After the Wedding (2019)
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| Theatrical Performance | ||
| Domestic Box Office | $1,573,276 | Details |
| International Box Office | $1,366,942 | Details |
| Worldwide Box Office | $2,940,218 | |
| OpusData ID: 327760100 More info... | ||
| Further financial details... | ||
Synopsis
As if driven by an inescapable force, Isabel has devoted her life to running an orphanage in a Calcutta slum. With funds running dry, a potential donor, who requires she travel from India to New York, to deliver a presentation in-person, contacts Isabel. At first balking at the demand of an uncommitted philanthropist, she relents, and travels to a city she deliberately hasn’t returned to in over two decades. Once in New York, Isabel lands uncomfortably in the sight line of the orphanage’s possible benefactor, Theresa Young, a multi-millionaire media mogul accustomed to getting what she wants. From the glittering skyscraper where she runs her successful business, to the glorious Oyster Bay estate, where she lives happily with her artist husband, Oscar Carlson, 21-year-old daughter, Grace, and eight-year-old twins, Theo and Otto, Theresa’s life couldn't appear to be more perfect and different from Isabel’s. But appearances are only skin deep and the two women have more in common than meets the eye. While Isabel thinks she’ll soon be returning to her beloved orphanage, Theresa has other plans. She insists Isabel attend Grace’s wedding at the family’s estate. The joyful event becomes a catalyst for a revelation that upends the lives of both women, and the people who love them most
Metrics
| Opening Weekend: | $50,264 (3.2% of total gross) |
| Legs: | 2.68 (domestic box office/biggest weekend) |
| Domestic Share: | 53.5% (domestic box office/worldwide) |
| Theater counts: | 5 opening theaters/428 max. theaters, 2.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $2,054,190 |
Movie Details
| Domestic Releases: | August 9th, 2019 (Limited) by Sony Pictures Classics |
| International Releases: | September 20th, 2019 (Wide) (Brazil)
September 26th, 2019 (Wide), released as ПОСЛЕ СВАДЬБЫ (Russia (CIS)) October 3rd, 2019 (Wide) (Netherlands) October 11th, 2019 (Wide), released as El Pasado que nos Une (Mexico) October 11th, 2019 (Wide), released as Po vestuvių (Lithuania) ... Show all releases |
| Video Release: | November 12th, 2019 by Sony Pictures Home Entertainment |
| MPA Rating: | PG-13 for thematic material and some strong language. (Rating bulletin 2579 (Cert #51981), 5/22/2019) |
| Running Time: | 119 minutes |
| Cast, crew, or production detail: | Foreign-Language Remake, Remake |
| Film festival: | Sundance Film Festival 2019 |
| Geographical setting: | New York City |
| Social setting: | Orphanage |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Ingenious Media, Rock Island Films, Riverstone Pictures, Margaritz Productions, Fortysixty |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 9, 2019 | 36 | $50,264 | 5 | $10,053 | $50,264 | 1 | |
| Aug 16, 2019 | 31 | $84,287 | +68% | 26 | $3,242 | $156,528 | 2 |
| Aug 23, 2019 | 26 | $154,115 | +83% | 81 | $1,903 | $348,647 | 3 |
| Aug 30, 2019 | 24 | $585,988 | +280% | 428 | $1,369 | $1,003,349 | 4 |
| Sep 6, 2019 | 27 | $201,623 | -66% | 283 | $712 | $1,350,243 | 5 |
| Sep 13, 2019 | 37 | $51,857 | -74% | 96 | $540 | $1,500,500 | 6 |
| Sep 20, 2019 | 54 | $11,767 | -77% | 31 | $380 | $1,543,116 | 7 |
