’71 (2015)
| Theatrical Performance | ||
| Domestic Box Office | $1,270,847 | Details |
| International Box Office | $3,106,411 | Details |
| Worldwide Box Office | $4,377,258 | |
| OpusData ID: 217600100 More info... | ||
| Further financial details... | ||
Synopsis
'71 takes place over a single night in the life of a young British soldier accidentally abandoned by his unit following a riot on the streets of Belfast in 1971. Unable to tell friend from foe, and increasingly wary of his own comrades, he must survive the night alone and find his way to safety through a disorientating, alien and deadly landscape.
Metrics
| Opening Weekend: | $55,761 (4.4% of total gross) |
| Legs: | 5.35 (domestic box office/biggest weekend) |
| Domestic Share: | 29.0% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/121 max. theaters, 4.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,803,006 |
Movie Details
| Domestic Releases: | February 27th, 2015 (Limited) by Roadside Attractions |
| International Releases: | January 23rd, 2015 (Wide) (Spain)
March 19th, 2015 (Wide) (Australia) June 4th, 2015 (Wide) (Hong Kong) October 8th, 2015 (Wide) (Portugal) July 21st, 2016 (Limited), released as '71 (South Korea) ... Show all releases |
| Video Release: | June 23rd, 2015 by Lionsgate Home Entertainment |
| MPA Rating: | R for strong violence, disturbing images, and language throughout. (Rating bulletin 2352, 12/10/2014) |
| Running Time: | 99 minutes |
| Geographical setting: | Belfast, Ireland, Northern Ireland |
| Social setting: | Military Life |
| Time period setting: | 1970s |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Crab Apple Films, Warp Films |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 27, 2015 | 47 | $55,761 | 4 | $13,940 | $55,761 | 1 | |
| Mar 6, 2015 | 45 | $69,227 | +24% | 16 | $4,327 | $144,475 | 2 |
| Mar 13, 2015 | 27 | $201,575 | +191% | 65 | $3,101 | $372,053 | 3 |
| Mar 20, 2015 | 23 | $237,671 | +18% | 115 | $2,067 | $693,326 | 4 |
| Mar 27, 2015 | 27 | $183,773 | -23% | 121 | $1,519 | $980,476 | 5 |
| Apr 3, 2015 | 34 | $83,942 | -54% | 95 | $884 | $1,144,071 | 6 |
| Apr 10, 2015 | 48 | $38,214 | -54% | 54 | $708 | $1,223,516 | 7 |
| Apr 17, 2015 | 64 | $10,268 | -73% | 28 | $367 | $1,252,876 | 8 |
| Apr 24, 2015 | 79 | $5,342 | -48% | 14 | $382 | $1,263,230 | 9 |
| May 1, 2015 | 75 | $2,887 | -46% | 9 | $321 | $1,268,760 | 10 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Feb 27, 2015 | - | $14,699 | 4 | $3,675 | $14,699 | 1 | |
| Feb 28, 2015 | - | $25,195 | +71% | 4 | $6,299 | $39,894 | 2 |
| Mar 1, 2015 | - | $15,867 | -37% | 4 | $3,967 | $55,761 | 3 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 27, 2015 | 50 | $75,248 | 4 | $18,812 | $75,248 | 1 | |
| Mar 6, 2015 | 45 | $95,230 | +27% | 16 | $5,952 | $170,478 | 2 |
| Mar 13, 2015 | 27 | $285,177 | +199% | 65 | $4,387 | $455,655 | 3 |
| Mar 20, 2015 | 23 | $341,048 | +20% | 115 | $2,966 | $796,703 | 4 |
| Mar 27, 2015 | 26 | $263,426 | -23% | 121 | $2,177 | $1,060,129 | 5 |
| Apr 3, 2015 | 35 | $125,173 | -52% | 94 | $1,332 | $1,185,302 | 6 |
| Apr 10, 2015 | 47 | $57,306 | -54% | 52 | $1,102 | $1,242,608 | 7 |
| Apr 17, 2015 | 63 | $15,280 | -73% | 28 | $546 | $1,257,888 | 8 |
| Apr 24, 2015 | 82 | $7,985 | -48% | 14 | $570 | $1,265,873 | 9 |
