After the Sunset (2004)
| Theatrical Performance | ||
| Domestic Box Office | $28,328,132 | Details |
| International Box Office | $10,000,982 | Details |
| Worldwide Box Office | $38,329,114 | |
| OpusData ID: 130280100 More info... | ||
| Further financial details... | ||
Synopsis
Supposedly master thief Max and his partner in crime Lola have come to Paradise Island in the Bahamas to enjoy their riches, but this island also happens to be scheduled for a tour of one of the world’s most famous diamonds. FBI agent Stan can’t believe Max has retired and travels to the island as well and hooks up with local cop Sophie. And there is local gangster Henri as well, who might have his own plan for the diamond.
Metrics
| Opening Weekend: | $11,100,392 (39.2% of total gross) |
| Legs: | 2.55 (domestic box office/biggest weekend) |
| Domestic Share: | 73.9% (domestic box office/worldwide) |
| Production Budget: | $57,000,000 (worldwide box office is 0.7 times production budget) |
| Theater counts: | 2,819 opening theaters/2,819 max. theaters, 4.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $51,602,334 |
Movie Details
| Domestic Releases: | November 12th, 2004 (Wide) by New Line |
| International Releases: | January 14th, 2005 (Wide), released as After The Sunset (Australia) |
| Video Release: | March 29th, 2005 by Warner Home Video |
| MPA Rating: | PG-13 for sexuality, violence and language |
| Running Time: | 91 minutes |
| Plot point: | Cops and Robbers, Heist, No Honor Among Thieves, Relationships Gone Wrong, Romance |
| Subgenre: | Action Comedy |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Firm Films, Contrafilm, Rat Entertainment |
| Production Countries: | United States, Bahamas |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 12, 2004 | 3 | $11,100,392 | 2,819 | $3,938 | $11,100,392 | 1 | |
| Nov 19, 2004 | 6 | $5,075,005 | -54% | 2,819 | $1,800 | $19,092,384 | 2 |
| Nov 26, 2004 | 10 | $3,101,979 | -39% | 2,309 | $1,343 | $24,320,526 | 3 |
| Dec 3, 2004 | 12 | $1,674,936 | -46% | 1,889 | $887 | $26,744,075 | 4 |
| Dec 10, 2004 | 16 | $432,326 | -74% | 1,019 | $424 | $27,665,978 | 5 |
| Dec 17, 2004 | 33 | $82,738 | -81% | 216 | $383 | $27,939,967 | 6 |
| Dec 24, 2004 | 42 | $27,592 | -67% | 158 | $175 | $28,015,978 | 7 |
| Dec 31, 2004 | 40 | $63,049 | +129% | 146 | $432 | $28,113,925 | 8 |
| Jan 7, 2005 | 40 | $68,504 | +9% | 159 | $431 | $28,226,095 | 9 |
| Jan 14, 2005 | 53 | $26,012 | -62% | 74 | $352 | $28,283,533 | 10 |
| Jan 21, 2005 | 61 | $12,813 | -51% | 45 | $285 | $28,318,022 | 11 |
| Jan 28, 2005 | 79 | $5,207 | -59% | 21 | $248 | $28,328,132 | 12 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Nov 12, 2004 | 3 | $3,600,000 | 2,819 | $1,277 | $3,600,000 | 1 | ||
| Nov 13, 2004 | 3 | $4,638,000 | +29% | 2,819 | $1,645 | $8,286,000 | 2 | |
| Nov 14, 2004 | 3 | $2,814,000 | -39% | 2,819 | $998 | $11,100,392 | 3 | |
| Nov 15, 2004 | 3 | $792,000 | -72% | 2,819 | $281 | $11,893,000 | 4 | |
| Nov 16, 2004 | 3 | $889,000 | +12% | 2,819 | $315 | $12,782,000 | 5 | |
| Nov 17, 2004 | 3 | $758,000 | -15% | 2,819 | $269 | $13,540,000 | 6 | |
