected with $17.10 million. As for the rest of the new releases, they ranged from serious disappointments like Sherlock Gnomes and Paul, Apostle of Christ, to complete bombs like Midnight Sun and Unsane. The overall box office slipped just 2.0% from last week earning $129 million. However, this is 36% lower than the same weekend last year. 2018’s lead has completely evaporated and it is now $60 million or $2.1% behind 2017’s pace at $2.64 billion to $2.69 billion. I don’t see that improving this coming weekend. More...

7 Days in Entebbe Trailer

March 21st, 2018

Real-life thriller starring Daniel Bruhl and Rosamund Pike opened last Friday ... Full Movie Details.

A thriller inspired by the true events of the 1976 hijacking of an Air France flight en route from Tel Aviv to Paris, the film depicts one of the most daring rescue missions ever attempted. More...

Theater Averages: Flower Doesn’t Smell as Sweet as Stalin

March 20th, 2018

Flower

The Death of Stalin remained in first place on the theater average chart with an average of $16,791 in 32 theaters, while Flower was right behind with an average of $16,306 in 3 theaters. Keep the Change did really well for a rom com with $12,445 in its lone theater. I Can Only Imagine opened semi-wide managing an average of $10,507. More...

Weekend Wrap-Up

March 20th, 2018

Black Panther

As predicted, Black Panther remained in first place on the weekend chart. Tomb Raider had an okay opening in second place, while I Can Only Imagine was the biggest positive surprise of the weekend. Love, Simon had a solid opening, especially compared to its production budget. The less said about 7 Days in Entebbe, the better. Overall, the weekend box office was down 4.8% from last weekend to just $132 million. This is 49% lower than this weekend last year. A 49% decline usually only happens when there is a misalignment in holidays, but in this case it’s due to Beauty and the Beast’s debut. 2018 is still ahead of 2017, albeit by a fraction of last week’s lead at just $66 million or 2.8%. In fact, with a margin of just $2.46 billion to $2.39 billion, it is very likely 2018 will lose its lead before the next weekend begins. More...

Weekend Estimates: Black Panther Powers Past Tomb Raider

March 18th, 2018

Black Panther

A spirited opening by Tomb Raider won’t be quite enough to knock Black Panther off its perch at the top of the domestic box office chart this weekend. The final numbers will be close: Raider is predicted to earn $23.52 million by Warner Bros., while Disney has Panther coming in with $27.024 million. If the numbers hold (and it would be a huge surprise if they don’t), Black Panther will become the first film since Avatar to spend its first five weekends at the top of the chart. More...

Friday Estimates: Raider Opens in First Place, For Now

March 17th, 2018

Tomb Raider

As expected, Tomb Raider opened in first place with $9.06 million on Friday. However, this won’t be enough to stay ahead of Black Panther for long. Its reviews are nearly 50% positive, while it earned just a B from CinemaScore. A $23 million to $24 million opening isn’t a bad start for this time of year, but it is far from impressive for a film that reportedly cost between $90 million and $106 million. More...

Weekend Predictions: Can Raider Capture Top Spot?

March 15th, 2018

Tomb Raider

Another week and another film trying to dethrone Black Panther. This week, it’s Tomb Raider’s chance to finally remove Black Panther from first place on the weekend chart. I don’t like its chances. The only other truly wide release of the week is Love, Simon, which should have a solid, but not spectacular opening. There are two other films with a shot at earning a spot in the top ten: I Can Only Imagine and 7 Days in Entebbe. This weekend last year, Beauty and the Beast opened with nearly $175 million. That’s more than the entire box office is going to earn this weekend. 2018 is going to get crushed. More...

Domestic Cumulative Box Office Records


Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2018/03/16 13 $1,592,645   838 $1,901   $1,592,645 1
2018/03/23 21 $636,265 -60% 836 $761   $2,900,330 2

Daily Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2018/03/16 11 $545,350   838 $651   $545,350 1
2018/03/17 13 $637,505 +17% 838 $761   $1,182,855 2
2018/03/18 13 $409,790 -36% 838 $489   $1,592,645 3
2018/03/19 12 $168,075 -59% 838 $201   $1,760,720 4
2018/03/20 12 $209,290 +25% 838 $250   $1,970,010 5
2018/03/21 12 $154,010 -26% 838 $184   $2,124,020 6
2018/03/22 12 $140,045 -9% 838 $167   $2,264,065 7
2018/03/23 - $170,205 +22% 836 $204   $2,434,270 8
2018/03/24 - $285,885 +68% 836 $342   $2,720,155 9
2018/03/25 - $180,175 -37% 836 $216   $2,900,330 10
2018/03/26 - $75,890 -58% 836 $91   $2,976,220 11
2018/03/27 - $104,530 +38% 836 $125   $3,080,750 12
2018/03/28 - $64,960 -38% 836 $78   $3,145,710 13
2018/03/29 - $43,510 -33% 836 $52   $3,189,220 14

