9/11 (2017)
| Theatrical Performance | ||
| Domestic Box Office | $172,000 | Details |
| International Box Office | $20,318 | Details |
| Worldwide Box Office | $192,318 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $87,679 | |
| Total | $87,679 | |
| OpusData ID: 289940100 More info... | ||
| Further financial details... | ||
Synopsis
Based on true events, 9/11 tells the story of 5 people trapped in an elevator in the World Trade Center. As the sun rises in NYC on the morning of September 11, 2001, the day seems no different. In the WTC, a billionaire sits in his attorney’s office awaiting a divorce hearing against his wife. In a west side apartment, a bike messenger kisses his 5-year old daughter and sings her “Happy Birthday” before leaving for work. A maintenance man gets dispatched to help a WTC tenant with his lock. In an upper east side apartment, a young model musters the courage to break up with her sugar daddy. As random as random can be, these individuals step into a crowded WTC elevator. Wrapped up in their own world, they all ride silently hearing only the sound of the elevator giving notice of each floor. When the elevator stops on the 34th floor, it empties leaving only these five behind. Moments later… their world changes as the collision of a jet into the North Tower incapacitates the elevator. With no understanding of what has happened and is happening around them, these fives are forced to band together and fight against all odds to escape from the impending horrific collapse. During these critical minutes, a story of courage, faith and the will to live unfolds.
Metrics
| Opening Weekend: | $168,500 (98.0% of total gross) |
| Legs: | 1.02 (domestic box office/biggest weekend) |
| Domestic Share: | 89.4% (domestic box office/worldwide) |
| Theater counts: | 398 opening theaters/398 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $229,333 |
Movie Details
| Domestic Releases: | September 8th, 2017 (Limited) by Atlas Distribution |
| International Releases: | September 8th, 2017 (Wide) (Portugal) |
| Video Release: | January 16th, 2018 by Fox Home Entertainment |
| MPA Rating: | R for language. (Rating bulletin 2475 (Cert #51057), 5/10/2017) |
| Running Time: | 90 minutes |
| Cast, crew, or production detail: | One Location |
| Plot point: | 9/11, Disaster, Terrorism, Trapped |
| Source material: | Inspired by a True Story |
| Source: | Based on Play |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Sprockefeller Pictures, Sunset Pictures, Black Bear, Thunder Studios, Filmhouse, Primary Wave Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 8, 2017 | 28 | $168,500 | 398 | $423 | $172,000 | 1 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Sep 8, 2017 | - | $53,500 | 398 | $134 | $53,500 | 1 | |
| Sep 9, 2017 | - | $67,000 | +25% | 398 | $168 | $120,500 | 2 |
| Sep 10, 2017 | - | $48,000 | -28% | 398 | $121 | $172,000 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Portugal | 9/8/2017 | $9,592 | 11 | 11 | 26 | $20,318 | 10/11/2017 | |||
| International Total | $20,318 | 10/11/2017 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Charlie Sheen | Jeffrey Cage | |
| Gina Gershon | Eve |
Supporting
| Luis Guzmán | Eddie |
Leading
| Whoopi Goldberg | Metzie |
Supporting
| Wood Harris | Michael | |
| Olga Fonda | Tina | |
| Jacqueline Bisset | Diane | |
| Bruce Davison | Monohan | |
| Ian Fisher | Fireman | |
| Faune Chambers | Holly |
Production and Technical Credits
| Martin Guigui | Director | |
| Martin Guigui | Screenwriter | |
| Steven Golebiowski | Screenwriter | |
| Patrick Carson | Story based on a play by | |
| Dahlia Waingort | Producer | |
| Warren Ostergard | Producer | |
| Martin Sprock | Producer | |
| David Cuddy | Executive Producer | |
| Rodric David | Executive Producer | |
| Mark Burg | Executive Producer | |
| Ryan Johnson | Executive Producer | |
| Ron Cohen* | Co-Producer | |
| Deacon Drawdy | Co-Producer | |
| Courtney Gains | Co-Producer | |
| H. Galen Walker | Co-Producer | |
| Steven Golebiowski | Co-Producer | |
| Cherelle George | Line Producer | |
| Massimo Zeri | Director of Photography | |
| Jack G. Taylor, Jr | Production Designer | |
| Eric Potter | Editor | |
| Jeff Toyne | Composer | |
| Donald Paul Pemrick | Casting Director | |
| Dean E. Fronk | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Based on true events, 9/11 tells the story of 5 people trapped in an elevator in the World Trade Center. As the sun rises in NYC on the morning of September 11, 2001, the day seems no different. In the WTC, a billionaire sits in his attorney’s office awaiting a divorce hearing against his wife. In a west side apartment, a bike messenger kisses his 5-year old daughter and sings her “Happy Birthday” before leaving for work. A maintenance man gets dispatched to help a WTC tenant with his lock. In an upper east side apartment, a young model musters the courage to break up with her sugar daddy. As random as random can be, these individuals step into a crowded WTC elevator. Wrapped up in their own world, they all ride silently hearing only the sound of the elevator giving notice of each floor. When the elevator stops on the 34th floor, it empties leaving only these five behind. Moments later… their world changes as the collision of a jet into the North Tower incapacitates the elevator. With no understanding of what has happened and is happening around them, these fives are forced to band together and fight against all odds to escape from the impending horrific collapse. During these critical minutes, a story of courage, faith and the will to live unfolds.