| Nov 18, 2004 | 4 | $637,000 | -16% | 2,819 | $226 | $14,017,379 | 7 | |
| Nov 19, 2004 | 6 | $1,600,000 | +151% | -56% | 2,819 | $568 | $15,600,000 | 8 |
| Nov 20, 2004 | 6 | $2,257,000 | +41% | -51% | 2,819 | $801 | $17,805,000 | 9 |
| Nov 21, 2004 | 6 | $1,287,000 | -43% | -54% | 2,819 | $457 | $19,092,384 | 10 |
| Nov 22, 2004 | 6 | $429,000 | -67% | -46% | 2,819 | $152 | $19,522,000 | 11 |
| Nov 23, 2004 | 6 | $516,000 | +20% | -42% | 2,819 | $183 | $20,012,000 | 12 |
| Nov 24, 2004 | 9 | $600,000 | +16% | -21% | 2,819 | $213 | $20,612,000 | 13 |
| Nov 25, 2004 | 10 | $600,000 | n/c | -6% | 2,819 | $213 | $21,212,000 | 14 |
| Nov 29, 2004 | 9 | $213,000 | -50% | 2,309 | $92 | $24,533,000 | 18 | |
| Nov 30, 2004 | 9 | $231,000 | +8% | -55% | 2,309 | $100 | $24,764,000 | 19 |
| Dec 1, 2004 | 9 | $214,000 | -7% | -64% | 2,309 | $93 | $24,978,000 | 20 |
| Dec 2, 2004 | 10 | $184,000 | -14% | -69% | 2,309 | $80 | $25,069,139 | 21 |
| Dec 3, 2004 | 10 | $500,000 | +172% | 1,889 | $265 | $25,600,000 | 22 | |
| Dec 6, 2004 | 10 | $143,000 | -33% | 1,889 | $76 | $26,887,000 | 25 | |
| Dec 7, 2004 | 10 | $159,000 | +11% | -31% | 1,889 | $84 | $27,046,000 | 26 |
| Jan 17, 2005 | - | $4,417 | 74 | $60 | $28,287,950 | 67 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 12, 2004 | 3 | $14,017,379 | 2,819 | $4,972 | $14,017,379 | 1 | |
| Nov 19, 2004 | 6 | $7,201,168 | -49% | 2,819 | $2,555 | $21,218,547 | 2 |
| Nov 26, 2004 | 10 | $3,850,592 | -47% | 2,309 | $1,668 | $25,069,139 | 3 |
| Dec 3, 2004 | 13 | $2,164,513 | -44% | 1,889 | $1,146 | $27,233,652 | 4 |
| Dec 10, 2004 | 15 | $623,577 | -71% | 1,019 | $612 | $27,857,229 | 5 |
| Dec 17, 2004 | 32 | $131,157 | -79% | 216 | $607 | $27,988,386 | 6 |
| Dec 24, 2004 | 42 | $62,490 | -52% | 158 | $396 | $28,050,876 | 7 |
| Dec 31, 2004 | 39 | $106,715 | +71% | 146 | $731 | $28,157,591 | 8 |
| Jan 7, 2005 | 39 | $99,930 | -6% | 159 | $628 | $28,257,521 | 9 |
| Jan 14, 2005 | 51 | $47,688 | -52% | 74 | $644 | $28,305,209 | 10 |
| Jan 21, 2005 | 61 | $17,716 | -63% | 45 | $394 | $28,322,925 | 11 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 1/14/2005 | $502,277 | 134 | 134 | 479 | $1,379,434 | 9/10/2020 | |||
| Rest of World | $8,621,548 | |||||||||
| International Total | $10,000,982 | 9/10/2020 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Pierce Brosnan | Max Burdette | |
| Salma Hayek | Lola Cirillo | |
| Woody Harrelson | Stan Lloyd | |
| Don Cheadle | Henri Moore | |
| Naomie Harris | Sophie |
Supporting
| Chris Penn* | Rowdy Fan | |
| Mykelti Williamson | Agent Stafford | |
| Obba Babatunde | Zacharias | |
| Russell Hornsby | Jean-Paul | |
| Rex Linn | Agent Kowalski | |
| Robert Curtis Brown | Lakers FBI Agent | |
| Mark Moses | Lakers FBI Agent | |
| Michael Bowen | FBI Driver | |
| Tony Ledard | Referee | |
| Karl Malone | Himself | |
| Shaquille O'Neal | Himself | |
| Gary Payton | Himself | |
| Andrew Fiscella | Popcorn Victim | |
| Gianni Russo | Clippers Fan | |
| Jeff Garlin | Ron | |
| Lisa Thornhill | Gail | |
| Kate Walsh | Sheila | |
| Tom McGowan | Ed | |
| Joel McKinnon Miller | Wendell | |
| Rachael Harris | June | |
