After We Collided (2020)
| Theatrical Performance | ||
| Domestic Box Office | $2,386,483 | Details |
| International Box Office | $40,919,909 | Details |
| Worldwide Box Office | $43,306,392 | |
| OpusData ID: 451780100 More info... | ||
| Further financial details... | ||
Synopsis
Hardin will always be… Hardin. But is he really the deep, thoughtful guy Tessa fell madly in love with — or has he been a stranger all along? She wishes she could walk away. It’s just not that easy. Not with the memory of the passionate nights they spent together. Still, Tessa’s not sure she can endure one more broken promise. She’s focused on her studies and just starting an exciting new internship at Vance Publishing. She's also being pursued by Trevor, a handsome new co-worker who is exactly the kind of guy she should be with. Hardin knows he made a mistake, possibly the biggest one of his life. He wants to right his wrongs and overcome his demons. He’s not going to lose Tessa without a fight. But can he change? Will he change… for love?
Metrics
| Legs: | 5.64 (domestic box office/biggest weekend) |
| Domestic Share: | 5.5% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $3,109,181 |
Movie Details
| Domestic Releases: | September 11th, 2020 (Limited) (Canada)
October 23rd, 2020 (Limited) by Open Road |
| International Releases: | September 2nd, 2020 (Wide), released as After 2 (Italy)
September 3rd, 2020 (Limited), released as After Truth (Germany) September 3rd, 2020 (Wide), released as After - Depois da Verdade (Portugal) September 4th, 2020 (Wide), released as After. En mil pedazos (Spain) September 4th, 2020 (Wide) (Austria) ... Show all releases |
| Video Release: | October 23rd, 2020 by Open Road Films |
| MPA Rating: | R for sexual content, language throughout and some drug material. (Rating bulletin 2649 (cert#52869), 9/30/2020) |
| Running Time: | 105 minutes |
| Franchise: | After |
| Plot point: | Love Triangle, Relationships Gone Wrong, Romance |
| Social setting: | College, Internships, Publishing Industry |
| Source material: | Young Adult Book Adaptation |
| Subgenre: | Romantic Drama |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Voltage Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 18, 2020 | 6 | $304,986 | 302 | $1,010 | $1,199,425 | 2 | |
| Oct 23, 2020 | - | $422,899 | 460 | $919 | $2,075,172 | 7 | |
| Oct 30, 2020 | - | $102,646 | -76% | 546 | $188 | $2,244,601 | 8 |
| Nov 6, 2020 | 15 | $60,221 | -41% | 546 | $110 | $2,343,847 | 9 |
| Nov 13, 2020 | - | $16,506 | -73% | 141 | $117 | $2,376,971 | 10 |
| Nov 20, 2020 | - | $2,117 | -87% | 30 | $71 | $2,383,018 | 11 |
| Nov 27, 2020 | - | $1,256 | -41% | 13 | $97 | $2,385,308 | 12 |
| Dec 4, 2020 | - | $585 | -53% | 8 | $73 | $2,386,265 | 13 |
| Dec 11, 2020 | - | $60 | -90% | 2 | $30 | $2,386,444 | 14 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Oct 23, 2020 | - | $206,101 | 460 | $448 | $1,858,374 | 43 | ||
| Oct 24, 2020 | - | $138,088 | -33% | 460 | $300 | $1,996,462 | 44 | |
| Oct 25, 2020 | - | $78,710 | -43% | 460 | $171 | $2,075,172 | 45 | |
| Oct 26, 2020 | - | $17,316 | -78% | 460 | $38 | $2,092,488 | 46 | |
| Oct 27, 2020 | - | $18,002 | +4% | 460 | $39 | $2,110,490 | 47 | |
| Oct 28, 2020 | - | $14,474 | -20% | 460 | $31 | $2,124,964 | 48 | |
| Oct 29, 2020 | - | $16,991 | +17% | 460 | $37 | $2,141,955 | 49 | |
