After the Storm (海よりもまだ深く) (2016)
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| Theatrical Performance | ||
| Domestic Box Office | $272,132 | Details |
| International Box Office | $5,093,716 | Details |
| Worldwide Box Office | $5,365,848 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $85,902 | |
| Blu-ray Sales (estimated) | $73,997 | |
| Total | $159,899 | |
| OpusData ID: 266390100 More info... | ||
| Further financial details... | ||
Synopsis
Dwelling on his past glory as a prize-winning author, Ryota wastes the money he makes as a private detective on gambling and can barely pay his child support. After the death of his father, his aging mother Yoshiko and his beautiful ex-wife Kyoko seem to be moving on with their lives. Renewing contact with his initially distrusting family, Ryota struggles to take back control of his existence and to find a place in the life of his young son Shingo until a stormy summer night offers them a chance to truly bond again.
Metrics
| Opening Weekend: | $27,880 (10.2% of total gross) |
| Legs: | 7.48 (domestic box office/biggest weekend) |
| Domestic Share: | 5.1% (domestic box office/worldwide) |
| Theater counts: | 6 opening theaters/38 max. theaters, 4.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $362,842 |
Movie Details
| Domestic Releases: | March 17th, 2017 (Limited) by Film Movement, released as After the Storm July 31st, 2025 (Limited) by Rialto Distribution, released as After the Storm |
| International Releases: | May 20th, 2016 (Wide), released as Umi yori mo mada fukaku (Japan)
July 22nd, 2016 (Limited), released as After the Storm (South Korea) July 27th, 2016 (Wide), released as After the Storm (South Korea) November 11th, 2016 (Wide), released as Despues de la tormenta (Spain) March 14th, 2017 (Limited), released as After the Storm (Netherlands) ... Show all releases |
| Video Release: | August 15th, 2017 by Film Movement Video, released as After the Storm |
| MPA Rating: | Not Rated |
| Running Time: | 117 minutes |
| Plot point: | Dysfunctional Family, Gambling, Money Troubles, Private Investigator, Extreme Weather, Writing and Writers |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | AOI Pro Inc, Fuji Television Network, Bandai Visual, GAGA Corporation |
| Production Countries: | Japan |
| Languages: | Japanese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 17, 2017 | 45 | $27,880 | 6 | $4,647 | $27,880 | 1 | |
| Mar 24, 2017 | 50 | $23,500 | -16% | 10 | $2,350 | $72,692 | 2 |
| Mar 31, 2017 | 47 | $23,999 | +2% | 16 | $1,500 | $109,474 | 3 |
| Apr 7, 2017 | 44 | $36,379 | +52% | 35 | $1,039 | $158,408 | 4 |
| Apr 14, 2017 | 46 | $25,477 | -30% | 38 | $670 | $201,713 | 5 |
| Apr 21, 2017 | 61 | $10,337 | -59% | 21 | $492 | $224,207 | 6 |
| Apr 28, 2017 | 76 | $2,273 | -78% | 8 | $284 | $235,281 | 7 |
| May 5, 2017 | 74 | $2,791 | +23% | 7 | $399 | $241,276 | 8 |
| May 12, 2017 | 77 | $3,625 | +30% | 8 | $453 | $246,528 | 9 |
| May 19, 2017 | - | $264 | -93% | 2 | $132 | $249,936 | 10 |
| May 26, 2017 | 80 | $645 | +144% | 3 | $215 | $252,210 | 11 |
| Jun 2, 2017 | 83 | $1,412 | +119% | 3 | $471 | $254,806 | 12 |
| Jun 9, 2017 | 91 | $182 | -87% | 2 | $91 | $256,299 | 13 |
| Jun 16, 2017 | 96 | $150 | -18% | 1 | $150 | $260,461 | 14 |
| Jun 23, 2017 | 71 | $2,599 | +1,633% | 2 | $1,300 | $263,661 | 15 |
| Jul 7, 2017 | 87 | $658 | 1 | $658 | $267,115 | 17 | |
| Jul 28, 2017 | 99 | $253 | 1 | $253 | $270,367 | 20 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 17, 2017 | 45 | $49,192 | 6 | $8,199 | $49,192 | 1 | |
| Mar 24, 2017 | 47 | $36,283 | -26% | 11 | $3,298 | $86,464 | 2 |
| Mar 31, 2017 | 46 | $35,565 | -2% | 19 | $1,872 | $122,029 | 3 |
