The Aftermath (2019)
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| Theatrical Performance | ||
| Domestic Box Office | $1,618,497 | Details |
| International Box Office | $6,623,918 | Details |
| Worldwide Box Office | $8,242,415 | |
| OpusData ID: 333950100 More info... | ||
| Further financial details... | ||
Synopsis
Rachael Morgan arrives in the ruins of Hamburg in the bitter winter, to be reunited with her husband Lewis, a British colonel charged with rebuilding the shattered city. But as they set off for their new home, Rachael is stunned to discover that Lewis has made an unexpected decision: They will be sharing the grand house with its previous owners, a German widower and his troubled daughter. In this charged atmosphere, enmity and grief give way to passion and betrayal.
Metrics
| Opening Weekend: | $56,419 (3.5% of total gross) |
| Legs: | 4.49 (domestic box office/biggest weekend) |
| Domestic Share: | 19.6% (domestic box office/worldwide) |
| Theater counts: | 5 opening theaters/344 max. theaters, 2.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $2,113,236 |
Movie Details
| Domestic Releases: | March 15th, 2019 (Limited) by Fox Searchlight |
| International Releases: | March 1st, 2019 (Wide) (United Kingdom)
March 21st, 2019 (Wide), released as La conseguenza (Italy) March 29th, 2019 (Wide) (Netherlands) March 29th, 2019 (Wide), released as Zranené srdcia (Slovakia) March 29th, 2019 (Wide), released as Zraněná srdce (Czech Republic) ... Show all releases |
| Video Release: | June 11th, 2019 by Fox Home Entertainment |
| MPA Rating: | R for sexual content/nudity, and violence including some disturbing images. (Rating bulletin 2499 (Cert #51288), 10/25/2017) |
| Running Time: | 109 minutes |
| Geographical setting: | Germany |
| Plot point: | Assassination, Betrayal, Death of a Son or Daughter, Infidelity, Post War, Relationships Gone Wrong |
| Social setting: | World War II |
| Time period setting: | 1940s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Fox Searchlight Pictures, BBC Films, Deutscher Filmfoerderfonds, Filmforderung Hamburg Schleswig-Holstein, Scott Free Films, Amusement Park, TSG Entertainment |
| Production Countries: | United Kingdom, Germany |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 15, 2019 | 48 | $56,419 | 5 | $11,284 | $56,419 | 1 | |
| Mar 22, 2019 | 30 | $120,728 | +114% | 26 | $4,643 | $200,982 | 2 |
| Mar 29, 2019 | 18 | $326,814 | +171% | 161 | $2,030 | $573,567 | 3 |
| Apr 5, 2019 | 17 | $360,106 | +10% | 344 | $1,047 | $1,088,679 | 4 |
| Apr 12, 2019 | 23 | $163,414 | -55% | 234 | $698 | $1,433,811 | 5 |
| Apr 19, 2019 | 41 | $49,451 | -70% | 86 | $575 | $1,561,707 | 6 |
| Apr 26, 2019 | 48 | $20,169 | -59% | 27 | $747 | $1,609,561 | 7 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 15, 2019 | - | $17,029 | 5 | $3,406 | $17,029 | 1 | ||
| Mar 16, 2019 | - | $23,467 | +38% | 5 | $4,693 | $40,496 | 2 | |
| Mar 17, 2019 | - | $15,923 | -32% | 5 | $3,185 | $56,419 | 3 | |
| Mar 18, 2019 | - | $5,771 | -64% | 5 | $1,154 | $62,190 | 4 | |