| Oct 30, 2020 | - | $41,220 | +143% | -80% | 546 | $75 | $2,183,175 | 50 |
| Oct 31, 2020 | - | $28,446 | -31% | -79% | 546 | $52 | $2,211,621 | 51 |
| Nov 1, 2020 | - | $32,980 | +16% | -58% | 546 | $60 | $2,244,601 | 52 |
| Nov 2, 2020 | - | $9,325 | -72% | -46% | 546 | $17 | $2,253,926 | 53 |
| Nov 3, 2020 | - | $10,143 | +9% | -44% | 546 | $19 | $2,264,069 | 54 |
| Nov 4, 2020 | - | $9,174 | -10% | -37% | 546 | $17 | $2,273,243 | 55 |
| Nov 5, 2020 | - | $10,383 | +13% | -39% | 546 | $19 | $2,283,626 | 56 |
| Nov 6, 2020 | - | $19,818 | +91% | -52% | 546 | $36 | $2,303,444 | 57 |
| Nov 7, 2020 | - | $27,698 | +40% | -3% | 546 | $51 | $2,331,142 | 58 |
| Nov 8, 2020 | - | $12,705 | -54% | -61% | 546 | $23 | $2,343,847 | 59 |
| Nov 9, 2020 | - | $3,231 | -75% | -65% | 546 | $6 | $2,347,078 | 60 |
| Nov 10, 2020 | - | $4,513 | +40% | -56% | 546 | $8 | $2,351,591 | 61 |
| Nov 11, 2020 | - | $4,872 | +8% | -47% | 546 | $9 | $2,356,463 | 62 |
| Nov 12, 2020 | - | $4,002 | -18% | -61% | 546 | $7 | $2,360,465 | 63 |
| Nov 13, 2020 | - | $5,460 | +36% | -72% | 141 | $39 | $2,365,925 | 64 |
| Nov 14, 2020 | - | $7,316 | +34% | -74% | 141 | $52 | $2,373,241 | 65 |
| Nov 15, 2020 | - | $3,730 | -49% | -71% | 141 | $26 | $2,376,971 | 66 |
| Nov 16, 2020 | - | $921 | -75% | -71% | 141 | $7 | $2,377,892 | 67 |
| Nov 17, 2020 | - | $1,131 | +23% | -75% | 141 | $8 | $2,379,023 | 68 |
| Nov 18, 2020 | - | $858 | -24% | -82% | 141 | $6 | $2,379,881 | 69 |
| Nov 19, 2020 | - | $1,020 | +19% | -75% | 141 | $7 | $2,380,901 | 70 |
| Nov 20, 2020 | - | $670 | -34% | -88% | 30 | $22 | $2,381,571 | 71 |
| Nov 21, 2020 | - | $923 | +38% | -87% | 30 | $31 | $2,382,494 | 72 |
| Nov 22, 2020 | - | $524 | -43% | -86% | 30 | $17 | $2,383,018 | 73 |
| Nov 23, 2020 | - | $403 | -23% | -56% | 30 | $13 | $2,383,421 | 74 |
| Nov 24, 2020 | - | $274 | -32% | -76% | 30 | $9 | $2,383,695 | 75 |
| Nov 25, 2020 | - | $192 | -30% | -78% | 13 | $15 | $2,383,887 | 76 |
| Nov 26, 2020 | - | $165 | -14% | -84% | 13 | $13 | $2,384,052 | 77 |
| Nov 27, 2020 | - | $464 | +181% | -31% | 13 | $36 | $2,384,516 | 78 |
| Nov 28, 2020 | - | $479 | +3% | -48% | 13 | $37 | $2,384,995 | 79 |
| Nov 29, 2020 | - | $313 | -35% | -40% | 13 | $24 | $2,385,308 | 80 |
| Nov 30, 2020 | - | $96 | -69% | -76% | 13 | $7 | $2,385,404 | 81 |
| Dec 1, 2020 | - | $49 | -49% | -82% | 13 | $4 | $2,385,453 | 82 |
| Dec 2, 2020 | - | $100 | +104% | -48% | 13 | $8 | $2,385,553 | 83 |
| Dec 3, 2020 | - | $127 | +27% | -23% | 13 | $10 | $2,385,680 | 84 |
| Dec 4, 2020 | - | $153 | +20% | -67% | 8 | $19 | $2,385,833 | 85 |
| Dec 5, 2020 | - | $186 | +22% | -61% | 8 | $23 | $2,386,019 | 86 |
| Dec 6, 2020 | - | $246 | +32% | -21% | 8 | $31 | $2,386,265 | 87 |
| Dec 7, 2020 | - | $38 | -85% | -60% | 8 | $5 | $2,386,303 | 88 |
| Dec 8, 2020 | - | $22 | -42% | -55% | 8 | $3 | $2,386,325 | 89 |
| Dec 10, 2020 | - | $59 | -54% | 8 | $7 | $2,386,384 | 91 | |
| Dec 11, 2020 | - | $8 | -86% | -95% | 2 | $4 | $2,386,392 | 92 |
| Dec 12, 2020 | - | $12 | +50% | -94% | 2 | $6 | $2,386,404 | 93 |
| Dec 13, 2020 | - | $40 | +233% | -84% | 2 | $20 | $2,386,444 | 94 |
| Dec 15, 2020 | - | $8 | -64% | 141 | $0 | $2,386,452 | 96 | |
| Dec 16, 2020 | - | $23 | +188% | 141 | $0 | $2,386,475 | 97 | |
| Dec 17, 2020 | - | $8 | -65% | -86% | 141 | $0 | $2,386,483 | 98 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 23, 2020 | - | $489,682 | 460 | $1,065 | $2,141,955 | 7 | |