| Troy Garity | Luc | |
| Shakara Ledard | Masseuse | |
| Audrey Quock | Masseuse | |
| David Reivers | Bahamian Cop | |
| Kamal Marayati | Ship Entrance Security | |
| Gillian Vigman | Exhibit Guide | |
| Noemie Lenoir | Moore Girl | |
| Omyhra Mota | Moore Girl | |
| Oluchi Onweagba | Moore Girl | |
| Alan Dale | Security Chief | |
| Kirk B.R. Woller | Security Guard | |
| Donald Miller | Radio Voice | |
| LeShay Tomlinson | Receptionist | |
| Anthony Reynolds | Evening Shift Guard | |
| Paul Benedict | Night Shift Guard | |
| Ted Detwiler | Bathroom Boy | |
| Chad Gabriel | Bathroom Boy | |
| Keith Sweitzer | Bathroom Boy | |
| Rodney O'Neal McKnight | Bathroom Boy | |
| Frank Bruynbroek | Ship's Steward |
Production and Technical Credits
| Brett Ratner | Director | |
| Paul Zbyszewski | Screenwriter | |
| Craig Rosenberg | Screenwriter | |
| Paul Zbyszewski | Story Creator | |
| Tripp Vinson | Producer | |
| Jay Stern | Producer | |
| Beau Flynn | Producer | |
| Patrick Palmer | Executive Producer | |
| Toby Emmerich | Executive Producer | |
| Kent Alterman | Executive Producer | |
| Geoffrey Kirkland | Production Designer | |
| Mark Helfrich | Editor | |
| Lalo Schifrin | Composer | |
| Dante Spinotti | Director of Photography | |
| Keith Goldberg | Associate Producer | |
| Chris Pollack | Associate Producer | |
| James M. Freitag | Associate Producer | |
| Alissa Ferguson | Associate Producer | |
| James M. Freitag | Assistant Director | |
| Conrad Palmisano | Second Unit Director | |
| Patrick J. Palmer* | Unit Production Manager | |
| Steven Saeta | Unit Production Manager | |
| Ilt Jones | Production Supervisor | |
| Emre Sonmez | Production Supervisor | |
| Steve Arnold | Art Director | |
| Jennifer Williams | Set Decorator | |
| Kyle Rudolph | Second Unit Photography | |
| Pete Zuccarani | Underwater Photography | |
| Rita Ryack | Costume Designer | |
| Nancy McArdle | Costume Supervisor | |
| Julia Wong | Additional Editor | |
| Kim H. Ornitz | Production Sound Mixer | |
| Steve Maslow | Supervising Sound Mixer | |
| Gregg Landaker | Supervising Sound Mixer | |
| Gregory King | Supervising Sound Editor | |
| Yann Delpuech | Co-Supervising Sound Editor | |
| Ai-Ling Lee | Sound Effects Editor | |
| Robert Grieve | Supervising Dialogue Editor | |
| Darren King | Dialogue Editor | |
| Charles Martin Inouye | Music Editor | |
| Andrew Dorfman | Music Editor | |
| Julie Pearce | Department Head Makeup | |
| Matthew W. Mungle | Special Make-up Effects | |
| Gary Calamar | Music Supervisor | |
| Thomas Golubic | Music Supervisor | |
| Victoria Thomas | Casting Director | |
| Conrad Palmisano | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Supposedly master thief Max and his partner in crime Lola have come to Paradise Island in the Bahamas to enjoy their riches, but this island also happens to be scheduled for a tour of one of the world’s most famous diamonds. FBI agent Stan can’t believe Max has retired and travels to the island as well and hooks up with local cop Sophie. And there is local gangster Henri as well, who might have his own plan for the diamond.