| Mar 19, 2019 | - | $6,340 | +10% | 5 | $1,268 | $68,530 | 5 | |
| Mar 20, 2019 | - | $5,938 | -6% | 5 | $1,188 | $74,468 | 6 | |
| Mar 21, 2019 | - | $5,786 | -3% | 5 | $1,157 | $80,254 | 7 | |
| Mar 22, 2019 | - | $32,632 | +464% | +92% | 26 | $1,255 | $112,886 | 8 |
| Mar 23, 2019 | - | $54,670 | +68% | +133% | 26 | $2,103 | $167,556 | 9 |
| Mar 24, 2019 | - | $33,426 | -39% | +110% | 26 | $1,286 | $200,982 | 10 |
| Mar 25, 2019 | - | $9,995 | -70% | +73% | 26 | $384 | $210,977 | 11 |
| Mar 26, 2019 | - | $13,728 | +37% | +117% | 26 | $528 | $224,705 | 12 |
| Mar 27, 2019 | - | $12,139 | -12% | +104% | 26 | $467 | $236,844 | 13 |
| Mar 28, 2019 | - | $9,909 | -18% | +71% | 26 | $381 | $246,753 | 14 |
| Mar 29, 2019 | - | $96,172 | +871% | +195% | 161 | $597 | $342,925 | 15 |
| Mar 30, 2019 | - | $137,513 | +43% | +152% | 161 | $854 | $480,438 | 16 |
| Mar 31, 2019 | - | $93,129 | -32% | +179% | 161 | $578 | $573,567 | 17 |
| Apr 1, 2019 | - | $32,515 | -65% | +225% | 161 | $202 | $606,082 | 18 |
| Apr 2, 2019 | - | $50,635 | +56% | +269% | 161 | $315 | $656,717 | 19 |
| Apr 3, 2019 | - | $38,177 | -25% | +214% | 161 | $237 | $694,894 | 20 |
| Apr 4, 2019 | - | $33,679 | -12% | +240% | 161 | $209 | $728,573 | 21 |
| Apr 5, 2019 | - | $111,174 | +230% | +16% | 344 | $323 | $839,747 | 22 |
| Apr 6, 2019 | - | $153,858 | +38% | +12% | 344 | $447 | $993,605 | 23 |
| Apr 7, 2019 | - | $95,074 | -38% | +2% | 344 | $276 | $1,088,679 | 24 |
| Apr 8, 2019 | - | $38,588 | -59% | +19% | 344 | $112 | $1,127,267 | 25 |
| Apr 9, 2019 | - | $57,563 | +49% | +14% | 344 | $167 | $1,184,830 | 26 |
| Apr 10, 2019 | - | $44,276 | -23% | +16% | 344 | $129 | $1,229,106 | 27 |
| Apr 11, 2019 | - | $41,291 | -7% | +23% | 344 | $120 | $1,270,397 | 28 |
| Apr 12, 2019 | - | $44,617 | +8% | -60% | 234 | $191 | $1,315,014 | 29 |
| Apr 13, 2019 | - | $73,976 | +66% | -52% | 234 | $316 | $1,388,990 | 30 |
| Apr 14, 2019 | - | $44,821 | -39% | -53% | 234 | $192 | $1,433,811 | 31 |
| Apr 15, 2019 | - | $17,907 | -60% | -54% | 234 | $77 | $1,451,718 | 32 |
| Apr 16, 2019 | - | $25,876 | +45% | -55% | 234 | $111 | $1,477,594 | 33 |
| Apr 17, 2019 | - | $15,544 | -40% | -65% | 234 | $66 | $1,493,138 | 34 |
| Apr 18, 2019 | - | $19,118 | +23% | -54% | 234 | $82 | $1,512,256 | 35 |
| Apr 19, 2019 | - | $15,042 | -21% | -66% | 85 | $177 | $1,527,298 | 36 |
| Apr 20, 2019 | - | $21,892 | +46% | -70% | 85 | $258 | $1,549,190 | 37 |
| Apr 21, 2019 | - | $12,517 | -43% | -72% | 85 | $147 | $1,561,707 | 38 |
| Apr 22, 2019 | - | $6,411 | -49% | -64% | 85 | $75 | $1,568,118 | 39 |
| Apr 23, 2019 | - | $8,109 | +26% | -69% | 85 | $95 | $1,576,227 | 40 |
| Apr 24, 2019 | - | $6,706 | -17% | -57% | 85 | $79 | $1,582,933 | 41 |
| Apr 25, 2019 | - | $6,459 | -4% | -66% | 85 | $76 | $1,589,392 | 42 |
| Apr 26, 2019 | - | $5,868 | -9% | -61% | 27 | $217 | $1,595,260 | 43 |
| Apr 27, 2019 | - | $9,180 | +56% | -58% | 27 | $340 | $1,604,440 | 44 |
| Apr 28, 2019 | - | $5,121 | -44% | -59% | 27 | $190 | $1,609,561 | 45 |
| Apr 29, 2019 | - | $1,895 | -63% | -70% | 27 | $70 | $1,611,456 | 46 |
