After the Hunt (2025)
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| Theatrical Performance | ||
| Domestic Box Office | $3,258,830 | Details |
| International Box Office | $3,877,939 | Details |
| Worldwide Box Office | $7,136,769 | |
| OpusData ID: 671550100 More info... | ||
| Further financial details... | ||
Synopsis
A college professor finds herself at a personal and professional crossroads when a star student levels an accusation against one of her colleagues, and a dark secret from her own past threatens to come into the light.
Metrics
| Opening Weekend: | $158,679 (4.9% of total gross) |
| Legs: | 2.13 (domestic box office/biggest weekend) |
| Domestic Share: | 45.7% (domestic box office/worldwide) |
| Theater counts: | 6 opening theaters/1,238 max. theaters, 2.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $3,258,830 |
Movie Details
| Domestic Releases: | October 10th, 2025 (Limited) by Amazon MGM Studios October 17th, 2025 (Expands Wide) by Amazon MGM Studios |
| International Releases: | October 9th, 2025 (Wide), released as Depois da caçada (Brazil)
October 16th, 2025 (Limited), released as Obvinění (Czech Republic) October 16th, 2025 (Wide), released as After the Hunt: Dopo la Caccia (Italy) October 16th, 2025 (Wide) (Netherlands) October 16th, 2025 (Wide), released as Cacería de brujas (Argentina) ... Show all releases |
| Video Release: | November 20th, 2025 by Amazon Studios |
| MPA Rating: | R for language and some sexual content. (Rating bulletin 2880 (cert #55437), 4/9/2025) |
| Running Time: | 138 minutes |
| Film festival: | Venice Film Festival 2025 |
| Plot point: | Child Abuse, College Professor, Sex Crimes, Suicide, Surprise Twist, The Past Catching up with You |
| Social setting: | College |
| Subgenre: | Psychological Thriller |
| Time period setting: | 2010s |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Imagine Entertainment, Frenesy Film, Amazon MGM Studios |
| Production Countries: | United States, Italy |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 10, 2025 | - | $158,679 | 6 | $26,447 | $158,679 | 1 | |
| Oct 17, 2025 | 9 | $1,529,394 | +864% | 1,238 | $1,235 | $1,746,189 | 2 |
| Oct 24, 2025 | - | $504,869 | -67% | 1,238 | $408 | $2,900,156 | 3 |
| Oct 31, 2025 | - | $58,153 | -88% | 280 | $208 | $3,214,959 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Oct 10, 2025 | - | $89,350 | 6 | $14,892 | $89,350 | 1 | ||
| Oct 11, 2025 | - | $38,359 | -57% | 6 | $6,393 | $127,709 | 2 | |
| Oct 12, 2025 | - | $30,970 | -19% | 6 | $5,162 | $158,679 | 3 | |
| Oct 13, 2025 | - | $19,755 | -36% | 6 | $3,293 | $178,434 | 4 | |
| Oct 14, 2025 | - | $16,422 | -17% | 6 | $2,737 | $194,856 | 5 | |
| Oct 15, 2025 | - | $13,380 | -19% | 6 | $2,230 | $208,236 | 6 | |
| Oct 16, 2025 | - | $8,559 | -36% | 6 | $1,427 | $216,795 | 7 | |
| Oct 17, 2025 | 7 | $680,013 | +7,845% | +661% | 1,238 | $549 | $896,808 | 8 |
| Oct 18, 2025 | 11 | $507,762 | -25% | +1,224% | 1,238 | $410 | $1,404,570 | 9 |
| Oct 19, 2025 | 11 | $341,619 | -33% | +1,003% | 1,238 | $276 | $1,746,189 | 10 |
| Oct 20, 2025 | - | $148,558 | -57% | +652% | 1,238 | $120 | $1,894,747 | 11 |
| Oct 21, 2025 | - | $239,167 | +61% | +1,356% | 1,238 | $193 | $2,133,914 | 12 |