Metrics
| Opening Weekend: | $11,100,392 (39.2% of total gross) |
| Legs: | 2.55 (domestic box office/biggest weekend) |
| Domestic Share: | 73.9% (domestic box office/worldwide) |
| Production Budget: | $57,000,000 (worldwide box office is 0.7 times production budget) |
| Theater counts: | 2,819 opening theaters/2,819 max. theaters, 4.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $51,602,334 |
Movie Details
| Domestic Releases: | November 12th, 2004 (Wide) by New Line |
| International Releases: | January 14th, 2005 (Wide), released as After The Sunset (Australia) |
| Video Release: | March 29th, 2005 by Warner Home Video |
| MPA Rating: | PG-13 for sexuality, violence and language |
| Running Time: | 91 minutes |
| Plot point: | Cops and Robbers, Heist, No Honor Among Thieves, Relationships Gone Wrong, Romance |
| Subgenre: | Action Comedy |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Firm Films, Contrafilm, Rat Entertainment |
| Production Countries: | United States, Bahamas |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 12, 2004 | 3 | $11,100,392 | 2,819 | $3,938 | $11,100,392 | 1 | |
| Nov 19, 2004 | 6 | $5,075,005 | -54% | 2,819 | $1,800 | $19,092,384 | 2 |
| Nov 26, 2004 | 10 | $3,101,979 | -39% | 2,309 | $1,343 | $24,320,526 | 3 |
| Dec 3, 2004 | 12 | $1,674,936 | -46% | 1,889 | $887 | $26,744,075 | 4 |
| Dec 10, 2004 | 16 | $432,326 | -74% | 1,019 | $424 | $27,665,978 | 5 |
| Dec 17, 2004 | 33 | $82,738 | -81% | 216 | $383 | $27,939,967 | 6 |
| Dec 24, 2004 | 42 | $27,592 | -67% | 158 | $175 | $28,015,978 | 7 |
| Dec 31, 2004 | 40 | $63,049 | +129% | 146 | $432 | $28,113,925 | 8 |
| Jan 7, 2005 | 40 | $68,504 | +9% | 159 | $431 | $28,226,095 | 9 |
| Jan 14, 2005 | 53 | $26,012 | -62% | 74 | $352 | $28,283,533 | 10 |
| Jan 21, 2005 | 61 | $12,813 | -51% | 45 | $285 | $28,318,022 | 11 |
| Jan 28, 2005 | 79 | $5,207 | -59% | 21 | $248 | $28,328,132 | 12 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Nov 12, 2004 | 3 | $3,600,000 | 2,819 | $1,277 | $3,600,000 | 1 | ||
| Nov 13, 2004 | 3 | $4,638,000 | +29% | 2,819 | $1,645 | $8,286,000 | 2 | |
| Nov 14, 2004 | 3 | $2,814,000 | -39% | 2,819 | $998 | $11,100,392 | 3 | |
| Nov 15, 2004 | 3 | $792,000 | -72% | 2,819 | $281 | $11,893,000 | 4 | |
| Nov 16, 2004 | 3 | $889,000 | +12% | 2,819 | $315 | $12,782,000 | 5 | |
| Nov 17, 2004 | 3 | $758,000 | -15% | 2,819 | $269 | $13,540,000 | 6 | |
| Nov 18, 2004 | 4 | $637,000 | -16% | 2,819 | $226 | $14,017,379 | 7 | |
| Nov 19, 2004 | 6 | $1,600,000 | +151% | -56% | 2,819 | $568 | $15,600,000 | 8 |
| Nov 20, 2004 | 6 | $2,257,000 | +41% | -51% | 2,819 | $801 | $17,805,000 | 9 |
| Nov 21, 2004 | 6 | $1,287,000 | -43% | -54% | 2,819 | $457 | $19,092,384 | 10 |