| May 1, 2015 | 73 | $4,974 | -38% | 9 | $553 | $1,270,847 | 10 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 3/19/2015 | $3,458 | 1 | 9 | 52 | $141,469 | 7/1/2015 | |||
| Hong Kong | 6/4/2015 | $13,274 | 11 | 11 | 17 | $27,268 | 11/26/2018 | |||
| Portugal | 10/8/2015 | $0 | 0 | 3 | 3 | $6,198 | 10/20/2015 | |||
| South Korea | 7/21/2016 | $0 | 0 | 5 | 0 | $310 | 4/4/2026 | |||
| Spain | 1/23/2015 | $48,296 | 42 | 42 | 120 | $80,282 | 11/27/2018 | |||
| Rest of World | $2,850,884 | |||||||||
| International Total | $3,106,411 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Jack O'Connell | Gary Hook |
Supporting
| Paul Anderson | Sergeant Leslie Lewis | |
| Richard Dormer | Eamon | |
| Sean Harris | Captain Sandy Browning | |
| Martin McCann | Paul Haggerty | |
| Charlie Murphy | Brigid | |
| Sam Reid | LT Armitage | |
| Killian Scott | Quinn | |
| David Wilmot | Boyle | |
| Jack Lowden | Thommo |
Production and Technical Credits
| Yann Demange | Director | |
| Gregory Burke | Screenwriter | |
| Angus Lamont | Producer | |
| Robin Gutch | Producer | |
| Sam Lavender | Executive Producer | |
| Tessa Ross | Executive Producer | |
| Dan Macrae | Executive Producer | |
| Danny Perkins | Executive Producer | |
| Hugo Heppell | Executive Producer | |
| Mark Herbert | Executive Producer | |
| Lizzie Francke | Executive Producer | |
| Leslie Finlay | Executive Producer | |
| Robert How | Line Producer | |
| Tat Radcliffe | Director of Photography | |
| Jina Jay | Casting Director | |
| Chris Oddy | Production Designer | |
| Chris Wyatt | Editor | |
| Emma Scott | Make-up and Hair Designer | |
| Jane Petrie | Costume Designer | |
| David Holmes | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
'71 takes place over a single night in the life of a young British soldier accidentally abandoned by his unit following a riot on the streets of Belfast in 1971. Unable to tell friend from foe, and increasingly wary of his own comrades, he must survive the night alone and find his way to safety through a disorientating, alien and deadly landscape.
Metrics
| Opening Weekend: | $55,761 (4.4% of total gross) |
| Legs: | 5.35 (domestic box office/biggest weekend) |
| Domestic Share: | 29.0% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/121 max. theaters, 4.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,803,006 |
Movie Details
| Domestic Releases: | February 27th, 2015 (Limited) by Roadside Attractions |
| International Releases: | January 23rd, 2015 (Wide) (Spain)
March 19th, 2015 (Wide) (Australia) June 4th, 2015 (Wide) (Hong Kong) October 8th, 2015 (Wide) (Portugal) July 21st, 2016 (Limited), released as '71 (South Korea) ... Show all releases |
| Video Release: | June 23rd, 2015 by Lionsgate Home Entertainment |
| MPA Rating: | R for strong violence, disturbing images, and language throughout. (Rating bulletin 2352, 12/10/2014) |
| Running Time: | 99 minutes |
| Geographical setting: | Belfast, Ireland, Northern Ireland |
| Social setting: | Military Life |
| Time period setting: | 1970s |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Crab Apple Films, Warp Films |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 27, 2015 | 47 | $55,761 | 4 | $13,940 | $55,761 | 1 | |