| Oct 22, 2025 | - | $154,659 | -35% | +1,056% | 1,238 | $125 | $2,288,573 | 13 |
| Oct 23, 2025 | 9 | $106,714 | -31% | +1,147% | 1,238 | $86 | $2,395,287 | 14 |
| Oct 24, 2025 | - | $151,362 | +42% | -78% | 1,238 | $122 | $2,546,649 | 15 |
| Oct 25, 2025 | - | $208,926 | +38% | -59% | 1,238 | $169 | $2,755,575 | 16 |
| Oct 26, 2025 | - | $144,581 | -31% | -58% | 1,238 | $117 | $2,900,156 | 17 |
| Oct 27, 2025 | - | $59,144 | -59% | -60% | 1,238 | $48 | $2,959,300 | 18 |
| Oct 28, 2025 | - | $98,435 | +66% | -59% | 1,238 | $80 | $3,057,735 | 19 |
| Oct 29, 2025 | - | $56,741 | -42% | -63% | 1,238 | $46 | $3,114,476 | 20 |
| Oct 30, 2025 | - | $42,330 | -25% | -60% | 1,238 | $34 | $3,156,806 | 21 |
| Oct 31, 2025 | - | $14,074 | -67% | -91% | 280 | $50 | $3,170,880 | 22 |
| Nov 1, 2025 | - | $25,816 | +83% | -88% | 280 | $92 | $3,196,696 | 23 |
| Nov 2, 2025 | - | $18,263 | -29% | -87% | 280 | $65 | $3,214,959 | 24 |
| Nov 3, 2025 | - | $9,884 | -46% | -83% | 280 | $35 | $3,224,843 | 25 |
| Nov 4, 2025 | - | $15,285 | +55% | -84% | 280 | $55 | $3,240,128 | 26 |
| Nov 5, 2025 | - | $12,092 | -21% | -79% | 280 | $43 | $3,252,220 | 27 |
| Nov 6, 2025 | - | $6,610 | -45% | -84% | 280 | $24 | $3,258,830 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 10, 2025 | 22 | $216,795 | 6 | $36,133 | $216,795 | 1 | |
| Oct 17, 2025 | 8 | $2,178,492 | +905% | 1,238 | $1,760 | $2,395,287 | 2 |
| Oct 24, 2025 | 17 | $761,519 | -65% | 1,238 | $615 | $3,156,806 | 3 |
| Oct 31, 2025 | 29 | $102,024 | -87% | 280 | $364 | $3,258,830 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 10/16/2025 | $98,937 | 96 | 96 | 0 | $277,008 | 4/6/2026 | |||
| Czech Republic | 10/16/2025 | $13,101 | 98 | 98 | 98 | $31,519 | 4/4/2026 | |||
| Finland | 10/17/2025 | $16,935 | 43 | 43 | 83 | $41,314 | 4/21/2026 | |||
| Italy | 10/16/2025 | $719,728 | 0 | 0 | 0 | $1,608,571 | 4/4/2026 | |||
| Mexico | 10/16/2025 | $298,431 | 0 | 0 | 0 | $516,501 | 4/4/2026 | |||
| Netherlands | 10/16/2025 | $172,505 | 81 | 81 | 296 | $539,939 | 4/4/2026 | |||
| Portugal | 10/16/2025 | $65,640 | 67 | 67 | 0 | $172,278 | 4/4/2026 | |||
| Romania | 10/17/2025 | $27,950 | 67 | 67 | 0 | $68,893 | 4/4/2026 | |||
| Slovakia | 10/16/2025 | $7,497 | 51 | 51 | 75 | $13,389 | 4/4/2026 | |||
| Spain | 10/17/2025 | $155,787 | 177 | 177 | 332 | $329,535 | 4/4/2026 | |||
| United Kingdom | 10/17/2025 | $278,992 | 340 | 340 | 340 | $278,992 | 4/4/2026 | |||
| International Total | $3,877,939 | 4/21/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Julia Roberts | Alma Olsson | |
| Ayo Edebiri | Maggie Price | |
| Andrew Garfield | Hank Gibson | |
| Michael Stuhlbarg | Frederik Olsson |
Supporting
| Chloë Sevigny | Kim | |
| Thaddea Graham | Katie | |
| Lío Mehiel | Alex | |
| Christine Dye | Patricia | |
| Ariyan Kassam | Peter | |
| Burgess Byrd | Daphne Walgreens | |
| Will Price | Arthur | |
| David Leiber | Dean RJ Thomas | |
| Lailani Olan | Faviola | |
| Nora Garrett | Billie | |
| Frankie Ferrari | Wendy / Kim’s Secretary / Pharmacy Tech | |
| Sadie Scott | Protestor |
Production and Technical Credits
| Luca Guadagnino | Director | |
| Nora Garrett | Screenwriter | |