| Apr 30, 2019 | - | $2,909 | +54% | -64% | 27 | $108 | $1,614,365 | 47 |
| May 1, 2019 | - | $2,158 | -26% | -68% | 27 | $80 | $1,616,523 | 48 |
| May 2, 2019 | - | $1,974 | -9% | -69% | 27 | $73 | $1,618,497 | 49 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 15, 2019 | 47 | $80,254 | 5 | $16,051 | $80,254 | 1 | |
| Mar 22, 2019 | 32 | $166,499 | +107% | 26 | $6,404 | $246,753 | 2 |
| Mar 29, 2019 | 18 | $481,820 | +189% | 161 | $2,993 | $728,573 | 3 |
| Apr 5, 2019 | 16 | $541,824 | +12% | 344 | $1,575 | $1,270,397 | 4 |
| Apr 12, 2019 | 26 | $241,859 | -55% | 234 | $1,034 | $1,512,256 | 5 |
| Apr 19, 2019 | 40 | $77,136 | -68% | 85 | $907 | $1,589,392 | 6 |
| Apr 26, 2019 | 48 | $29,105 | -62% | 27 | $1,078 | $1,618,497 | 7 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 4/12/2019 | $36,963 | 58 | 58 | 80 | $63,154 | 5/18/2019 | |||
| Australia | 4/12/2019 | $354,276 | 108 | 150 | 746 | $1,445,105 | 6/4/2019 | |||
| Czech Republic | 3/29/2019 | $19,888 | 84 | 84 | 95 | $31,046 | 4/9/2019 | |||
| France | 5/3/2019 | $335,864 | 157 | 157 | 471 | $715,591 | 5/24/2019 | |||
| Italy | 3/21/2019 | $176,368 | 0 | 19 | 26 | $296,539 | 4/19/2019 | |||
| Lithuania | 5/3/2019 | $11,974 | 62 | 62 | 74 | $22,951 | 5/14/2019 | |||
| Mexico | 5/17/2019 | $94,051 | 0 | 0 | 0 | $94,051 | 5/20/2019 | |||
| Netherlands | 3/29/2019 | $66,446 | 67 | 68 | 194 | $192,442 | 4/15/2019 | |||
| Portugal | 4/19/2019 | $50,166 | 34 | 34 | 98 | $157,864 | 5/28/2019 | |||
| Russia (CIS) | 4/25/2019 | $168,962 | 389 | 389 | 902 | $401,476 | 5/18/2019 | |||
| Slovakia | 3/29/2019 | $12,599 | 53 | 53 | 75 | $23,742 | 4/16/2019 | |||
| Spain | 4/12/2019 | $240,899 | 183 | 199 | 490 | $664,579 | 5/9/2019 | |||
| United Kingdom | 3/1/2019 | $787,594 | 562 | 562 | 1,688 | $2,515,378 | 4/4/2026 | |||
| International Total | $6,623,918 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Keira Knightley | Rachael Morgan | |
| Alexander Skarsgård | Stefan Lubert | |
| Jason Clarke | Lewis Morgan |
Supporting
| Ned Wills | Boy on Train | |
| Pandora Colin | Mother on Train | |
| Anna Schimrigk | Heike | |
| Jack Laskey | Wilkins | |
| Fionn O’Shea | Barker | |
| Kate Phillips | Susan | |
| Martin Compston | Burnham | |
| Mirco Kuball | Soldier | |
| Rosa Enskat | Greta | |
| Frederick Preston | Michael Morgan | |
| Flora Li Thiemann* | Freda Lubert | |
| Monika Foris | German Woman | |
| Logan Hillier | British Captain | |
| Jannik Schumann | Albert | |
| Jim High | British Soldier | |
| Roman Vejdovec | Dentist | |
| Halka Jerabek Tresnakova | Hausfrau | |
| Henry Pettigrew | Donnell | |
| Tom Bell | Captain Eliot | |
| Joseph Arkley | Captain Thompson | |
| Abigail Rice | Pamela | |
| Naomi Frederick | Celia | |
| Ivan Shvedoff | Colonel Kutov | |
| Alexander Scheer | Siegfried Leitmann | |
| Pip Torrens | General Brook |
Production and Technical Credits
| James Kent | Director | |
| Joe Shrapnel | Screenwriter | |
| Anna Waterhouse | Screenwriter | |
| Rhidian Brook | Screenwriter | |