| Apr 7, 2017 | 42 | $52,997 | +49% | 35 | $1,514 | $176,236 | 4 |
| Apr 14, 2017 | 47 | $37,716 | -29% | 38 | $993 | $213,952 | 5 |
| Apr 21, 2017 | 57 | $19,056 | -49% | 21 | $907 | $233,008 | 6 |
| Apr 28, 2017 | 71 | $5,477 | -71% | 8 | $685 | $238,485 | 7 |
| May 5, 2017 | 71 | $4,620 | -16% | 7 | $660 | $243,105 | 8 |
| May 12, 2017 | 73 | $6,567 | +42% | 11 | $597 | $249,672 | 9 |
| May 19, 2017 | 78 | $1,893 | -71% | 2 | $947 | $251,565 | 10 |
| May 26, 2017 | 76 | $1,717 | -9% | 3 | $572 | $253,882 | 11 |
| Jun 2, 2017 | 85 | $2,235 | +30% | 3 | $745 | $256,117 | 12 |
| Jun 9, 2017 | 77 | $1,988 | -11% | 2 | $994 | $258,105 | 13 |
| Jun 16, 2017 | 94 | $358 | -82% | 1 | $358 | $258,975 | 14 |
| Jun 23, 2017 | 68 | $5,934 | +1,558% | 2 | $2,967 | $264,909 | 15 |
| Jul 7, 2017 | 80 | $2,341 | 2 | $1,171 | $270,114 | 17 | |
| Jul 28, 2017 | 98 | $149 | 1 | $149 | $270,516 | 20 | |
| Aug 25, 2017 | 110 | $238 | 1 | $238 | $272,132 | 24 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 6/30/2017 | $24,419 | 0 | 0 | 0 | $38,261 | 1/1/2019 | |||
| Australia | 5/19/2017 | $1,204 | 2 | 2 | 5 | $8,450 | 8/6/2018 | |||
| France | 4/28/2017 | $105,655 | 0 | 0 | 0 | $815,129 | 6/27/2018 | |||
| Italy | 5/25/2017 | $49,894 | 0 | 0 | 0 | $171,533 | 6/22/2017 | |||
| Japan | 5/20/2016 | $988,361 | 0 | 0 | 0 | $3,120,206 | 8/20/2018 | |||
| Netherlands | 3/14/2017 | $20,342 | 19 | 19 | 55 | $69,015 | 4/7/2017 | |||
| New Zealand | 4/28/2017 | $3,215 | 12 | 1 | 72 | $20,703 | 4/4/2026 | |||
| Portugal | 10/19/2023 | $407 | 1 | 1 | 1 | $422 | 10/24/2023 | |||
| South Korea | 7/22/2016 | $3,498 | 3 | 72 | 219 | $678,338 | 4/19/2017 | |||
| Spain | 11/11/2016 | $46,495 | 36 | 36 | 114 | $139,126 | 12/29/2016 | |||
| United Kingdom | 6/2/2017 | $28,289 | 20 | 20 | 20 | $28,289 | 6/9/2017 | |||
| Rest of World | $4,244 | |||||||||
| International Total | $5,093,716 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Hiroshi Abe | Ryota Shinoda | |
| Yoko Maki | Kyoko Shiraishi | |
| Taiyo Yoshizawa | Shingo Shiraishi | |
| Kirin Kiki | Yoshiko Shinoda |
Supporting
| Lily Franky | Koichiro Yamabe | |
| Satomi Kobayashi | Chinatsu Nakashima | |
| Sosuke Ikematsu | Kento Machida | |
| Isao Hashizume | Mitsuru Niida |
Production and Technical Credits
| Hirokazu Kore-eda | Director | |
| Hirokazu Kore-eda | Screenwriter | |
| Hirokazu Kore-eda | Original Story by | |
| Hirokazu Kore-eda | Editor | |
| Hanaregumi | Composer | |
| Yutaka Yamazaki | Director of Photography | |
| Eiji Oshita | Lighting | |
| Yutaka Tsurumaki | Sound Designer | |
| Mitsumatsu Keiko | Production Designer | |
| Takashi Ishihara | Chief Executive Producer | |
| Kazumi Kawashiro | Chief Executive Producer | |
| Tsugihiko Fujiwara | Chief Executive Producer | |
| Tom Yoda | Chief Executive Producer | |
| Yasushi Kuwata | Executive Producer | |
| Kenji Hamada | Executive Producer | |
| Yasuhito Nakae | Executive Producer | |
| Tsuyoshi Matsushita | Executive Producer | |
| Megumi Osawa | Associate Producer | |
| Kaoru Matsuzaki | Producer | |
| Akihiko Yose | Producer | |
| Hijiri Taguchi | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Dwelling on his past glory as a prize-winning author, Ryota wastes the money he makes as a private detective on gambling and can barely pay his child support. After the death of his father, his aging mother Yoshiko and his beautiful ex-wife Kyoko seem to be moving on with their lives. Renewing contact with his initially distrusting family, Ryota struggles to take back control of his existence and to find a place in the life of his young son Shingo until a stormy summer night offers them a chance to truly bond again.
