The Adventures of Baron Munchausen (1989)
| Theatrical Performance | ||
| Domestic Box Office | $8,040,008 | Details |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $13,435 | |
| Blu-ray Sales (estimated) | $1,060,453 | |
| Total | $1,073,888 | |
| OpusData ID: 130830100 More info... | ||
| Further financial details... | ||
Metrics
| Legs: | 30.80 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $22,790,091 |
Movie Details
| Domestic Releases: | March 10th, 1989 (Wide) by Sony Pictures |
| Video Release: | October 25th, 2006 by Columbia Pictures Home Entertainment |
| MPA Rating: | PG |
| Running Time: | 126 minutes |
| Cast, crew, or production detail: | Development Hell, Same Actor, Multiple Roles, Watching a Fictionalized Version of Yourself |
| Plot point: | Death as a Character, Infidelity, Non-Chronological, Romance, Royalty, Theater Actor, Underwater, War |
| Social setting: | Siege |
| Subgenre: | Farcical / Slapstick Comedy |
| Target audience: | Cult Movie |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Fantasy |
| Production/Financing Companies: | Columbia Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 12, 1989 | 21 | $261,044 | 117 | $2,231 | $6,383,949 | 10 |
| Uma Thurman | Venus/Rose | |
| Sarah Polley | Sally Salt | |
| Eric Idle | Desmond/Berthold | |
| Jonathan Pryce | The Right Ordinary Horatio Jackson | |
| Sting | Heroic Officer | |
| Oliver Reed | Vulcan | |
| Terry Gilliam | Irritating Singer | |
| Alison Steadman | Daisy |
Supporting
| Robin Williams | King of the Moon |
Production and Technical Credits
| Terry Gilliam | Director | |
| Terry Gilliam | Screenwriter | |
| Charles McKeown | Screenwriter | |
| Michael Kamen | Composer | |
| Chris Corbould | Special Effects | |
| Lee Cleary | First Assistant Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Legs: | 30.80 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $22,790,091 |
Movie Details
| Domestic Releases: | March 10th, 1989 (Wide) by Sony Pictures |
| Video Release: | October 25th, 2006 by Columbia Pictures Home Entertainment |
| MPA Rating: | PG |
| Running Time: | 126 minutes |
| Cast, crew, or production detail: | Development Hell, Same Actor, Multiple Roles, Watching a Fictionalized Version of Yourself |
| Plot point: | Death as a Character, Infidelity, Non-Chronological, Romance, Royalty, Theater Actor, Underwater, War |
| Social setting: | Siege |
| Subgenre: | Farcical / Slapstick Comedy |
| Target audience: | Cult Movie |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Fantasy |
| Production/Financing Companies: | Columbia Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 12, 1989 | 21 | $261,044 | 117 | $2,231 | $6,383,949 | 10 |
| Uma Thurman | Venus/Rose | |
| Sarah Polley | Sally Salt | |
| Eric Idle | Desmond/Berthold | |
| Jonathan Pryce | The Right Ordinary Horatio Jackson | |
| Sting | Heroic Officer | |
| Oliver Reed | Vulcan | |
| Terry Gilliam | Irritating Singer | |
| Alison Steadman | Daisy |
Supporting
| Robin Williams | King of the Moon |
Production and Technical Credits
| Terry Gilliam | Director | |
| Terry Gilliam | Screenwriter | |
| Charles McKeown | Screenwriter | |
| Michael Kamen | Composer | |
| Chris Corbould | Special Effects | |
| Lee Cleary | First Assistant Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.