| Rhidian Brook | Story based on the novel ‘The Aftermath’ by | |
| Jack Arbuthnott | Producer | |
| Malte Grunert | Producer | |
| Ridley Scott | Executive Producer | |
| Joe Oppenheimer | Executive Producer | |
| Beth Pattinson | Executive Producer | |
| Carlo Dusi | Executive Producer | |
| Sarah-Jane Wheale | Line Producer | |
| Franz Lustig | Director of Photography | |
| Sonja Klaus | Production Designer | |
| Beverley Mills | Editor | |
| Bojana Nikitovic | Costume Designer | |
| Martin Phipps | Composer | |
| Nina Gold | Casting Director | |
| Jan Brandt | Unit Production Manager | |
| Susanna Lenton | Script Supervisor | |
| Klaus Dohle | Associate Producer | |
| Roland Winke | Sound Mixer | |
| Danny Sheehan | Sound Supervisor | |
| Matthew Collinge | Sound Supervisor | |
| Jack Arbuthnott | Second Unit Director | |
| Lucienne Suren | Supervising Art Director | |
| Jiri Matura | Art Director | |
| Monica Alberte | Set Decorator | |
| Marketa Prochazkova | Costume Supervisor | |
| Charlie Thorne | First Assistant Editor | |
| William Blunden | First Assistant Editor | |
| Simone Bar | Casting Director | |
| Arwa Salmanova | Casting Director | |
| Paul Cotterell | Re-recording Mixer | |
| Matthew Collinge | Re-recording Mixer | |
| Keith Partridge | Foley Mixer | |
| Rob Turner | Foley Editor | |
| Peter Wiemker | Special Effects Supervisor | |
| Michael Reuter | Visual Effects Executive Producer | |
| Sebastian Barker | Visual Effects Supervisor | |
| John Lockwood | Visual Effects Supervisor | |
| Olga Fitzroy | Score Recordist | |
| Olga Fitzroy | Score Mixer | |
| Martin Phipps | Score Producer | |
| Al Green | Music Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Rachael Morgan arrives in the ruins of Hamburg in the bitter winter, to be reunited with her husband Lewis, a British colonel charged with rebuilding the shattered city. But as they set off for their new home, Rachael is stunned to discover that Lewis has made an unexpected decision: They will be sharing the grand house with its previous owners, a German widower and his troubled daughter. In this charged atmosphere, enmity and grief give way to passion and betrayal.
Metrics
| Opening Weekend: | $56,419 (3.5% of total gross) |
| Legs: | 4.49 (domestic box office/biggest weekend) |
| Domestic Share: | 19.6% (domestic box office/worldwide) |
| Theater counts: | 5 opening theaters/344 max. theaters, 2.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $2,113,236 |
Movie Details
| Domestic Releases: | March 15th, 2019 (Limited) by Fox Searchlight |
| International Releases: | March 1st, 2019 (Wide) (United Kingdom)
March 21st, 2019 (Wide), released as La conseguenza (Italy) March 29th, 2019 (Wide) (Netherlands) March 29th, 2019 (Wide), released as Zranené srdcia (Slovakia) March 29th, 2019 (Wide), released as Zraněná srdce (Czech Republic) ... Show all releases |
| Video Release: | June 11th, 2019 by Fox Home Entertainment |
| MPA Rating: | R for sexual content/nudity, and violence including some disturbing images. (Rating bulletin 2499 (Cert #51288), 10/25/2017) |