| Allan Mandelbaum | Producer | |
| Brian Grazer | Producer | |
| Jeb Brody | Producer | |
| Luca Guadagnino | Producer | |
| Nora Garrett | Executive Producer | |
| Karen Lunder | Executive Producer | |
| Justin Wilkes | Executive Producer | |
| Alice Dawson | Executive Producer | |
| Malik Hassan Sayeed* | Cinematographer | |
| Marco Costa | Editor | |
| Trent Reznor | Composer | |
| Atticus Ross | Composer | |
| Giulia Piersanti | Costume Designer | |
| Daniela Venturelli | Co-Producer | |
| Lyn Pinezich | Evelyn Pinezich | |
| Francesca Reidy | Production Supervisor | |
| Alex Gladstone | Supervising Location Manager | |
| Matt Winter | Location Manager | |
| Dominic Tighe | Location Manager | |
| Frankie Ferrari | Script Supervisor | |
| Yves-Marie Omnes | Sound Mixer | |
| Tom Still | Supervising Art Director | |
| Su Whitaker | Senior Art Director | |
| Marc Homes | Senior Art Director | |
| Agis Prylis | Art Director | |
| Anthony Caron-Delion | Art Director | |
| Magdalena Kronenberg-Seweryn | Set Designer | |
| Liam Morgan | Set Designer | |
| Sara Taddei | Set Designer | |
| Kyle Stephen-Lett | Set Designer | |
| Kristina Zimmermann | Set Designer | |
| Lee Sandales | Set Decorator | |
| Daniela Venturelli | Post-Production Supervisor | |
| Angela Anzelmo | First Assistant Editor | |
| Craig Berkey | Supervising Sound Editor | |
| David Favargiotti | Supervising Sound Editor | |
| Paul Carter | Re-recording Mixer | |
| Craig Berkey | Re-recording Mixer | |
| Paul Carter | Sound Designer | |
| Alessandro Bonfanti | Dialogue Editor | |
| Davi Aquino | Foley Editor | |
| Jenna Dalla Riva | Foley Editor | |
| Kevin Jung | Foley Editor | |
| Colton Maddigan | Foley Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A college professor finds herself at a personal and professional crossroads when a star student levels an accusation against one of her colleagues, and a dark secret from her own past threatens to come into the light.
Metrics
| Opening Weekend: | $158,679 (4.9% of total gross) |
| Legs: | 2.13 (domestic box office/biggest weekend) |
| Domestic Share: | 45.7% (domestic box office/worldwide) |
| Theater counts: | 6 opening theaters/1,238 max. theaters, 2.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $3,258,830 |
Movie Details
| Domestic Releases: | October 10th, 2025 (Limited) by Amazon MGM Studios October 17th, 2025 (Expands Wide) by Amazon MGM Studios |
| International Releases: | October 9th, 2025 (Wide), released as Depois da caçada (Brazil)
October 16th, 2025 (Limited), released as Obvinění (Czech Republic) October 16th, 2025 (Wide), released as After the Hunt: Dopo la Caccia (Italy) October 16th, 2025 (Wide) (Netherlands) October 16th, 2025 (Wide), released as Cacería de brujas (Argentina) ... Show all releases |
| Video Release: | November 20th, 2025 by Amazon Studios |
| MPA Rating: | R for language and some sexual content. (Rating bulletin 2880 (cert #55437), 4/9/2025) |
| Running Time: | 138 minutes |
| Film festival: | Venice Film Festival 2025 |
| Plot point: | Child Abuse, College Professor, Sex Crimes, Suicide, Surprise Twist, The Past Catching up with You |
| Social setting: | College |