| Nov 22, 2004 | 6 | $429,000 | -67% | -46% | 2,819 | $152 | $19,522,000 | 11 |
| Nov 23, 2004 | 6 | $516,000 | +20% | -42% | 2,819 | $183 | $20,012,000 | 12 |
| Nov 24, 2004 | 9 | $600,000 | +16% | -21% | 2,819 | $213 | $20,612,000 | 13 |
| Nov 25, 2004 | 10 | $600,000 | n/c | -6% | 2,819 | $213 | $21,212,000 | 14 |
| Nov 29, 2004 | 9 | $213,000 | -50% | 2,309 | $92 | $24,533,000 | 18 | |
| Nov 30, 2004 | 9 | $231,000 | +8% | -55% | 2,309 | $100 | $24,764,000 | 19 |
| Dec 1, 2004 | 9 | $214,000 | -7% | -64% | 2,309 | $93 | $24,978,000 | 20 |
| Dec 2, 2004 | 10 | $184,000 | -14% | -69% | 2,309 | $80 | $25,069,139 | 21 |
| Dec 3, 2004 | 10 | $500,000 | +172% | 1,889 | $265 | $25,600,000 | 22 | |
| Dec 6, 2004 | 10 | $143,000 | -33% | 1,889 | $76 | $26,887,000 | 25 | |
| Dec 7, 2004 | 10 | $159,000 | +11% | -31% | 1,889 | $84 | $27,046,000 | 26 |
| Jan 17, 2005 | - | $4,417 | 74 | $60 | $28,287,950 | 67 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 12, 2004 | 3 | $14,017,379 | 2,819 | $4,972 | $14,017,379 | 1 | |
| Nov 19, 2004 | 6 | $7,201,168 | -49% | 2,819 | $2,555 | $21,218,547 | 2 |
| Nov 26, 2004 | 10 | $3,850,592 | -47% | 2,309 | $1,668 | $25,069,139 | 3 |
| Dec 3, 2004 | 13 | $2,164,513 | -44% | 1,889 | $1,146 | $27,233,652 | 4 |
| Dec 10, 2004 | 15 | $623,577 | -71% | 1,019 | $612 | $27,857,229 | 5 |
| Dec 17, 2004 | 32 | $131,157 | -79% | 216 | $607 | $27,988,386 | 6 |
| Dec 24, 2004 | 42 | $62,490 | -52% | 158 | $396 | $28,050,876 | 7 |
| Dec 31, 2004 | 39 | $106,715 | +71% | 146 | $731 | $28,157,591 | 8 |
| Jan 7, 2005 | 39 | $99,930 | -6% | 159 | $628 | $28,257,521 | 9 |
| Jan 14, 2005 | 51 | $47,688 | -52% | 74 | $644 | $28,305,209 | 10 |
| Jan 21, 2005 | 61 | $17,716 | -63% | 45 | $394 | $28,322,925 | 11 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 1/14/2005 | $502,277 | 134 | 134 | 479 | $1,379,434 | 9/10/2020 | |||
| Rest of World | $8,621,548 | |||||||||
| International Total | $10,000,982 | 9/10/2020 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Pierce Brosnan | Max Burdette | |
| Salma Hayek | Lola Cirillo | |
| Woody Harrelson | Stan Lloyd | |
| Don Cheadle | Henri Moore | |
| Naomie Harris | Sophie |
Supporting
| Chris Penn* | Rowdy Fan | |
| Mykelti Williamson | Agent Stafford | |
| Obba Babatunde | Zacharias | |
| Russell Hornsby | Jean-Paul | |
| Rex Linn | Agent Kowalski | |
| Robert Curtis Brown | Lakers FBI Agent | |
| Mark Moses | Lakers FBI Agent | |
| Michael Bowen | FBI Driver | |
| Tony Ledard | Referee | |
| Karl Malone | Himself | |
| Shaquille O'Neal | Himself | |
| Gary Payton | Himself | |
| Andrew Fiscella | Popcorn Victim | |
| Gianni Russo | Clippers Fan | |
| Jeff Garlin | Ron | |
| Lisa Thornhill | Gail | |
| Kate Walsh | Sheila | |
| Tom McGowan | Ed | |