| Running Time: | 109 minutes |
| Geographical setting: | Germany |
| Plot point: | Assassination, Betrayal, Death of a Son or Daughter, Infidelity, Post War, Relationships Gone Wrong |
| Social setting: | World War II |
| Time period setting: | 1940s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Fox Searchlight Pictures, BBC Films, Deutscher Filmfoerderfonds, Filmforderung Hamburg Schleswig-Holstein, Scott Free Films, Amusement Park, TSG Entertainment |
| Production Countries: | United Kingdom, Germany |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 15, 2019 | 48 | $56,419 | 5 | $11,284 | $56,419 | 1 | |
| Mar 22, 2019 | 30 | $120,728 | +114% | 26 | $4,643 | $200,982 | 2 |
| Mar 29, 2019 | 18 | $326,814 | +171% | 161 | $2,030 | $573,567 | 3 |
| Apr 5, 2019 | 17 | $360,106 | +10% | 344 | $1,047 | $1,088,679 | 4 |
| Apr 12, 2019 | 23 | $163,414 | -55% | 234 | $698 | $1,433,811 | 5 |
| Apr 19, 2019 | 41 | $49,451 | -70% | 86 | $575 | $1,561,707 | 6 |
| Apr 26, 2019 | 48 | $20,169 | -59% | 27 | $747 | $1,609,561 | 7 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 15, 2019 | - | $17,029 | 5 | $3,406 | $17,029 | 1 | ||
| Mar 16, 2019 | - | $23,467 | +38% | 5 | $4,693 | $40,496 | 2 | |
| Mar 17, 2019 | - | $15,923 | -32% | 5 | $3,185 | $56,419 | 3 | |
| Mar 18, 2019 | - | $5,771 | -64% | 5 | $1,154 | $62,190 | 4 | |
| Mar 19, 2019 | - | $6,340 | +10% | 5 | $1,268 | $68,530 | 5 | |
| Mar 20, 2019 | - | $5,938 | -6% | 5 | $1,188 | $74,468 | 6 | |
| Mar 21, 2019 | - | $5,786 | -3% | 5 | $1,157 | $80,254 | 7 | |
| Mar 22, 2019 | - | $32,632 | +464% | +92% | 26 | $1,255 | $112,886 | 8 |
| Mar 23, 2019 | - | $54,670 | +68% | +133% | 26 | $2,103 | $167,556 | 9 |
| Mar 24, 2019 | - | $33,426 | -39% | +110% | 26 | $1,286 | $200,982 | 10 |
| Mar 25, 2019 | - | $9,995 | -70% | +73% | 26 | $384 | $210,977 | 11 |
| Mar 26, 2019 | - | $13,728 | +37% | +117% | 26 | $528 | $224,705 | 12 |
| Mar 27, 2019 | - | $12,139 | -12% | +104% | 26 | $467 | $236,844 | 13 |
| Mar 28, 2019 | - | $9,909 | -18% | +71% | 26 | $381 | $246,753 | 14 |
| Mar 29, 2019 | - | $96,172 | +871% | +195% | 161 | $597 | $342,925 | 15 |
| Mar 30, 2019 | - | $137,513 | +43% | +152% | 161 | $854 | $480,438 | 16 |
| Mar 31, 2019 | - | $93,129 | -32% | +179% | 161 | $578 | $573,567 | 17 |
| Apr 1, 2019 | - | $32,515 | -65% | +225% | 161 | $202 | $606,082 | 18 |
| Apr 2, 2019 | - | $50,635 | +56% | +269% | 161 | $315 | $656,717 | 19 |
| Apr 3, 2019 | - | $38,177 | -25% | +214% | 161 | $237 | $694,894 | 20 |
| Apr 4, 2019 | - | $33,679 | -12% | +240% | 161 | $209 | $728,573 | 21 |
| Apr 5, 2019 | - | $111,174 | +230% | +16% | 344 | $323 | $839,747 | 22 |
| Apr 6, 2019 | - | $153,858 | +38% | +12% | 344 | $447 | $993,605 | 23 |
| Apr 7, 2019 | - | $95,074 | -38% | +2% | 344 | $276 | $1,088,679 | 24 |
| Apr 8, 2019 | - | $38,588 | -59% | +19% | 344 | $112 | $1,127,267 | 25 |
| Apr 9, 2019 | - | $57,563 | +49% | +14% | 344 | $167 | $1,184,830 | 26 |
| Apr 10, 2019 | - | $44,276 | -23% | +16% | 344 | $129 | $1,229,106 | 27 |
