After the Ball (2015)
| Theatrical Performance | ||
| Domestic Box Office | $161,820 | Details |
| International Box Office | $72,597 | Details |
| Worldwide Box Office | $234,417 | |
| OpusData ID: 226890100 More info... | ||
| Further financial details... | ||
Synopsis
Kate Kassell's dream is to design couture clothing, but after graduating at the head of her class in fashion school the harsh reality hits -- no one will hire her. Sure, she's got a fantastic eye, but she's also the daughter of retail guru and knockoff pioneer Lee Kassell, whose stores sell clothes "inspired" by the very designers Kate wants to work for. Kate is left with no choice but to join Kassell Clothing, where she must navigate around a duplicitous stepmother and two wicked stepsisters, whose aim is to discredit her at every turn. But through a budding romance with a prince of a guy in the shoe department, her godmother's vintage clothes and a fall down funny switch of identities, Kate is able to expose the evil trio, save Kassell Clothing -- and prove that it's what's on the inside that counts.
Metrics
| Opening Weekend: | $31,718 (19.6% of total gross) |
| Legs: | 5.10 (domestic box office/biggest weekend) |
| Domestic Share: | 69.0% (domestic box office/worldwide) |
| Theater counts: | 42 opening theaters/43 max. theaters, 2.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $229,584 |
Movie Details
| Domestic Releases: | February 27th, 2015 (Limited) by Pacific Northwest Pictures (Canada)
April 24th, 2015 (Limited) by Freestyle Releasing |
| International Releases: | February 27th, 2015 (Limited) (Canada)
March 27th, 2015 (Wide) (Russia (CIS)) |
| Video Release: | April 21st, 2015 by Freestyle Digital Media |
| MPA Rating: | Not Rated |
| Running Time: | 103 minutes |
| Plot point: | Fashion, Recent College Graduate, Step-Family |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Source: | Original Screenplay |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Don Carmody Productions, Martinelli Productions, Jane Silverstone Productions, Telefilm Canada, Movie Central, The Movie Network, Ontario Media Development Corporation |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 27, 2015 | 58 | $31,718 | 42 | $755 | $31,718 | 1 | |
| Mar 6, 2015 | 65 | $14,835 | -53% | 19 | $781 | $98,196 | 2 |
| Mar 13, 2015 | 63 | $13,545 | -9% | 14 | $968 | $118,840 | 3 |
| Mar 20, 2015 | 75 | $5,633 | -58% | 5 | $1,127 | $140,575 | 4 |
| Mar 27, 2015 | 74 | $4,966 | -12% | 5 | $993 | $148,958 | 5 |
| Apr 3, 2015 | 86 | $1,429 | -71% | 5 | $286 | $153,296 | 6 |
| Apr 17, 2015 | 90 | $1,044 | 2 | $522 | $157,055 | 8 | |
| Apr 24, 2015 | 89 | $2,969 | +184% | 11 | $270 | $160,165 | 9 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Apr 27, 2015 | - | $530 | 11 | $48 | $160,695 | 60 | ||
| Apr 28, 2015 | - | $297 | -44% | 11 | $27 | $160,992 | 61 | |
| Apr 29, 2015 | - | $443 | +49% | 11 | $40 | $161,435 | 62 | |
| Apr 30, 2015 | - | $385 | -13% | 11 | $35 | $161,820 | 63 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 27, 2015 | 48 | $83,361 | 43 | $1,939 | $83,361 | 1 | |
| Mar 6, 2015 | 64 | $21,934 | -74% | 17 | $1,290 | $105,295 | 2 |
| Mar 13, 2015 | 61 | $29,647 | +35% | 15 | $1,976 | $134,942 | 3 |
| Mar 20, 2015 | 74 | $9,050 | -69% | 5 | $1,810 | $143,992 | 4 |
| Mar 27, 2015 | 77 | $7,875 | -13% | 5 | $1,575 | $151,867 | 5 |
| Apr 3, 2015 | 83 | $4,144 | -47% | 5 | $829 | $156,011 | 6 |
| Apr 17, 2015 | 103 | $1,185 | 2 | $593 | $157,196 | 8 | |
| Apr 24, 2015 | 83 | $7,339 | +519% | 11 | $667 | $161,820 | 9 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Russia (CIS) | 3/27/2015 | $31,446 | 232 | 232 | 455 | $72,597 | 11/19/2018 | |||
| International Total | $72,597 | 11/19/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Portia Doubleday | Kate | |
| Marc-Andre Grondin | Daniel |
Supporting
| Lauren Holly | Elise | |
| Chris Noth | Lee Kassell | |
| Colin Mochrie | Colin | |
| Anna Hopkins | Simone | |
| Natalie Krill | Tannis | |
| David Michaël | Maurice | |
| Mimi Kuzyk | Bella | |
| Carlo Rota | Richard |
Production and Technical Credits
| Sean Garrity | Director | |
| Jason Sherman | Screenwriter | |
| Kate Melville | Screenwriter | |
| Jason Sherman | Story Creator | |
| Don Carmody | Producer | |
| Robin Crumley | Producer | |
| Gabriella Martinelli | Producer | |
| Jane Silverstone-Segal | Producer | |
| Kirk D'Amico | Executive Producer | |
| Emily Alden | Executive Producer | |
| Kevin Forester | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Kate Kassell's dream is to design couture clothing, but after graduating at the head of her class in fashion school the harsh reality hits -- no one will hire her. Sure, she's got a fantastic eye, but she's also the daughter of retail guru and knockoff pioneer Lee Kassell, whose stores sell clothes "inspired" by the very designers Kate wants to work for. Kate is left with no choice but to join Kassell Clothing, where she must navigate around a duplicitous stepmother and two wicked stepsisters, whose aim is to discredit her at every turn. But through a budding romance with a prince of a guy in the shoe department, her godmother's vintage clothes and a fall down funny switch of identities, Kate is able to expose the evil trio, save Kassell Clothing -- and prove that it's what's on the inside that counts.