| Oct 30, 2020 | - | $141,671 | -71% | 546 | $259 | $2,283,626 | 8 |
| Nov 6, 2020 | - | $76,839 | -46% | 546 | $141 | $2,360,465 | 9 |
| Nov 13, 2020 | - | $20,436 | -73% | 141 | $145 | $2,380,901 | 10 |
| Nov 20, 2020 | - | $3,151 | -85% | 13 | $242 | $2,384,052 | 11 |
| Nov 27, 2020 | - | $1,628 | -48% | 13 | $125 | $2,385,680 | 12 |
| Dec 4, 2020 | - | $704 | -57% | 8 | $88 | $2,386,384 | 13 |
| Dec 11, 2020 | - | $99 | -86% | 141 | $1 | $2,386,483 | 14 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 9/10/2020 | $671,134 | 192 | 192 | 1,333 | $2,669,728 | 1/28/2021 | |||
| Austria | 9/4/2020 | $428,000 | 0 | 0 | 0 | $428,000 | 10/19/2022 | |||
| Belgium | 10/16/2020 | $877,000 | 0 | 0 | 0 | $877,000 | 10/19/2022 | |||
| Czech Republic | 9/4/2020 | $321,548 | 132 | 132 | 495 | $758,510 | 10/19/2022 | |||
| Denmark | 9/18/2020 | $0 | 0 | 0 | 0 | $1,550,000 | 10/19/2022 | |||
| Italy | 9/2/2020 | $1,806,099 | 0 | 0 | 0 | $4,950,000 | 10/19/2022 | |||
| Lithuania | 9/11/2020 | $44,547 | 14 | 14 | 68 | $152,511 | 11/4/2020 | |||
| Netherlands | 10/9/2020 | $471,571 | 108 | 116 | 731 | $3,549,767 | 10/19/2022 | |||
| New Zealand | 9/10/2020 | $71,910 | 66 | 70 | 324 | $229,562 | 10/19/2022 | |||
| Poland | 9/11/2020 | $379,969 | 217 | 217 | 1,302 | $1,315,952 | 10/19/2022 | |||
| Portugal | 9/3/2020 | $243,469 | 99 | 99 | 457 | $701,160 | 10/19/2022 | |||
| Romania | 9/11/2020 | $90,523 | 60 | 72 | 387 | $299,765 | 9/1/2022 | |||
| Russia (CIS) | 9/18/2020 | $1,906,451 | 1,168 | 1,193 | 4,506 | $4,211,093 | 10/19/2022 | |||
| Slovakia | 9/4/2020 | $202,090 | 75 | 75 | 269 | $415,340 | 10/19/2022 | |||
| South Korea | 10/7/2020 | $2,363 | 2 | 420 | 523 | $277,788 | 11/18/2020 | |||
| Spain | 9/4/2020 | $1,063,415 | 294 | 305 | 1,612 | $3,810,000 | 10/19/2022 | |||
| Turkey | 9/18/2020 | $7,930 | 131 | 131 | 368 | $36,793 | 4/4/2026 | |||
| United Kingdom | 9/4/2020 | $87,045 | 22 | 490 | 2,789 | $5,131,439 | 11/4/2020 | |||
| Rest of World | $9,555,501 | |||||||||
| International Total | $40,919,909 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Hero Fiennes Tiffin | Hardin Scott | |
| Josephine Langford | Tessa Young | |
| Dylan Sprouse | Trevor Matthews | |
| Shane Paul McGhie |
Supporting
| Selma Blair | Carol Young | |
| Charlie Weber | Christian Vance | |
| Louise Lombard | ||
| Candice King | ||
| Karimah Westbrook | ||
| Rob Estes | ||
| Samuel Larsen |
Production and Technical Credits
| Roger Kumble | Director | |
| Mario Celaya | Screenwriter | |
| Anna Todd | Screenwriter | |
| Anna Todd | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Hardin will always be… Hardin. But is he really the deep, thoughtful guy Tessa fell madly in love with — or has he been a stranger all along? She wishes she could walk away. It’s just not that easy. Not with the memory of the passionate nights they spent together. Still, Tessa’s not sure she can endure one more broken promise. She’s focused on her studies and just starting an exciting new internship at Vance Publishing. She's also being pursued by Trevor, a handsome new co-worker who is exactly the kind of guy she should be with. Hardin knows he made a mistake, possibly the biggest one of his life. He wants to right his wrongs and overcome his demons. He’s not going to lose Tessa without a fight. But can he change? Will he change… for love?
