After (2019)

After
Theatrical Performance
Domestic Box Office $12,138,565Details
International Box Office $45,788,285Details
Worldwide Box Office $57,926,850
Home Market Performance
Est. Domestic DVD Sales $610,564 Details
Est. Domestic Blu-ray Sales $808,898 Details
Total Est. Domestic Video Sales $1,419,462
Further financial details...

Synopsis

Tessa, a dedicated student, dutiful daughter and loyal girlfriend to her high school sweetheart, enters her first semester in college. Armed with grand ambitions for her future, her guarded world opens up when she meets the dark and mysterious Hardin Scott, a magnetic, brooding rebel who makes her question all she thought she knew about herself and what she wants out of life.

Metrics

Opening Weekend:$6,002,349 (49.4% of total gross)
Legs:2.02 (domestic box office/biggest weekend)
Domestic Share:21.0% (domestic box office/worldwide)
Production Budget:$14,000,000 (worldwide box office is 4.1 times production budget)
Theater counts:2,138 opening theaters/2,138 max. theaters, 2.5 weeks average run per theater
Infl. Adj. Dom. BO $14,285,333

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 4,901-5,000) 4,958 $12,138,565
All Time International Box Office (Rank 2,101-2,200) 2,114 $45,788,285
All Time Worldwide Box Office (Rank 2,701-2,800) 2,777 $57,926,850

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes, iTunes
Google Play:Google Play
Vudu:Vudu, Vudu, Vudu
Netflix:Netflix, Netflix

Movie Details

Domestic Releases: April 12th, 2019 (Wide) by Aviron Pictures
International Releases: April 12th, 2019 (Wide) (Argentina)
April 12th, 2019 (Wide) (Brazil)
April 12th, 2019 (Wide), released as After: Polibek (Czech Republic)
April 12th, 2019 (Wide) (Germany)
April 12th, 2019 (Wide), released as After: Aquí Empieza Todo (Italy)
... Show all releases
Video Release: June 25th, 2019 by Aviron Pictures
MPAA Rating: PG-13 for sexual content and some college partying.
(Rating bulletin 2571 (Cert #51871), 3/27/2019)
Running Time: 120 minutes
Franchise: After
Comparisons: vs. Five Feet Apart
Create your own comparison chart…
Keywords: Romance, Relationships Gone Wrong, College, Love Triangle, Romantic Drama
Source:Based on Fiction Book/Short Story
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Cinelou Films, Offspring Entertainment, Voltage Films, Wattpad, Diamond Film Productions
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Front-Loaded Opening Weekend 59 48.9% Apr 12, 2019 3

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Apr 12, 2019 8 $6,002,349   2,138 $2,807   $6,002,349 1
Apr 19, 2019 11 $2,381,995 -60% 2,138 $1,114   $10,317,144 2
Apr 26, 2019 13 $403,333 -83% 607 $664   $11,649,072 3
May 3, 2019 20 $135,297 -66% 227 $596   $11,965,231 4
May 10, 2019 36 $41,320 -69% 90 $459   $12,057,633 5
May 17, 2019 40 $29,360 -29% 82 $358   $12,108,969 6
May 24, 2019 61 $7,811 -73% 34 $230   $12,132,275 7
May 31, 2019 84 $889 -89% 3 $296   $12,137,907 8