Metrics
| Opening Weekend: | $31,718 (19.6% of total gross) |
| Legs: | 5.10 (domestic box office/biggest weekend) |
| Domestic Share: | 69.0% (domestic box office/worldwide) |
| Theater counts: | 42 opening theaters/43 max. theaters, 2.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $229,584 |
Movie Details
| Domestic Releases: | February 27th, 2015 (Limited) by Pacific Northwest Pictures (Canada)
April 24th, 2015 (Limited) by Freestyle Releasing |
| International Releases: | February 27th, 2015 (Limited) (Canada)
March 27th, 2015 (Wide) (Russia (CIS)) |
| Video Release: | April 21st, 2015 by Freestyle Digital Media |
| MPA Rating: | Not Rated |
| Running Time: | 103 minutes |
| Plot point: | Fashion, Recent College Graduate, Step-Family |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Source: | Original Screenplay |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Don Carmody Productions, Martinelli Productions, Jane Silverstone Productions, Telefilm Canada, Movie Central, The Movie Network, Ontario Media Development Corporation |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 27, 2015 | 58 | $31,718 | 42 | $755 | $31,718 | 1 | |
| Mar 6, 2015 | 65 | $14,835 | -53% | 19 | $781 | $98,196 | 2 |
| Mar 13, 2015 | 63 | $13,545 | -9% | 14 | $968 | $118,840 | 3 |
| Mar 20, 2015 | 75 | $5,633 | -58% | 5 | $1,127 | $140,575 | 4 |
| Mar 27, 2015 | 74 | $4,966 | -12% | 5 | $993 | $148,958 | 5 |
| Apr 3, 2015 | 86 | $1,429 | -71% | 5 | $286 | $153,296 | 6 |
| Apr 17, 2015 | 90 | $1,044 | 2 | $522 | $157,055 | 8 | |
| Apr 24, 2015 | 89 | $2,969 | +184% | 11 | $270 | $160,165 | 9 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Apr 27, 2015 | - | $530 | 11 | $48 | $160,695 | 60 | ||
| Apr 28, 2015 | - | $297 | -44% | 11 | $27 | $160,992 | 61 | |
| Apr 29, 2015 | - | $443 | +49% | 11 | $40 | $161,435 | 62 | |
| Apr 30, 2015 | - | $385 | -13% | 11 | $35 | $161,820 | 63 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 27, 2015 | 48 | $83,361 | 43 | $1,939 | $83,361 | 1 | |
| Mar 6, 2015 | 64 | $21,934 | -74% | 17 | $1,290 | $105,295 | 2 |
| Mar 13, 2015 | 61 | $29,647 | +35% | 15 | $1,976 | $134,942 | 3 |
| Mar 20, 2015 | 74 | $9,050 | -69% | 5 | $1,810 | $143,992 | 4 |
| Mar 27, 2015 | 77 | $7,875 | -13% | 5 | $1,575 | $151,867 | 5 |
| Apr 3, 2015 | 83 | $4,144 | -47% | 5 | $829 | $156,011 | 6 |
| Apr 17, 2015 | 103 | $1,185 | 2 | $593 | $157,196 | 8 | |
| Apr 24, 2015 | 83 | $7,339 | +519% | 11 | $667 | $161,820 | 9 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Russia (CIS) | 3/27/2015 | $31,446 | 232 | 232 | 455 | $72,597 | 11/19/2018 | |||
| International Total | $72,597 | 11/19/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Portia Doubleday | Kate | |
| Marc-Andre Grondin | Daniel |
Supporting
| Lauren Holly | Elise | |
| Chris Noth | Lee Kassell | |
| Colin Mochrie | Colin | |
| Anna Hopkins | Simone | |
| Natalie Krill | Tannis | |
| David Michaël | Maurice | |
| Mimi Kuzyk | Bella | |
| Carlo Rota | Richard |
Production and Technical Credits
| Sean Garrity | Director | |
| Jason Sherman | Screenwriter | |
| Kate Melville | Screenwriter | |
| Jason Sherman | Story Creator | |
| Don Carmody | Producer | |
| Robin Crumley | Producer | |
| Gabriella Martinelli | Producer | |
| Jane Silverstone-Segal | Producer | |
| Kirk D'Amico | Executive Producer | |
| Emily Alden | Executive Producer | |
| Kevin Forester | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.