| Subgenre: | Psychological Thriller |
| Time period setting: | 2010s |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Imagine Entertainment, Frenesy Film, Amazon MGM Studios |
| Production Countries: | United States, Italy |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 10, 2025 | - | $158,679 | 6 | $26,447 | $158,679 | 1 | |
| Oct 17, 2025 | 9 | $1,529,394 | +864% | 1,238 | $1,235 | $1,746,189 | 2 |
| Oct 24, 2025 | - | $504,869 | -67% | 1,238 | $408 | $2,900,156 | 3 |
| Oct 31, 2025 | - | $58,153 | -88% | 280 | $208 | $3,214,959 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Oct 10, 2025 | - | $89,350 | 6 | $14,892 | $89,350 | 1 | ||
| Oct 11, 2025 | - | $38,359 | -57% | 6 | $6,393 | $127,709 | 2 | |
| Oct 12, 2025 | - | $30,970 | -19% | 6 | $5,162 | $158,679 | 3 | |
| Oct 13, 2025 | - | $19,755 | -36% | 6 | $3,293 | $178,434 | 4 | |
| Oct 14, 2025 | - | $16,422 | -17% | 6 | $2,737 | $194,856 | 5 | |
| Oct 15, 2025 | - | $13,380 | -19% | 6 | $2,230 | $208,236 | 6 | |
| Oct 16, 2025 | - | $8,559 | -36% | 6 | $1,427 | $216,795 | 7 | |
| Oct 17, 2025 | 7 | $680,013 | +7,845% | +661% | 1,238 | $549 | $896,808 | 8 |
| Oct 18, 2025 | 11 | $507,762 | -25% | +1,224% | 1,238 | $410 | $1,404,570 | 9 |
| Oct 19, 2025 | 11 | $341,619 | -33% | +1,003% | 1,238 | $276 | $1,746,189 | 10 |
| Oct 20, 2025 | - | $148,558 | -57% | +652% | 1,238 | $120 | $1,894,747 | 11 |
| Oct 21, 2025 | - | $239,167 | +61% | +1,356% | 1,238 | $193 | $2,133,914 | 12 |
| Oct 22, 2025 | - | $154,659 | -35% | +1,056% | 1,238 | $125 | $2,288,573 | 13 |
| Oct 23, 2025 | 9 | $106,714 | -31% | +1,147% | 1,238 | $86 | $2,395,287 | 14 |
| Oct 24, 2025 | - | $151,362 | +42% | -78% | 1,238 | $122 | $2,546,649 | 15 |
| Oct 25, 2025 | - | $208,926 | +38% | -59% | 1,238 | $169 | $2,755,575 | 16 |
| Oct 26, 2025 | - | $144,581 | -31% | -58% | 1,238 | $117 | $2,900,156 | 17 |
| Oct 27, 2025 | - | $59,144 | -59% | -60% | 1,238 | $48 | $2,959,300 | 18 |
| Oct 28, 2025 | - | $98,435 | +66% | -59% | 1,238 | $80 | $3,057,735 | 19 |
| Oct 29, 2025 | - | $56,741 | -42% | -63% | 1,238 | $46 | $3,114,476 | 20 |
| Oct 30, 2025 | - | $42,330 | -25% | -60% | 1,238 | $34 | $3,156,806 | 21 |
| Oct 31, 2025 | - | $14,074 | -67% | -91% | 280 | $50 | $3,170,880 | 22 |
| Nov 1, 2025 | - | $25,816 | +83% | -88% | 280 | $92 | $3,196,696 | 23 |
| Nov 2, 2025 | - | $18,263 | -29% | -87% | 280 | $65 | $3,214,959 | 24 |
| Nov 3, 2025 | - | $9,884 | -46% | -83% | 280 | $35 | $3,224,843 | 25 |
| Nov 4, 2025 | - | $15,285 | +55% | -84% | 280 | $55 | $3,240,128 | 26 |
| Nov 5, 2025 | - | $12,092 | -21% | -79% | 280 | $43 | $3,252,220 | 27 |
| Nov 6, 2025 | - | $6,610 | -45% | -84% | 280 | $24 | $3,258,830 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 10, 2025 | 22 | $216,795 | 6 | $36,133 | $216,795 | 1 | |
| Oct 17, 2025 | 8 | $2,178,492 | +905% | 1,238 | $1,760 | $2,395,287 | 2 |
| Oct 24, 2025 | 17 | $761,519 | -65% | 1,238 | $615 | $3,156,806 | 3 |
| Oct 31, 2025 | 29 | $102,024 | -87% | 280 | $364 | $3,258,830 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 10/16/2025 | $98,937 | 96 | 96 | 0 | $277,008 | 4/6/2026 | |||
| Czech Republic | 10/16/2025 | $13,101 | 98 | 98 | 98 | $31,519 | 4/4/2026 | |||
