Adieu les cons (2020)
| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| International Box Office | $16,975,942 | Details |
| Worldwide Box Office | $16,975,942 | |
| OpusData ID: 426930100 More info... | ||
| Further financial details... | ||
Synopsis
When 43-year-old hairdresser Suze Trappet finds out that she’s seriously ill, she decides to go looking for a child she was forced to abandon when she was only 15. On her madcap, bureaucratic quest she crosses paths with JB, a 50-year-old man in the middle of a burnout, and Mr. Blin, a blind archivist prone to over-enthusiasm. The unlikely trio set off on a hilarious and poignant, helter-skelter journey across the city in search of Suze’s long-lost child.
Metrics
Movie Details
| International Releases: | October 21st, 2020 (Wide) (France)
December 31st, 2020 (Wide), released as Счастливо оставаться (Russia (CIS)) March 4th, 2021 (Wide) (Australia) July 1st, 2021 (Wide), released as Bye Bye Morons (New Zealand) July 9th, 2021 (Wide) (Romania) ... Show all releases |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Gaumont, Manchester Films, Stadenn Productions |
| Production Countries: | France |
| Languages: | French |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 3/4/2021 | $6,366 | 1 | 25 | 147 | $132,401 | 9/28/2021 | |||
| France | 10/21/2020 | $0 | 0 | 880 | 5,324 | $16,514,319 | 8/11/2021 | |||
| New Zealand | 7/1/2021 | $8,015 | 11 | 21 | 117 | $94,702 | 10/5/2021 | |||
| Portugal | 3/24/2022 | $750 | 7 | 7 | 7 | $750 | 10/20/2022 | |||
| Romania | 7/9/2021 | $1,390 | 13 | 16 | 29 | $4,382 | 10/20/2022 | |||
| Russia (CIS) | 12/31/2020 | $7,283 | 42 | 42 | 42 | $7,283 | 4/4/2026 | |||
| Spain | 9/10/2021 | $67,950 | 86 | 86 | 249 | $220,842 | 10/8/2021 | |||
| Rest of World | $1,263 | |||||||||
| International Total | $16,975,942 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Virginie Efira | Suze | |
| Albert Dupontel | JB |
Supporting
| Michel Vuillermoz | ||
| Nicolas Marie | ||
| Adèle Galloy | ||
| Jackie Berroyer | ||
| Philippe Uchan | ||
| Vincent Launay-Franceschini |
Production and Technical Credits
| Albert Dupontel | Director | |
| Catherine Bozorgan | Producer | |
| Cedric Fayolle | Visual Effects Designer | |
| Carlos Conti | Production Designer | |
| Alexis Kavyrchine | Cinematographer | |
| Mimi Lempicka | Costume Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
When 43-year-old hairdresser Suze Trappet finds out that she’s seriously ill, she decides to go looking for a child she was forced to abandon when she was only 15. On her madcap, bureaucratic quest she crosses paths with JB, a 50-year-old man in the middle of a burnout, and Mr. Blin, a blind archivist prone to over-enthusiasm. The unlikely trio set off on a hilarious and poignant, helter-skelter journey across the city in search of Suze’s long-lost child.
Metrics
Movie Details
| International Releases: | October 21st, 2020 (Wide) (France)
December 31st, 2020 (Wide), released as Счастливо оставаться (Russia (CIS)) March 4th, 2021 (Wide) (Australia) July 1st, 2021 (Wide), released as Bye Bye Morons (New Zealand) July 9th, 2021 (Wide) (Romania) ... Show all releases |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Gaumont, Manchester Films, Stadenn Productions |
| Production Countries: | France |
| Languages: | French |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 3/4/2021 | $6,366 | 1 | 25 | 147 | $132,401 | 9/28/2021 | |||
| France | 10/21/2020 | $0 | 0 | 880 | 5,324 | $16,514,319 | 8/11/2021 | |||
| New Zealand | 7/1/2021 | $8,015 | 11 | 21 | 117 | $94,702 | 10/5/2021 | |||
| Portugal | 3/24/2022 | $750 | 7 | 7 | 7 | $750 | 10/20/2022 | |||
| Romania | 7/9/2021 | $1,390 | 13 | 16 | 29 | $4,382 | 10/20/2022 | |||
| Russia (CIS) | 12/31/2020 | $7,283 | 42 | 42 | 42 | $7,283 | 4/4/2026 | |||
| Spain | 9/10/2021 | $67,950 | 86 | 86 | 249 | $220,842 | 10/8/2021 | |||
| Rest of World | $1,263 | |||||||||
| International Total | $16,975,942 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Virginie Efira | Suze | |
| Albert Dupontel | JB |
Supporting
| Michel Vuillermoz | ||
| Nicolas Marie | ||
| Adèle Galloy | ||
| Jackie Berroyer | ||
| Philippe Uchan | ||
| Vincent Launay-Franceschini |
Production and Technical Credits
| Albert Dupontel | Director | |
| Catherine Bozorgan | Producer | |
| Cedric Fayolle | Visual Effects Designer | |
| Carlos Conti | Production Designer | |
| Alexis Kavyrchine | Cinematographer | |
| Mimi Lempicka | Costume Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.