The Aeronauts (2019)
-(2019).jpg)
| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| International Box Office | $6,628,721 | Details |
| Worldwide Box Office | $6,628,721 | |
| OpusData ID: 317680100 More info... | ||
| Further financial details... | ||
Synopsis
In 1862, daredevil balloon pilot Amelia Wren teams up with pioneering meteorologist James Glaisher to advance human knowledge of the weather and fly higher than anyone in history. While breaking records and furthering scientific discovery, their voyage to the very edge of existence helps the unlikely pair find their place in the world they have left far below them. But they face physical and emotional challenges in the thin air, as the ascent becomes a fight for survival.
Metrics
| Production Budget: | $80,000,000 (worldwide box office is 0.1 times production budget) |
Movie Details
| Domestic Releases: | December 6th, 2019 (Limited) by Amazon Studios |
| International Releases: | November 1st, 2019 (Wide) (United Kingdom)
December 5th, 2019 (Wide), released as АЭРОНАВТЫ (Russia (CIS)) December 6th, 2019 (Wide) (Lithuania) December 6th, 2019 (Wide), released as Os Aeronautas (Portugal) December 6th, 2019 (Wide) (Hong Kong) ... Show all releases |
| Video Release: | December 20th, 2019 by Amazon Studios |
| MPA Rating: | PG-13 for some peril and thematic elements. (Rating bulletin 2597 (Cert #52306), 9/25/2019) |
| Running Time: | 101 minutes |
| Film format: | IMAX: DMR |
| Plot point: | Biography, Field Scientists, World Record Attempt |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Amazon Studios, Mandeville Films, Popcorn Storm, One Shoe Films |
| Production Countries: | United Kingdom, United States |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| China | 11/13/2020 | $2,070,000 | 37,052 | 37,052 | 42,276 | $3,190,000 | 12/3/2020 | |||
| Hong Kong | 12/6/2019 | $132,558 | 0 | 0 | 0 | $232,749 | 1/5/2020 | |||
| Lithuania | 12/6/2019 | $2,035 | 5 | 5 | 7 | $3,202 | 10/19/2022 | |||
| Portugal | 12/6/2019 | $56,049 | 59 | 59 | 136 | $112,566 | 1/2/2020 | |||
| Russia (CIS) | 12/5/2019 | $69,907 | 448 | 448 | 693 | $114,170 | 10/19/2022 | |||
| Slovenia | 12/6/2019 | $217 | 2 | 4 | 8 | $3,778 | 1/7/2020 | |||
| South Korea | 6/10/2020 | $7,775 | 2 | 534 | 864 | $578,026 | 8/7/2020 | |||
| United Kingdom | 11/1/2019 | $0 | 0 | 577 | 1,341 | $2,394,230 | 2/5/2020 | |||
| International Total | $6,628,721 | 10/19/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Felicity Jones | Amelia Wren | |
| Eddie Redmayne | James Glaisher |
Supporting
| Phoebe Fox | Antonia | |
| Himesh Patel | John Trew | |
| Rebecca Front | Aunt Frances | |
| Robert Glenister | Ned Chambers | |
| Anne Reid | Ethel | |
| Tom Courtenay | Arthur Glaisher | |
| Lewin Lloyd | Charlie | |
| Tim McInnerny | Airy | |
| Vincent Perez | Pierre Rennes | |
| Thomas Arnold | Charles Green | |
| Lisa F. Jackson | Poppy | |
| Elsa Alili | Antonia’s Daughter | |
| Connie Price | Antonia’s Daughter |
Production and Technical Credits
| Tom Harper | Director | |
| Tom Harper | Story by | |
| Jack Thorne | Story by | |
| Jack Thorne | Screenwriter | |
| Tom Harper | Producer | |
| David Hoberman | Producer | |
| Todd Lieberman | Producer | |
| Jack Thorne | Executive Producer | |
| Richard Hewitt | Executive Producer | |
| George Steel | Director of Photography | |
| Alexandra Byrne | Costume Designer | |