| Sep 27, 2019 | 62 | $7,021 | -40% | 15 | $468 | $1,559,555 | 8 |
| Oct 4, 2019 | 86 | $681 | -90% | 7 | $97 | $1,563,391 | 9 |
| Oct 11, 2019 | 80 | $614 | -10% | 4 | $154 | $1,564,265 | 10 |
| Oct 25, 2019 | 72 | $1,820 | 2 | $910 | $1,571,111 | 12 | |
| Nov 1, 2019 | 73 | $1,455 | -20% | 5 | $291 | $1,573,276 | 13 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 9, 2019 | 42 | $72,241 | 5 | $14,448 | $72,241 | 1 | |
| Aug 16, 2019 | 33 | $122,291 | +69% | 26 | $4,704 | $194,532 | 2 |
| Aug 23, 2019 | 28 | $222,829 | +82% | 81 | $2,751 | $417,361 | 3 |
| Aug 30, 2019 | 23 | $731,259 | +228% | 428 | $1,709 | $1,148,620 | 4 |
| Sep 6, 2019 | 25 | $300,023 | -59% | 283 | $1,060 | $1,448,643 | 5 |
| Sep 13, 2019 | 38 | $82,706 | -72% | 96 | $862 | $1,531,349 | 6 |
| Sep 20, 2019 | 55 | $21,185 | -74% | 31 | $683 | $1,552,534 | 7 |
| Sep 27, 2019 | 66 | $10,176 | -52% | 15 | $678 | $1,562,710 | 8 |
| Oct 4, 2019 | 90 | $941 | -91% | 7 | $134 | $1,563,651 | 9 |
| Oct 11, 2019 | 79 | $996 | +6% | 4 | $249 | $1,564,647 | 10 |
| Oct 18, 2019 | 69 | $4,644 | +366% | 5 | $929 | $1,569,291 | 11 |
| Oct 25, 2019 | 73 | $2,530 | -46% | 2 | $1,265 | $1,571,821 | 12 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 10/11/2019 | $17,945 | 30 | 30 | 30 | $28,927 | 11/17/2019 | |||
| Australia | 10/18/2019 | $1,144 | 4 | 98 | 322 | $294,746 | 1/7/2020 | |||
| Brazil | 9/20/2019 | $114,752 | 119 | 119 | 119 | $114,752 | 9/30/2019 | |||
| Italy | 6/15/2020 | $3,580 | 0 | 0 | 0 | $21,946 | 10/19/2022 | |||
| Lithuania | 10/11/2019 | $5,460 | 11 | 11 | 20 | $12,728 | 11/20/2019 | |||
| Mexico | 10/11/2019 | $150,013 | 0 | 0 | 0 | $292,566 | 10/19/2022 | |||
| Netherlands | 10/3/2019 | $59,920 | 45 | 45 | 135 | $173,191 | 10/19/2022 | |||
| New Zealand | 12/5/2019 | $339 | 1 | 42 | 147 | $49,232 | 10/19/2022 | |||
| Portugal | 10/18/2019 | $19,498 | 9 | 9 | 30 | $60,251 | 10/19/2022 | |||
| Russia (CIS) | 9/26/2019 | $62,996 | 369 | 369 | 496 | $95,549 | 10/19/2022 | |||
| South Korea | 4/23/2020 | $38,310 | 169 | 169 | 338 | $126,058 | 5/27/2020 | |||
| Turkey | 10/25/2019 | $2,578 | 14 | 15 | 30 | $9,567 | 10/19/2022 | |||
| United Kingdom | 11/1/2019 | $87,429 | 130 | 130 | 130 | $87,429 | 11/6/2019 | |||
| International Total | $1,366,942 | 10/19/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Julianne Moore | Theresa Young | |
| Michelle Williams | Isabel | |
| Billy Crudup | Oscar Carlson | |
| Abby Quinn | Grace Carlson |
Supporting
| Alex Esola | Jonathan | |
| Susan Blackwell | Gwen |
Lead Ensemble Member
| Vir Pachisia | Jai |
Supporting
| Kaizad Gandhi | Jaques | |
| Will Chase | Frank | |
| Eisa Davis | Tanya |
Production and Technical Credits
| Bart Freundlich | Director | |
| Bart Freundlich | Screenwriter | |
| Susanne Bier | Story by | |
| Anders Thomas Jensen | Story by | |
| Joel B. Michaels | Producer | |
| Harry Finkel | Producer | |
| Bart Freundlich | Producer | |
| Julianne Moore | Producer | |
| Silvio Muraglia | Producer | |
| Nik Bower | Executive Producer | |
| William Byerley | Executive Producer | |
| Bill Koenigsberg | Executive Producer | |
| Deepak Nayar | Executive Producer | |
| Andrea Scarso | Executive Producer | |
| Peter Touche | Executive Producer | |
| Michael Caton-Jones | Executive Producer | |
| Douglas Aibel | Casting Director | |
| Laura Katz | Music Supervisor | |
| Becky Glupczynski | Line Producer | |
| Arjun Bhasin | Costume Designer | |