Metrics
| Legs: | 5.64 (domestic box office/biggest weekend) |
| Domestic Share: | 5.5% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $3,109,181 |
Movie Details
| Domestic Releases: | September 11th, 2020 (Limited) (Canada)
October 23rd, 2020 (Limited) by Open Road |
| International Releases: | September 2nd, 2020 (Wide), released as After 2 (Italy)
September 3rd, 2020 (Limited), released as After Truth (Germany) September 3rd, 2020 (Wide), released as After - Depois da Verdade (Portugal) September 4th, 2020 (Wide), released as After. En mil pedazos (Spain) September 4th, 2020 (Wide) (Austria) ... Show all releases |
| Video Release: | October 23rd, 2020 by Open Road Films |
| MPA Rating: | R for sexual content, language throughout and some drug material. (Rating bulletin 2649 (cert#52869), 9/30/2020) |
| Running Time: | 105 minutes |
| Franchise: | After |
| Plot point: | Love Triangle, Relationships Gone Wrong, Romance |
| Social setting: | College, Internships, Publishing Industry |
| Source material: | Young Adult Book Adaptation |
| Subgenre: | Romantic Drama |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Voltage Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 18, 2020 | 6 | $304,986 | 302 | $1,010 | $1,199,425 | 2 | |
| Oct 23, 2020 | - | $422,899 | 460 | $919 | $2,075,172 | 7 | |
| Oct 30, 2020 | - | $102,646 | -76% | 546 | $188 | $2,244,601 | 8 |
| Nov 6, 2020 | 15 | $60,221 | -41% | 546 | $110 | $2,343,847 | 9 |
| Nov 13, 2020 | - | $16,506 | -73% | 141 | $117 | $2,376,971 | 10 |
| Nov 20, 2020 | - | $2,117 | -87% | 30 | $71 | $2,383,018 | 11 |
| Nov 27, 2020 | - | $1,256 | -41% | 13 | $97 | $2,385,308 | 12 |
| Dec 4, 2020 | - | $585 | -53% | 8 | $73 | $2,386,265 | 13 |
| Dec 11, 2020 | - | $60 | -90% | 2 | $30 | $2,386,444 | 14 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Oct 23, 2020 | - | $206,101 | 460 | $448 | $1,858,374 | 43 | ||
| Oct 24, 2020 | - | $138,088 | -33% | 460 | $300 | $1,996,462 | 44 | |
| Oct 25, 2020 | - | $78,710 | -43% | 460 | $171 | $2,075,172 | 45 | |
| Oct 26, 2020 | - | $17,316 | -78% | 460 | $38 | $2,092,488 | 46 | |
| Oct 27, 2020 | - | $18,002 | +4% | 460 | $39 | $2,110,490 | 47 | |
| Oct 28, 2020 | - | $14,474 | -20% | 460 | $31 | $2,124,964 | 48 | |
| Oct 29, 2020 | - | $16,991 | +17% | 460 | $37 | $2,141,955 | 49 | |
| Oct 30, 2020 | - | $41,220 | +143% | -80% | 546 | $75 | $2,183,175 | 50 |
| Oct 31, 2020 | - | $28,446 | -31% | -79% | 546 | $52 | $2,211,621 | 51 |
| Nov 1, 2020 | - | $32,980 | +16% | -58% | 546 | $60 | $2,244,601 | 52 |
| Nov 2, 2020 | - | $9,325 | -72% | -46% | 546 | $17 | $2,253,926 | 53 |
| Nov 3, 2020 | - | $10,143 | +9% | -44% | 546 | $19 | $2,264,069 | 54 |
| Nov 4, 2020 | - | $9,174 | -10% | -37% | 546 | $17 | $2,273,243 | 55 |