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Apr 12, 2019 4 $2,932,423     2,138 $1,372   $2,932,423 1
Apr 13, 2019 9 $1,990,662 -32%   2,138 $931   $4,923,085 2
Apr 14, 2019 9 $1,079,264 -46%   2,138 $505   $6,002,349 3
Apr 15, 2019 9 $408,629 -62%   2,138 $191   $6,410,978 4
Apr 16, 2019 9 $581,255 +42%   2,138 $272   $6,992,233 5
Apr 17, 2019 11 $375,058 -35%   2,138 $175   $7,367,291 6
Apr 18, 2019 10 $567,858 +51%   2,138 $266   $7,935,149 7
Apr 19, 2019 11 $1,083,833 +91% -63% 2,138 $507   $9,018,982 8
Apr 20, 2019 11 $888,284 -18% -55% 2,138 $415   $9,907,266 9
Apr 21, 2019 12 $409,878 -54% -62% 2,138 $192   $10,317,144 10
Apr 22, 2019 12 $317,909 -22% -22% 2,138 $149   $10,635,053 11
Apr 23, 2019 12 $301,069 -5% -48% 2,138 $141   $10,936,122 12
Apr 24, 2019 12 $212,208 -30% -43% 2,138 $99   $11,148,330 13
Apr 25, 2019 12 $97,409 -54% -83% 2,138 $46   $11,245,739 14
Apr 26, 2019 13 $136,172 +40% -87% 607 $224   $11,381,911 15
Apr 27, 2019 13 $178,010 +31% -80% 607 $293   $11,559,921 16
Apr 28, 2019 14 $89,151 -50% -78% 607 $147   $11,649,072 17
Apr 29, 2019 14 $38,981 -56% -88% 607 $64   $11,688,053 18
Apr 30, 2019 14 $60,941 +56% -80% 607 $100   $11,748,994 19
May 1, 2019 15 $46,711 -23% -78% 607 $77   $11,795,705 20
May 2, 2019 14 $34,229 -27% -65% 607 $56   $11,829,934 21
May 3, 2019 - $54,654 +60% -60% 227 $241   $11,884,588 22
May 4, 2019 - $57,259 +5% -68% 227 $252   $11,941,847 23
May 5, 2019 - $23,384 -59% -74% 227 $103   $11,965,231 24
May 6, 2019 - $9,621 -59% -75% 227 $42   $11,974,852 25
May 7, 2019 - $20,013 +108% -67% 227 $88   $11,994,865 26
May 8, 2019 - $12,587 -37% -73% 227 $55   $12,007,452 27
May 9, 2019 - $8,861 -30% -74% 227 $39   $12,016,313 28
May 10, 2019 - $17,384 +96% -68% 90 $193   $12,033,697 29
May 11, 2019 - $17,716 +2% -69% 90 $197   $12,051,413 30
May 12, 2019 - $6,220 -65% -73% 90 $69   $12,057,633 31
May 13, 2019 - $3,611 -42% -62% 90 $40   $12,061,244 32
May 14, 2019 - $8,225 +128% -59% 90 $91   $12,069,469 33
May 15, 2019 - $5,018 -39% -60% 90 $56   $12,074,487 34
May 16, 2019 - $5,122 +2% -42% 90 $57   $12,079,609 35
May 17, 2019 - $9,190 +79% -47% 82 $112   $12,088,799 36
May 18, 2019 - $10,790 +17% -39% 82 $132   $12,099,589 37
May 19, 2019 - $9,380 -13% +51% 82 $114   $12,108,969 38
May 20, 2019 - $4,976 -47% +38% 82 $61   $12,113,945 39
May 21, 2019 - $4,291 -14% -48% 82 $52   $12,118,236 40
May 22, 2019 - $3,178 -26% -37% 82 $39   $12,121,414 41
May 23, 2019 - $3,050 -4% -40% 82 $37   $12,124,464 42
May 24, 2019 - $2,804 -8% -69% 34 $82   $12,127,268 43
May 25, 2019 - $3,221 +15% -70% 34 $95   $12,130,489 44
May 26, 2019 - $1,786 -45% -81% 34 $53   $12,132,275 45
May 27, 2019 - $1,225 -31% -75% 34 $36   $12,133,500 46
May 28, 2019 - $1,171 -4% -73% 34 $34   $12,134,671 47
May 29, 2019 - $1,426 +22% -55% 34 $42   $12,136,097 48
May 30, 2019 - $921 -35% -70% 34 $27   $12,137,018 49
May 31, 2019 - $313 -66% -89% 3 $104   $12,137,331 50
Jun 1, 2019 - $385 +23% -88% 3 $128   $12,137,716 51
Jun 2, 2019 - $191 -50% -89% 3 $64   $12,137,907 52
Jun 3, 2019 - $121 -37% -90% 3 $40   $12,138,028 53
Jun 4, 2019 - $237 +96% -80% 3 $79   $12,138,265 54
Jun 5, 2019 - $238 n/c -83% 3 $79   $12,138,503 55
Jun 6, 2019 - $62 -74% -93% 3 $21   $12,138,565 56

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Apr 12, 2019 9 $7,935,149   2,138 $3,711   $7,935,149 1
Apr 19, 2019 12 $3,310,590 -58% 2,138 $1,548   $11,245,739 2
Apr 26, 2019 13 $584,195 -82% 607 $962   $11,829,934 3
May 3, 2019 20 $186,379 -68% 227 $821   $12,016,313 4
May 10, 2019 35 $63,296 -66% 90 $703   $12,079,609 5
May 17, 2019 41 $44,855 -29% 82 $547   $12,124,464 6
May 24, 2019 65 $12,554 -72% 34 $369   $12,137,018 7
May 31, 2019 86 $1,547 -88% 3 $516   $12,138,565 8

