93Queen (2018)
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| Theatrical Performance | ||
| Domestic Box Office | $76,056 | Details |
| OpusData ID: 345260100 More info... | ||
| Further financial details... | ||
Synopsis
93QUEEN follows RACHEL “RUCHIE” FREIER, a no-nonsense Hasidic lawyer and mother of six who is determined to shake up the “boys club” in her Hasidic community by creating Ezras Nashim, the first all-female ambulance corps in NYC.
Metrics
| Opening Weekend: | $6,302 (8.3% of total gross) |
| Legs: | 11.32 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/3 max. theaters, 5.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $99,854 |
Movie Details
| Domestic Releases: | July 25th, 2018 (Limited) by Abramorama Films |
| MPA Rating: | Not Rated |
| Running Time: | 81 minutes |
| Geographical setting: | New York, New York City |
| Plot point: | Jewish, Sexism, Woman in a Male Dominated Profession |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Abramorama, Malka Films, American Documentary, POV, The Independent Television Service, The Corporation for Public Broadcasting, Swift Street Productions, Arte, Fork Films |
| Production Countries: | United States |
| Languages: | English, Yiddish |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 27, 2018 | 58 | $6,302 | 1 | $6,302 | $16,065 | 1 | |
| Aug 3, 2018 | 71 | $3,146 | -50% | 1 | $3,146 | $26,801 | 2 |
| Aug 10, 2018 | 66 | $4,097 | +30% | 2 | $2,049 | $37,582 | 3 |
| Aug 17, 2018 | 68 | $3,878 | -5% | 2 | $1,939 | $49,278 | 4 |
| Aug 24, 2018 | 91 | $651 | -83% | 2 | $326 | $54,662 | 5 |
| Aug 31, 2018 | 75 | $4,919 | +656% | 3 | $1,640 | $61,819 | 6 |
| Sep 7, 2018 | 94 | $432 | -91% | 1 | $432 | $66,163 | 7 |
| Sep 14, 2018 | 103 | $256 | -41% | 1 | $256 | $66,826 | 8 |
| Oct 5, 2018 | 70 | $6,718 | 2 | $3,359 | $73,738 | 11 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 27, 2018 | 54 | $13,892 | 1 | $13,892 | $23,655 | 2 | |
| Aug 3, 2018 | 62 | $9,830 | -29% | 1 | $9,830 | $33,485 | 3 |
| Aug 10, 2018 | 63 | $11,915 | +21% | 2 | $5,958 | $45,400 | 4 |
| Aug 17, 2018 | 66 | $7,961 | -33% | 2 | $3,981 | $53,361 | 5 |
| Aug 24, 2018 | 84 | $2,889 | -64% | 2 | $1,445 | $56,900 | 6 |
| Aug 31, 2018 | 78 | $8,831 | +206% | 3 | $2,944 | $65,731 | 7 |
| Sep 7, 2018 | 100 | $839 | -90% | 1 | $839 | $66,570 | 8 |
| Sep 14, 2018 | 106 | $450 | -46% | 1 | $450 | $67,020 | 9 |
| Oct 5, 2018 | 73 | $9,036 | 2 | $4,518 | $76,056 | 12 |
Documentary Subject
| Rachel “Ruchie” Freier* | Herself |
Production and Technical Credits
| Paula Eiselt | Director | |
| Paula Eiselt | Producer | |
| Paula Eiselt | Director of Photography | |
| Heidi Reinberg | Producer | |
| David Eiselt | Co-Producer | |
| Marco Williams | Executive Producer | |
| Justine Nagan | Executive Producer | |
| Chris White | Executive Producer | |
| Sally Jo Fifer | Executive Producer | |
| Adam Bolt | Producer | |
| Laura Karpman | Composer | |
| Sunita Prasad | Editor | |
| Rebecca Laks | Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
93QUEEN follows RACHEL “RUCHIE” FREIER, a no-nonsense Hasidic lawyer and mother of six who is determined to shake up the “boys club” in her Hasidic community by creating Ezras Nashim, the first all-female ambulance corps in NYC.
Metrics
| Opening Weekend: | $6,302 (8.3% of total gross) |
| Legs: | 11.32 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/3 max. theaters, 5.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $99,854 |
Movie Details
| Domestic Releases: | July 25th, 2018 (Limited) by Abramorama Films |
| MPA Rating: | Not Rated |
| Running Time: | 81 minutes |
| Geographical setting: | New York, New York City |
| Plot point: | Jewish, Sexism, Woman in a Male Dominated Profession |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Abramorama, Malka Films, American Documentary, POV, The Independent Television Service, The Corporation for Public Broadcasting, Swift Street Productions, Arte, Fork Films |
| Production Countries: | United States |
| Languages: | English, Yiddish |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 27, 2018 | 58 | $6,302 | 1 | $6,302 | $16,065 | 1 | |
| Aug 3, 2018 | 71 | $3,146 | -50% | 1 | $3,146 | $26,801 | 2 |
| Aug 10, 2018 | 66 | $4,097 | +30% | 2 | $2,049 | $37,582 | 3 |
| Aug 17, 2018 | 68 | $3,878 | -5% | 2 | $1,939 | $49,278 | 4 |
| Aug 24, 2018 | 91 | $651 | -83% | 2 | $326 | $54,662 | 5 |
| Aug 31, 2018 | 75 | $4,919 | +656% | 3 | $1,640 | $61,819 | 6 |
| Sep 7, 2018 | 94 | $432 | -91% | 1 | $432 | $66,163 | 7 |
| Sep 14, 2018 | 103 | $256 | -41% | 1 | $256 | $66,826 | 8 |
| Oct 5, 2018 | 70 | $6,718 | 2 | $3,359 | $73,738 | 11 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 27, 2018 | 54 | $13,892 | 1 | $13,892 | $23,655 | 2 | |
| Aug 3, 2018 | 62 | $9,830 | -29% | 1 | $9,830 | $33,485 | 3 |
| Aug 10, 2018 | 63 | $11,915 | +21% | 2 | $5,958 | $45,400 | 4 |
| Aug 17, 2018 | 66 | $7,961 | -33% | 2 | $3,981 | $53,361 | 5 |
| Aug 24, 2018 | 84 | $2,889 | -64% | 2 | $1,445 | $56,900 | 6 |
| Aug 31, 2018 | 78 | $8,831 | +206% | 3 | $2,944 | $65,731 | 7 |
| Sep 7, 2018 | 100 | $839 | -90% | 1 | $839 | $66,570 | 8 |
| Sep 14, 2018 | 106 | $450 | -46% | 1 | $450 | $67,020 | 9 |
| Oct 5, 2018 | 73 | $9,036 | 2 | $4,518 | $76,056 | 12 |
Documentary Subject
| Rachel “Ruchie” Freier* | Herself |
Production and Technical Credits
| Paula Eiselt | Director | |
| Paula Eiselt | Producer | |
| Paula Eiselt | Director of Photography | |
| Heidi Reinberg | Producer | |
| David Eiselt | Co-Producer | |
| Marco Williams | Executive Producer | |
| Justine Nagan | Executive Producer | |
| Chris White | Executive Producer | |
| Sally Jo Fifer | Executive Producer | |
| Adam Bolt | Producer | |
| Laura Karpman | Composer | |
| Sunita Prasad | Editor | |
| Rebecca Laks | Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.