| Mar 6, 2015 | 45 | $69,227 | +24% | 16 | $4,327 | $144,475 | 2 |
| Mar 13, 2015 | 27 | $201,575 | +191% | 65 | $3,101 | $372,053 | 3 |
| Mar 20, 2015 | 23 | $237,671 | +18% | 115 | $2,067 | $693,326 | 4 |
| Mar 27, 2015 | 27 | $183,773 | -23% | 121 | $1,519 | $980,476 | 5 |
| Apr 3, 2015 | 34 | $83,942 | -54% | 95 | $884 | $1,144,071 | 6 |
| Apr 10, 2015 | 48 | $38,214 | -54% | 54 | $708 | $1,223,516 | 7 |
| Apr 17, 2015 | 64 | $10,268 | -73% | 28 | $367 | $1,252,876 | 8 |
| Apr 24, 2015 | 79 | $5,342 | -48% | 14 | $382 | $1,263,230 | 9 |
| May 1, 2015 | 75 | $2,887 | -46% | 9 | $321 | $1,268,760 | 10 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Feb 27, 2015 | - | $14,699 | 4 | $3,675 | $14,699 | 1 | |
| Feb 28, 2015 | - | $25,195 | +71% | 4 | $6,299 | $39,894 | 2 |
| Mar 1, 2015 | - | $15,867 | -37% | 4 | $3,967 | $55,761 | 3 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 27, 2015 | 50 | $75,248 | 4 | $18,812 | $75,248 | 1 | |
| Mar 6, 2015 | 45 | $95,230 | +27% | 16 | $5,952 | $170,478 | 2 |
| Mar 13, 2015 | 27 | $285,177 | +199% | 65 | $4,387 | $455,655 | 3 |
| Mar 20, 2015 | 23 | $341,048 | +20% | 115 | $2,966 | $796,703 | 4 |
| Mar 27, 2015 | 26 | $263,426 | -23% | 121 | $2,177 | $1,060,129 | 5 |
| Apr 3, 2015 | 35 | $125,173 | -52% | 94 | $1,332 | $1,185,302 | 6 |
| Apr 10, 2015 | 47 | $57,306 | -54% | 52 | $1,102 | $1,242,608 | 7 |
| Apr 17, 2015 | 63 | $15,280 | -73% | 28 | $546 | $1,257,888 | 8 |
| Apr 24, 2015 | 82 | $7,985 | -48% | 14 | $570 | $1,265,873 | 9 |
| May 1, 2015 | 73 | $4,974 | -38% | 9 | $553 | $1,270,847 | 10 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 3/19/2015 | $3,458 | 1 | 9 | 52 | $141,469 | 7/1/2015 | |||
| Hong Kong | 6/4/2015 | $13,274 | 11 | 11 | 17 | $27,268 | 11/26/2018 | |||
| Portugal | 10/8/2015 | $0 | 0 | 3 | 3 | $6,198 | 10/20/2015 | |||
| South Korea | 7/21/2016 | $0 | 0 | 5 | 0 | $310 | 4/4/2026 | |||
| Spain | 1/23/2015 | $48,296 | 42 | 42 | 120 | $80,282 | 11/27/2018 | |||
| Rest of World | $2,850,884 | |||||||||
| International Total | $3,106,411 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Jack O'Connell | Gary Hook |
Supporting
| Paul Anderson | Sergeant Leslie Lewis | |
| Richard Dormer | Eamon | |
| Sean Harris | Captain Sandy Browning | |
| Martin McCann | Paul Haggerty | |
| Charlie Murphy | Brigid | |
| Sam Reid | LT Armitage | |
| Killian Scott | Quinn | |
| David Wilmot | Boyle | |
| Jack Lowden | Thommo |
Production and Technical Credits
| Yann Demange | Director | |
| Gregory Burke | Screenwriter | |
| Angus Lamont | Producer | |
| Robin Gutch | Producer | |
| Sam Lavender | Executive Producer | |
| Tessa Ross | Executive Producer | |
| Dan Macrae | Executive Producer | |
| Danny Perkins | Executive Producer | |
| Hugo Heppell | Executive Producer | |
| Mark Herbert | Executive Producer | |
| Lizzie Francke | Executive Producer | |
| Leslie Finlay | Executive Producer | |
| Robert How | Line Producer | |
| Tat Radcliffe | Director of Photography | |
| Jina Jay | Casting Director | |
| Chris Oddy | Production Designer | |
| Chris Wyatt | Editor | |
| Emma Scott | Make-up and Hair Designer | |
| Jane Petrie | Costume Designer | |
| David Holmes | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.