| Grace Yun | Production Designer | |
| Mychael Danna | Composer | |
| Joseph Krings | Editor | |
| Julio Macat | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
As if driven by an inescapable force, Isabel has devoted her life to running an orphanage in a Calcutta slum. With funds running dry, a potential donor, who requires she travel from India to New York, to deliver a presentation in-person, contacts Isabel. At first balking at the demand of an uncommitted philanthropist, she relents, and travels to a city she deliberately hasn’t returned to in over two decades. Once in New York, Isabel lands uncomfortably in the sight line of the orphanage’s possible benefactor, Theresa Young, a multi-millionaire media mogul accustomed to getting what she wants. From the glittering skyscraper where she runs her successful business, to the glorious Oyster Bay estate, where she lives happily with her artist husband, Oscar Carlson, 21-year-old daughter, Grace, and eight-year-old twins, Theo and Otto, Theresa’s life couldn't appear to be more perfect and different from Isabel’s. But appearances are only skin deep and the two women have more in common than meets the eye. While Isabel thinks she’ll soon be returning to her beloved orphanage, Theresa has other plans. She insists Isabel attend Grace’s wedding at the family’s estate. The joyful event becomes a catalyst for a revelation that upends the lives of both women, and the people who love them most
Metrics
| Opening Weekend: | $50,264 (3.2% of total gross) |
| Legs: | 2.68 (domestic box office/biggest weekend) |
| Domestic Share: | 53.5% (domestic box office/worldwide) |
| Theater counts: | 5 opening theaters/428 max. theaters, 2.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $2,054,190 |
Movie Details
| Domestic Releases: | August 9th, 2019 (Limited) by Sony Pictures Classics |
| International Releases: | September 20th, 2019 (Wide) (Brazil)
September 26th, 2019 (Wide), released as ПОСЛЕ СВАДЬБЫ (Russia (CIS)) October 3rd, 2019 (Wide) (Netherlands) October 11th, 2019 (Wide), released as El Pasado que nos Une (Mexico) October 11th, 2019 (Wide), released as Po vestuvių (Lithuania) ... Show all releases |
| Video Release: | November 12th, 2019 by Sony Pictures Home Entertainment |
| MPA Rating: | PG-13 for thematic material and some strong language. (Rating bulletin 2579 (Cert #51981), 5/22/2019) |
| Running Time: | 119 minutes |
| Cast, crew, or production detail: | Foreign-Language Remake, Remake |
| Film festival: | Sundance Film Festival 2019 |
| Geographical setting: | New York City |
| Social setting: | Orphanage |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Ingenious Media, Rock Island Films, Riverstone Pictures, Margaritz Productions, Fortysixty |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 9, 2019 | 36 | $50,264 | 5 | $10,053 | $50,264 | 1 | |
| Aug 16, 2019 | 31 | $84,287 | +68% | 26 | $3,242 | $156,528 | 2 |
| Aug 23, 2019 | 26 | $154,115 | +83% | 81 | $1,903 | $348,647 | 3 |
| Aug 30, 2019 | 24 | $585,988 | +280% | 428 | $1,369 | $1,003,349 | 4 |
| Sep 6, 2019 | 27 | $201,623 | -66% | 283 | $712 | $1,350,243 | 5 |
| Sep 13, 2019 | 37 | $51,857 | -74% | 96 | $540 | $1,500,500 | 6 |
| Sep 20, 2019 | 54 | $11,767 | -77% | 31 | $380 | $1,543,116 | 7 |
| Sep 27, 2019 | 62 | $7,021 | -40% | 15 | $468 | $1,559,555 | 8 |
| Oct 4, 2019 | 86 | $681 | -90% | 7 | $97 | $1,563,391 | 9 |
| Oct 11, 2019 | 80 | $614 | -10% | 4 | $154 | $1,564,265 | 10 |
