The Adventurers (2017)
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| Theatrical Performance | ||
| Domestic Box Office | $216,556 | Details |
| International Box Office | $36,585,148 | Details |
| Worldwide Box Office | $36,801,704 | |
| OpusData ID: 296530100 More info... | ||
| Further financial details... | ||
Synopsis
The world’s top thieves—the infamous and charismatic Cheung, his former partner in crime, Xiao, and beautiful chameleon Ye—join forces to pull off the heist of a lifetime. But when they find themselves pursued across Europe by a legendary French detective, they’ll have to take their game to the next level.
Metrics
| Opening Weekend: | $68,614 (31.7% of total gross) |
| Legs: | 3.16 (domestic box office/biggest weekend) |
| Domestic Share: | 0.6% (domestic box office/worldwide) |
| Theater counts: | 17 opening theaters/17 max. theaters, 2.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $288,738 |
Movie Details
| Domestic Releases: | August 18th, 2017 (Limited) by Well Go USA |
| International Releases: | August 11th, 2017 (Wide), released as Zong heng si hai (China)
August 18th, 2017 (Wide) (Australia) August 25th, 2017 (Wide) (New Zealand) |
| MPA Rating: | Not Rated |
| Running Time: | 90 minutes |
| Film format: | IMAX: DMR |
| Geographical setting: | Cannes, France, France, Prague |
| Plot point: | Cops and Robbers, Heist, Life on the Outside, Police Procedural, Relationships Gone Wrong |
| Subgenre: | Crime Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | China, Hong Kong, Czech Republic |
| Languages: | Mandarin, English, French, Russian |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 18, 2017 | 39 | $68,614 | 17 | $4,036 | $68,614 | 1 | |
| Aug 25, 2017 | 52 | $27,184 | -60% | 11 | $2,471 | $134,073 | 2 |
| Sep 1, 2017 | 64 | $16,561 | -39% | 4 | $4,140 | $173,052 | 3 |
| Sep 8, 2017 | 70 | $8,754 | -47% | 4 | $2,189 | $192,763 | 4 |
| Sep 15, 2017 | 72 | $7,668 | -12% | 3 | $2,556 | $206,020 | 5 |
| Sep 22, 2017 | 79 | $3,596 | -53% | 2 | $1,798 | $214,502 | 6 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 18, 2017 | 38 | $106,889 | 17 | $6,288 | $106,889 | 1 | |
| Aug 25, 2017 | 49 | $49,602 | -54% | 11 | $4,509 | $156,491 | 2 |
| Sep 1, 2017 | 65 | $27,518 | -45% | 4 | $6,880 | $184,009 | 3 |
| Sep 8, 2017 | 69 | $14,343 | -48% | 4 | $3,586 | $198,352 | 4 |
| Sep 15, 2017 | 74 | $12,554 | -12% | 3 | $4,185 | $210,906 | 5 |
| Sep 22, 2017 | 83 | $5,650 | -55% | 3 | $1,883 | $216,556 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 8/18/2017 | $38,856 | 20 | 20 | 39 | $88,622 | 9/11/2017 | |||
| China | 8/11/2017 | $22,180,000 | 60,692 | 60,692 | 69,209 | $36,486,464 | 8/15/2018 | |||
| New Zealand | 8/25/2017 | $5,394 | 6 | 6 | 8 | $10,062 | 9/5/2017 | |||
| International Total | $36,585,148 | 8/15/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Andy Lau | Cheung Tan |
Supporting
| Qi Shu | Ye Hong | |
| Jean Reno | Pierre | |
| Tony Yang | Chen Xiaobao | |
| Eric Tsang | King Kong | |
| Sha Yi | Charlie Luo | |
| Jingchu Zhang | Amber |
Production and Technical Credits
| Stephen Fung | Director | |
| Stephen Fung | Screenwriter | |
| Chi-Kwong Cheung | Screenwriter | |
| Yiu-Fai Law | Screenwriter | |
| Ha Zhichao | Screenwriter | |
| Andy Lau | Producer | |
| Stephen Fung | Producer | |
| Shane Hurlbut | Cinematographer | |
| Angie Lam | Editor | |
| Joel Cox | Editor | |
| Tuomas Kantelinen | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
The world’s top thieves—the infamous and charismatic Cheung, his former partner in crime, Xiao, and beautiful chameleon Ye—join forces to pull off the heist of a lifetime. But when they find themselves pursued across Europe by a legendary French detective, they’ll have to take their game to the next level.