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 4/12/2019 $182,747 161 161 320 $342,228 5/24/2019
Australia 7/5/2019 $596,544 172 179 611 $1,385,750 8/20/2019
Brazil 4/12/2019 $254,000 0 450 450 $917,058 4/27/2019
Bulgaria 4/19/2019 $87,513 0 0 0 $272,825 6/11/2019
Czech Republic 4/12/2019 $184,208 71 71 291 $551,116 5/28/2019
France 4/19/2019 $750,000 550 550 3,072 $9,744,467 5/31/2019
Germany 4/12/2019 $2,900,000 0 114 114 $9,893,164 10/19/2022
Italy 4/12/2019 $3,687,789 0 0 0 $7,023,931 5/6/2019
Lithuania 4/12/2019 $65,760 0 0 0 $149,487 5/14/2019
Mexico 4/12/2019 $618,659 0 0 0 $1,396,924 4/22/2019
Netherlands 4/19/2019 $212,848 101 104 532 $1,501,081 6/3/2019
Poland 4/12/2019 $691,370 212 212 1,060 $1,895,346 5/18/2019
Portugal 4/12/2019 $303,012 82 82 276 $909,106 5/28/2019
Romania 11/22/2019 $0 0 5 27 $427,993 9/1/2022
Russia (CIS) 4/18/2019 $1,806,718 971 992 2,676 $3,257,288 6/14/2019
Slovakia 4/12/2019 $163,480 69 69 211 $392,965 5/29/2019
South Korea 8/22/2019 $201,210 235 235 297 $408,322 9/12/2019
Spain 4/12/2019 $1,171,439 297 306 1,149 $3,234,340 5/23/2019
Turkey 4/12/2019 $97,345 249 249 560 $237,428 5/24/2019
 
Rest of World $1,847,466
 
International Total$45,788,285 10/19/2022

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Jul 14, 20191024,809 24,809$445,570$445,5703

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Jul 14, 2019927,733 27,733$636,760$636,7603

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Josephine Langford    Tessa Young
Hero Fiennes Tiffin    Hardin Scott

Supporting Cast

Selma Blair    Carol Young
Peter Gallagher    Ken Scott
Jennifer Beals    Karen Gibson
Khadijha Red Thunder    Steph Jones
Samuel Larsen    Zed Evans
Shane Paul McGhie    Landon Gibson
Inanna Sarkis    Molly Samuels
Pia Mia    Tristan
Swen Temmel    Jace
Meadow Williams    Professor Soto
Dylan Arnold    Noah
José Alfredo Fernandez    Manolo
Donald K. Overstreet    Wedding Guest
Rebecca Lee Robertson    Candace
Sarah Jorge León    Professor Martínez
Chris Kontopidis    Waitress
Shannon Mayers    Secretary
Matthew Ezell    Professor Ezell
Rose Maria Wilde    Wedding Guest
Jose David Acevedo    Wedding Guest
Emelita T. Gonzalez    Wedding Guest
Kevin Schell    College Student
Andre Parr    House Party Boy Kissing Girl
Mark Axelowitz    Professor Alexander
Chandler Lane    Waiter
Byron Wigfall    Hipster Barista
Hannah Pendergrass    College Student
Gavrielle Anne Fontanilla    Astronomy Class Student
Michael Hull    T.A. Forrest
Yearim Leslie Yi    College Student

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Jenny Gage    Director
Susan McMartin    Screenwriter
Anna Todd    Story Based on the Novel by
Courtney Solomon    Producer
Mark Canton    Producer
Jennifer Gibgot    Producer
Aron Levitz    Producer
Dennis Pelino    Producer
Anna Todd    Producer
Scott Karol    Executive Producer
Adam Shankman    Executive Producer
Swen Temmel    Executive Producer
Meadow Williams    Executive Producer
Jonathan Deckter    Executive Producer
Nicolas Chartier    Executive Producer
Michelle Harrison    Editor
Justin Burnett    Composer
Tom Betterton    Director of Photography

Home Market Releases for July 9th, 2019

July 11th, 2019

Alphaville

It’s a very shallow week on the home market. There are two wide releases, but neither are worth picking up. There were several that are worth owning: Dead of Night, Mothra: SteelBook Edition, Silent Hill: Collectors Edition, and This Island Earth: Blu-ray. However, there was only one true contender for Pick of the Week, Alphaville: Special Edition. More...

Home Market Releases for June 25th, 2019

June 26th, 2019

Captain Marvel

It is an absolute nightmare on the home market. There’s no monster hit to talk about, but there are a mountain of new releases that are selling well enough that they could have been featured in the main list and about twice as many that could have been included in the Secondary Blu-ray release. I had to trim some of them to keep the list manageable. Unfortunately, the list of Pick of the Week contenders is rather short with just Megalobox: Season One and Frankie Drake Mysteries: Season Two, both of which are worth owning. However, the biggest and best release of the week is Captain Marvel. The screener arrived late, but I finally got the review of the Blu-ray online. That said, I’m going to award Frankie Drake Mysteries with Puck of the Week for best Canadian release. More...

Weekend Wrap-Up: Curse Tops Chart, but 2019 Suffers Another Loss

April 23rd, 2019

The Curse of La Llorona

Easter weekend gave box office watchers a few reasons to celebrate. The Curse of La Llorona topped expectations and earned first place with $26.35 million over the weekend. That’s a very strong debut for this time of year. Additionally, both Shazam and Captain Marvel held on amazingly well, which bodes well for their chances against Avengers: Endgame. Overall, the box office rose 1% from last weekend to $108 million. This was 14% lower than the same weekend last year, and it wasn’t Easter weekend last year. On a side note, I’ve seen some stories call this past weekend the worst Easter weekend in over a decade. However, this is misleading, as it was the first time Easter weekend was one weekend before the start of the Summer Blockbuster season. Avengers: Endgame opening on Friday had more to do with the weak box office than any other factor and if Endgame is as big as some box office analysts expect, then by this time next week, we will be talking about how quickly 2019 will turn things around rather than how bad 2019 has been. In the meantime, we’ve hopefully sunk to the low point in the year-over-year comparison, as 2019 is now behind 2018 by a $570 million or 17% margin at $2.84 billion to $3.41 billion. More...