Metrics
| Opening Weekend: | $27,880 (10.2% of total gross) |
| Legs: | 7.48 (domestic box office/biggest weekend) |
| Domestic Share: | 5.1% (domestic box office/worldwide) |
| Theater counts: | 6 opening theaters/38 max. theaters, 4.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $362,842 |
Movie Details
| Domestic Releases: | March 17th, 2017 (Limited) by Film Movement, released as After the Storm July 31st, 2025 (Limited) by Rialto Distribution, released as After the Storm |
| International Releases: | May 20th, 2016 (Wide), released as Umi yori mo mada fukaku (Japan)
July 22nd, 2016 (Limited), released as After the Storm (South Korea) July 27th, 2016 (Wide), released as After the Storm (South Korea) November 11th, 2016 (Wide), released as Despues de la tormenta (Spain) March 14th, 2017 (Limited), released as After the Storm (Netherlands) ... Show all releases |
| Video Release: | August 15th, 2017 by Film Movement Video, released as After the Storm |
| MPA Rating: | Not Rated |
| Running Time: | 117 minutes |
| Plot point: | Dysfunctional Family, Gambling, Money Troubles, Private Investigator, Extreme Weather, Writing and Writers |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | AOI Pro Inc, Fuji Television Network, Bandai Visual, GAGA Corporation |
| Production Countries: | Japan |
| Languages: | Japanese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 17, 2017 | 45 | $27,880 | 6 | $4,647 | $27,880 | 1 | |
| Mar 24, 2017 | 50 | $23,500 | -16% | 10 | $2,350 | $72,692 | 2 |
| Mar 31, 2017 | 47 | $23,999 | +2% | 16 | $1,500 | $109,474 | 3 |
| Apr 7, 2017 | 44 | $36,379 | +52% | 35 | $1,039 | $158,408 | 4 |
| Apr 14, 2017 | 46 | $25,477 | -30% | 38 | $670 | $201,713 | 5 |
| Apr 21, 2017 | 61 | $10,337 | -59% | 21 | $492 | $224,207 | 6 |
| Apr 28, 2017 | 76 | $2,273 | -78% | 8 | $284 | $235,281 | 7 |
| May 5, 2017 | 74 | $2,791 | +23% | 7 | $399 | $241,276 | 8 |
| May 12, 2017 | 77 | $3,625 | +30% | 8 | $453 | $246,528 | 9 |
| May 19, 2017 | - | $264 | -93% | 2 | $132 | $249,936 | 10 |
| May 26, 2017 | 80 | $645 | +144% | 3 | $215 | $252,210 | 11 |
| Jun 2, 2017 | 83 | $1,412 | +119% | 3 | $471 | $254,806 | 12 |
| Jun 9, 2017 | 91 | $182 | -87% | 2 | $91 | $256,299 | 13 |
| Jun 16, 2017 | 96 | $150 | -18% | 1 | $150 | $260,461 | 14 |
| Jun 23, 2017 | 71 | $2,599 | +1,633% | 2 | $1,300 | $263,661 | 15 |
| Jul 7, 2017 | 87 | $658 | 1 | $658 | $267,115 | 17 | |
| Jul 28, 2017 | 99 | $253 | 1 | $253 | $270,367 | 20 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 17, 2017 | 45 | $49,192 | 6 | $8,199 | $49,192 | 1 | |
| Mar 24, 2017 | 47 | $36,283 | -26% | 11 | $3,298 | $86,464 | 2 |
| Mar 31, 2017 | 46 | $35,565 | -2% | 19 | $1,872 | $122,029 | 3 |
| Apr 7, 2017 | 42 | $52,997 | +49% | 35 | $1,514 | $176,236 | 4 |
| Apr 14, 2017 | 47 | $37,716 | -29% | 38 | $993 | $213,952 | 5 |
| Apr 21, 2017 | 57 | $19,056 | -49% | 21 | $907 | $233,008 | 6 |