| Nov 5, 2020 | - | $10,383 | +13% | -39% | 546 | $19 | $2,283,626 | 56 |
| Nov 6, 2020 | - | $19,818 | +91% | -52% | 546 | $36 | $2,303,444 | 57 |
| Nov 7, 2020 | - | $27,698 | +40% | -3% | 546 | $51 | $2,331,142 | 58 |
| Nov 8, 2020 | - | $12,705 | -54% | -61% | 546 | $23 | $2,343,847 | 59 |
| Nov 9, 2020 | - | $3,231 | -75% | -65% | 546 | $6 | $2,347,078 | 60 |
| Nov 10, 2020 | - | $4,513 | +40% | -56% | 546 | $8 | $2,351,591 | 61 |
| Nov 11, 2020 | - | $4,872 | +8% | -47% | 546 | $9 | $2,356,463 | 62 |
| Nov 12, 2020 | - | $4,002 | -18% | -61% | 546 | $7 | $2,360,465 | 63 |
| Nov 13, 2020 | - | $5,460 | +36% | -72% | 141 | $39 | $2,365,925 | 64 |
| Nov 14, 2020 | - | $7,316 | +34% | -74% | 141 | $52 | $2,373,241 | 65 |
| Nov 15, 2020 | - | $3,730 | -49% | -71% | 141 | $26 | $2,376,971 | 66 |
| Nov 16, 2020 | - | $921 | -75% | -71% | 141 | $7 | $2,377,892 | 67 |
| Nov 17, 2020 | - | $1,131 | +23% | -75% | 141 | $8 | $2,379,023 | 68 |
| Nov 18, 2020 | - | $858 | -24% | -82% | 141 | $6 | $2,379,881 | 69 |
| Nov 19, 2020 | - | $1,020 | +19% | -75% | 141 | $7 | $2,380,901 | 70 |
| Nov 20, 2020 | - | $670 | -34% | -88% | 30 | $22 | $2,381,571 | 71 |
| Nov 21, 2020 | - | $923 | +38% | -87% | 30 | $31 | $2,382,494 | 72 |
| Nov 22, 2020 | - | $524 | -43% | -86% | 30 | $17 | $2,383,018 | 73 |
| Nov 23, 2020 | - | $403 | -23% | -56% | 30 | $13 | $2,383,421 | 74 |
| Nov 24, 2020 | - | $274 | -32% | -76% | 30 | $9 | $2,383,695 | 75 |
| Nov 25, 2020 | - | $192 | -30% | -78% | 13 | $15 | $2,383,887 | 76 |
| Nov 26, 2020 | - | $165 | -14% | -84% | 13 | $13 | $2,384,052 | 77 |
| Nov 27, 2020 | - | $464 | +181% | -31% | 13 | $36 | $2,384,516 | 78 |
| Nov 28, 2020 | - | $479 | +3% | -48% | 13 | $37 | $2,384,995 | 79 |
| Nov 29, 2020 | - | $313 | -35% | -40% | 13 | $24 | $2,385,308 | 80 |
| Nov 30, 2020 | - | $96 | -69% | -76% | 13 | $7 | $2,385,404 | 81 |
| Dec 1, 2020 | - | $49 | -49% | -82% | 13 | $4 | $2,385,453 | 82 |
| Dec 2, 2020 | - | $100 | +104% | -48% | 13 | $8 | $2,385,553 | 83 |
| Dec 3, 2020 | - | $127 | +27% | -23% | 13 | $10 | $2,385,680 | 84 |
| Dec 4, 2020 | - | $153 | +20% | -67% | 8 | $19 | $2,385,833 | 85 |
| Dec 5, 2020 | - | $186 | +22% | -61% | 8 | $23 | $2,386,019 | 86 |
| Dec 6, 2020 | - | $246 | +32% | -21% | 8 | $31 | $2,386,265 | 87 |
| Dec 7, 2020 | - | $38 | -85% | -60% | 8 | $5 | $2,386,303 | 88 |
| Dec 8, 2020 | - | $22 | -42% | -55% | 8 | $3 | $2,386,325 | 89 |
| Dec 10, 2020 | - | $59 | -54% | 8 | $7 | $2,386,384 | 91 | |
| Dec 11, 2020 | - | $8 | -86% | -95% | 2 | $4 | $2,386,392 | 92 |
| Dec 12, 2020 | - | $12 | +50% | -94% | 2 | $6 | $2,386,404 | 93 |
| Dec 13, 2020 | - | $40 | +233% | -84% | 2 | $20 | $2,386,444 | 94 |
| Dec 15, 2020 | - | $8 | -64% | 141 | $0 | $2,386,452 | 96 | |
| Dec 16, 2020 | - | $23 | +188% | 141 | $0 | $2,386,475 | 97 | |