International Box Office: Shazam Flies Higher than Dumbo

April 17th, 2019

Shazam

Shazam remained in first place on the international chart, despite not opening in any new markets, major or otherwise. This caused it to fall to $35.3 million on 24,633 screens in 79 markets lifting its totals to internationally and $258.4 million worldwide. The film fell 84% in China down to $4.79 million over the weekend for a two-week total of $40.30 million. It held on better in the U.K., down 47% to $2.83 million in 611 theaters for a two-week total of $11.65 million. The film’s last major market is Japan and it opens there this week. If it does well there, then it will have no trouble crossing $400 million worldwide, which is a great run for a film that cost $85 million to make. More...

Weekend Wrap-Up: Shazam Shocks the New Releases

April 16th, 2019

Shazam

Shazam easily topped the weekend box office chart with $24.45 million. This is significantly more than the best new release of the week, Little, which managed $15.41 million during its opening weekend. That film will break even sometime during its home market run. The same can’t be said of Hellboy, After, and Missing Link, all of which will lose money. This caused the overall box office to fall 24% from last weekend to just $110 million. This is also 25% lower than this weekend last year. Year-to-date, 2019 has fallen further behind 2018 and it now behind with $550 million or 17% at $2.68 billion to $3.23 billion. Avengers: Endgame will have to be unreasonably big at the box office for 2019 to turn things around any time soon. More...

Weekend Estimates: Shazam Stops New Releases Cold

April 14th, 2019

Shazam

Shazam really bounced back from a poor Friday performance. So much so that it almost match our prediction with an estimated $25.14 million over the weekend for a two-week total of $94.31 million. Internationally, the film is projected to earn $35.9 million on 23,752 screens in 79 markets to push its international total to $163.9 million. This means its worldwide total rose past $250 million after just two weeks of release. The film will have no trouble breaking even after a run like this, even with Avengers: Endgame looming large. More...

Friday Estimates: Friday Results are More Little Than Needed

April 13th, 2019

Hellboy

It’s going to be a terrible weekend at the box office with almost no film living up to expectations. Shazam fell faster than anticipated, down 69% from its opening Friday to just $6.37 million yesterday. Because it’s a holdover, it will bounce back more than the new releases, but it will still likely fail to match our prediction and is on pace for between $23 million and $24 million for the weekend. It is still going to break even, but if it doesn’t bounce back before Avengers: Endgame debuts, it will merely be very profitable and not amazingly profitable. More...

Thursday Night Previews: Going Through Hell

April 12th, 2019

Hellboy

Hellboy opened with $1.38 million in previews last night, which is not enough to be a hit. This would have only put the film in third place last Thursday, well behind both Shazam and Pet Sematary. Furthermore, due to the film’s terrible reviews, it will likely be more front-loaded. Fortunately, this wasn’t too far below expectations. More...

Weekend Prediction: Will Hellboy have a Heavenly Start? Will Little open Large?

April 12th, 2019

Hellboy

There are four wide releases this week, but it seems Shazam will remain the top draw, potentially by a significant margin. Hellboy was supposed to challenge for top spot, but its reviews are going to kill its box office chances. Little is earning better reviews, but its reviews are not good enough to overcome its smaller stature. Missing Link is earning amazing reviews, but that hasn’t helped other stop-motion animated films succeed in the recent past. After has the quietest buzz of the week and almost no reviews. This weekend last year wasn’t a great weekend at the box office, but it will certainly be better than this weekend will be. Avengers: Endgame can’t come soon enough. More...

2019 Preview: April

April 1st, 2019

Avengers: Endgame

March was a good month at the box office with most films beating expectations. The biggest hit was Captain Marvel, which is still on pace for $400 million domestically and may have crossed $1 billion worldwide by the time you read this. The biggest “miss” was Dumbo, but it is still going to top $100 million domestically with ease. This month, it is a battle between Avengers: Endgame and last year’s Infinity War. To be fair, A Quiet Place got last April off to a very fast start and Shazam! should do the same this year, so there will be more than one potential box office hit to talk about. That said, Endgame will almost certainly open with more than any other April release earns in total and if 2019 is going to cut into its deficit with 2018, it will be on the back of that one film. More...

After Trailer

March 15th, 2019

Thriller starring Josephine Langford and Hero Fiennes Tiffin opens April 12 ... Full Movie Details.

