The Adventures of Pinocchio (1996)

Theatrical Performance
Domestic Box Office $15,382,170Details
International Box Office $21,300,000
Worldwide Box Office $36,682,170
OpusData ID: 130610100 More info...
Further financial details...

Metrics

Opening Weekend:$3,832,551 (24.9% of total gross)
Legs:4.01 (domestic box office/biggest weekend)
Domestic Share:41.9% (domestic box office/worldwide)
Production Budget:$25,000,000 (worldwide box office is 1.5 times production budget)
Theater counts:1,779 opening theaters/1,879 max. theaters, 4.8 weeks average run per theater
Infl. Adj. Dom. BO $39,360,248

Movie Details

Domestic Releases: July 26th, 1996 (Wide) by New Line
Video Release: November 5th, 1996 by New Line Home Video
MPA Rating: G
Running Time: 96 minutes
Cast, crew, or production detail: Puppets in a Live-Action World, Remake
Plot point: Living Toys, Unexpected Families
Subgenre: Family Adventure
Source:Based on Fiction Book/Short Story
Genre:Adventure
Production Method:Animation/Live Action
Creative Type:Fantasy
Production/Financing Companies: New Line Cinema, Savoy Pictures, Kushner-Locke Company, Two Continental Films, Pangaea Holdings
Production Countries: United Kingdom, Italy, France, Germany, Malaysia
Languages: English, Italian

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jul 26, 1996 8 $3,832,551   1,779 $2,154   $3,832,551 1
Aug 2, 1996 10 $1,929,466 -50% 1,879 $1,027   $8,304,485 2
Aug 9, 1996 17 $833,778 -57% 1,688 $494   $10,224,524 3
Aug 16, 1996 34 $184,916 -78% 486 $380   $10,973,812 4
Aug 23, 1996 24 $469,010 +154% 466 $1,006   $11,563,453 5
Aug 30, 1996 27 $787,985 +68% 472 $1,669   $12,531,657 6
Sep 6, 1996 25 $500,773 -36% 488 $1,026   $13,130,500 7
Sep 13, 1996 26 $352,109 -30% 403 $874   $13,639,044 8
Sep 27, 1996 27 $280,544   355 $790   $14,472,379 10
Oct 4, 1996 26 $218,025 -22% 647 $337   $14,764,717 11
Oct 11, 1996 33 $155,081 -29% 268 $579   $14,988,577 12

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jul 26, 1996 8 $6,375,019   1,779 $3,583   $6,375,019 1
Aug 2, 1996 10 $3,015,727 -53% 1,879 $1,605   $9,390,746 2
Aug 9, 1996 16 $1,398,150 -54% 1,688 $828   $10,788,896 3
Aug 16, 1996 32 $305,547 -78% 486 $629   $11,094,443 4
Aug 23, 1996 24 $649,229 +112% 466 $1,393   $11,743,672 5
Aug 30, 1996 26 $886,055 +36% 472 $1,877   $12,629,727 6
Sep 6, 1996 23 $657,208 -26% 488 $1,347   $13,286,935 7
Sep 27, 1996 25 $354,857   355 $1,000   $14,546,692 10
Oct 4, 1996 26 $286,804 -19% 647 $443   $14,833,496 11

Martin Landau    Geppetto
Dawn French    Baker's wife
Udo Kier    Lorenzini
Geneviève Bujold    Leona
Jonathan Taylor Thomas    Pinocchio
Bebe Neuwirth    Felinet
Rob Schneider    Volpe

Production and Technical Credits

Steve Barron    Director
Sherry Miller    Screenwriter
Steve Barron    Screenwriter
Tom Benedek    Screenwriter
Barry Berman    Screenwriter
Carlo Collodi    Based on "The Adventures of Pinocchio" By
Allan Cameron    Production Designer
Cliff Lanning    Second Assistant Director

Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.


Metrics

Opening Weekend:$3,832,551 (24.9% of total gross)
Legs:4.01 (domestic box office/biggest weekend)
Domestic Share:41.9% (domestic box office/worldwide)
Production Budget:$25,000,000 (worldwide box office is 1.5 times production budget)
Theater counts:1,779 opening theaters/1,879 max. theaters, 4.8 weeks average run per theater
Infl. Adj. Dom. BO $39,360,248

Movie Details

Domestic Releases: July 26th, 1996 (Wide) by New Line
Video Release: November 5th, 1996 by New Line Home Video
MPA Rating: G
Running Time: 96 minutes
Cast, crew, or production detail: Puppets in a Live-Action World, Remake
Plot point: Living Toys, Unexpected Families
Subgenre: Family Adventure
Source:Based on Fiction Book/Short Story
Genre:Adventure
Production Method:Animation/Live Action
Creative Type:Fantasy
Production/Financing Companies: New Line Cinema, Savoy Pictures, Kushner-Locke Company, Two Continental Films, Pangaea Holdings
Production Countries: United Kingdom, Italy, France, Germany, Malaysia
Languages: English, Italian

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jul 26, 1996 8 $3,832,551   1,779 $2,154   $3,832,551 1
Aug 2, 1996 10 $1,929,466 -50% 1,879 $1,027   $8,304,485 2
Aug 9, 1996 17 $833,778 -57% 1,688 $494   $10,224,524 3
Aug 16, 1996 34 $184,916 -78% 486 $380   $10,973,812 4
Aug 23, 1996 24 $469,010 +154% 466 $1,006   $11,563,453 5
Aug 30, 1996 27 $787,985 +68% 472 $1,669   $12,531,657 6
Sep 6, 1996 25 $500,773 -36% 488 $1,026   $13,130,500 7
Sep 13, 1996 26 $352,109 -30% 403 $874   $13,639,044 8
Sep 27, 1996 27 $280,544   355 $790   $14,472,379 10
Oct 4, 1996 26 $218,025 -22% 647 $337   $14,764,717 11
Oct 11, 1996 33 $155,081 -29% 268 $579   $14,988,577 12

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jul 26, 1996 8 $6,375,019   1,779 $3,583   $6,375,019 1
Aug 2, 1996 10 $3,015,727 -53% 1,879 $1,605   $9,390,746 2
Aug 9, 1996 16 $1,398,150 -54% 1,688 $828   $10,788,896 3
Aug 16, 1996 32 $305,547 -78% 486 $629   $11,094,443 4
Aug 23, 1996 24 $649,229 +112% 466 $1,393   $11,743,672 5
Aug 30, 1996 26 $886,055 +36% 472 $1,877   $12,629,727 6
Sep 6, 1996 23 $657,208 -26% 488 $1,347   $13,286,935 7
Sep 27, 1996 25 $354,857   355 $1,000   $14,546,692 10
Oct 4, 1996 26 $286,804 -19% 647 $443   $14,833,496 11

Martin Landau    Geppetto
Dawn French    Baker's wife
Udo Kier    Lorenzini
Geneviève Bujold    Leona
Jonathan Taylor Thomas    Pinocchio
Bebe Neuwirth    Felinet
Rob Schneider    Volpe

Production and Technical Credits

Steve Barron    Director
Sherry Miller    Screenwriter
Steve Barron    Screenwriter
Tom Benedek    Screenwriter
Barry Berman    Screenwriter
Carlo Collodi    Based on "The Adventures of Pinocchio" By
Allan Cameron    Production Designer
Cliff Lanning    Second Assistant Director

Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.