| David Hindle | Production Designer | |
| Christian Huband | Production Designer | |
| Mark Eckersley | Editor | |
| Steven Price | Composer | |
| Julie Harkin | Casting Director | |
| Louis Morin | Visual Effects Supervisor | |
| Jennifer Wynne | Unit Production Manager | |
| Adam Lock | First Assistant Director | |
| Jamie D. Allen | Key Second Assistant Director | |
| Miranda Jones | Post-Production Supervisor | |
| Adam Kirley | Stunt Coordinator | |
| Jack Peters | Associate Producer | |
| Annie Godin | Visual Effects Producer | |
| Marnie Paxton-Harris | Script Supervisor | |
| Lee Walpole | Supervising Sound Editor | |
| Sophie Hervieu | Set Decorator | |
| Alice Sutton | Art Director | |
| Tom Williams | Sound Mixer | |
| Kelly Allum | First Assistant Editor | |
| James Panting | First Assistant Editor | |
| Bradley Farmer | Music Editor | |
| Charlotte Finlay | Costume Supervisor | |
| Richard George | Supervising Location Manager | |
| Emma Collinson | Location Manager | |
| Emma Woodcock | Location Manager | |
| Emma Jane Richards | Location Manager | |
| Mike Dawson | Special Effects Supervisor | |
| Andy Kennedy | Sound Designer | |
| Saoirse Christopherson | Sound Effects Editor | |
| Jeff Richardson | Dialogue Editor | |
| Sarah Elias | Foley Editor | |
| Philip Clements | Foley Mixer | |
| Stuart Hilliker | Re-recording Mixer | |
| Lee Walpole | Re-recording Mixer | |
| Adam Kirley | Second Unit Director | |
| Alice Syed | Production Supervisor | |
| Jim Spencer | Line Producer | |
| Nick O'Hagan | Line Producer | |
| Valentina Coccia | Production Manager | |
| Danny Turner | Production Manager | |
| Georgina Gunner | Costume Supervisor | |
| Sheena Wichary | Costume Supervisor | |
| Gareth Cousins | Score Mixer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
In 1862, daredevil balloon pilot Amelia Wren teams up with pioneering meteorologist James Glaisher to advance human knowledge of the weather and fly higher than anyone in history. While breaking records and furthering scientific discovery, their voyage to the very edge of existence helps the unlikely pair find their place in the world they have left far below them. But they face physical and emotional challenges in the thin air, as the ascent becomes a fight for survival.
Metrics
| Production Budget: | $80,000,000 (worldwide box office is 0.1 times production budget) |
Movie Details
| Domestic Releases: | December 6th, 2019 (Limited) by Amazon Studios |
| International Releases: | November 1st, 2019 (Wide) (United Kingdom)
December 5th, 2019 (Wide), released as АЭРОНАВТЫ (Russia (CIS)) December 6th, 2019 (Wide) (Lithuania) December 6th, 2019 (Wide), released as Os Aeronautas (Portugal) December 6th, 2019 (Wide) (Hong Kong) ... Show all releases |
| Video Release: | December 20th, 2019 by Amazon Studios |
| MPA Rating: | PG-13 for some peril and thematic elements. (Rating bulletin 2597 (Cert #52306), 9/25/2019) |
| Running Time: | 101 minutes |
| Film format: | IMAX: DMR |
| Plot point: | Biography, Field Scientists, World Record Attempt |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Amazon Studios, Mandeville Films, Popcorn Storm, One Shoe Films |
| Production Countries: | United Kingdom, United States |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| China | 11/13/2020 | $2,070,000 | 37,052 | 37,052 | 42,276 | $3,190,000 | 12/3/2020 | |||