Tessa, a dedicated student, dutiful daughter and loyal girlfriend to her high school sweetheart, enters her first semester in college. Armed with grand ambitions for her future, her guarded world opens up when she meets the dark and mysterious Hardin Scott, a magnetic, brooding rebel who makes her question all she thought she knew about herself and what she wants out of life. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Tessa, a dedicated student, dutiful daughter and loyal girlfriend to her high school sweetheart, enters her first semester in college. Armed with grand ambitions for her future, her guarded world opens up when she meets the dark and mysterious Hardin Scott, a magnetic, brooding rebel who makes her question all she thought she knew about herself and what she wants out of life.

Metrics

Opening Weekend:$6,002,349 (49.4% of total gross)
Legs:2.02 (domestic box office/biggest weekend)
Domestic Share:21.0% (domestic box office/worldwide)
Production Budget:$14,000,000 (worldwide box office is 4.1 times production budget)
Theater counts:2,138 opening theaters/2,138 max. theaters, 2.5 weeks average run per theater
Infl. Adj. Dom. BO $14,285,333

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 4,901-5,000) 4,958 $12,138,565
All Time International Box Office (Rank 2,101-2,200) 2,114 $45,788,285
All Time Worldwide Box Office (Rank 2,701-2,800) 2,777 $57,926,850

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes, iTunes
Google Play:Google Play
Vudu:Vudu, Vudu, Vudu
Netflix:Netflix, Netflix

Movie Details

Domestic Releases: April 12th, 2019 (Wide) by Aviron Pictures
International Releases: April 12th, 2019 (Wide) (Argentina)
April 12th, 2019 (Wide) (Brazil)
April 12th, 2019 (Wide), released as After: Polibek (Czech Republic)
April 12th, 2019 (Wide) (Germany)
April 12th, 2019 (Wide), released as After: Aquí Empieza Todo (Italy)
... Show all releases
Video Release: June 25th, 2019 by Aviron Pictures
MPAA Rating: PG-13 for sexual content and some college partying.
(Rating bulletin 2571 (Cert #51871), 3/27/2019)
Running Time: 120 minutes
Franchise: After
Comparisons: vs. Five Feet Apart
Create your own comparison chart…
Keywords: Romance, Relationships Gone Wrong, College, Love Triangle, Romantic Drama
Source:Based on Fiction Book/Short Story
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Cinelou Films, Offspring Entertainment, Voltage Films, Wattpad, Diamond Film Productions
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Front-Loaded Opening Weekend 59 48.9% Apr 12, 2019 3

Leading Cast

Josephine Langford    Tessa Young
Hero Fiennes Tiffin    Hardin Scott

Supporting Cast

Selma Blair    Carol Young
Peter Gallagher    Ken Scott
Jennifer Beals    Karen Gibson
Khadijha Red Thunder    Steph Jones
Samuel Larsen    Zed Evans
Shane Paul McGhie    Landon Gibson
Inanna Sarkis    Molly Samuels
Pia Mia    Tristan
Swen Temmel    Jace
Meadow Williams    Professor Soto
Dylan Arnold    Noah
José Alfredo Fernandez    Manolo
Donald K. Overstreet    Wedding Guest
Rebecca Lee Robertson    Candace
Sarah Jorge León    Professor Martínez
Chris Kontopidis    Waitress
Shannon Mayers    Secretary
Matthew Ezell    Professor Ezell
Rose Maria Wilde    Wedding Guest
Jose David Acevedo    Wedding Guest
Emelita T. Gonzalez    Wedding Guest
Kevin Schell    College Student
Andre Parr    House Party Boy Kissing Girl
Mark Axelowitz    Professor Alexander
Chandler Lane    Waiter
Byron Wigfall    Hipster Barista
Hannah Pendergrass    College Student
Gavrielle Anne Fontanilla    Astronomy Class Student
Michael Hull    T.A. Forrest
Yearim Leslie Yi    College Student

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Jenny Gage    Director
Susan McMartin    Screenwriter
Anna Todd    Story Based on the Novel by
Courtney Solomon    Producer
Mark Canton    Producer
Jennifer Gibgot    Producer
Aron Levitz    Producer
Dennis Pelino    Producer
Anna Todd    Producer
Scott Karol    Executive Producer
Adam Shankman    Executive Producer
Swen Temmel    Executive Producer
Meadow Williams    Executive Producer
Jonathan Deckter    Executive Producer
Nicolas Chartier    Executive Producer
Michelle Harrison    Editor
Justin Burnett    Composer
Tom Betterton    Director of Photography

Home Market Releases for July 9th, 2019

July 11th, 2019

Alphaville

It’s a very shallow week on the home market. There are two wide releases, but neither are worth picking up. There were several that are worth owning: Dead of Night, Mothra: SteelBook Edition, Silent Hill: Collectors Edition, and This Island Earth: Blu-ray. However, there was only one true contender for Pick of the Week, Alphaville: Special Edition. More...