| Apr 11, 2019 | - | $41,291 | -7% | +23% | 344 | $120 | $1,270,397 | 28 |
| Apr 12, 2019 | - | $44,617 | +8% | -60% | 234 | $191 | $1,315,014 | 29 |
| Apr 13, 2019 | - | $73,976 | +66% | -52% | 234 | $316 | $1,388,990 | 30 |
| Apr 14, 2019 | - | $44,821 | -39% | -53% | 234 | $192 | $1,433,811 | 31 |
| Apr 15, 2019 | - | $17,907 | -60% | -54% | 234 | $77 | $1,451,718 | 32 |
| Apr 16, 2019 | - | $25,876 | +45% | -55% | 234 | $111 | $1,477,594 | 33 |
| Apr 17, 2019 | - | $15,544 | -40% | -65% | 234 | $66 | $1,493,138 | 34 |
| Apr 18, 2019 | - | $19,118 | +23% | -54% | 234 | $82 | $1,512,256 | 35 |
| Apr 19, 2019 | - | $15,042 | -21% | -66% | 85 | $177 | $1,527,298 | 36 |
| Apr 20, 2019 | - | $21,892 | +46% | -70% | 85 | $258 | $1,549,190 | 37 |
| Apr 21, 2019 | - | $12,517 | -43% | -72% | 85 | $147 | $1,561,707 | 38 |
| Apr 22, 2019 | - | $6,411 | -49% | -64% | 85 | $75 | $1,568,118 | 39 |
| Apr 23, 2019 | - | $8,109 | +26% | -69% | 85 | $95 | $1,576,227 | 40 |
| Apr 24, 2019 | - | $6,706 | -17% | -57% | 85 | $79 | $1,582,933 | 41 |
| Apr 25, 2019 | - | $6,459 | -4% | -66% | 85 | $76 | $1,589,392 | 42 |
| Apr 26, 2019 | - | $5,868 | -9% | -61% | 27 | $217 | $1,595,260 | 43 |
| Apr 27, 2019 | - | $9,180 | +56% | -58% | 27 | $340 | $1,604,440 | 44 |
| Apr 28, 2019 | - | $5,121 | -44% | -59% | 27 | $190 | $1,609,561 | 45 |
| Apr 29, 2019 | - | $1,895 | -63% | -70% | 27 | $70 | $1,611,456 | 46 |
| Apr 30, 2019 | - | $2,909 | +54% | -64% | 27 | $108 | $1,614,365 | 47 |
| May 1, 2019 | - | $2,158 | -26% | -68% | 27 | $80 | $1,616,523 | 48 |
| May 2, 2019 | - | $1,974 | -9% | -69% | 27 | $73 | $1,618,497 | 49 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 15, 2019 | 47 | $80,254 | 5 | $16,051 | $80,254 | 1 | |
| Mar 22, 2019 | 32 | $166,499 | +107% | 26 | $6,404 | $246,753 | 2 |
| Mar 29, 2019 | 18 | $481,820 | +189% | 161 | $2,993 | $728,573 | 3 |
| Apr 5, 2019 | 16 | $541,824 | +12% | 344 | $1,575 | $1,270,397 | 4 |
| Apr 12, 2019 | 26 | $241,859 | -55% | 234 | $1,034 | $1,512,256 | 5 |
| Apr 19, 2019 | 40 | $77,136 | -68% | 85 | $907 | $1,589,392 | 6 |
| Apr 26, 2019 | 48 | $29,105 | -62% | 27 | $1,078 | $1,618,497 | 7 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 4/12/2019 | $36,963 | 58 | 58 | 80 | $63,154 | 5/18/2019 | |||
| Australia | 4/12/2019 | $354,276 | 108 | 150 | 746 | $1,445,105 | 6/4/2019 | |||
| Czech Republic | 3/29/2019 | $19,888 | 84 | 84 | 95 | $31,046 | 4/9/2019 | |||
| France | 5/3/2019 | $335,864 | 157 | 157 | 471 | $715,591 | 5/24/2019 | |||
| Italy | 3/21/2019 | $176,368 | 0 | 19 | 26 | $296,539 | 4/19/2019 | |||
| Lithuania | 5/3/2019 | $11,974 | 62 | 62 | 74 | $22,951 | 5/14/2019 | |||
| Mexico | 5/17/2019 | $94,051 | 0 | 0 | 0 | $94,051 | 5/20/2019 | |||
| Netherlands | 3/29/2019 | $66,446 | 67 | 68 | 194 | $192,442 | 4/15/2019 | |||
| Portugal | 4/19/2019 | $50,166 | 34 | 34 | 98 | $157,864 | 5/28/2019 | |||
| Russia (CIS) | 4/25/2019 | $168,962 | 389 | 389 | 902 | $401,476 | 5/18/2019 | |||
| Slovakia | 3/29/2019 | $12,599 | 53 | 53 | 75 | $23,742 | 4/16/2019 | |||