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2018/03/16 12 $2,264,065   838 $2,702   $2,264,065 1
2018/03/23 22 $925,155 -59% 836 $1,107   $3,189,220 2

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Theaters
Maximum
Theaters
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 5/10/2018 $82,942 70 70 70 $82,942 5/17/2018
Austria 5/4/2018 $14,619 18 18 36 $30,792 5/17/2018
Brazil 4/19/2018 $279,642 161 161 236 $578,537 5/17/2018
Cambodia 4/5/2018 $1,500 0 0 0 $3,300 4/26/2018
Chile 4/19/2018 $20,993 14 14 27 $46,422 5/17/2018
Croatia 3/29/2018 $10,226 18 18 56 $32,211 5/17/2018
Czech Republic 3/30/2018 $28,666 53 53 98 $51,237 5/17/2018
Dominican Republic 4/12/2018 $1,675 0 0 0 $8,074 5/17/2018
El Salvador 4/12/2018 $3,676 7 7 8 $6,335 4/26/2018
France 5/2/2018 $96,830 62 62 62 $96,830 5/17/2018
Germany 5/3/2018 $77,870 124 124 247 $163,840 5/17/2018
Greece 4/12/2018 $43,124 0 0 0 $43,124 4/19/2018
Guatemala 4/12/2018 $5,346 7 7 7 $5,346 4/19/2018
Honduras 4/12/2018 $4,918 12 12 14 $7,776 4/26/2018
Hong Kong 3/15/2018 $154,606 31 31 76 $291,979 5/3/2018
Hungary 5/10/2018 $21,138 24 24 24 $21,138 5/17/2018
Iceland 5/4/2018 $4,588 0 0 0 $4,588 5/17/2018
India 3/16/2018 $0 0 0 0 $74,478 4/5/2018
Indonesia 4/11/2018 $47,550 63 63 93 $87,878 5/3/2018
Israel 3/29/2018 $56,823 35 35 47 $165,773 5/17/2018
Laos 4/5/2018 $0 0 0 0 $3,300 4/26/2018
Malaysia 3/29/2018 $48,577 54 54 98 $101,187 5/17/2018
Mexico 4/13/2018 $130,753 119 119 252 $311,855 5/17/2018
Nicaragua 4/12/2018 $3,219 3 3 4 $4,355 5/3/2018
Oman 3/29/2018 $4,293 2 2 2 $10,289 4/19/2018
Panama 4/12/2018 $8,675 7 7 10 $16,859 5/3/2018
Peru 4/12/2018 $71,880 36 36 58 $146,357 5/3/2018
Philippines 4/18/2018 $95,510 146 146 146 $95,510 4/26/2018
Portugal 3/30/2018 $51,418 35 35 79 $115,602 5/1/2018
Qatar 3/29/2018 $15,363 9 9 9 $33,542 4/19/2018
Russia (CIS) 4/5/2018 $56,424 327 327 407 $93,747 5/3/2018
Singapore 3/22/2018 $19,769 0 4 10 $60,452 5/17/2018
Slovakia 3/30/2018 $10,030 30 30 47 $18,407 5/3/2018
South Africa 4/6/2018 $48,546 43 43 91 $113,376 5/17/2018
Spain 4/27/2018 $196,803 193 193 403 $444,805 5/17/2018
Sri Lanka 3/23/2018 $0 0 0 0 $11,477 5/17/2018
Switzerland (French Speaking) 5/2/2018 $11,509 7 7 7 $18,582 5/17/2018
Switzerland (German Speaking) 5/3/2018 $26,704 30 30 30 $48,068 5/17/2018
Taiwan 4/4/2018 $143,143 0 0 0 $257,658 5/17/2018
Thailand 4/5/2018 $0 0 0 0 $88,925 4/26/2018
Turkey 3/16/2018 $7,845 31 31 36 $20,546 4/19/2018
Ukraine 4/5/2018 $7,590 195 195 318 $15,706 5/3/2018
United Arab Emirates 3/29/2018 $95,397 32 32 34 $154,807 4/26/2018
United Kingdom 5/11/2018 $187,495 124 124 124 $187,495 5/17/2018
 
International Total$4,175,507 5/17/2018

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.


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