Home Market Releases for June 25th, 2019

June 26th, 2019

Captain Marvel

It is an absolute nightmare on the home market. There’s no monster hit to talk about, but there are a mountain of new releases that are selling well enough that they could have been featured in the main list and about twice as many that could have been included in the Secondary Blu-ray release. I had to trim some of them to keep the list manageable. Unfortunately, the list of Pick of the Week contenders is rather short with just Megalobox: Season One and Frankie Drake Mysteries: Season Two, both of which are worth owning. However, the biggest and best release of the week is Captain Marvel. The screener arrived late, but I finally got the review of the Blu-ray online. That said, I’m going to award Frankie Drake Mysteries with Puck of the Week for best Canadian release. More...

Weekend Wrap-Up: Curse Tops Chart, but 2019 Suffers Another Loss

April 23rd, 2019

The Curse of La Llorona

Easter weekend gave box office watchers a few reasons to celebrate. The Curse of La Llorona topped expectations and earned first place with $26.35 million over the weekend. That’s a very strong debut for this time of year. Additionally, both Shazam and Captain Marvel held on amazingly well, which bodes well for their chances against Avengers: Endgame. Overall, the box office rose 1% from last weekend to $108 million. This was 14% lower than the same weekend last year, and it wasn’t Easter weekend last year. On a side note, I’ve seen some stories call this past weekend the worst Easter weekend in over a decade. However, this is misleading, as it was the first time Easter weekend was one weekend before the start of the Summer Blockbuster season. Avengers: Endgame opening on Friday had more to do with the weak box office than any other factor and if Endgame is as big as some box office analysts expect, then by this time next week, we will be talking about how quickly 2019 will turn things around rather than how bad 2019 has been. In the meantime, we’ve hopefully sunk to the low point in the year-over-year comparison, as 2019 is now behind 2018 by a $570 million or 17% margin at $2.84 billion to $3.41 billion. More...

International Box Office: Shazam Flies Higher than Dumbo

April 17th, 2019

Shazam

Shazam remained in first place on the international chart, despite not opening in any new markets, major or otherwise. This caused it to fall to $35.3 million on 24,633 screens in 79 markets lifting its totals to internationally and $258.4 million worldwide. The film fell 84% in China down to $4.79 million over the weekend for a two-week total of $40.30 million. It held on better in the U.K., down 47% to $2.83 million in 611 theaters for a two-week total of $11.65 million. The film’s last major market is Japan and it opens there this week. If it does well there, then it will have no trouble crossing $400 million worldwide, which is a great run for a film that cost $85 million to make. More...

Weekend Wrap-Up: Shazam Shocks the New Releases

April 16th, 2019

Shazam

Shazam easily topped the weekend box office chart with $24.45 million. This is significantly more than the best new release of the week, Little, which managed $15.41 million during its opening weekend. That film will break even sometime during its home market run. The same can’t be said of Hellboy, After, and Missing Link, all of which will lose money. This caused the overall box office to fall 24% from last weekend to just $110 million. This is also 25% lower than this weekend last year. Year-to-date, 2019 has fallen further behind 2018 and it now behind with $550 million or 17% at $2.68 billion to $3.23 billion. Avengers: Endgame will have to be unreasonably big at the box office for 2019 to turn things around any time soon. More...

Weekend Estimates: Shazam Stops New Releases Cold

April 14th, 2019

Shazam

Shazam really bounced back from a poor Friday performance. So much so that it almost match our prediction with an estimated $25.14 million over the weekend for a two-week total of $94.31 million. Internationally, the film is projected to earn $35.9 million on 23,752 screens in 79 markets to push its international total to $163.9 million. This means its worldwide total rose past $250 million after just two weeks of release. The film will have no trouble breaking even after a run like this, even with Avengers: Endgame looming large. More...

Friday Estimates: Friday Results are More Little Than Needed

April 13th, 2019

Hellboy

It’s going to be a terrible weekend at the box office with almost no film living up to expectations. Shazam fell faster than anticipated, down 69% from its opening Friday to just $6.37 million yesterday. Because it’s a holdover, it will bounce back more than the new releases, but it will still likely fail to match our prediction and is on pace for between $23 million and $24 million for the weekend. It is still going to break even, but if it doesn’t bounce back before Avengers: Endgame debuts, it will merely be very profitable and not amazingly profitable. More...

Thursday Night Previews: Going Through Hell

April 12th, 2019

Hellboy

Hellboy opened with $1.38 million in previews last night, which is not enough to be a hit. This would have only put the film in third place last Thursday, well behind both Shazam and Pet Sematary. Furthermore, due to the film’s terrible reviews, it will likely be more front-loaded. Fortunately, this wasn’t too far below expectations. More...

Weekend Prediction: Will Hellboy have a Heavenly Start? Will Little open Large?

April 12th, 2019

Hellboy

There are four wide releases this week, but it seems Shazam will remain the top draw, potentially by a significant margin. Hellboy was supposed to challenge for top spot, but its reviews are going to kill its box office chances. Little is earning better reviews, but its reviews are not good enough to overcome its smaller stature. Missing Link is earning amazing reviews, but that hasn’t helped other stop-motion animated films succeed in the recent past. After has the quietest buzz of the week and almost no reviews. This weekend last year wasn’t a great weekend at the box office, but it will certainly be better than this weekend will be. Avengers: Endgame can’t come soon enough. More...