| Spain | 4/12/2019 | $240,899 | 183 | 199 | 490 | $664,579 | 5/9/2019 | |||
| United Kingdom | 3/1/2019 | $787,594 | 562 | 562 | 1,688 | $2,515,378 | 4/4/2026 | |||
| International Total | $6,623,918 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Keira Knightley | Rachael Morgan | |
| Alexander Skarsgård | Stefan Lubert | |
| Jason Clarke | Lewis Morgan |
Supporting
| Ned Wills | Boy on Train | |
| Pandora Colin | Mother on Train | |
| Anna Schimrigk | Heike | |
| Jack Laskey | Wilkins | |
| Fionn O’Shea | Barker | |
| Kate Phillips | Susan | |
| Martin Compston | Burnham | |
| Mirco Kuball | Soldier | |
| Rosa Enskat | Greta | |
| Frederick Preston | Michael Morgan | |
| Flora Li Thiemann* | Freda Lubert | |
| Monika Foris | German Woman | |
| Logan Hillier | British Captain | |
| Jannik Schumann | Albert | |
| Jim High | British Soldier | |
| Roman Vejdovec | Dentist | |
| Halka Jerabek Tresnakova | Hausfrau | |
| Henry Pettigrew | Donnell | |
| Tom Bell | Captain Eliot | |
| Joseph Arkley | Captain Thompson | |
| Abigail Rice | Pamela | |
| Naomi Frederick | Celia | |
| Ivan Shvedoff | Colonel Kutov | |
| Alexander Scheer | Siegfried Leitmann | |
| Pip Torrens | General Brook |
Production and Technical Credits
| James Kent | Director | |
| Joe Shrapnel | Screenwriter | |
| Anna Waterhouse | Screenwriter | |
| Rhidian Brook | Screenwriter | |
| Rhidian Brook | Story based on the novel ‘The Aftermath’ by | |
| Jack Arbuthnott | Producer | |
| Malte Grunert | Producer | |
| Ridley Scott | Executive Producer | |
| Joe Oppenheimer | Executive Producer | |
| Beth Pattinson | Executive Producer | |
| Carlo Dusi | Executive Producer | |
| Sarah-Jane Wheale | Line Producer | |
| Franz Lustig | Director of Photography | |
| Sonja Klaus | Production Designer | |
| Beverley Mills | Editor | |
| Bojana Nikitovic | Costume Designer | |
| Martin Phipps | Composer | |
| Nina Gold | Casting Director | |
| Jan Brandt | Unit Production Manager | |
| Susanna Lenton | Script Supervisor | |
| Klaus Dohle | Associate Producer | |
| Roland Winke | Sound Mixer | |
| Danny Sheehan | Sound Supervisor | |
| Matthew Collinge | Sound Supervisor | |
| Jack Arbuthnott | Second Unit Director | |
| Lucienne Suren | Supervising Art Director | |
| Jiri Matura | Art Director | |
| Monica Alberte | Set Decorator | |
| Marketa Prochazkova | Costume Supervisor | |
| Charlie Thorne | First Assistant Editor | |
| William Blunden | First Assistant Editor | |
| Simone Bar | Casting Director | |
| Arwa Salmanova | Casting Director | |
| Paul Cotterell | Re-recording Mixer | |
| Matthew Collinge | Re-recording Mixer | |
| Keith Partridge | Foley Mixer | |
| Rob Turner | Foley Editor | |
| Peter Wiemker | Special Effects Supervisor | |
| Michael Reuter | Visual Effects Executive Producer | |
| Sebastian Barker | Visual Effects Supervisor | |
| John Lockwood | Visual Effects Supervisor | |
| Olga Fitzroy | Score Recordist | |
| Olga Fitzroy | Score Mixer | |
| Martin Phipps | Score Producer | |
| Al Green | Music Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.