Metrics
| Opening Weekend: | $68,614 (31.7% of total gross) |
| Legs: | 3.16 (domestic box office/biggest weekend) |
| Domestic Share: | 0.6% (domestic box office/worldwide) |
| Theater counts: | 17 opening theaters/17 max. theaters, 2.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $288,738 |
Movie Details
| Domestic Releases: | August 18th, 2017 (Limited) by Well Go USA |
| International Releases: | August 11th, 2017 (Wide), released as Zong heng si hai (China)
August 18th, 2017 (Wide) (Australia) August 25th, 2017 (Wide) (New Zealand) |
| MPA Rating: | Not Rated |
| Running Time: | 90 minutes |
| Film format: | IMAX: DMR |
| Geographical setting: | Cannes, France, France, Prague |
| Plot point: | Cops and Robbers, Heist, Life on the Outside, Police Procedural, Relationships Gone Wrong |
| Subgenre: | Crime Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | China, Hong Kong, Czech Republic |
| Languages: | Mandarin, English, French, Russian |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 18, 2017 | 39 | $68,614 | 17 | $4,036 | $68,614 | 1 | |
| Aug 25, 2017 | 52 | $27,184 | -60% | 11 | $2,471 | $134,073 | 2 |
| Sep 1, 2017 | 64 | $16,561 | -39% | 4 | $4,140 | $173,052 | 3 |
| Sep 8, 2017 | 70 | $8,754 | -47% | 4 | $2,189 | $192,763 | 4 |
| Sep 15, 2017 | 72 | $7,668 | -12% | 3 | $2,556 | $206,020 | 5 |
| Sep 22, 2017 | 79 | $3,596 | -53% | 2 | $1,798 | $214,502 | 6 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 18, 2017 | 38 | $106,889 | 17 | $6,288 | $106,889 | 1 | |
| Aug 25, 2017 | 49 | $49,602 | -54% | 11 | $4,509 | $156,491 | 2 |
| Sep 1, 2017 | 65 | $27,518 | -45% | 4 | $6,880 | $184,009 | 3 |
| Sep 8, 2017 | 69 | $14,343 | -48% | 4 | $3,586 | $198,352 | 4 |
| Sep 15, 2017 | 74 | $12,554 | -12% | 3 | $4,185 | $210,906 | 5 |
| Sep 22, 2017 | 83 | $5,650 | -55% | 3 | $1,883 | $216,556 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 8/18/2017 | $38,856 | 20 | 20 | 39 | $88,622 | 9/11/2017 | |||
| China | 8/11/2017 | $22,180,000 | 60,692 | 60,692 | 69,209 | $36,486,464 | 8/15/2018 | |||
| New Zealand | 8/25/2017 | $5,394 | 6 | 6 | 8 | $10,062 | 9/5/2017 | |||
| International Total | $36,585,148 | 8/15/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Andy Lau | Cheung Tan |
Supporting
| Qi Shu | Ye Hong | |
| Jean Reno | Pierre | |
| Tony Yang | Chen Xiaobao | |
| Eric Tsang | King Kong | |
| Sha Yi | Charlie Luo | |
| Jingchu Zhang | Amber |
Production and Technical Credits
| Stephen Fung | Director | |
| Stephen Fung | Screenwriter | |
| Chi-Kwong Cheung | Screenwriter | |
| Yiu-Fai Law | Screenwriter | |
| Ha Zhichao | Screenwriter | |
| Andy Lau | Producer | |
| Stephen Fung | Producer | |
| Shane Hurlbut | Cinematographer | |
| Angie Lam | Editor | |
| Joel Cox | Editor | |
| Tuomas Kantelinen | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.