| Finland | 10/17/2025 | $16,935 | 43 | 43 | 83 | $41,314 | 4/21/2026 | |||
| Italy | 10/16/2025 | $719,728 | 0 | 0 | 0 | $1,608,571 | 4/4/2026 | |||
| Mexico | 10/16/2025 | $298,431 | 0 | 0 | 0 | $516,501 | 4/4/2026 | |||
| Netherlands | 10/16/2025 | $172,505 | 81 | 81 | 296 | $539,939 | 4/4/2026 | |||
| Portugal | 10/16/2025 | $65,640 | 67 | 67 | 0 | $172,278 | 4/4/2026 | |||
| Romania | 10/17/2025 | $27,950 | 67 | 67 | 0 | $68,893 | 4/4/2026 | |||
| Slovakia | 10/16/2025 | $7,497 | 51 | 51 | 75 | $13,389 | 4/4/2026 | |||
| Spain | 10/17/2025 | $155,787 | 177 | 177 | 332 | $329,535 | 4/4/2026 | |||
| United Kingdom | 10/17/2025 | $278,992 | 340 | 340 | 340 | $278,992 | 4/4/2026 | |||
| International Total | $3,877,939 | 4/21/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Julia Roberts | Alma Olsson | |
| Ayo Edebiri | Maggie Price | |
| Andrew Garfield | Hank Gibson | |
| Michael Stuhlbarg | Frederik Olsson |
Supporting
| Chloë Sevigny | Kim | |
| Thaddea Graham | Katie | |
| Lío Mehiel | Alex | |
| Christine Dye | Patricia | |
| Ariyan Kassam | Peter | |
| Burgess Byrd | Daphne Walgreens | |
| Will Price | Arthur | |
| David Leiber | Dean RJ Thomas | |
| Lailani Olan | Faviola | |
| Nora Garrett | Billie | |
| Frankie Ferrari | Wendy / Kim’s Secretary / Pharmacy Tech | |
| Sadie Scott | Protestor |
Production and Technical Credits
| Luca Guadagnino | Director | |
| Nora Garrett | Screenwriter | |
| Allan Mandelbaum | Producer | |
| Brian Grazer | Producer | |
| Jeb Brody | Producer | |
| Luca Guadagnino | Producer | |
| Nora Garrett | Executive Producer | |
| Karen Lunder | Executive Producer | |
| Justin Wilkes | Executive Producer | |
| Alice Dawson | Executive Producer | |
| Malik Hassan Sayeed* | Cinematographer | |
| Marco Costa | Editor | |
| Trent Reznor | Composer | |
| Atticus Ross | Composer | |
| Giulia Piersanti | Costume Designer | |
| Daniela Venturelli | Co-Producer | |
| Lyn Pinezich | Evelyn Pinezich | |
| Francesca Reidy | Production Supervisor | |
| Alex Gladstone | Supervising Location Manager | |
| Matt Winter | Location Manager | |
| Dominic Tighe | Location Manager | |
| Frankie Ferrari | Script Supervisor | |
| Yves-Marie Omnes | Sound Mixer | |
| Tom Still | Supervising Art Director | |
| Su Whitaker | Senior Art Director | |
| Marc Homes | Senior Art Director | |
| Agis Prylis | Art Director | |
| Anthony Caron-Delion | Art Director | |
| Magdalena Kronenberg-Seweryn | Set Designer | |
| Liam Morgan | Set Designer | |
| Sara Taddei | Set Designer | |
| Kyle Stephen-Lett | Set Designer | |
| Kristina Zimmermann | Set Designer | |
| Lee Sandales | Set Decorator | |
| Daniela Venturelli | Post-Production Supervisor | |
| Angela Anzelmo | First Assistant Editor | |
| Craig Berkey | Supervising Sound Editor | |
| David Favargiotti | Supervising Sound Editor | |
| Paul Carter | Re-recording Mixer | |
| Craig Berkey | Re-recording Mixer | |
| Paul Carter | Sound Designer | |
| Alessandro Bonfanti | Dialogue Editor | |
| Davi Aquino | Foley Editor | |
| Jenna Dalla Riva | Foley Editor | |
| Kevin Jung | Foley Editor | |
| Colton Maddigan | Foley Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.