Metrics
| Opening Weekend: | $168,500 (98.0% of total gross) |
| Legs: | 1.02 (domestic box office/biggest weekend) |
| Domestic Share: | 89.4% (domestic box office/worldwide) |
| Theater counts: | 398 opening theaters/398 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $229,333 |
Movie Details
| Domestic Releases: | September 8th, 2017 (Limited) by Atlas Distribution |
| International Releases: | September 8th, 2017 (Wide) (Portugal) |
| Video Release: | January 16th, 2018 by Fox Home Entertainment |
| MPA Rating: | R for language. (Rating bulletin 2475 (Cert #51057), 5/10/2017) |
| Running Time: | 90 minutes |
| Cast, crew, or production detail: | One Location |
| Plot point: | 9/11, Disaster, Terrorism, Trapped |
| Source material: | Inspired by a True Story |
| Source: | Based on Play |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Sprockefeller Pictures, Sunset Pictures, Black Bear, Thunder Studios, Filmhouse, Primary Wave Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 8, 2017 | 28 | $168,500 | 398 | $423 | $172,000 | 1 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Sep 8, 2017 | - | $53,500 | 398 | $134 | $53,500 | 1 | |
| Sep 9, 2017 | - | $67,000 | +25% | 398 | $168 | $120,500 | 2 |
| Sep 10, 2017 | - | $48,000 | -28% | 398 | $121 | $172,000 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Portugal | 9/8/2017 | $9,592 | 11 | 11 | 26 | $20,318 | 10/11/2017 | |||
| International Total | $20,318 | 10/11/2017 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Charlie Sheen | Jeffrey Cage | |
| Gina Gershon | Eve |
Supporting
| Luis Guzmán | Eddie |
Leading
| Whoopi Goldberg | Metzie |
Supporting
| Wood Harris | Michael | |
| Olga Fonda | Tina | |
| Jacqueline Bisset | Diane | |
| Bruce Davison | Monohan | |
| Ian Fisher | Fireman | |
| Faune Chambers | Holly |
Production and Technical Credits
| Martin Guigui | Director | |
| Martin Guigui | Screenwriter | |
| Steven Golebiowski | Screenwriter | |
| Patrick Carson | Story based on a play by | |
| Dahlia Waingort | Producer | |
| Warren Ostergard | Producer | |
| Martin Sprock | Producer | |
| David Cuddy | Executive Producer | |
| Rodric David | Executive Producer | |
| Mark Burg | Executive Producer | |
| Ryan Johnson | Executive Producer | |
| Ron Cohen* | Co-Producer | |
| Deacon Drawdy | Co-Producer | |
| Courtney Gains | Co-Producer | |
| H. Galen Walker | Co-Producer | |
| Steven Golebiowski | Co-Producer | |
| Cherelle George | Line Producer | |
| Massimo Zeri | Director of Photography | |
| Jack G. Taylor, Jr | Production Designer | |
| Eric Potter | Editor | |
| Jeff Toyne | Composer | |
| Donald Paul Pemrick | Casting Director | |
| Dean E. Fronk | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.