| Joel McKinnon Miller | Wendell | |
| Rachael Harris | June | |
| Troy Garity | Luc | |
| Shakara Ledard | Masseuse | |
| Audrey Quock | Masseuse | |
| David Reivers | Bahamian Cop | |
| Kamal Marayati | Ship Entrance Security | |
| Gillian Vigman | Exhibit Guide | |
| Noemie Lenoir | Moore Girl | |
| Omyhra Mota | Moore Girl | |
| Oluchi Onweagba | Moore Girl | |
| Alan Dale | Security Chief | |
| Kirk B.R. Woller | Security Guard | |
| Donald Miller | Radio Voice | |
| LeShay Tomlinson | Receptionist | |
| Anthony Reynolds | Evening Shift Guard | |
| Paul Benedict | Night Shift Guard | |
| Ted Detwiler | Bathroom Boy | |
| Chad Gabriel | Bathroom Boy | |
| Keith Sweitzer | Bathroom Boy | |
| Rodney O'Neal McKnight | Bathroom Boy | |
| Frank Bruynbroek | Ship's Steward |
Production and Technical Credits
| Brett Ratner | Director | |
| Paul Zbyszewski | Screenwriter | |
| Craig Rosenberg | Screenwriter | |
| Paul Zbyszewski | Story Creator | |
| Tripp Vinson | Producer | |
| Jay Stern | Producer | |
| Beau Flynn | Producer | |
| Patrick Palmer | Executive Producer | |
| Toby Emmerich | Executive Producer | |
| Kent Alterman | Executive Producer | |
| Geoffrey Kirkland | Production Designer | |
| Mark Helfrich | Editor | |
| Lalo Schifrin | Composer | |
| Dante Spinotti | Director of Photography | |
| Keith Goldberg | Associate Producer | |
| Chris Pollack | Associate Producer | |
| James M. Freitag | Associate Producer | |
| Alissa Ferguson | Associate Producer | |
| James M. Freitag | Assistant Director | |
| Conrad Palmisano | Second Unit Director | |
| Patrick J. Palmer* | Unit Production Manager | |
| Steven Saeta | Unit Production Manager | |
| Ilt Jones | Production Supervisor | |
| Emre Sonmez | Production Supervisor | |
| Steve Arnold | Art Director | |
| Jennifer Williams | Set Decorator | |
| Kyle Rudolph | Second Unit Photography | |
| Pete Zuccarani | Underwater Photography | |
| Rita Ryack | Costume Designer | |
| Nancy McArdle | Costume Supervisor | |
| Julia Wong | Additional Editor | |
| Kim H. Ornitz | Production Sound Mixer | |
| Steve Maslow | Supervising Sound Mixer | |
| Gregg Landaker | Supervising Sound Mixer | |
| Gregory King | Supervising Sound Editor | |
| Yann Delpuech | Co-Supervising Sound Editor | |
| Ai-Ling Lee | Sound Effects Editor | |
| Robert Grieve | Supervising Dialogue Editor | |
| Darren King | Dialogue Editor | |
| Charles Martin Inouye | Music Editor | |
| Andrew Dorfman | Music Editor | |
| Julie Pearce | Department Head Makeup | |
| Matthew W. Mungle | Special Make-up Effects | |
| Gary Calamar | Music Supervisor | |
| Thomas Golubic | Music Supervisor | |
| Victoria Thomas | Casting Director | |
| Conrad Palmisano | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.