| Dec 17, 2020 | - | $8 | -65% | -86% | 141 | $0 | $2,386,483 | 98 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 23, 2020 | - | $489,682 | 460 | $1,065 | $2,141,955 | 7 | |
| Oct 30, 2020 | - | $141,671 | -71% | 546 | $259 | $2,283,626 | 8 |
| Nov 6, 2020 | - | $76,839 | -46% | 546 | $141 | $2,360,465 | 9 |
| Nov 13, 2020 | - | $20,436 | -73% | 141 | $145 | $2,380,901 | 10 |
| Nov 20, 2020 | - | $3,151 | -85% | 13 | $242 | $2,384,052 | 11 |
| Nov 27, 2020 | - | $1,628 | -48% | 13 | $125 | $2,385,680 | 12 |
| Dec 4, 2020 | - | $704 | -57% | 8 | $88 | $2,386,384 | 13 |
| Dec 11, 2020 | - | $99 | -86% | 141 | $1 | $2,386,483 | 14 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 9/10/2020 | $671,134 | 192 | 192 | 1,333 | $2,669,728 | 1/28/2021 | |||
| Austria | 9/4/2020 | $428,000 | 0 | 0 | 0 | $428,000 | 10/19/2022 | |||
| Belgium | 10/16/2020 | $877,000 | 0 | 0 | 0 | $877,000 | 10/19/2022 | |||
| Czech Republic | 9/4/2020 | $321,548 | 132 | 132 | 495 | $758,510 | 10/19/2022 | |||
| Denmark | 9/18/2020 | $0 | 0 | 0 | 0 | $1,550,000 | 10/19/2022 | |||
| Italy | 9/2/2020 | $1,806,099 | 0 | 0 | 0 | $4,950,000 | 10/19/2022 | |||
| Lithuania | 9/11/2020 | $44,547 | 14 | 14 | 68 | $152,511 | 11/4/2020 | |||
| Netherlands | 10/9/2020 | $471,571 | 108 | 116 | 731 | $3,549,767 | 10/19/2022 | |||
| New Zealand | 9/10/2020 | $71,910 | 66 | 70 | 324 | $229,562 | 10/19/2022 | |||
| Poland | 9/11/2020 | $379,969 | 217 | 217 | 1,302 | $1,315,952 | 10/19/2022 | |||
| Portugal | 9/3/2020 | $243,469 | 99 | 99 | 457 | $701,160 | 10/19/2022 | |||
| Romania | 9/11/2020 | $90,523 | 60 | 72 | 387 | $299,765 | 9/1/2022 | |||
| Russia (CIS) | 9/18/2020 | $1,906,451 | 1,168 | 1,193 | 4,506 | $4,211,093 | 10/19/2022 | |||
| Slovakia | 9/4/2020 | $202,090 | 75 | 75 | 269 | $415,340 | 10/19/2022 | |||
| South Korea | 10/7/2020 | $2,363 | 2 | 420 | 523 | $277,788 | 11/18/2020 | |||
| Spain | 9/4/2020 | $1,063,415 | 294 | 305 | 1,612 | $3,810,000 | 10/19/2022 | |||
| Turkey | 9/18/2020 | $7,930 | 131 | 131 | 368 | $36,793 | 4/4/2026 | |||
| United Kingdom | 9/4/2020 | $87,045 | 22 | 490 | 2,789 | $5,131,439 | 11/4/2020 | |||
| Rest of World | $9,555,501 | |||||||||
| International Total | $40,919,909 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Hero Fiennes Tiffin | Hardin Scott | |
| Josephine Langford | Tessa Young | |
| Dylan Sprouse | Trevor Matthews | |
| Shane Paul McGhie |
Supporting
| Selma Blair | Carol Young | |
| Charlie Weber | Christian Vance | |
| Louise Lombard | ||
| Candice King | ||
| Karimah Westbrook | ||
| Rob Estes | ||
| Samuel Larsen |
Production and Technical Credits
| Roger Kumble | Director | |
| Mario Celaya | Screenwriter | |
| Anna Todd | Screenwriter | |
| Anna Todd | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.