2019 Preview: April

April 1st, 2019

Avengers: Endgame

March was a good month at the box office with most films beating expectations. The biggest hit was Captain Marvel, which is still on pace for $400 million domestically and may have crossed $1 billion worldwide by the time you read this. The biggest “miss” was Dumbo, but it is still going to top $100 million domestically with ease. This month, it is a battle between Avengers: Endgame and last year’s Infinity War. To be fair, A Quiet Place got last April off to a very fast start and Shazam! should do the same this year, so there will be more than one potential box office hit to talk about. That said, Endgame will almost certainly open with more than any other April release earns in total and if 2019 is going to cut into its deficit with 2018, it will be on the back of that one film. More...

After Trailer

March 15th, 2019

Thriller starring Josephine Langford and Hero Fiennes Tiffin opens April 12 ... Full Movie Details.

Tessa, a dedicated student, dutiful daughter and loyal girlfriend to her high school sweetheart, enters her first semester in college. Armed with grand ambitions for her future, her guarded world opens up when she meets the dark and mysterious Hardin Scott, a magnetic, brooding rebel who makes her question all she thought she knew about herself and what she wants out of life. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Apr 12, 2019 8 $6,002,349   2,138 $2,807   $6,002,349 1
Apr 19, 2019 11 $2,381,995 -60% 2,138 $1,114   $10,317,144 2
Apr 26, 2019 13 $403,333 -83% 607 $664   $11,649,072 3
May 3, 2019 20 $135,297 -66% 227 $596   $11,965,231 4
May 10, 2019 36 $41,320 -69% 90 $459   $12,057,633 5
May 17, 2019 40 $29,360 -29% 82 $358   $12,108,969 6
May 24, 2019 61 $7,811 -73% 34 $230   $12,132,275 7
May 31, 2019 84 $889 -89% 3 $296   $12,137,907 8

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Apr 12, 2019 4 $2,932,423     2,138 $1,372   $2,932,423 1
Apr 13, 2019 9 $1,990,662 -32%   2,138 $931   $4,923,085 2
Apr 14, 2019 9 $1,079,264 -46%   2,138 $505   $6,002,349 3
Apr 15, 2019 9 $408,629 -62%   2,138 $191   $6,410,978 4
Apr 16, 2019 9 $581,255 +42%   2,138 $272   $6,992,233 5
Apr 17, 2019 11 $375,058 -35%   2,138 $175   $7,367,291 6
Apr 18, 2019 10 $567,858 +51%   2,138 $266   $7,935,149 7
Apr 19, 2019 11 $1,083,833 +91% -63% 2,138 $507   $9,018,982 8
Apr 20, 2019 11 $888,284 -18% -55% 2,138 $415   $9,907,266 9
Apr 21, 2019 12 $409,878 -54% -62% 2,138 $192   $10,317,144 10
Apr 22, 2019 12 $317,909 -22% -22% 2,138 $149   $10,635,053 11
Apr 23, 2019 12 $301,069 -5% -48% 2,138 $141   $10,936,122 12
Apr 24, 2019 12 $212,208 -30% -43% 2,138 $99   $11,148,330 13
Apr 25, 2019 12 $97,409 -54% -83% 2,138 $46   $11,245,739 14
Apr 26, 2019 13 $136,172 +40% -87% 607 $224   $11,381,911 15
Apr 27, 2019 13 $178,010 +31% -80% 607 $293   $11,559,921 16
Apr 28, 2019 14 $89,151 -50% -78% 607 $147   $11,649,072 17
Apr 29, 2019 14 $38,981 -56% -88% 607 $64   $11,688,053 18
Apr 30, 2019 14 $60,941 +56% -80% 607 $100   $11,748,994 19
May 1, 2019 15 $46,711 -23% -78% 607 $77   $11,795,705 20
May 2, 2019 14 $34,229 -27% -65% 607 $56   $11,829,934 21
May 3, 2019 - $54,654 +60% -60% 227 $241   $11,884,588 22
May 4, 2019 - $57,259 +5% -68% 227 $252   $11,941,847 23
May 5, 2019 - $23,384 -59% -74% 227 $103   $11,965,231 24
May 6, 2019 - $9,621 -59% -75% 227 $42   $11,974,852 25
May 7, 2019 - $20,013 +108% -67% 227 $88   $11,994,865 26
May 8, 2019 - $12,587 -37% -73% 227 $55   $12,007,452 27
May 9, 2019 - $8,861 -30% -74% 227 $39   $12,016,313 28
May 10, 2019 - $17,384 +96% -68% 90 $193   $12,033,697 29
May 11, 2019 - $17,716 +2% -69% 90 $197   $12,051,413 30
May 12, 2019 - $6,220 -65% -73% 90 $69   $12,057,633 31
May 13, 2019 - $3,611 -42% -62% 90 $40   $12,061,244 32
May 14, 2019 - $8,225 +128% -59% 90 $91   $12,069,469 33
May 15, 2019 - $5,018 -39% -60% 90 $56   $12,074,487 34
May 16, 2019 - $5,122 +2% -42% 90 $57   $12,079,609 35
May 17, 2019 - $9,190 +79% -47% 82 $112   $12,088,799 36
May 18, 2019 - $10,790 +17% -39% 82 $132   $12,099,589 37
May 19, 2019 - $9,380 -13% +51% 82 $114   $12,108,969 38
May 20, 2019 - $4,976 -47% +38% 82 $61   $12,113,945 39
May 21, 2019 - $4,291 -14% -48% 82 $52   $12,118,236 40
May 22, 2019 - $3,178 -26% -37% 82 $39   $12,121,414 41
May 23, 2019 - $3,050 -4% -40% 82 $37   $12,124,464 42
May 24, 2019 - $2,804 -8% -69% 34 $82   $12,127,268 43
May 25, 2019 - $3,221 +15% -70% 34 $95   $12,130,489 44
May 26, 2019 - $1,786 -45% -81% 34 $53   $12,132,275 45
May 27, 2019 - $1,225 -31% -75% 34 $36   $12,133,500 46
May 28, 2019 - $1,171 -4% -73% 34 $34   $12,134,671 47
May 29, 2019 - $1,426 +22% -55% 34 $42   $12,136,097 48
May 30, 2019 - $921 -35% -70% 34 $27   $12,137,018 49
May 31, 2019 - $313 -66% -89% 3 $104   $12,137,331 50
Jun 1, 2019 - $385 +23% -88% 3 $128   $12,137,716 51
Jun 2, 2019 - $191 -50% -89% 3 $64   $12,137,907 52
Jun 3, 2019 - $121 -37% -90% 3 $40   $12,138,028 53
Jun 4, 2019 - $237 +96% -80% 3 $79   $12,138,265 54
Jun 5, 2019 - $238 n/c -83% 3 $79   $12,138,503 55
Jun 6, 2019 - $62 -74% -93% 3 $21   $12,138,565 56