| Hong Kong | 12/6/2019 | $132,558 | 0 | 0 | 0 | $232,749 | 1/5/2020 | |||
| Lithuania | 12/6/2019 | $2,035 | 5 | 5 | 7 | $3,202 | 10/19/2022 | |||
| Portugal | 12/6/2019 | $56,049 | 59 | 59 | 136 | $112,566 | 1/2/2020 | |||
| Russia (CIS) | 12/5/2019 | $69,907 | 448 | 448 | 693 | $114,170 | 10/19/2022 | |||
| Slovenia | 12/6/2019 | $217 | 2 | 4 | 8 | $3,778 | 1/7/2020 | |||
| South Korea | 6/10/2020 | $7,775 | 2 | 534 | 864 | $578,026 | 8/7/2020 | |||
| United Kingdom | 11/1/2019 | $0 | 0 | 577 | 1,341 | $2,394,230 | 2/5/2020 | |||
| International Total | $6,628,721 | 10/19/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Felicity Jones | Amelia Wren | |
| Eddie Redmayne | James Glaisher |
Supporting
| Phoebe Fox | Antonia | |
| Himesh Patel | John Trew | |
| Rebecca Front | Aunt Frances | |
| Robert Glenister | Ned Chambers | |
| Anne Reid | Ethel | |
| Tom Courtenay | Arthur Glaisher | |
| Lewin Lloyd | Charlie | |
| Tim McInnerny | Airy | |
| Vincent Perez | Pierre Rennes | |
| Thomas Arnold | Charles Green | |
| Lisa F. Jackson | Poppy | |
| Elsa Alili | Antonia’s Daughter | |
| Connie Price | Antonia’s Daughter |
Production and Technical Credits
| Tom Harper | Director | |
| Tom Harper | Story by | |
| Jack Thorne | Story by | |
| Jack Thorne | Screenwriter | |
| Tom Harper | Producer | |
| David Hoberman | Producer | |
| Todd Lieberman | Producer | |
| Jack Thorne | Executive Producer | |
| Richard Hewitt | Executive Producer | |
| George Steel | Director of Photography | |
| Alexandra Byrne | Costume Designer | |
| David Hindle | Production Designer | |
| Christian Huband | Production Designer | |
| Mark Eckersley | Editor | |
| Steven Price | Composer | |
| Julie Harkin | Casting Director | |
| Louis Morin | Visual Effects Supervisor | |
| Jennifer Wynne | Unit Production Manager | |
| Adam Lock | First Assistant Director | |
| Jamie D. Allen | Key Second Assistant Director | |
| Miranda Jones | Post-Production Supervisor | |
| Adam Kirley | Stunt Coordinator | |
| Jack Peters | Associate Producer | |
| Annie Godin | Visual Effects Producer | |
| Marnie Paxton-Harris | Script Supervisor | |
| Lee Walpole | Supervising Sound Editor | |
| Sophie Hervieu | Set Decorator | |
| Alice Sutton | Art Director | |
| Tom Williams | Sound Mixer | |
| Kelly Allum | First Assistant Editor | |
| James Panting | First Assistant Editor | |
| Bradley Farmer | Music Editor | |
| Charlotte Finlay | Costume Supervisor | |
| Richard George | Supervising Location Manager | |
| Emma Collinson | Location Manager | |
| Emma Woodcock | Location Manager | |
| Emma Jane Richards | Location Manager | |
| Mike Dawson | Special Effects Supervisor | |
| Andy Kennedy | Sound Designer | |
| Saoirse Christopherson | Sound Effects Editor | |
| Jeff Richardson | Dialogue Editor | |
| Sarah Elias | Foley Editor | |
| Philip Clements | Foley Mixer | |
| Stuart Hilliker | Re-recording Mixer | |
| Lee Walpole | Re-recording Mixer | |
| Adam Kirley | Second Unit Director | |
| Alice Syed | Production Supervisor | |
| Jim Spencer | Line Producer | |
| Nick O'Hagan | Line Producer | |
| Valentina Coccia | Production Manager | |
| Danny Turner | Production Manager | |
| Georgina Gunner | Costume Supervisor | |
| Sheena Wichary | Costume Supervisor | |
| Gareth Cousins | Score Mixer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.