| Apr 28, 2017 | 71 | $5,477 | -71% | 8 | $685 | $238,485 | 7 |
| May 5, 2017 | 71 | $4,620 | -16% | 7 | $660 | $243,105 | 8 |
| May 12, 2017 | 73 | $6,567 | +42% | 11 | $597 | $249,672 | 9 |
| May 19, 2017 | 78 | $1,893 | -71% | 2 | $947 | $251,565 | 10 |
| May 26, 2017 | 76 | $1,717 | -9% | 3 | $572 | $253,882 | 11 |
| Jun 2, 2017 | 85 | $2,235 | +30% | 3 | $745 | $256,117 | 12 |
| Jun 9, 2017 | 77 | $1,988 | -11% | 2 | $994 | $258,105 | 13 |
| Jun 16, 2017 | 94 | $358 | -82% | 1 | $358 | $258,975 | 14 |
| Jun 23, 2017 | 68 | $5,934 | +1,558% | 2 | $2,967 | $264,909 | 15 |
| Jul 7, 2017 | 80 | $2,341 | 2 | $1,171 | $270,114 | 17 | |
| Jul 28, 2017 | 98 | $149 | 1 | $149 | $270,516 | 20 | |
| Aug 25, 2017 | 110 | $238 | 1 | $238 | $272,132 | 24 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 6/30/2017 | $24,419 | 0 | 0 | 0 | $38,261 | 1/1/2019 | |||
| Australia | 5/19/2017 | $1,204 | 2 | 2 | 5 | $8,450 | 8/6/2018 | |||
| France | 4/28/2017 | $105,655 | 0 | 0 | 0 | $815,129 | 6/27/2018 | |||
| Italy | 5/25/2017 | $49,894 | 0 | 0 | 0 | $171,533 | 6/22/2017 | |||
| Japan | 5/20/2016 | $988,361 | 0 | 0 | 0 | $3,120,206 | 8/20/2018 | |||
| Netherlands | 3/14/2017 | $20,342 | 19 | 19 | 55 | $69,015 | 4/7/2017 | |||
| New Zealand | 4/28/2017 | $3,215 | 12 | 1 | 72 | $20,703 | 4/4/2026 | |||
| Portugal | 10/19/2023 | $407 | 1 | 1 | 1 | $422 | 10/24/2023 | |||
| South Korea | 7/22/2016 | $3,498 | 3 | 72 | 219 | $678,338 | 4/19/2017 | |||
| Spain | 11/11/2016 | $46,495 | 36 | 36 | 114 | $139,126 | 12/29/2016 | |||
| United Kingdom | 6/2/2017 | $28,289 | 20 | 20 | 20 | $28,289 | 6/9/2017 | |||
| Rest of World | $4,244 | |||||||||
| International Total | $5,093,716 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Hiroshi Abe | Ryota Shinoda | |
| Yoko Maki | Kyoko Shiraishi | |
| Taiyo Yoshizawa | Shingo Shiraishi | |
| Kirin Kiki | Yoshiko Shinoda |
Supporting
| Lily Franky | Koichiro Yamabe | |
| Satomi Kobayashi | Chinatsu Nakashima | |
| Sosuke Ikematsu | Kento Machida | |
| Isao Hashizume | Mitsuru Niida |
Production and Technical Credits
| Hirokazu Kore-eda | Director | |
| Hirokazu Kore-eda | Screenwriter | |
| Hirokazu Kore-eda | Original Story by | |
| Hirokazu Kore-eda | Editor | |
| Hanaregumi | Composer | |
| Yutaka Yamazaki | Director of Photography | |
| Eiji Oshita | Lighting | |
| Yutaka Tsurumaki | Sound Designer | |
| Mitsumatsu Keiko | Production Designer | |
| Takashi Ishihara | Chief Executive Producer | |
| Kazumi Kawashiro | Chief Executive Producer | |
| Tsugihiko Fujiwara | Chief Executive Producer | |
| Tom Yoda | Chief Executive Producer | |
| Yasushi Kuwata | Executive Producer | |
| Kenji Hamada | Executive Producer | |
| Yasuhito Nakae | Executive Producer | |
| Tsuyoshi Matsushita | Executive Producer | |
| Megumi Osawa | Associate Producer | |
| Kaoru Matsuzaki | Producer | |
| Akihiko Yose | Producer | |
| Hijiri Taguchi | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.