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Apr 12, 2019 9 $7,935,149   2,138 $3,711   $7,935,149 1
Apr 19, 2019 12 $3,310,590 -58% 2,138 $1,548   $11,245,739 2
Apr 26, 2019 13 $584,195 -82% 607 $962   $11,829,934 3
May 3, 2019 20 $186,379 -68% 227 $821   $12,016,313 4
May 10, 2019 35 $63,296 -66% 90 $703   $12,079,609 5
May 17, 2019 41 $44,855 -29% 82 $547   $12,124,464 6
May 24, 2019 65 $12,554 -72% 34 $369   $12,137,018 7
May 31, 2019 86 $1,547 -88% 3 $516   $12,138,565 8

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 4/12/2019 $182,747 161 161 320 $342,228 5/24/2019
Australia 7/5/2019 $596,544 172 179 611 $1,385,750 8/20/2019
Brazil 4/12/2019 $254,000 0 450 450 $917,058 4/27/2019
Bulgaria 4/19/2019 $87,513 0 0 0 $272,825 6/11/2019
Czech Republic 4/12/2019 $184,208 71 71 291 $551,116 5/28/2019
France 4/19/2019 $750,000 550 550 3,072 $9,744,467 5/31/2019
Germany 4/12/2019 $2,900,000 0 114 114 $9,893,164 10/19/2022
Italy 4/12/2019 $3,687,789 0 0 0 $7,023,931 5/6/2019
Lithuania 4/12/2019 $65,760 0 0 0 $149,487 5/14/2019
Mexico 4/12/2019 $618,659 0 0 0 $1,396,924 4/22/2019
Netherlands 4/19/2019 $212,848 101 104 532 $1,501,081 6/3/2019
Poland 4/12/2019 $691,370 212 212 1,060 $1,895,346 5/18/2019
Portugal 4/12/2019 $303,012 82 82 276 $909,106 5/28/2019
Romania 11/22/2019 $0 0 5 27 $427,993 9/1/2022
Russia (CIS) 4/18/2019 $1,806,718 971 992 2,676 $3,257,288 6/14/2019
Slovakia 4/12/2019 $163,480 69 69 211 $392,965 5/29/2019
South Korea 8/22/2019 $201,210 235 235 297 $408,322 9/12/2019
Spain 4/12/2019 $1,171,439 297 306 1,149 $3,234,340 5/23/2019
Turkey 4/12/2019 $97,345 249 249 560 $237,428 5/24/2019
 
Rest of World $1,847,466
 
International Total$45,788,285 10/19/2022

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Jul 14, 20191024,809 24,809$445,570$445,5703

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Jul 14, 2019927,733 27,733$636,760$636,7603

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.