| Oct 25, 2019 | 72 | $1,820 | 2 | $910 | $1,571,111 | 12 | |
| Nov 1, 2019 | 73 | $1,455 | -20% | 5 | $291 | $1,573,276 | 13 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 9, 2019 | 42 | $72,241 | 5 | $14,448 | $72,241 | 1 | |
| Aug 16, 2019 | 33 | $122,291 | +69% | 26 | $4,704 | $194,532 | 2 |
| Aug 23, 2019 | 28 | $222,829 | +82% | 81 | $2,751 | $417,361 | 3 |
| Aug 30, 2019 | 23 | $731,259 | +228% | 428 | $1,709 | $1,148,620 | 4 |
| Sep 6, 2019 | 25 | $300,023 | -59% | 283 | $1,060 | $1,448,643 | 5 |
| Sep 13, 2019 | 38 | $82,706 | -72% | 96 | $862 | $1,531,349 | 6 |
| Sep 20, 2019 | 55 | $21,185 | -74% | 31 | $683 | $1,552,534 | 7 |
| Sep 27, 2019 | 66 | $10,176 | -52% | 15 | $678 | $1,562,710 | 8 |
| Oct 4, 2019 | 90 | $941 | -91% | 7 | $134 | $1,563,651 | 9 |
| Oct 11, 2019 | 79 | $996 | +6% | 4 | $249 | $1,564,647 | 10 |
| Oct 18, 2019 | 69 | $4,644 | +366% | 5 | $929 | $1,569,291 | 11 |
| Oct 25, 2019 | 73 | $2,530 | -46% | 2 | $1,265 | $1,571,821 | 12 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 10/11/2019 | $17,945 | 30 | 30 | 30 | $28,927 | 11/17/2019 | |||
| Australia | 10/18/2019 | $1,144 | 4 | 98 | 322 | $294,746 | 1/7/2020 | |||
| Brazil | 9/20/2019 | $114,752 | 119 | 119 | 119 | $114,752 | 9/30/2019 | |||
| Italy | 6/15/2020 | $3,580 | 0 | 0 | 0 | $21,946 | 10/19/2022 | |||
| Lithuania | 10/11/2019 | $5,460 | 11 | 11 | 20 | $12,728 | 11/20/2019 | |||
| Mexico | 10/11/2019 | $150,013 | 0 | 0 | 0 | $292,566 | 10/19/2022 | |||
| Netherlands | 10/3/2019 | $59,920 | 45 | 45 | 135 | $173,191 | 10/19/2022 | |||
| New Zealand | 12/5/2019 | $339 | 1 | 42 | 147 | $49,232 | 10/19/2022 | |||
| Portugal | 10/18/2019 | $19,498 | 9 | 9 | 30 | $60,251 | 10/19/2022 | |||
| Russia (CIS) | 9/26/2019 | $62,996 | 369 | 369 | 496 | $95,549 | 10/19/2022 | |||
| South Korea | 4/23/2020 | $38,310 | 169 | 169 | 338 | $126,058 | 5/27/2020 | |||
| Turkey | 10/25/2019 | $2,578 | 14 | 15 | 30 | $9,567 | 10/19/2022 | |||
| United Kingdom | 11/1/2019 | $87,429 | 130 | 130 | 130 | $87,429 | 11/6/2019 | |||
| International Total | $1,366,942 | 10/19/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Julianne Moore | Theresa Young | |
| Michelle Williams | Isabel | |
| Billy Crudup | Oscar Carlson | |
| Abby Quinn | Grace Carlson |
Supporting
| Alex Esola | Jonathan | |
| Susan Blackwell | Gwen |
Lead Ensemble Member
| Vir Pachisia | Jai |
Supporting
| Kaizad Gandhi | Jaques | |
| Will Chase | Frank | |
| Eisa Davis | Tanya |
Production and Technical Credits
| Bart Freundlich | Director | |
| Bart Freundlich | Screenwriter | |
| Susanne Bier | Story by | |
| Anders Thomas Jensen | Story by | |
| Joel B. Michaels | Producer | |
| Harry Finkel | Producer | |
| Bart Freundlich | Producer | |
| Julianne Moore | Producer | |
| Silvio Muraglia | Producer | |
| Nik Bower | Executive Producer | |
| William Byerley | Executive Producer | |
| Bill Koenigsberg | Executive Producer | |
| Deepak Nayar | Executive Producer | |
| Andrea Scarso | Executive Producer | |
| Peter Touche | Executive Producer | |
| Michael Caton-Jones | Executive Producer | |
| Douglas Aibel | Casting Director | |
| Laura Katz | Music Supervisor | |
| Becky Glupczynski | Line Producer | |
| Arjun Bhasin | Costume Designer | |
| Grace Yun | Production Designer | |
| Mychael Danna | Composer | |
| Joseph Krings | Editor | |
| Julio Macat | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.